https://www.gottliebfoundation.org/blog daily 0.75 2026-02-12 https://www.gottliebfoundation.org/blog/2026/2/12/from-the-archives-the-millburn-ark-curtain monthly 0.5 2026-02-12 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1770912619672-ZLK3SLVQ97D5TADKMIDA/unnamed.jpg Blog - From the Archives: The Millburn Ark Curtain https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1770912621089-YGMJRXERSWSBD5G8LNI4/unnamed+%281%29.jpg Blog - From the Archives: The Millburn Ark Curtain https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1770913017738-QQCJSIQHZWMD3P0R2Y7D/unnamed+%282%29.jpg Blog - From the Archives: The Millburn Ark Curtain https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1770913018729-E13YF1CJOS293UHQBM59/unnamed+%283%29.jpg Blog - From the Archives: The Millburn Ark Curtain https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1770913389136-Y33RQE10X2VB5MML14LR/unnamed+%284%29.jpg Blog - From the Archives: The Millburn Ark Curtain https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1770913389171-ELET0OD1314YTWTBNC2P/unnamed+%285%29.jpg Blog - From the Archives: The Millburn Ark Curtain https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1770913485835-ZDFHANW7BEF3NB9M61HA/unnamed+%286%29.jpg Blog - From the Archives: The Millburn Ark Curtain https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1770913494228-PD5P3RLI0N4OO846M0LM/unnamed+%281%29.png Blog - From the Archives: The Millburn Ark Curtain https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1770913553807-N8E33ZPH6IHRO9T3LHJ4/unnamed+%287%29.jpg Blog - From the Archives: The Millburn Ark Curtain https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1770913560603-SGZ1I4JXZAL784I3ISSB/unnamed+%282%29.png Blog - From the Archives: The Millburn Ark Curtain https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1770913600186-E2OIW2RY727A4HNVN2YD/unnamed+%288%29.jpg Blog - From the Archives: The Millburn Ark Curtain https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1770913606785-LIGI4WRAQESFM7RTBBBP/unnamed+%289%29.jpg Blog - From the Archives: The Millburn Ark Curtain https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1770913691519-FRYABLNRWMCW8EARUTDO/unnamed+%283%29.png Blog - From the Archives: The Millburn Ark Curtain https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1770913697231-EWK6DR2ZPL99BMKTIJUM/unnamed+%284%29.png Blog - From the Archives: The Millburn Ark Curtain https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1770913702363-SI32OX55XH4WGDAVJI8M/unnamed+%285%29.png Blog - From the Archives: The Millburn Ark Curtain https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1770913763050-NBZNITRVDQQ8S1Q78QDI/unnamed+%2810%29.jpg Blog - From the Archives: The Millburn Ark Curtain https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1770913763099-FANGBB0D7X2GCHDG3WRE/unnamed+%2811%29.jpg Blog - From the Archives: The Millburn Ark Curtain https://www.gottliebfoundation.org/blog/2025/9/12/individual-support-grant-recipient-forum-artist-residencies monthly 0.5 2025-09-12 https://www.gottliebfoundation.org/blog/2025/6/4/a-guide-to-gottliebrothko-the-realist-years-at-125-newbury monthly 0.5 2025-06-04 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/9865585a-5b30-483a-b521-54187dd0efb8/unnamed+%2829%29.jpg Blog - A Companion Guide to "Gottlieb/Rothko: The Realist Years" at 125 Newbury https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/fe5411f4-0496-46d9-ad88-ee0cf030003b/unnamed+%2830%29.jpg Blog - A Companion Guide to "Gottlieb/Rothko: The Realist Years" at 125 Newbury https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/5bbebdbc-023e-4a17-9efe-e4ceee9e7eba/unnamed+%2831%29.jpg Blog - A Companion Guide to "Gottlieb/Rothko: The Realist Years" at 125 Newbury - Make it stand out Mark Rothko, Entrance to Subway {Subway Station/ Subway Scene}, 1938 © 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/b426ab7f-a435-442d-bf8f-d991c07ae6f4/unnamed+%2832%29.jpg Blog - A Companion Guide to "Gottlieb/Rothko: The Realist Years" at 125 Newbury - Make it stand out Adolph Gottlieb, South Ferry Waiting Room, c. 1929, oil on cotton, 36 x 45" © 2025 Adolph and Esther Gottlieb Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/d631c4ef-ffd2-4464-805f-d66f4857bb92/unnamed+%2833%29.jpg Blog - A Companion Guide to "Gottlieb/Rothko: The Realist Years" at 125 Newbury - Make it stand out Adolph Gottlieb (seated at left) with Emil, Rhoda, Elsie, and Edna Gottlieb in their New York apartment. October 1930. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/7c43af82-d34d-46cb-89cf-afacf47357b5/unnamed+%2834%29.jpg Blog - A Companion Guide to "Gottlieb/Rothko: The Realist Years" at 125 Newbury - Make it stand out An advertisement for a short story anthology featuring a quote from Adolph Gottlieb as a high school student, c. 1918. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/3d662f69-78cc-4405-90d9-554b2ecfff0e/unnamed+%2835%29.jpg Blog - A Companion Guide to "Gottlieb/Rothko: The Realist Years" at 125 Newbury - Make it stand out Adolph Gottlieb, Untitled (Portrait of Emil), c. 1934, oil on canvas, 33 7/8 x 26". Emil Gottlieb was Adolph Gottlieb's father. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/f8159d63-174f-4f0c-ba97-055e30f63935/1922_Unknown_Europe_01.jpg Blog - A Companion Guide to "Gottlieb/Rothko: The Realist Years" at 125 Newbury - Make it stand out Adolph Gottlieb and his mother, Elsie, returning to New York, 1922. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1524857352275-0KEBLT7RN1YQAZNXXIDK/1925+-+Gottlieb+and+friends+in+Central+Park.jpg Blog - A Companion Guide to "Gottlieb/Rothko: The Realist Years" at 125 Newbury - Make it stand out Barnett Newman, Adolph Gottlieb, Alex Borodulin, Otto Soglow, and unidentified friend in Central Park, c. 1925. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/18dce7d1-c9a0-415f-8788-e1f9cdd87755/unnamed+%2837%29.jpg Blog - A Companion Guide to "Gottlieb/Rothko: The Realist Years" at 125 Newbury - Make it stand out John Sloan class photo, 1924. Adolph Gottlieb is pictured in the rear, standing above the crowd. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/04f30c95-f668-46bd-8e78-f06a8aa31b87/unnamed+%2838%29.jpg Blog - A Companion Guide to "Gottlieb/Rothko: The Realist Years" at 125 Newbury - Make it stand out Adolph Gottlieb at 27 years of age in his family's New York apartment, October 1930. Visible on wall: Adolph Gottlieb, Portrait, c. 1923, oil on canvas, 23 1/16 x 17 1/8" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/d749160b-647c-4a12-8cb8-30658bf551e4/unnamed+%2839%29.jpg Blog - A Companion Guide to "Gottlieb/Rothko: The Realist Years" at 125 Newbury - Make it stand out A review of Gottlieb's first solo exhibition at Dudensing Gallery by Alexander Borodulin, May 25, 1930. Borodulin can be seen in the above photograph and in the painting Untitled (Alex with Mandolin), c. 1930. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/d907d5d6-b852-4a98-a85f-9e530d57766b/unnamed+%2840%29.jpg Blog - A Companion Guide to "Gottlieb/Rothko: The Realist Years" at 125 Newbury - Make it stand out Adolph Gottlieb, Untitled (Alex with Mandolin), c. 1930, oil on linen, 19 7/8 x 16" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/e7d0e4f4-335a-41aa-842e-e2f0518d2404/unnamed+%2841%29.jpg Blog - A Companion Guide to "Gottlieb/Rothko: The Realist Years" at 125 Newbury - Make it stand out Adolph Gottlieb, Aaron Siskind, c. 1927, oil on canvas, 27 1/16 x 19 13/16" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/d04731ef-3bed-43bb-9c83-e7ed44ac8644/unnamed+%2842%29.jpg Blog - A Companion Guide to "Gottlieb/Rothko: The Realist Years" at 125 Newbury - Make it stand out Newly married Adolph and Esther Gottlieb on the roof of Adolph Gottlieb's parents' apartment building at 845 West End Ave., September 1932. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/f1acaf05-bf7a-4e24-a564-6a8abc1ea640/unnamed+%2843%29.jpg Blog - A Companion Guide to "Gottlieb/Rothko: The Realist Years" at 125 Newbury - Make it stand out Adolph Gottlieb, Esther, 1931, oil on canvas, 19 x 24" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/712f59dd-9af6-4257-a739-2eb52555fffd/unnamed+%2844%29.jpg Blog - A Companion Guide to "Gottlieb/Rothko: The Realist Years" at 125 Newbury - Make it stand out Adolph Gottlieb on the beach in Cape Ann, 1934. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/27acb6a1-99ca-464c-9e99-93665d62de24/unnamed+%2845%29.jpg Blog - A Companion Guide to "Gottlieb/Rothko: The Realist Years" at 125 Newbury - Make it stand out Adolph and Esther Gottlieb sailing off Cape Ann, c. 1934. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/c9bc7520-965e-41b0-b6cc-a8a9b3d03bda/unnamed+%2846%29.jpg Blog - A Companion Guide to "Gottlieb/Rothko: The Realist Years" at 125 Newbury - Make it stand out Adolph Gottlieb, Seated Nude, 1934, oil on canvas, 39 9/16 x 35 1/2" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/3d2e6505-c6a2-41b4-b88e-c964a90348ba/unnamed+%2847%29.jpg Blog - A Companion Guide to "Gottlieb/Rothko: The Realist Years" at 125 Newbury - Make it stand out Adolph Gottlieb, Untitled (Portrait-Leopard Coat), 1934, oil on canvas, 33 5/8 x 25 9/16" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/d69e8148-ee85-4705-90c2-48dc3caf4173/1936+-+Adolph+Gottlieb+and+Milton+Avery+in+Three+Bridges+NJ.jpg Blog - A Companion Guide to "Gottlieb/Rothko: The Realist Years" at 125 Newbury - Make it stand out Adolph Gottlieb (left) and Milton Avery (right) in Three Bridges, NJ, Summer 1936. https://www.gottliebfoundation.org/blog/2025/5/16/2025-individual-support-grant-recipients-announced monthly 0.5 2025-05-16 https://www.gottliebfoundation.org/blog/2025/1/8/adolph-gottlieb-a-powerful-will-to-art monthly 0.5 2025-01-08 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/f89fe2ac-5843-48da-87b1-eb6fa13b60e8/unnamed+%2819%29.jpg Blog - "Adolph Gottlieb: A Powerful Will to Art" - Make it stand out Printing the monograph at Trifolio, Verona, Italy, September 2024, Photo by Anna Tonolli. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/39a8d2d4-356e-4b93-ab90-c00e0b1d3378/GRMandCO_Books_112924+187.jpg Blog - "Adolph Gottlieb: A Powerful Will to Art" - Make it stand out Front cover of the publication Adolph Gottlieb: A Powerful Will to Art. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/d750b211-789a-4e2f-8285-958f89f04b61/GRMandCO_Books_112924+186.jpg Blog - "Adolph Gottlieb: A Powerful Will to Art" - Make it stand out Back cover of the publication Adolph Gottlieb: A Powerful Will to Art https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/47db51aa-b507-43d9-9dd4-e4fa6c7b302c/unnamed+%2822%29.jpg Blog - "Adolph Gottlieb: A Powerful Will to Art" - Make it stand out Color proofing plates in the monograph with Sanford Hirsch and Julia Ma of Miko McGinty Design at Trifolio, Verona, Italy, September 2024, Photo by Anna Tonolli. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/5ba4bc73-ebcb-460b-a2f9-3682624e3859/unnamed+%2823%29.jpg Blog - "Adolph Gottlieb: A Powerful Will to Art" - Make it stand out Color proofing plates in the monograph with Sanford Hirsch and Julia Ma of Miko McGinty Design at Trifolio, Verona, Italy, September 2024, Photo by Anna Tonolli. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1fedcf5c-0cfc-43b7-a580-734a5a4d712b/unnamed+%2824%29.jpg Blog - "Adolph Gottlieb: A Powerful Will to Art" - Make it stand out Pages of the monograph seen at Trifolio on the first day of printing, September 2024. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/cf81222b-9f8b-4ae9-aac7-8f0856f99337/unnamed+%2825%29.jpg Blog - "Adolph Gottlieb: A Powerful Will to Art" - Make it stand out Pages of the monograph seen at Trifolio on the final day of printing, September 2024. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/3cd108c0-76c6-4b6e-97d0-63aaa5c6780c/unnamed.gif Blog - "Adolph Gottlieb: A Powerful Will to Art" - Make it stand out Printing pages of the monograph at Trifolio, September 2024. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/21fd102d-06ec-4f76-b556-a7f88e9ab262/unnamed+%2826%29.jpg Blog - "Adolph Gottlieb: A Powerful Will to Art" - Make it stand out The monograph cover printed at Trifolio, September 2024. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/eb0a6d48-0f0c-4eb2-8d70-27238b1de899/unnamed+%2827%29.jpg Blog - "Adolph Gottlieb: A Powerful Will to Art" - Make it stand out The monograph cover printed at Trifolio with Ciaky the dog, September 2024. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/44494a38-45c9-4786-a0ec-9b5091727a50/unnamed+%2828%29.jpg Blog - "Adolph Gottlieb: A Powerful Will to Art" - Make it stand out Team members from Trifolio Press, Miko McGinty Design, and the Adolph and Esther Gottlieb Foundation on the final day of printing at Trifolio, Verona, Italy, September 2024. Front row (left to right): Massimo Tonolli, Claudio Lovato, Anna Tonolli Back row (left to right): Damiano Manara, Nicola Oliboni, Oumar Dia, Federico Cristanelli, Sanford Hirsch, Silvia Zanetti, Julia Ma, Michela Zanetti, Alessandro Tosi, Luca Velsanti https://www.gottliebfoundation.org/blog/2024/3/26/from-the-archives-five-questions-with-adolph-gottlieb-for-the-christian-science-monitor-1972 monthly 0.5 2024-03-26 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1624726101749-89DXBCPD5K6Z9S7HRUHD/7201.JPG Blog - From the Archives: Five Questions with Adolph Gottlieb for the Christian Science Monitor, 1972 - Make it stand out One of the four paintings exhibited in Abstract Painting in the 70s at the Museum of Fine Arts Boston, Adolph Gottlieb, Red vs. Blue, 1972, acrylic on canvas, 90 x 108" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1f762e7c-af58-4f79-8ffc-a9d877bb5c09/unnamed.jpg Blog - From the Archives: Five Questions with Adolph Gottlieb for the Christian Science Monitor, 1972 - Make it stand out Adolph Gottlieb at 22nd Street studio, New York City, c. 1965. Photographer: Robert Estrin https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1e42cef7-532d-4424-9c8e-38c0c3251913/unnamed+%281%29.jpg Blog - From the Archives: Five Questions with Adolph Gottlieb for the Christian Science Monitor, 1972 - Make it stand out One of the four paintings exhibited in Abstract Painting in the 70s at the Museum of Fine Arts Boston, Adolph Gottlieb, Lake, 1971, acrylic on canvas, 90 x 108" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/d41550e5-f471-4c82-8638-875902f9221b/unnamed+%282%29.jpg Blog - From the Archives: Five Questions with Adolph Gottlieb for the Christian Science Monitor, 1972 - Make it stand out Cimabue, The Virgin and Child in Majesty Surrounded by Six Angels, c. 1275, Collection of Musée du Louvre © 1997 RMN-Grand Palais (Musée du Louvre) / Hervé Lewandowski https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/26a50ba2-603e-4670-a799-bf316ccae055/unnamed+%283%29.jpg Blog - From the Archives: Five Questions with Adolph Gottlieb for the Christian Science Monitor, 1972 - Make it stand out Adolph Gottlieb, Pictograph, 1942, oil on canvas, 48 x 36“ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/3ba19e02-6272-421e-84cd-36862ad5b0e9/unnamed+%284%29.jpg Blog - From the Archives: Five Questions with Adolph Gottlieb for the Christian Science Monitor, 1972 - Make it stand out Paul Cézanne, Madame Cézanne (Hortense Fiquet), 1891. Oil on canvas; 36 ¼ x 28 ¾”, The Metropolitan Museum of Art, Bequest of Stephen C. Clark, 1960 (61.101.2) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/65f9082d-dc35-4fe3-be10-73935dadb7df/unnamed+%285%29.jpg Blog - From the Archives: Five Questions with Adolph Gottlieb for the Christian Science Monitor, 1972 - Make it stand out Adolph Gottlieb, Esther, 1931, oil on canvas, 19 x 24" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/4e0667ab-785c-4b4c-b9fb-e2c9053bb7b0/unnamed+%286%29.jpg Blog - From the Archives: Five Questions with Adolph Gottlieb for the Christian Science Monitor, 1972 - Make it stand out Adolph Gottlieb in his 23rd Street Studio, 1960. Photographer: Guy Weill. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/e5ce8988-4fb6-40f1-94c4-c1eace5b8932/Cezanne+und+Hodler_edited.jpg Blog - From the Archives: Five Questions with Adolph Gottlieb for the Christian Science Monitor, 1972 - Make it stand out Title page of a book from Adolph Gottlieb's personal library: Burger, Fritz. Cezanne und Hodler: Eifuehrung in Die Probleme Der Malerei Gegenwart, Munich: Delphia Verlag, 1920. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/a658573f-8e2c-4ab7-9565-3922239cdb9c/Cezanne+und+Hodler_interior2_edited.jpg Blog - From the Archives: Five Questions with Adolph Gottlieb for the Christian Science Monitor, 1972 - Make it stand out A sketch made by the artist on the inside cover, c. 1922. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/a65060d9-d9f9-4724-a64e-da12ef3219e8/Joyce_PortraiofttheArtist_titlepage_edited.jpg Blog - From the Archives: Five Questions with Adolph Gottlieb for the Christian Science Monitor, 1972 - Make it stand out Title page of a book from Adolph Gottlieb's personal library. Joyce, James. A Portrait of the Artist as a Young Man, New York: B. W. Huebsch, 1917. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/e0b16192-6315-40d9-91a0-fbeaca0ec8bc/Freud_Psychoanalysis_titlepage_edited.jpg Blog - From the Archives: Five Questions with Adolph Gottlieb for the Christian Science Monitor, 1972 - Make it stand out Title page of a book from Adolph Gottlieb's personal library. Freud, Sigmund. A General Introduction to Psychoanalysis, Garden City: Garden City Publishing Company, Inc., 1943. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/552043fa-5501-476c-a3f8-8ded258f2da6/unnamed+%287%29.jpg Blog - From the Archives: Five Questions with Adolph Gottlieb for the Christian Science Monitor, 1972 - Make it stand out Letter from Susan Drysdale to Adolph Gottlieb including questions for the artist to answer for an article in The Christian Science Monitor, March 31, 1972. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/e7156fd2-b2a5-4482-aedb-8cad73ae2897/unnamed+%288%29.jpg Blog - From the Archives: Five Questions with Adolph Gottlieb for the Christian Science Monitor, 1972 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/310a3b4e-41ed-4eec-ba10-07698c388574/unnamed+%289%29.jpg Blog - From the Archives: Five Questions with Adolph Gottlieb for the Christian Science Monitor, 1972 - Make it stand out Gottlieb's responses to Drysdale's questions, April 10, 1972. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/be46d152-414e-482b-924a-d2a36fed3bfb/unnamed+%2811%29.jpg Blog - From the Archives: Five Questions with Adolph Gottlieb for the Christian Science Monitor, 1972 - Make it stand out Drysdale, Susan. "Abstract ‘Artmaking’ in the ‘70s", Christian Science Monitor, April 24, 1972 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/8a0d9bb0-834e-4fb6-90ce-242c18f94cf8/unnamed+%2812%29.jpg Blog - From the Archives: Five Questions with Adolph Gottlieb for the Christian Science Monitor, 1972 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/78c27ae0-ed67-437f-a6e8-24b85714eac0/unnamed+%2810%29.jpg Blog - From the Archives: Five Questions with Adolph Gottlieb for the Christian Science Monitor, 1972 - Make it stand out Installation image of Abstract Painting in the 70s (April 14 – May 12, 1972) at the Museum of Fine Arts, Boston. Adolph Gottlieb's Curtain (1971) is pictured to the right of the door frame. https://www.gottliebfoundation.org/blog/2024/1/12/a-photo-essay-adolph-gottlieb-portraits-by-aaron-siskind monthly 0.5 2024-01-12 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/11e29802-2a89-4147-9114-e3c3579ff6d3/unnamed.jpg Blog - A Photo Essay: Adolph Gottlieb Portraits by Aaron Siskind - Make it stand out Adolph Gottlieb, Aaron Siskind, c. 1927, oil on canvas, 27 1/16 x 19 13/16" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/df37e6c3-6020-492e-ba3c-09edb293b32a/unnamed+%281%29.jpg Blog - A Photo Essay: Adolph Gottlieb Portraits by Aaron Siskind - Make it stand out Adolph Gottlieb in his home/studio in Brooklyn with pieces from his African art collection, 1942, © Aaron Siskind Foundation. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/f4002430-c5f3-4099-9444-c505653f6cb4/unnamed+%282%29.jpg Blog - A Photo Essay: Adolph Gottlieb Portraits by Aaron Siskind - Make it stand out Adolph Gottlieb in his home/studio in Brooklyn with paintings including Reflection (1941) and Pictograph (1942), 1942, © Aaron Siskind Foundation. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/f83d2443-9a6c-484e-a2bc-a4fed4a1b800/unnamed+%283%29.jpg Blog - A Photo Essay: Adolph Gottlieb Portraits by Aaron Siskind - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/95ed67af-f314-4b16-861a-997fad42697f/unnamed+%284%29.jpg Blog - A Photo Essay: Adolph Gottlieb Portraits by Aaron Siskind - Make it stand out Adolph Gottlieb, Reflection, 1941, oil on linen, 20 x 16 1/16" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/59f5c360-cf40-440d-a477-c5fb5e70665e/unnamed+%285%29.jpg Blog - A Photo Essay: Adolph Gottlieb Portraits by Aaron Siskind - Make it stand out Adolph Gottlieb, Pictograph, 1942, oil on canvas, 48 x 36" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/a88e814b-905d-44e8-9064-d4d15e6d31e2/unnamed+%286%29.jpg Blog - A Photo Essay: Adolph Gottlieb Portraits by Aaron Siskind - Make it stand out Adolph Gottlieb in his home/studio in Brooklyn in front of Pictograph - Symbol (1942), 1942, © Aaron Siskind Foundation https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/ec3db7ac-af2f-4b44-a8b4-fddc082e36c2/unnamed+%287%29.jpg Blog - A Photo Essay: Adolph Gottlieb Portraits by Aaron Siskind - Make it stand out Adolph Gottlieb, Pictograph - Symbol, 1942, oil on canvas, 54 x 40", Collection of the Art Institute of Chicago. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/5200888d-de4d-4f2d-bfc6-2efa80aa1475/unnamed+%288%29.jpg Blog - A Photo Essay: Adolph Gottlieb Portraits by Aaron Siskind - Make it stand out Aaron Siskind, Gloucester Rocks 3, 1944, Gelatin silver print, © Aaron Siskind Foundation, Philadelphia Museum of Art. https://www.gottliebfoundation.org/blog/2023/11/15/from-the-archives-adolph-gottlieb-and-milton-avery monthly 0.5 2024-08-22 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/33d67c99-21e9-4254-a73a-0fbece57fc12/unnamed+%281%29.jpg Blog - From the Archive: Adolph Gottlieb and Milton Avery - Make it stand out Shown: Adolph Gottlieb (left) and Milton Avery (right) in Three Bridges, NJ, Summer 1936. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/147b151e-60fb-4060-b6ce-59c967e46b6d/unnamed+%283%29.jpg Blog - From the Archive: Adolph Gottlieb and Milton Avery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/16be3156-e565-43d5-a801-14dacd17c625/unnamed+%282%29.jpg Blog - From the Archive: Adolph Gottlieb and Milton Avery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/eafae4ba-12aa-4ed4-84d2-31b860e05aa3/unnamed+%284%29.jpg Blog - From the Archive: Adolph Gottlieb and Milton Avery - Make it stand out Shown: A letter from Milton Avery to Gottlieb in 1962 after Gottlieb suffered a heart attack, December 1962. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/27a5e672-6665-4783-9745-09da74ea5dbe/unnamed+%285%29.jpg Blog - From the Archive: Adolph Gottlieb and Milton Avery - Make it stand out A letter from Milton Avery to Director Martin Friedman about Gottlieb's exhibition at The Walker Art Center, January 28, 1963. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/2c447e3e-51fb-4f2e-9174-9733945ac853/unnamed+%286%29.jpg Blog - From the Archive: Adolph Gottlieb and Milton Avery - Make it stand out A letter from Milton and Sally Avery to Adolph and Esther Gottlieb congratulating them on Gottlieb's exhibition at The Walker Art Center, May 24, 1963. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/d46cf446-6c07-4837-8a02-a60eb65e1b67/unnamed+%287%29.jpg Blog - From the Archive: Adolph Gottlieb and Milton Avery - Make it stand out A letter from Adolph Gottlieb to Adelyn Breeskin of the Baltimore Museum of Art including a statement on Avery's work to include in a publication, September 25, 1959 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/3de8a3ef-3cab-49e9-81b2-458d82fc3269/unnamed+%288%29.jpg Blog - From the Archive: Adolph Gottlieb and Milton Avery - Make it stand out Adolph Gottlieb's statement on Avery sent to Jack Fader of Gallery Reese Palley to include in the forward for the catalogue for their Milton Avery retrospective, May 29, 1968. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1ac0a36b-75d5-491c-8615-298171368180/unnamed+%281%29.png Blog - From the Archive: Adolph Gottlieb and Milton Avery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/af5f84dc-1498-4cc7-bf22-a1a316405b2b/unnamed+%289%29.jpg Blog - From the Archive: Adolph Gottlieb and Milton Avery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/9cca0de5-a927-4861-aee3-eda206864e98/unnamed+%282%29.png Blog - From the Archive: Adolph Gottlieb and Milton Avery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/b446f63c-633f-4312-a72c-ed774bbf4b05/unnamed+%2812%29.jpg Blog - From the Archive: Adolph Gottlieb and Milton Avery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/d5fd3458-91a1-49a9-826a-c791ef389feb/unnamed+%2810%29.jpg Blog - From the Archive: Adolph Gottlieb and Milton Avery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/f46e89a2-84d3-467a-b518-082d216d098c/unnamed+%2811%29.jpg Blog - From the Archive: Adolph Gottlieb and Milton Avery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/4f5d15bc-50b6-4a70-805c-356dd34b8dba/unnamed+%2813%29.jpg Blog - From the Archive: Adolph Gottlieb and Milton Avery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/9fa967ee-7677-4bd5-8ee0-84261d3a9a2e/unnamed+%2814%29.jpg Blog - From the Archive: Adolph Gottlieb and Milton Avery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1ef57e5d-4990-4f49-adcc-1c9293593fea/unnamed+%2815%29.jpg Blog - From the Archive: Adolph Gottlieb and Milton Avery - Make it stand out Milton Avery, Tangerine Moon and Wine Dark Sea, 1959, oil on canvas, 60 x 72", Milton Avery Trust. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/3f09cae9-9a9f-4abb-810c-daa2b762dd8c/unnamed+%2816%29.jpg Blog - From the Archive: Adolph Gottlieb and Milton Avery - Make it stand out Shown: Adolph Gottlieb, Hot Horizon, 1956, oil on canvas, 50 x 72", Yale University Art Gallery. https://www.gottliebfoundation.org/blog/2023/9/19/a-closer-look-adolph-gottliebs-stained-glass-faade-of-the-milton-steinberg-house monthly 0.5 2023-09-22 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/ff2bac98-e505-46fe-a722-c60ec3cb1ecd/unnamed.jpg Blog - A Closer Look: Adolph Gottlieb's Stained Glass Façade of the Milton Steinberg House - Make it stand out Detailed photograph of the interior of the Rabbi's office, c. 1954. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/82f0d56f-1efa-4cf4-9226-68954f3a0da4/unnamed+%281%29.jpg Blog - A Closer Look: Adolph Gottlieb's Stained Glass Façade of the Milton Steinberg House - Make it stand out Adolph Gottlieb, Proposal for Steinberg House, c. 1953, gouache and pencil on presentation board, image size = 39 1/2 x 26" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/c639cea2-936d-4c76-8187-baf84b1b2825/unnamed+%283%29.jpg Blog - A Closer Look: Adolph Gottlieb's Stained Glass Façade of the Milton Steinberg House - Make it stand out Adolph Gottlieb, Proposal For Steinberg House, c. 1953, ink, pencil, gouache, and metallic paint on presentation board, image size = 36 1/2 x 21 3/4, board size= 36 1/2 x 28” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/705f67fb-a1eb-425d-805d-c8977dfcf580/unnamed+%282%29.jpg Blog - A Closer Look: Adolph Gottlieb's Stained Glass Façade of the Milton Steinberg House - Make it stand out Adolph Gottlieb, Untitled (Proposal for the Steinberg House Windows), c. 1953, gouache and ink on illustration board, 29 7/8 x 20" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/e841cd0f-586f-476b-adda-073962e969ad/unnamed+%284%29.jpg Blog - A Closer Look: Adolph Gottlieb's Stained Glass Façade of the Milton Steinberg House - Make it stand out Adolph Gottlieb, Untitled (Study for Steinberg House Windows), c.1953, ink, pencil, and gouache on presentation board, image size = 11 3/16 x 28” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/e77e21a4-20b5-4944-9fbe-020778327284/unnamed+%285%29.jpg Blog - A Closer Look: Adolph Gottlieb's Stained Glass Façade of the Milton Steinberg House - Make it stand out Adolph Gottlieb in his studio with drawings for the Steinberg House façade, c.1953-1954 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/349581ed-eebf-456c-916e-35fc5d6964d3/unnamed+%286%29.jpg Blog - A Closer Look: Adolph Gottlieb's Stained Glass Façade of the Milton Steinberg House - Make it stand out Adolph Gottlieb in his Provincetown studio with studies for the Milton Steinberg House, Summer 1953. Photographer: Maurice Berezov. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/c5ad28ee-0da0-44c0-ba3d-6ddb3ff5ccf5/unnamed+%287%29.jpg Blog - A Closer Look: Adolph Gottlieb's Stained Glass Façade of the Milton Steinberg House - Make it stand out Adolph Gottlieb in his Provincetown studio with studies for the Milton Steinberg House, Summer 1953. Photographer: Maurice Berezov. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/f70bb310-2cf5-440e-924a-0b424e02eec7/unnamed+%288%29.jpg Blog - A Closer Look: Adolph Gottlieb's Stained Glass Façade of the Milton Steinberg House - Make it stand out Adolph Gottlieb, Untitled (Study for Steinberg House Windows), c. 1953, ink, crayon, gouache, and pencil on paper, 5 1/2 x 17” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/61e91571-8eba-4365-ac1d-a859572bd77c/unnamed+%289%29.jpg Blog - A Closer Look: Adolph Gottlieb's Stained Glass Façade of the Milton Steinberg House - Make it stand out Adolph Gottlieb, Untitled (Study for Steinberg House Windows), c. 1953, pencil, ink, and watercolor on paper, 5 1/2 x 17" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/e740c2a0-ee3f-4df4-bd80-33acb5ae4789/unnamed+%2810%29.jpg Blog - A Closer Look: Adolph Gottlieb's Stained Glass Façade of the Milton Steinberg House - Make it stand out Adolph Gottlieb, Untitled (Study for Steinberg House Windows), c. 1953, pencil, ink, and watercolor on paper, 5 1/2 x 17” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/d9451856-c975-4e4e-9a1c-500135ed0ad7/unnamed+%2811%29.jpg Blog - A Closer Look: Adolph Gottlieb's Stained Glass Façade of the Milton Steinberg House - Make it stand out Adolph Gottlieb, Untitled (Study for Steinberg House Windows), c. 1953, pencil, ink, and watercolor on paper, 5 1/2 x 17” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/45b9b14b-dacc-48de-8efd-1c60615cd505/unnamed+%2812%29.jpg Blog - A Closer Look: Adolph Gottlieb's Stained Glass Façade of the Milton Steinberg House - Make it stand out Adolph Gottlieb and Otto Heinigke from Heinigke & Smith looking over templates for Steinberg House façade windows, c. 1953. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/749efde4-5469-4fa3-b3d2-69bd267ade7f/unnamed+%2813%29.jpg Blog - A Closer Look: Adolph Gottlieb's Stained Glass Façade of the Milton Steinberg House - Make it stand out Adolph Gottlieb at Heinigke & Smith looking over templates for Steinberg House façade windows, c. 1953. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/313a8bac-4a2f-4752-925c-7bd4e369b7ba/unnamed+%2814%29.jpg Blog - A Closer Look: Adolph Gottlieb's Stained Glass Façade of the Milton Steinberg House - Make it stand out Adolph Gottlieb in the studio at Heinigke & Smith inspecting stained glass for Steinberg House façade, c. 1953-1954. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/e126db29-9b6c-40a3-9cf5-a66e68a452fa/unnamed+%2815%29.jpg Blog - A Closer Look: Adolph Gottlieb's Stained Glass Façade of the Milton Steinberg House - Make it stand out Adolph Gottlieb in the studio at Heinigke & Smith with stained glass artisans working on Steinberg House façade. Photo taken for Life Magazine, c. 1953-1954. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/f7a9b5b5-a3c3-44f7-95fc-80ca8a157698/unnamed+%2816%29.jpg Blog - A Closer Look: Adolph Gottlieb's Stained Glass Façade of the Milton Steinberg House - Make it stand out Program for Milton Steinberg House Dedication, September 19, 1954. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/bce0e388-330a-4398-a636-d8b4454e0133/unnamed+%2817%29.jpg Blog - A Closer Look: Adolph Gottlieb's Stained Glass Façade of the Milton Steinberg House - Make it stand out Adolph Gottlieb's notes preparing for a Q & A talk on the Steinberg House façade, 1954. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/55d3840e-0b68-4ff3-b882-b0e6ea708b11/unnamed+%2818%29.jpg Blog - A Closer Look: Adolph Gottlieb's Stained Glass Façade of the Milton Steinberg House - Make it stand out Adolph Gottlieb's notes preparing for a Q & A talk on the Steinberg House façade, 1954. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/85ea1152-628f-4df1-99d5-f374445eeb99/unnamed+%2819%29.jpg Blog - A Closer Look: Adolph Gottlieb's Stained Glass Façade of the Milton Steinberg House - Make it stand out Photographs of the completed Milton Steinberg House façade, c. 1954. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/896c8fc5-a14c-4d5e-aaf2-f83dadca9d6b/unnamed+%2820%29.jpg Blog - A Closer Look: Adolph Gottlieb's Stained Glass Façade of the Milton Steinberg House - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.gottliebfoundation.org/blog/2023/6/8/a-closer-look-adolph-gottliebs-partisan-review-cover monthly 0.5 2023-06-14 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/c3075ddd-1dbf-4f7a-bf5e-2d29da89741a/unnamed+%284%29.png Blog - A Closer Look: Adolph Gottlieb's Partisan Review Cover https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/adf35f9a-768b-432e-8124-ab9d5dd5d961/unnamed+%2817%29.jpg Blog - A Closer Look: Adolph Gottlieb's Partisan Review Cover https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/9316179d-3150-4ca9-b8bf-c2184f03273a/unnamed.jpg Blog - A Closer Look: Adolph Gottlieb's Partisan Review Cover - Make it stand out Adolph Gottlieb, Untitled (Study for Partisan Review Cover), 1969, gouache on paper, 7 15/16 x 5 3/8 inches. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/4459ae24-5eae-4969-9fcc-c8d5f5766749/unnamed+%281%29.jpg Blog - A Closer Look: Adolph Gottlieb's Partisan Review Cover - Make it stand out Adolph Gottlieb, Untitled (Study for Partisan Review Cover), 1969, gouache and acrylic on paper, mounted on canvasboard, 7 15/16 x 5 3/8 inches. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/357247a9-1530-4dc2-afba-a958869bba58/unnamed+%282%29.jpg Blog - A Closer Look: Adolph Gottlieb's Partisan Review Cover - Make it stand out Adolph Gottlieb, Untitled (Study for Partisan Review Cover), 1969, gouache on paper, 9 x 6 inches. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/4d44233f-3d97-4263-bed0-f2c6a518cbd8/unnamed+%283%29.jpg Blog - A Closer Look: Adolph Gottlieb's Partisan Review Cover - Make it stand out Installation photos of “Adolph Gottlieb: Small Images Spanning Four Decades 1938–1973” at Manny Silverman Gallery, April 1995. Three untitled studies for the cover of Partisan Review (all 1969). https://www.gottliebfoundation.org/blog/2023/4/5/from-the-archives-photos-of-adolph-and-esther-gottlieb-throughout-the-years monthly 0.5 2024-08-22 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/d0f77b25-59da-4ad8-9d2f-adc0cbd2be60/unnamed+%284%29.jpg Blog - From the Archive: Photos of Adolph and Esther Gottlieb Throughout the Years - Make it stand out Shown: Adolph and Esther Gottlieb in Provincetown, 1952. Photographer: Maurice Berezov. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/bccdbfee-81c9-4052-b45a-917f98dec6ff/unnamed+%285%29.jpg Blog - From the Archive: Photos of Adolph and Esther Gottlieb Throughout the Years https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/b92437e3-233b-449f-abec-dcaa34ec2c61/unnamed+%286%29.jpg Blog - From the Archive: Photos of Adolph and Esther Gottlieb Throughout the Years https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/0ce9f7b1-1c3c-4081-801d-8e82f1054e89/unnamed+%288%29.jpg Blog - From the Archive: Photos of Adolph and Esther Gottlieb Throughout the Years https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/157ad52a-866f-4ec5-a02a-9ec8c7e5adcf/unnamed+%2812%29.jpg Blog - From the Archive: Photos of Adolph and Esther Gottlieb Throughout the Years https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/19ada283-81f2-4774-bf6e-b8f8d44206f2/unnamed+%2810%29.jpg Blog - From the Archive: Photos of Adolph and Esther Gottlieb Throughout the Years https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/34ec2670-a2b3-40aa-a66e-9ff09853bbd0/unnamed+%289%29.jpg Blog - From the Archive: Photos of Adolph and Esther Gottlieb Throughout the Years https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/97c4ebf2-b0f6-43bc-bd6c-b5a7dc03bf75/unnamed+%287%29.jpg Blog - From the Archive: Photos of Adolph and Esther Gottlieb Throughout the Years https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/a6fb86b5-dc70-4fed-b70e-4fd169caef18/unnamed+%2811%29.jpg Blog - From the Archive: Photos of Adolph and Esther Gottlieb Throughout the Years https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/4dd2c742-6fe6-44bd-940c-89b054db6a79/unnamed+%2813%29.jpg Blog - From the Archive: Photos of Adolph and Esther Gottlieb Throughout the Years - Make it stand out Adolph and Esther Gottlieb sailing in Provincetown, 1952, Contact sheet. Photographer: Maurice Berezov. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/814b2df9-2750-487d-944c-b893c67f73e4/unnamed+%2814%29.jpg Blog - From the Archive: Photos of Adolph and Esther Gottlieb Throughout the Years https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/506d9945-c162-4062-97cf-1b0189e05775/unnamed+%2818%29.jpg Blog - From the Archive: Photos of Adolph and Esther Gottlieb Throughout the Years https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/6fa77993-3f6f-4c05-998f-dde4dc79ce8d/unnamed+%2816%29.jpg Blog - From the Archive: Photos of Adolph and Esther Gottlieb Throughout the Years - Make it stand out Adolph and Esther Gottlieb in the foyer of their East Hampton home, c. 1964-1966. Photographer: John F. Waggaman. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/89e6e834-0b07-498c-922b-9fccd0d7328c/unnamed+%2817%29.jpg Blog - From the Archive: Photos of Adolph and Esther Gottlieb Throughout the Years https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/ef2ed63b-77c7-4a24-bfdb-0a28870a6895/unnamed+%2815%29.jpg Blog - From the Archive: Photos of Adolph and Esther Gottlieb Throughout the Years https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/5210f5c4-ea9c-4165-8b83-91cec247061a/unnamed+%2820%29.jpg Blog - From the Archive: Photos of Adolph and Esther Gottlieb Throughout the Years https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/5190ab60-a1f6-45b2-82b7-3111e91c5d60/unnamed+%2819%29.jpg Blog - From the Archive: Photos of Adolph and Esther Gottlieb Throughout the Years https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/8b72e908-a327-496d-83cc-13683c9a0c55/unnamed+%2822%29.jpg Blog - From the Archive: Photos of Adolph and Esther Gottlieb Throughout the Years https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/a0d34ca9-74e5-44b9-b50d-560648e9f91c/unnamed+%2821%29.jpg Blog - From the Archive: Photos of Adolph and Esther Gottlieb Throughout the Years https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/ec3445bd-0bc4-445a-a88b-5320312ff8d5/unnamed+%2823%29.jpg Blog - From the Archive: Photos of Adolph and Esther Gottlieb Throughout the Years - Make it stand out Adolph and Esther Gottlieb in the East Hampton studio with Roman III #3 and Burst 1973 (both 1973), Summer 1973. https://www.gottliebfoundation.org/blog/2023/2/7/from-the-archives-marin-friedman-and-adolph-gottlieb monthly 0.5 2024-08-22 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/568d7b5f-1265-4229-84c7-c74fbd76f42b/unnamed+%2820%29.jpg Blog - From the Archive: Martin Friedman and Adolph Gottlieb - Make it stand out Shown: Martin Friedman standing in front of Trio (1960) by Adolph Gottlieb. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/f8ad87ee-7079-4c88-9016-914011582e61/unnamed+%2821%29.jpg Blog - From the Archive: Martin Friedman and Adolph Gottlieb - Make it stand out Shown: A letter to Adolph Gottlieb from Martin Friedman outlining the plans for the 1963 exhibition of Gottlieb's work, June 18, 1962. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/f7e6dcb8-f691-4054-b259-74aa01883f32/unnamed+%2822%29.jpg Blog - From the Archive: Martin Friedman and Adolph Gottlieb - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/5c3e4f16-e0b3-48c1-96c1-1e01d6ba4e20/unnamed+%2824%29.jpg Blog - From the Archive: Martin Friedman and Adolph Gottlieb - Make it stand out Shown: An invitation to the opening preview of the exhibition at the Walker Art Center, April 27, 1963. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/d2867f54-17e4-46de-973e-831639e7ee42/unnamed+%2825%29.jpg Blog - From the Archive: Martin Friedman and Adolph Gottlieb - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/52b8114b-ac6a-43f4-9e91-927f01317aed/unnamed+%2826%29.jpg Blog - From the Archive: Martin Friedman and Adolph Gottlieb - Make it stand out Adolph Gottlieb: Recent Paintings opening, Walker Art Center April 28, 1963. Photos by Earl Chambers, Minneapolis, MN. Artwork pictured clockwise from top left: Red, Black, Gray. 1957, Exclamation, 1958, Trio 1960, Blue at Night, 1960, Aureole, 1959. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/f51b2f1e-f1af-4716-a7e0-8284487d3cb7/unnamed+%2827%29.jpg Blog - From the Archive: Martin Friedman and Adolph Gottlieb - Make it stand out Shown: The title page of the exhibition's catalogue. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/0cba7f22-494f-4777-b7da-caac25aaf97c/unnamed+%2828%29.jpg Blog - From the Archive: Martin Friedman and Adolph Gottlieb - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/b72573da-c38a-4961-896b-ce90e5c8edfe/unnamed+%2829%29.jpg Blog - From the Archive: Martin Friedman and Adolph Gottlieb - Make it stand out Shown: Photo of Bastille Day (1961) at Martin Friedman’s home, 1964. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/85ff89a3-9484-49c9-819e-14b409f4e77b/unnamed.png Blog - From the Archive: Martin Friedman and Adolph Gottlieb - Make it stand out Shown: Color image of Bastille Day, 1961, oil on canvas, 48 x 72" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/a517dbfb-5b4a-4f5e-8dd5-93ab04d94e77/unnamed+%2830%29.jpg Blog - From the Archive: Martin Friedman and Adolph Gottlieb - Make it stand out Shown: A thank you letter to Adolph Gottlieb from Martin Friedman for his gift of Bastille Day (1961), December 6, 1963. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/e351fec8-18da-4e5e-aa40-28ab1d268b5b/unnamed+%2831%29.jpg Blog - From the Archive: Martin Friedman and Adolph Gottlieb - Make it stand out Shown: A thank you letter from Mildred Friedman to the Gottliebs emphasizing their love of Bastille Day (1961), December 29, 1963. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/e501243b-4df8-4e02-825a-ac95cfc11ba2/unnamed+%2832%29.jpg Blog - From the Archive: Martin Friedman and Adolph Gottlieb - Make it stand out Shown: A postcard to the Gottliebs from Martin Friedman, June 24, 1964. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/da5811bd-f87b-4816-8134-39b7bf3e80ae/unnamed+%2833%29.jpg Blog - From the Archive: Martin Friedman and Adolph Gottlieb - Make it stand out Shown: A condolence letter from Martin Friedman to Esther Gottlieb after Adolph's death, March 20, 1974. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/ac797b6d-4a11-4ed3-a582-76c1a806606a/unnamed+%2834%29.jpg Blog - From the Archive: Martin Friedman and Adolph Gottlieb - Make it stand out Shown: A letter to Esther Gottlieb from Martin Friedman, February 14, 1981. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/25146666-c7d6-4780-bc92-f4b12d9dfc09/unnamed+%2835%29.jpg Blog - From the Archive: Martin Friedman and Adolph Gottlieb - Make it stand out Shown: Trio, 1960, oil on canvas, 60 x 90", Walker Art Center https://www.gottliebfoundation.org/blog/2022/12/13/from-the-archives-a-conversation-between-adolph-gottlieb-and-jack-breckenridge monthly 0.5 2024-08-22 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/409ed14f-d025-4a97-be45-f3650d79e757/unnamed.jpg Blog - From the Archive: A Conversation Between Adolph Gottlieb and Jack Breckenridge - Make it stand out Shown: Adolph Gottlieb at 380 W. Broadway, January 7, 1973. Photographer: Budd Studio https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1670930997835-XAGZFFCH6JA5V2HT5TOC/unnamed-2.jpg Blog - From the Archive: A Conversation Between Adolph Gottlieb and Jack Breckenridge https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1670930997970-XMN7AF2SFRLS0O0H94LH/unnamed-3.jpg Blog - From the Archive: A Conversation Between Adolph Gottlieb and Jack Breckenridge https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/cf430e00-8ea4-420d-99d1-0290ad0e5074/unnamed-4.jpg Blog - From the Archive: A Conversation Between Adolph Gottlieb and Jack Breckenridge - Make it stand out Adolph Gottlieb, Recurrent Apparition, 1946, oil on canvas, 37 x 55 x 1 3/4", Chazen Museum of Art. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/cb3829f6-e556-4958-92a0-e0013875705c/unnamed-5.jpg Blog - From the Archive: A Conversation Between Adolph Gottlieb and Jack Breckenridge - Make it stand out Shown: Adolph Gottlieb, Burma Red, 1973, oil and alkyd on canvas, 90 x 60" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1670931219613-8F663AF5U3FD6XVUDC8S/unnamed-6.jpg Blog - From the Archive: A Conversation Between Adolph Gottlieb and Jack Breckenridge https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1670931219700-DSN5DN4DN26XZZDPXL45/unnamed-7.jpg Blog - From the Archive: A Conversation Between Adolph Gottlieb and Jack Breckenridge https://www.gottliebfoundation.org/blog/2022/10/24/recently-discovered-photographs-of-adolph-gottlieb-by-robert-estrin monthly 0.5 2024-08-22 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/5de6a0b6-96ff-4034-8bdc-e91202602743/unnamed.jpg Blog - Recently Discovered Photographs of Adolph Gottlieb by Robert Estrin - Make it stand out Shown: Adolph Gottlieb at work in his 22nd Street studio, New York, NY, c. 1965, photography ©Robert Estrin https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1666631040437-VG5OZF9KZ5R32999X3PH/unnamed-2.jpg Blog - Recently Discovered Photographs of Adolph Gottlieb by Robert Estrin https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1666631046202-7EC90AXJU1S0QV58JQB0/unnamed-3.jpg Blog - Recently Discovered Photographs of Adolph Gottlieb by Robert Estrin https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1666631089144-9JXV3NAAN2QQG5HA7D82/unnamed-4.jpg Blog - Recently Discovered Photographs of Adolph Gottlieb by Robert Estrin https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1666631090312-R2M9U2Q7O76YS5Z80UZJ/unnamed-5.jpg Blog - Recently Discovered Photographs of Adolph Gottlieb by Robert Estrin https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/2075eeaf-c2fb-4414-a3aa-b9e5e60e5203/unnamed-6.jpg Blog - Recently Discovered Photographs of Adolph Gottlieb by Robert Estrin - Make it stand out Shown: Adolph Gottlieb at work in his 22nd Street studio, New York, NY, c. 1965, photography ©Robert Estrin https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1666630777918-7AUNGJ9GFUV6NGS32SAJ/unnamed-7.jpg Blog - Recently Discovered Photographs of Adolph Gottlieb by Robert Estrin Adolph Gottlieb Ambient Green 1962 oil on linen 90 x 72 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1666630779153-346TOSBU7SV2MEKVQFZD/unnamed-8.jpg Blog - Recently Discovered Photographs of Adolph Gottlieb by Robert Estrin Adolph Gottlieb Red and Blue 1962-65 oil on canvas 108 x 90 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1666630780746-87W4LYJJCM0ESV37Y0FY/unnamed-9.jpg Blog - Recently Discovered Photographs of Adolph Gottlieb by Robert Estrin Adolph Gottlieb Soft Blue - Soft Black 1960 oil on canvas 90 x 60 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/143a04ea-1a11-4c98-9dff-3aeb2ea529b1/unnamed-10.jpg Blog - Recently Discovered Photographs of Adolph Gottlieb by Robert Estrin - Make it stand out Shown: Adolph Gottlieb at work in his 22nd Street studio, New York, NY, c. 1965, photography ©Robert Estrin https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1666631203369-M4P10E73WK1K2X6E7ESA/unnamed-11.jpg Blog - Recently Discovered Photographs of Adolph Gottlieb by Robert Estrin - Shown: Adolph Gottlieb at work in his 22nd Street studio, New York, NY, c. 1965, photography ©Robert Estrin https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1666631204024-YHKYHSVSD7SSEFGVP0RA/unnamed-12.jpg Blog - Recently Discovered Photographs of Adolph Gottlieb by Robert Estrin https://www.gottliebfoundation.org/blog/2022/9/23/from-the-archives-adolph-gottlieb-and-mark-rothko monthly 0.5 2024-12-11 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/7a154c96-eb8d-4dc3-9821-ddd4c4205477/unnamed.jpg Blog - From the Archive: Adolph Gottlieb and Mark Rothko - Make it stand out Shown: Adolph Gottlieb (left) and Mark Rothko (right) at an unknown opening, March 6, 1961. Photographer: Fred McDarrah. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/7e1d9e0d-09fc-4bf5-a821-50250519bb3a/unnamed-2.jpg Blog - From the Archive: Adolph Gottlieb and Mark Rothko - Make it stand out Adolph Gottlieb, Mark Rothko, c. 1933-35, gouache, 20 x 16" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/9871e329-4815-48b0-a332-6b5e4931db2e/unnamed-3.jpg Blog - From the Archive: Adolph Gottlieb and Mark Rothko - Make it stand out Mark Rothko, [Seated man], 1937/39, graphite on bond paper, 5 1/2 x 4", (possibly Gottlieb). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/ca827322-e7bf-4bb9-8a16-541617ff0fdc/unnamed-4.jpg Blog - From the Archive: Adolph Gottlieb and Mark Rothko - Make it stand out Adolph Gottlieb, The Rape of Persephone, 1943, oil on canvas, 34 3/16 × 26 1/8", Collection of the Allen Memorial Art Museum. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/a39259e8-e852-4274-81fc-46c5689661b3/unnamed-5.jpg Blog - From the Archive: Adolph Gottlieb and Mark Rothko - Make it stand out Mark Rothko, The Syrian Bull, 1943, oil and graphite on canvas, 39 3/8 × 27 13/16", Collection of the Allen Memorial Art Museum © 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/c8ef508d-840a-459d-a1fd-ceec7918cd7c/unnamed-6.jpg Blog - From the Archive: Adolph Gottlieb and Mark Rothko - Make it stand out Edward Alden Jewell's review in the New York Times, June 1943. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/8e9eeb9e-86fe-4aa5-bcae-5ea028553a32/unnamed-7.jpg Blog - From the Archive: Adolph Gottlieb and Mark Rothko - Make it stand out Adolph Gottlieb and Mark Rothko's response to Edward Alden Jewell's review in the New York Times, June 7, 1943. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/8f1014b9-5094-4486-b5a7-2d0ada553d5b/unnamed-8.jpg Blog - From the Archive: Adolph Gottlieb and Mark Rothko - Make it stand out The Rape of Persephone (left) and The Syrian Bull (right) installed at the Allen Memorial Art Museum at Oberlin College in 2017. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/e891ed5d-8e45-484c-bd46-1c2172e4a18b/unnamed-9.jpg Blog - From the Archive: Adolph Gottlieb and Mark Rothko - Make it stand out Adolph Gottlieb, Eyes of Oedipus, 1941, oil on canvas, 32 1/4 x 25" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/28897928-3495-4ee9-9d50-90eee89a163f/unnamed-10.jpg Blog - From the Archive: Adolph Gottlieb and Mark Rothko - Make it stand out Mark Rothko, Leda, 1940/41, oil on canvas, 25 1/2 x 17 1/2" © 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/4f515b8b-da9c-4e86-bd1b-6a44d17f6635/Shutterstock_1950_Leen_Irascibles.jpg Blog - From the Archive: Adolph Gottlieb and Mark Rothko - Make it stand out Irascibles photo for Life Magazine, November 24, 1950. Photographer: Nina Leen, Life Picture Collection. Gottlieb is pictured in the back row, second from left. Rothko is pictured in the front row, seated at the right. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/3445ff20-0fa1-412b-9e37-97376dd2c92f/unnamed.png Blog - From the Archive: Adolph Gottlieb and Mark Rothko - Make it stand out Installation view of Adolph Gottlieb: Classic Paintings, The Pace Gallery, New York, NY 2/28/2019-4/13/2019, Artwork pictured (left to right): Adolph Gottlieb, Crest, 1959, oil on canvas, 108 x 90", Whitney Museum of American Art, Adolph Gottlieb, Aftermath, 1959, oil on linen, 108 x 90" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/58a77cd7-ffe3-420d-8d3f-8b0247f7aab2/unnamed-12.jpg Blog - From the Archive: Adolph Gottlieb and Mark Rothko - Make it stand out Mark Rothko, Rothko Chapel, 1964, Houston, TX. © Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York. https://www.gottliebfoundation.org/blog/2022/5/17/from-the-archives-adolph-gottliebs-yerington-nevada-post-office-mural monthly 0.5 2024-08-22 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/f1410dff-f337-46a3-9579-48f57ee80e51/unnamed+%282%29.jpg Blog - From the Archive: Adolph Gottlieb's Yerington, Nevada Post Office Mural - Make it stand out Image: The completed mural by Adolph Gottlieb, titled Homestead on the Prairie, 1939, installed in the Yerington, Nevada's post office, oil on canvas, 12 x 3 3/4 ft. Photographed in 2018 by Evan Kalish. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/a18659d3-89fa-4c52-92cc-a5c1f64bd5a1/unnamed+%283%29.jpg Blog - From the Archive: Adolph Gottlieb's Yerington, Nevada Post Office Mural - Make it stand out Image: Study For Yerington Post Office Mural, c.1939, mixed media on paper, unknown dimensions. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/3c3b9d7d-fed3-4edb-b05c-188b9e4cae17/unnamed+%284%29.jpg Blog - From the Archive: Adolph Gottlieb's Yerington, Nevada Post Office Mural - Make it stand out Image: Gottlieb's May 4th, 1940 letter written to the Federal Works Administration’s Section of Fine Arts Chief where he discusses the adjustments he plans to make to the size of the canvas which was originally intended for a post office in Arizona https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/5e81a787-4b12-4c84-8d48-c5ddc0110efa/unnamed+%285%29.jpg Blog - From the Archive: Adolph Gottlieb's Yerington, Nevada Post Office Mural - Make it stand out Image: Mr. Rowan's May 10th, 1940 reply. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1652799088566-X6T8TI8QNQXL0P6IA0KE/unnamed+%286%29.jpg Blog - From the Archive: Adolph Gottlieb's Yerington, Nevada Post Office Mural - 1940 letter from Adolph Gottlieb to the Federal Works Administration. Gottlieb raises his plan to rework the design which was originally intended for a post office in Arizona. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1652799096091-JQPHQOHOKV63USYVHTYS/unnamed+%287%29.jpg Blog - From the Archive: Adolph Gottlieb's Yerington, Nevada Post Office Mural https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1652799105200-WF34VJBIXGLD9EMJC17B/unnamed+%288%29.jpg Blog - From the Archive: Adolph Gottlieb's Yerington, Nevada Post Office Mural - Mr. Rowan's September 9, 1940 reply. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/4f27bfc6-fbb6-49b4-aa63-dd3185c106ae/unnamed+%289%29.jpg Blog - From the Archive: Adolph Gottlieb's Yerington, Nevada Post Office Mural - Make it stand out Image: A letter to Adolph Gottlieb from Federal Works Administration’s confirming the successful installation of his mural. Written February 25, 1941. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/92cc3e41-b2b8-4778-95e0-e6adc869a285/unnamed+%2810%29.jpg Blog - From the Archive: Adolph Gottlieb's Yerington, Nevada Post Office Mural - Make it stand out Image: A memorandum verifying the installation of Adolph Gottlieb's mural in the Yerington, NV post office, March 31, 1941. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1652799352231-ACZQ8RYH37QZNQ8U7AN0/unnamed+%2811%29.jpg Blog - From the Archive: Adolph Gottlieb's Yerington, Nevada Post Office Mural - A checklist from the Whitney Museum exhibition of the winning designs made for the state mural competition. February/March 1940. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1652799357987-D0U4F538ZJ6SLX110YJI/unnamed+%2812%29.jpg Blog - From the Archive: Adolph Gottlieb's Yerington, Nevada Post Office Mural https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1652802223284-NTOKI9L5XYVBXHQ8Z05K/cc98667b-3907-e53b-f300-c8c103d2c5a8.jpg Blog - From the Archive: Adolph Gottlieb's Yerington, Nevada Post Office Mural - An announcement of the mural's commission in the Reno Evening Gazette, November 1939. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1652802244779-JGDBACDFFKFGNXFXGIS2/unnamed+%2813%29.jpg Blog - From the Archive: Adolph Gottlieb's Yerington, Nevada Post Office Mural - The mural featured in the New York Times Book Review, January 1947. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1652802251821-5R5HIEW43OBEJYYPO10X/unnamed+%2814%29.jpg Blog - From the Archive: Adolph Gottlieb's Yerington, Nevada Post Office Mural - A 2005 article in Nevada Magazine highlighting the making of the mural. https://www.gottliebfoundation.org/blog/2022/3/14/a-look-back-adolph-gottlieb-and-forum-49 monthly 0.5 2024-08-22 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/e9ab978c-3683-4e49-b95e-865b0b397049/unnamed.jpg Blog - A Look Back: Adolph Gottlieb and Forum 49 - Make it stand out Shown: Adolph Gottlieb talking with Cecil Hemley at the Provincetown Art Association, sitting in front of Expectation of Evil (1945), Summer 1949. Photographer: Bill Witt. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/4758a127-b383-4413-bb1e-88f888dd4c1f/unnamed-2.jpg Blog - A Look Back: Adolph Gottlieb and Forum 49 - Make it stand out Shown: Adolph Gottlieb, Expectation of Evil, 1945, oil, gouache & tempera on canvas, 43 1/8 x 27 1/8", currently in the collection of the Los Angeles County Museum of Art. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/350691a9-c5d1-4edc-991a-c35c7441541f/unnamed-3.jpg Blog - A Look Back: Adolph Gottlieb and Forum 49 - Make it stand out Shown: Weldon Kees addressing a Forum 49 group, Provincetown, MA, Summer 1949. Courtesy Provincetown Art Association and Museum archive. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/500e527d-b541-4485-9319-b738bb51abdd/unnamed-4.jpg Blog - A Look Back: Adolph Gottlieb and Forum 49 - Make it stand out Shown: A Forum 49 group, Summer 1949, Adolph Gottlieb is pictured in the center row, second from left. Seated to the right of Gottlieb are Karl Knaths and Weldon Kees. Photographer: Bill Witt. Courtesy Provincetown Art Association and Museum archive. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/39960455-0e23-450f-abf3-0dbf139da326/unnamed.png Blog - A Look Back: Adolph Gottlieb and Forum 49 - Make it stand out Shown: A Forum 49 group, Summer 1949, Adolph Gottlieb is pictured in the front row, second from left. Seated to the right of Gottlieb are Karl Knaths and Weldon Kees. Photographer: Bill Witt. Courtesy Provincetown Art Association and Museum archive. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/5613c13d-7cc5-4be2-a5cf-586e6af2c2a4/unnamed-2.png Blog - A Look Back: Adolph Gottlieb and Forum 49 - Make it stand out Shown: Schedule of events and advertisements for Forum 49 in the month of July, Provincetown, MA. Courtesy Provincetown Art Association and Museum archive. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/ddd65b36-f459-4222-981a-466986e90cc4/unnamed-5.jpg Blog - A Look Back: Adolph Gottlieb and Forum 49 - Make it stand out Shown: Schedule of events and advertisements for Forum 49 in the month of August, Provincetown, MA. Courtesy Provincetown Art Association and Museum archive. https://www.gottliebfoundation.org/blog/2022/1/26/portraits-of-the-artist-adolph-gottlieb-and-bob-adelman monthly 0.5 2024-08-21 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/065f995a-5d47-438a-a44c-3d7e7dede072/AmAr_093.jpg Blog - Portraits of the Artist: Adolph Gottlieb and Bob Adelman - Make it stand out Shown: Adolph Gottlieb sailing in East Hampton, NY, 1964. photo: ©Bob Adelman https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/cf6303e6-44a4-4dc2-9b79-224ac781dcf3/AmAr_076.jpg Blog - Portraits of the Artist: Adolph Gottlieb and Bob Adelman - Make it stand out Shown: Adolph Gottlieb sailing in East Hampton, NY, 1964. photo: ©Bob Adelman https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/404d8392-0674-493d-9387-16a263363022/AmAr_009.jpg Blog - Portraits of the Artist: Adolph Gottlieb and Bob Adelman - Make it stand out Shown: Adolph Gottlieb sailing in East Hampton, NY, 1964. photo: ©Bob Adelman https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/e305f320-9571-4ec8-a178-f2e3ae4c3782/AmAr_151.jpg Blog - Portraits of the Artist: Adolph Gottlieb and Bob Adelman - Make it stand out Shown: Adolph and Esther Gottlieb sailing in East Hampton, NY, 1964. photo: ©Bob Adelman https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/c679f35f-d7b4-48ff-8130-b1db1b0cbe98/AmAr_150.jpg Blog - Portraits of the Artist: Adolph Gottlieb and Bob Adelman - Make it stand out Shown: Adolph and Esther Gottlieb sailing in East Hampton, NY, 1964. photo: ©Bob Adelman https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/54f80a9a-7c7f-40bc-a50d-d2280c79b0ae/AmAr_023.jpg Blog - Portraits of the Artist: Adolph Gottlieb and Bob Adelman - Make it stand out Shown: Adolph Gottlieb with collector Ben Heller at the Gottlieb's home in East Hampton, NY, 1964. They are sitting in front of the paintings (left to right) Red and Green (1961) and Roman Two (1961). Photographer: Bob Adelman. Artwork pictured: Adolph Gottlieb, Red and Green, 1961, oil on canvas, 72 x 41 1/2 inches. Collection: Yale University Art Gallery. Roman Two, 1961, oil on canvas, 72 x 60 inches ©Adolph and Esther Gottlieb Foundation/Licensed by ARS, New York, NY photo: ©Bob Adelman https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/6e67fdc5-0b34-4824-ab5a-dc7890df9419/AG_001_22.jpg Blog - Portraits of the Artist: Adolph Gottlieb and Bob Adelman - Make it stand out Shown: Adolph Gottlieb photographed at home in front of his painting Groundscape (1956) New York, NY mid-1960s. Photographer: Bob Adelman. Artwork pictured: Adolph Gottlieb, Groundscape, 1956, Oil on canvas, 84 x 144 inches ©Adolph and Esther Gottlieb Foundation/Licensed by ARS, New York, NY photo: ©Bob Adelman https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/ddb540a7-b4aa-4ad9-8738-0b0ae82c662f/AG_002_35.jpg Blog - Portraits of the Artist: Adolph Gottlieb and Bob Adelman - Make it stand out Shown: Adolph Gottlieb photographed at home in front of his painting Groundscape (1956) New York, NY mid-1960s. Photographer: Bob Adelman. Artwork pictured: Adolph Gottlieb, Groundscape, 1956, Oil on canvas, 84 x 144 inches ©Adolph and Esther Gottlieb Foundation/Licensed by ARS, New York, NY photo: ©Bob Adelman https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/7ab2c47d-df15-4bff-8e51-de4e263be905/AG_005_03.jpg Blog - Portraits of the Artist: Adolph Gottlieb and Bob Adelman - Make it stand out Shown: Adolph Gottlieb photographed in his 22nd Street Studio making a note of the verso of Green Haze (1966), New York, NY mid-1960s. Photographer: Bob Adelman. Art: Adolph Gottlieb, Green Haze, 1966, oil on canvas, 72 x 90 inches ©Adolph and Esther Gottlieb Foundation/Licensed by ARS, New York, NY photo: ©Bob Adelman https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/0a4d9854-8cd9-487a-b10f-03b645e1075b/AG_005_34.jpg Blog - Portraits of the Artist: Adolph Gottlieb and Bob Adelman - Make it stand out Shown: Adolph Gottlieb photographed in his 22nd Street studio, New York, NY mid-1960s. photo: ©Bob Adelman https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/4064f24e-c2f6-4709-8fdb-d90265df0903/AG_006_12.jpg Blog - Portraits of the Artist: Adolph Gottlieb and Bob Adelman - Make it stand out Shown: Adolph Gottlieb photographed in his 22nd Street studio. He is in front of (left to right) Icon (1964) and an unidentified painting New York, NY mid-1960s. Photographer: Bob Adelman. Art: Adolph Gottlieb, Icon, 1964, Oil on canvas, 144 x 100 inches ©Adolph and Esther Gottlieb Foundation/Licensed by ARS, New York, NY photo: ©Bob Adelman https://www.gottliebfoundation.org/blog/2021/11/19/from-the-archives-the-brooklyn-studios-1933-1956 monthly 0.5 2024-08-21 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/10fef12d-2704-4f09-9ddd-05d357ba5972/unnamed-3.jpg Blog - From the Archive: The Brooklyn Studios 1933-1956 - Make it stand out Labyrinth #3, 1954, Oil and enamel on canvas, 80” x 185” Currently in the collection of Ivam Centre Julio Gonzalez. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/3fd37b45-58f3-4ed2-98a7-8c5fc7b38546/unnamed-2.jpg Blog - From the Archive: The Brooklyn Studios 1933-1956 - Make it stand out Black, White, Pink, 1954, Oil on canvas, 84” x 144” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/3eb09a85-d4f4-46e8-aa46-d782ab2d78a3/unnamed.jpg Blog - From the Archive: The Brooklyn Studios 1933-1956 - Make it stand out Unstill Life III, 1954, Oil on canvas, 84” x 192” Currently in the collection of the Museum of Modern Art, New York. https://www.gottliebfoundation.org/blog/2021/9/28/from-the-archives-the-jewell-letters-theres-no-such-thing-as-good-painting-about-nothing monthly 0.5 2024-08-21 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1632835238309-S9D673INYTS0VLIJBICO/4351.jpg Blog - From the Archive: The Jewell Letters, "There's no such thing as good painting about nothing" - Make it stand out Adolph Gottlieb, The Rape of Persephone, oil on canvas, 33 x 25" Currently in the collection of the Allen Memorial Art Museum at Oberlin College https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1632835271450-I7CJZQJH9XGLNKMGMWN5/1943-6-3+full.JPG Blog - From the Archive: The Jewell Letters, "There's no such thing as good painting about nothing" - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1632835308831-6B0MVO4HOD964YM8HF2W/letter+to+jewell+full.jpg Blog - From the Archive: The Jewell Letters, "There's no such thing as good painting about nothing" - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1632835407336-JT5OL22AJ2Z41L35OV2O/4203.jpg Blog - From the Archive: The Jewell Letters, "There's no such thing as good painting about nothing" - Make it stand out Pictograph-Symbol, oil on canvas, 54 x 40" Currently in the collection of the Art Institute of Chicago https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1632835515184-IEJI13ZR47P971C8XPYC/4201_nga.jpg Blog - From the Archive: The Jewell Letters, "There's no such thing as good painting about nothing" - Make it stand out Pictograph, oil on canvas, 47 3/4 x 35 1/2" Currently in the collection of the National Gallery of Art in Washington DC https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1632835469293-O1BHR02WUJ7YOJ4S9H7D/4401.1.jpg Blog - From the Archive: The Jewell Letters, "There's no such thing as good painting about nothing" - Make it stand out Pictograph, oil on canvas 35 15/16 x 24 7/8" Currently in the collection of the Philadelphia Museum of Art https://www.gottliebfoundation.org/blog/2021/5/21/a-closer-look-gottliebs-maquettes monthly 0.5 2024-08-21 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1621618743071-Z3S19QJZYZ22NV7YRJ5A/Hnet.com-image.gif Blog - A Closer Look: Gottlieb's Maquettes - Make it stand out Above: Clip from the 1968 film of Adolph Gottlieb in his East Hampton studio, holding the maquette Petaloid. Film by Lee Hoffman. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1621618831401-1GARWTAXADDXJ1KNLNF7/6873-3.jpg Blog - A Closer Look: Gottlieb's Maquettes - Make it stand out Left: Two Arcs, 1968, maquette; acrylic on cardboard, 8 5/8 x 14 x 9" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1621619538526-JN8WFS7QKALWT6RYTZ5T/6859-2.jpg Blog - A Closer Look: Gottlieb's Maquettes - Make it stand out Negative, 1968, maquette; acrylic on cardboard, 7 1/4 x 17 3/4 x 4 3/4" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1621619785917-K6IZRW1WZUS4EX2AZCWN/6864.jpg Blog - A Closer Look: Gottlieb's Maquettes - Make it stand out Wall, 1968, maquette; acrylic on cardboard, 8 7/8 x 13 1/2 x 8 1/4" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1621619816629-BHJ0YW437IHLN21WA0LA/6863.jpg Blog - A Closer Look: Gottlieb's Maquettes - Make it stand out Untitled (Three DIscs), 1968, maquette; acrylic on cardboard, 5 3/4 x 8 x 4 1/4" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1621620131570-7FLGJFALZOFIH7SGK861/6862.jpg Blog - A Closer Look: Gottlieb's Maquettes - Make it stand out Oval Slanted, 1968, maquette; acrylic on cardboard, 4 3/4 x 8 x 5" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1621619909892-SXFTHUJ2V6NS80N9C88I/6858.jpg Blog - A Closer Look: Gottlieb's Maquettes - Make it stand out Arabesque, 1968, maquette: acrylic on cardboard, 13 1/8 x 17 1/2 x 6 1/4" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1621618926810-CRAQSMAWNQSCHU2ADV6F/x98.jpg Blog - A Closer Look: Gottlieb's Maquettes - Make it stand out Installation photo of “Adolph Gottlieb: Small Images Spanning Four Decades 1938-1973” at Manny Silverman Gallery, Los Angeles, April 1995. Painting: Looming #2 (1969), Maquettes: Petaloid (top) and Oval Slanted (bottom) (both 1968). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1621618962600-WY41N8HMG8NV6YC9TRYU/x127_AGSculptorMallorca2006f.JPG Blog - A Closer Look: Gottlieb's Maquettes - Make it stand out Installation photo of “Adolph Gottlieb: Sculptor” at Fundació Pilar I Joan Miró, Palma, September 2006. Maquette: Arabesque (1968) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1621618987224-YDB5ZG4NBPT7TW2BO1YX/x134-2.jpg Blog - A Closer Look: Gottlieb's Maquettes - Make it stand out Installation photo of “Adolph Gottlieb: A Retrospective” at the Peggy Guggenheim Collection, Venice, September 2010. Maquettes (left to right): Negative, Untitled (Three Discs), Arabesque, Oval Slanted, Petaloid (all 1968), Paintings (left to right): Mist (1961), and Indian Red (1972). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1621619017924-K9YPH992WW2MUK7BQIRA/x1007.jpg Blog - A Closer Look: Gottlieb's Maquettes - Make it stand out Installation photo of “Adolph Gottlieb: Sculptor” at the Akron Art Museum, October 2012. Paintings (left to right): Three Elements (1964), Three Discs on Chrome Ground (1969) Sculptures (left to right): Two Arcs, Two Arcs (maquette) (both 1968), Petaloid with Curved Arrow (maquette), and Petaloid with Curved Arrow (both 1968). https://www.gottliebfoundation.org/blog/2021/4/16/a-look-back-the-gottliebs-in-arizona monthly 0.5 2024-08-22 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1618601441990-APCW9RWFTQ1IDAV79O04/arizona+map.jpg Blog - A Look Back: The Gottliebs in Arizona Above: a map indicating the location of the Gottlieb's Tuscon home. In a November 1937 letter to Paul Bodin, Adolph describes the house as "a nice little house on the outskirts of town, lots of space around it and a magnificent view of the Santa Catalina mountains." https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1618601558813-M0CU4M186UIL0K7DEZLR/esther.JPG Blog - A Look Back: The Gottliebs in Arizona above: Esther at Easel, 1937, pencil on paper, 10 7/8 x 8 1/2" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1618601635867-4OJJ0DHRNRR3Y7USA9FR/1938-3-22+AG+to+Bodin+1.JPG Blog - A Look Back: The Gottliebs in Arizona https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1618601876290-8X8SZ3LF9NUGFB2IQXR6/1938-3-22+AG+to+Bodin+2.JPG Blog - A Look Back: The Gottliebs in Arizona https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1618604158207-AH34AYP15OMB6DKIFHNZ/3707.jpg Blog - A Look Back: The Gottliebs in Arizona https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1618604238891-GQ4QVKV5N8N5MI6JD9UQ/3702.jpg Blog - A Look Back: The Gottliebs in Arizona https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1618607221344-14237Q66Q6I0AHXQ2VUA/3854-2.jpg Blog - A Look Back: The Gottliebs in Arizona https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1618607351656-VU146WS7VE15RWXQBAKI/3768.jpg Blog - A Look Back: The Gottliebs in Arizona https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1618607400992-CVTGH1CHQICIVDED4U3K/3801.1.jpg Blog - A Look Back: The Gottliebs in Arizona https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1618607523573-I7RQW8LH86HF3GNZQDJ7/3808-2.jpg Blog - A Look Back: The Gottliebs in Arizona https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1618607811952-A0NJPTVLJ3J0BXLAV3D7/3821+gray+still+life.JPG Blog - A Look Back: The Gottliebs in Arizona https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1618607595005-OOEWXHC9YD2E0RXMKKNF/3822.jpg Blog - A Look Back: The Gottliebs in Arizona https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1618607894086-DBZJG4SOESKDLBD2GUQ9/3803.jpg Blog - A Look Back: The Gottliebs in Arizona https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1618607934889-ONXIX0CK80EZIXPVF2JI/3754.jpg Blog - A Look Back: The Gottliebs in Arizona https://www.gottliebfoundation.org/blog/2021/3/23/an-inside-look-adolph-gottlieb-and-john-graham monthly 0.5 2024-08-21 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1616524668638-OJ6LOF4JPTO0PSM71J3T/sh%2Bjohn%2Bgraham.jpg Blog - An Inside Look: Adolph Gottlieb and John Graham https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1616524601602-T6PA0IA6P5PPIDRGH334/1942_Siskind_Home.jpg Blog - An Inside Look: Adolph Gottlieb and John Graham https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1616522466207-BZBDI3JTGM9WUUTF97UV/unnamed%2B%25281%2529.jpg Blog - An Inside Look: Adolph Gottlieb and John Graham https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1616522138069-W0TSBCKGBFBAOQXEWAAD/4101.JPG Blog - An Inside Look: Adolph Gottlieb and John Graham https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1616521637025-J8VQKM5NDA9NXWXAAFC6/john+Graham+mascara.jpg Blog - An Inside Look: Adolph Gottlieb and John Graham https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603900922967-RGVPS1EORRH2QN6EUGDO/4404_Amoeba.jpg Blog - An Inside Look: Adolph Gottlieb and John Graham https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1616521488813-72ILP20MZ2K3I4BR2JQF/Graham+_HaveIt_+cover.JPG Blog - An Inside Look: Adolph Gottlieb and John Graham https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1616521550398-N3X8DFLYOCLGRV4O88ME/Graham+_HaveIt_+inscription.JPG Blog - An Inside Look: Adolph Gottlieb and John Graham https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1616521437987-IMPVB0THK2VLTFLSSSTL/Graham__S+%26+D_+cover.JPG Blog - An Inside Look: Adolph Gottlieb and John Graham https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1616521461104-LLW0YFEZZHBHZ72KTSR2/Graham+_S%26D_+amended.JPG Blog - An Inside Look: Adolph Gottlieb and John Graham https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1616521412743-CA43YKGOS71OKXDAYXLV/john+graham+postcard+front.JPG Blog - An Inside Look: Adolph Gottlieb and John Graham https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1616522203198-MH1FW4VOAE3N58LP8QVP/john+graham+postcard+back.JPG Blog - An Inside Look: Adolph Gottlieb and John Graham https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1616521317055-HR4YAM4JTI9OXUM2O6GT/lionbank.jpg Blog - An Inside Look: Adolph Gottlieb and John Graham https://www.gottliebfoundation.org/blog/2021/2/18/foundation-news-supporting-brooklyn-food-banks monthly 0.5 2024-04-12 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1606917331266-U8JI0XHWMZFZZJ5FFYZM/H+1930s_A%2CE%2C%2BMickey_BrooklynPier_02.JPG Blog - Foundation News: Supporting Brooklyn Food Banks https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1614000653705-K50YU0RBGXE5S71LX16N/logo+new+full.png Blog - Foundation News: Supporting Brooklyn Food Banks https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1614000723561-T73QA0655X06SPG8XBYR/Chips+master+logo+-+no+address.png Blog - Foundation News: Supporting Brooklyn Food Banks https://www.gottliebfoundation.org/blog/2021/2/18/from-the-archives-gottliebs-materials monthly 0.5 2024-08-21 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1614005720560-IDJ20LE15SOLOQRT579Y/1952_Berezov_ProvincetownMA_10.jpg Blog - From the Archive: Gottlieb's Materials Adolph Gottlieb in Provincetown, 1952. Photographer: Maurice Berezov. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1614021681058-MQJ9B6Z9JLUH8L223D97/1960_Weill_15.jpg Blog - From the Archive: Gottlieb's Materials Adolph Gottlieb in his studio, 1960. Photogapher: Guy Weill https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1614005783846-LQFWXR11YMYU15IYXGQ6/1958_Burckhardt_Clipping_02_corrected.jpg Blog - From the Archive: Gottlieb's Materials Adolph Gottlieb in his studio painting Ascent (1958), 1958. Photographer: Rudolph Burckhardt. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1614005969440-Y69KNYVF039NQ31MTFLE/1968_Fredericks_11_corrected.jpg Blog - From the Archive: Gottlieb's Materials Adolph Gottlieb at his Bowery Studio with paints and brushes, 1968. Photographer: Michael Fredericks. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1614006058584-ATJO2CBYBLBYD3RR143S/arizona+painting.PNG Blog - From the Archive: Gottlieb's Materials Untitled (Arizona Still Life), 1938, oil on pressed board, 36 x 47 15/16 “ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1614021458935-AIWOHSAGWRZ4ONJ0OH4N/pictograph%2B1.jpg Blog - From the Archive: Gottlieb's Materials Alkahest Of Paracelsus, 1945, oil and egg tempera on linen, 60 x 44 ". Currently in the collection of the Museum of Fine Arts, Boston https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1614021614802-ZB24CAIBM8ER3M1YXTN7/the%2Btoken.jpg Blog - From the Archive: Gottlieb's Materials The Token, 1945, oil, tempera & casein on canvas, 31 7/8 x 24 7/8 " Currently in the collection of the Cantor Center at Stanford University. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1614006398309-CEP78F1R5721A1QNDJOV/labyrinth+3.jpg Blog - From the Archive: Gottlieb's Materials Labyrinth #3, 1954, oil and enamel on canvas, 80 x 185”. Currently in the collection of Institut Valencià d'Art Modern, Spain. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1614006415780-ST0PP271ICUAAVOEKNP2/1968_Fredericks_12.jpg Blog - From the Archive: Gottlieb's Materials Adolph Gottlieb at his Bowery Studio with materials, 1968. Photographer: Michael Fredericks. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1614008115099-U1GJ28C9TXNKTNX2FPHG/1973_Unknown_EastHampton_02.jpg Blog - From the Archive: Gottlieb's Materials Adolph and Esther Gottlieb in the East Hampton studio with Roman III #3 and Burst 1973 (both 1973), summer 1973. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1614006863659-0SC0UPZ9B3BF43CUOKBY/0e680e7f-73dd-4311-bb17-468cf6eec0ee.jpg Blog - From the Archive: Gottlieb's Materials Adolph Gottlieb's painting materials from his studio. https://www.gottliebfoundation.org/blog/2021/1/4/an-inside-look-adolph-gottlieb-and-david-smith monthly 0.5 2024-08-21 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1609857263558-5TI33AKQT6FWS1WK7JWA/smith+to+gottlieb+1956+all.JPG Blog - An Inside Look: Adolph Gottlieb and David Smith A 1956 letter from Smith to Gottlieb, discussing the death of Jackson Pollock and Smith's frustration with the art world at the time. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1609780134125-NZM9I8SG0A3F4599WSB4/Smith+to+Gottlieb+1957.JPG Blog - An Inside Look: Adolph Gottlieb and David Smith A letter from Smith to Gottlieb, December 25, 1957 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1609857721002-K0A50P51X5OM7O8BVBTC/Gottlieb+to+Smith+1957+all.JPG Blog - An Inside Look: Adolph Gottlieb and David Smith a letter from Gottlieb to Smith, December 30th, 1957 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1609780258095-ZGQKMA9097JFZVF22ZB5/the+sea+chest.jpg Blog - An Inside Look: Adolph Gottlieb and David Smith Adolph Gottlieb, The Sea Chest, 1942, oil on canvas, 26 1/16 x 34 3/16". Currently in the collection of the Guggenheim Museum, New York https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1609780250732-0DKTWLX3BPNMG2HOZSK0/image-asset.jpeg Blog - An Inside Look: Adolph Gottlieb and David Smith David Smith, Home of the Welder, 1945, steel, 533 × 438 × 356 mm. Currently in the collection of the Tate, London https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1609780332076-GQHG26V946ZQ9H4DSGBB/4803+%281%29.jpg Blog - An Inside Look: Adolph Gottlieb and David Smith Adolph Gottlieb, Letter to a Friend, 1948, Oil, tempera, and gouache on canvas, 47 7/8 x 36 1/4" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1609780358088-NR1LN60JT4WGKEEEZ27P/image-asset.jpeg Blog - An Inside Look: Adolph Gottlieb and David Smith David Smith, The Letter, c. 1950, 37 5/8 x 22 7/8 x 9 1/4”. Photograph by David Smith https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1601561544957-VW8M2Q8IGD077GPXJFB6/spray+hirschhorn.jpg Blog - An Inside Look: Adolph Gottlieb and David Smith Adolph Gottlieb, Spray, 1959, oil on canvas, 90 1/4 x 72 3/8“. Currently in the collection of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1609780425462-XCITAFPZ9UFN91AXCJ9Q/image-asset.jpeg Blog - An Inside Look: Adolph Gottlieb and David Smith David Smith. 7 Hours. 1961. Steel, paint, 84 1/2 x 48 x 18” (214.6 x 121.9 x 45.7 cm). Collection Onnasch, Berlin. Photo: Robert McKeever https://www.gottliebfoundation.org/blog/2020/12/1/from-the-archives-a-family-album monthly 0.5 2024-01-12 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1606917331266-U8JI0XHWMZFZZJ5FFYZM/H+1930s_A%2CE%2C%2BMickey_BrooklynPier_02.JPG Blog - From the Archive: A Family Album Adolph and Esther Gottlieb with their dog Mickey at the Brooklyn waterfront, early 1930s. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1606917227665-OC6XHH7IXYZZZIC8QZEM/B+1922-6-15_Unknown_02.JPG Blog - From the Archive: A Family Album Adolph Gottlieb (far right), his mother (second from the right). June 15, 1922. Photographer: Schloss Atelier, Berlin. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1606917372228-RGP2FSIZWRJMK007WKV3/image-asset.jpeg Blog - From the Archive: A Family Album Adolph Gottlieb with family and friends (Adolph Gottlieb far right). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1606917380053-XEZA6J42WHKFVHEUDE7M/E+1930approx_Unknown_02.JPG Blog - From the Archive: A Family Album Adolph Gottlieb with family and friend (Adolph Gottlieb 2nd right). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1606917319881-CW1NY51JBRC7KKOQM409/F+1930-10_Gottlieb+Family+2.JPG Blog - From the Archive: A Family Album Adolph Gottlieb (seated far left) with Emil, Rhoda, Elsie and Edna Gottlieb in their New York apartment. October 1930. https://www.gottliebfoundation.org/blog/2020/10/26/a-closer-look-exploring-abstract-images monthly 0.5 2024-04-12 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603896725571-TZ84ICFZZZGIXIU8RWL3/4055pa+website+%282%29.JPG Blog - A Closer Look: Exploring Abstract Images Untitled, 1944, Etching and drypoint on laid paper, 3 1/4 x 2 1/2" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603896814613-0WH67EJ4ACO8OV1Q800U/4471p_13+website+%283%29.JPG Blog - A Closer Look: Exploring Abstract Images Head, c 1944, linocut on cream wove paper, 7 3/8 x 6” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603897248008-HADKA4F3KTXZX4UZTL5O/4544p+white.JPG Blog - A Closer Look: Exploring Abstract Images Untitled, 1944, woodcut printed on wove paper, 14 3/16 x 11 13/16” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603896833999-2W8E6Y3Z4JFIUPTVPYZ2/4361p+website+%282%29.JPG Blog - A Closer Look: Exploring Abstract Images Untitled, 1943, drypoint on linen laid paper, 5 7/8 x 3 7/8" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603741419386-7XW7QA9SAZGVR298KJL0/4261+NEEDS+FLIP+%282%29.JPG Blog - A Closer Look: Exploring Abstract Images Untitled, 1942, pastel on paper, 24 1/2 x 19 1/2" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603815975871-ODS0ETU7KXA5E56GL4VJ/untitled.jpg Blog - A Closer Look: Exploring Abstract Images Untitled, 1943, watercolor, pastel and graphite on paper, 26 x 20" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603900849168-ZJ4W3VZQ79AK3JMYI941/red%2Bportrait.jpg Blog - A Closer Look: Exploring Abstract Images Persephone, 1942, oil on canvas, 34 x 26" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603900826097-FNBFAYR54WQNBH7OUP95/4351.jpg Blog - A Closer Look: Exploring Abstract Images The Rape of Persephone, 1943, oil on canvas, 33 x 25" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603900892908-L40Z2P9CAF848HV4XRKE/red%2Bportrait.jpg Blog - A Closer Look: Exploring Abstract Images Red Portrait, 1944, oil with cotton waste on canvas, 29 1/2 x 23 1/2" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603900922967-RGVPS1EORRH2QN6EUGDO/4404_Amoeba.jpg Blog - A Closer Look: Exploring Abstract Images Amoeba, 1944, oil on canvas, 24 x 20" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603741186470-860VF8MBY1NBBIDKK2WZ/image-asset.jpeg Blog - A Closer Look: Exploring Abstract Images https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603741537729-N2F904NHRJ99V3W23LIY/image-asset.jpeg Blog - A Closer Look: Exploring Abstract Images https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603741230956-OV2831B0M89LX3F3R7R0/image-asset.jpeg Blog - A Closer Look: Exploring Abstract Images Above: a postcard from John Graham commenting on the Wakefield exhibition. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603741250416-YHQN3APGZS9JGLYNB63H/image-asset.jpeg Blog - A Closer Look: Exploring Abstract Images Shown here: a letter from Gottlieb and Mark Rothko (with the assistance of Barnett Newman) to Edward Alden Jewell, art editor of The New York Times, 1943. https://www.gottliebfoundation.org/blog/2020/9/30/a-closer-look-andrew-hudson-and-adolph-gottlieb monthly 0.5 2024-08-21 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1601561037230-VI4NQ4M4K8VBQH7PHS81/Andrew+Hudson.jpg Blog - A Closer Look: Andrew Hudson and Adolph Gottlieb Photograph of Andrew Hudson and Adolph Gottlieb, from the article ''Adolph Gottlieb: An Artist Who Is Surviving'' by Andrew Hudson, Arts Magazine, March/April 1978. Photo by Roger Tripp https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1601561544957-VW8M2Q8IGD077GPXJFB6/spray+hirschhorn.jpg Blog - A Closer Look: Andrew Hudson and Adolph Gottlieb Shown here: Adolph Gottlieb, Spray, 1959, oil on canvas, 90 1/4 x 72 3/8“ Collection: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC ©Adolph and Esther Gottlieb Foundation/Licensed by ARS, NY, NY⠀ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1601561245617-A4SGQ7CCGL05CTTCQK4H/6306.jpg Blog - A Closer Look: Andrew Hudson and Adolph Gottlieb Shown here: Adolph Gottlieb, Two Discs, 1963, oil on canvas, 90 x 108" Collection: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC ©Adolph and Esther Gottlieb Foundation/Licensed by ARS, NY, NY https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1601561260698-Y16GQX7X0U3WZ7M3S1ID/9.jpg Blog - A Closer Look: Andrew Hudson and Adolph Gottlieb Shown here: Andrew Hudson in his studio, with print of Nadir in the background. Adolph Gottlieb, Nadir, 1952, oil on canvas, 42 x 72" ©Adolph and Esther Gottlieb Foundation/Licensed by ARS, NY, NY https://www.gottliebfoundation.org/blog/2020/8/31/a-photo-essay-adolph-gottlieb-and-his-studios monthly 0.5 2024-08-21 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1598897171208-INN2WL4NI8Q4HENGTX7H/1942+Adolph+Gottlieb+in+his+home_studio+in+Brooklyn+with+paintings+including+Reflection+%281941%29+and+Pictograph+%281942%29%2C+1942.+Photographer+Aaron+Siskind.jpg Blog - A Photo Essay: Adolph Gottlieb and His Studios - 1 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1598897073167-SPAU3K3Z2RDMLCCCMXZG/1952+Adolph+Gottlieb+in+his+Provincetown+studio+with+studies+for+the+Milton+Steinberg+House%2C+summer+1952.+Photographer+Maurice+Berezov.jpg Blog - A Photo Essay: Adolph Gottlieb and His Studios - 2 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1598897115104-2I2TTO07QYLT06VCDP9C/1958+Adolph+Gottlieb+in+his+studio+painting+Ascent+%281958%29%2C+1958.+Photographer+Rudolph+Burckhardt..jpg Blog - A Photo Essay: Adolph Gottlieb and His Studios - 3 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1598897124603-KBC2MQR5C0U6OV0GTYHF/1960+Adolph+Gottlieb+in+his+23rd+Street+Studio%2C+1960.+Photographer+Guy+Weill.jpg Blog - A Photo Essay: Adolph Gottlieb and His Studios - 4 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1598897128772-A20CU5KL8YASE386E51O/1962+Adolph+Gottlieb+in+his+studio+painting++February+16%2C+1962.+Photographer+Fred+McDarrah.jpg Blog - A Photo Essay: Adolph Gottlieb and His Studios - 5 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1598897165084-ZCS57D5W9TX44CYA7LS7/1964+Interior+of+East+Hampton+studio+in+front+of+Orb+%281964%29%2C+c.+1964-1965.+Photographer+John+F.+Waggaman.jpg Blog - A Photo Essay: Adolph Gottlieb and His Studios - 6 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1598897167971-AGXZIE6U5NOWZ9ZVQOP9/1965+Wide+view+of+paintings+in+the+22nd+Street+studio%2C+December+1965.+Photographer+Ruth+Bowman.jpg Blog - A Photo Essay: Adolph Gottlieb and His Studios - 7 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1598897170028-3Q3V02EF4J3JAGX3CFDM/1968+Adolph+Gottlieb+at+his+Bowery+Studio+with+paints+and+brushes%2C+1968.+Photographer+Michael+Fredericks.jpg Blog - A Photo Essay: Adolph Gottlieb and His Studios - 8 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1598897190109-E1CPXGUW7I5TBDTNU8Z0/1969+Adolph+Gottlieb+in+his+studio+with+Tilted+Wall%2C+Oval+Slanted%2C+and+Open+%28all+1968%29%2C+and+Solitary+%281969%29%2C+c.+1969+unknown+photographer+2.JPG Blog - A Photo Essay: Adolph Gottlieb and His Studios - 9 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1598897173733-R6GWA7Z6N82240H81SRT/1971+East+Hampton+studio+with+Petaloid+%281968%29%2C+summer+1971.+photographer+Hermann+Neumann.jpeg Blog - A Photo Essay: Adolph Gottlieb and His Studios - 10 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1598897189197-VH573P5K0CP04S01H5GP/1973+Adolph+and+Esther+Gottlieb+in+the+East+Hampton+studio+with+Roman+III+%233+and+Burst+1973+%28both+1973%29%2C+summer+1973+unknown+photog.jpg Blog - A Photo Essay: Adolph Gottlieb and His Studios - 11 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1598897193954-KQ856AP3UQ2WCP9AZIZS/1974+Adolph+Gottlieb+painting+at+the+West+Broadway+studio+in+front+of+Max-Minimal+%281973%29%2C+1974.+Photo+taken+for+article+in+Horizon+Magazine.+Photographer+Arnold+Newman.jpg Blog - A Photo Essay: Adolph Gottlieb and His Studios - 12 https://www.gottliebfoundation.org/blog/2020/7/31/gottlieb-and-sailing monthly 0.5 2024-08-21 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1596208044478-CN6IUJT768DZTTEVXTFW/AG%2Bmast.jpg Blog - Adolph Gottlieb and Sailing Adolph Gottlieb sailing in Provincetown, late 1940s https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1596212511589-FTKSXMSN1OQSD7DBNULZ/Adolph%2BGottlieb%2Band%2BEsther%2BGottlieb%2Bsailing%2Bin%2BCape%2BAnn%252C%2Bc.%2B1934.jpg Blog - Adolph Gottlieb and Sailing Adolph and Esther sailing off of the coast of Cape Ann, MA, 1934 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1596212614330-BK345CB3055UA9XFCSJB/1940s_Unknown_Provincetown_14+2.jpg Blog - Adolph Gottlieb and Sailing Adolph and Esther sailing in Provincetown, MA, 1940s https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1596215220204-QR1IDOAQ5M9ZXXHY862C/Sailing%2Bin%2BProvincetown%252C%2Bc.%2B1946.jpg Blog - Adolph Gottlieb and Sailing sailing in Provincetown, c. 1946 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1596215271601-B39LB8DP841OO2KNOQJM/Adolph%2BGottlieb%2Bsailing%2Bin%2BProvincetown%252C%2Bc.%2B1946.jpg Blog - Adolph Gottlieb and Sailing sailing in Provincetown, c. 1946 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1596210611261-2UGXXIMZLWHTJTQKYJWF/Sailing%2Bin%2BProvincetown%252C%2Bc.%2B1946%2Bb.jpg Blog - Adolph Gottlieb and Sailing sailing in Provincetown, c. 1946 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1596209468677-J68XFXB6YKSZWSNEOFAE/AGposter+9.jpg Blog - Adolph Gottlieb and Sailing Adolph & Esther Gottlieb in a sailboat race off Provincetown, late 1940s. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1596210265915-C51R9DH5NQJYL8I0VDLS/sailing+trophy.jpeg Blog - Adolph Gottlieb and Sailing https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1596210317615-3NK2TWP5V8MC5CQ1V0X3/pennant.jpg Blog - Adolph Gottlieb and Sailing https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1596209503486-I0VWZCXI7GPD36TL5TPP/image-asset.jpeg Blog - Adolph Gottlieb and Sailing Gottlieb sailing in East Hampton, 1964. Photograph by Bob Adelman https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1596215065539-SVQVXZ4YLJ27YDUI6A0D/%2523%2BHampton%252C%2B1964.%2BPhotographer%2BBob%2BAdelman%2B4.jpg Blog - Adolph Gottlieb and Sailing https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1596209548795-NR3YIJY45348WMDQB6NT/1977+East+Hampton+Starr+1.JPG Blog - Adolph Gottlieb and Sailing https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1596209554037-ITDFIQXP0IK8XYPIH307/1977+East+Hampton+Starr+2.JPG Blog - Adolph Gottlieb and Sailing https://www.gottliebfoundation.org/blog/2020/7/1/making-art-in-challenging-times-gottliebs-pictographs monthly 0.5 2024-08-21 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1593650597138-O7JPZNQ11ANTWX7YOF44/black+enigma.jpg Blog - Making Art in Challenging Times: Gottlieb's Pictographs Adolph Gottlieb, Black Enigma, 1946, oil on canvas, 25 x 32" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1593650635093-M6LYGCQIBNEG3REGEQU1/hands+of+oedipus.jpg Blog - Making Art in Challenging Times: Gottlieb's Pictographs Adolph Gottlieb, Hands of Oedipus, 1943, oil on linen, 40 x 35 15/16" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1593650681277-G2URFS7IQV2EJE06J4PO/eyes+of+oedipus.jpg Blog - Making Art in Challenging Times: Gottlieb's Pictographs Adolph Gottlieb, Eyes of Oedipus, 1941, oil on canvas, 32 1/4 x 25" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1593650743223-HK07SINSL9THYUFRM75Q/pictograph-symbol.jpg Blog - Making Art in Challenging Times: Gottlieb's Pictographs Adolph Gottlieb, Pictograph - Symbol, 1942, oil on canvas, 54 x 40“ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1593650795962-6I7OHPZHAQL6P31FVA4L/composition.jpg Blog - Making Art in Challenging Times: Gottlieb's Pictographs Adolph Gottlieb, Composition, 1945, oil, gouache, casein and tempera on linen, 29 13/16 x 35 7/8“ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1593650849449-21UX6GYPVDQB4F39UCWW/aaron+siskind.jpg Blog - Making Art in Challenging Times: Gottlieb's Pictographs Adolph Gottlieb in his home/studio in Brooklyn with paintings including Reflection (1941) and Pictograph (1942), 1942. Photographer: Aaron Siskind. https://www.gottliebfoundation.org/blog/2020/5/31/artistic-ties-adolph-gottlieb-and-clement-greenberg monthly 0.5 2024-08-21 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1590972919652-JGPJ1J8NJZRE18P0LUPF/1959-9_Unknown_London_01.jpg Blog - Artistic Ties: Adolph Gottlieb and Clement Greenberg Adolph and Esther Gottlieb and friends, including Clement Greenberg (kneeling). The artists (from right to left) Adolph Gottlieb, William Scott and Tony Caro in London, June 1959 "We went to London and had a wonderful time. As a matter of fact, I have some photographs—I think I showed you one with Clem. He was there with his wife. It’s a photograph of us in the garden with the painter, William Scott. Then we decide to go to Paris just for a weekend. (Paul) Jenkins was having a show, and we thought we’d go see it. Clem went with us to Paris to Paul’s opening, and then we flew home." – Esther Gottlieb, in a 1975 interview with Stephen Pearson https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1590972970608-7CHZVQ8QAERA8JL3Z8YS/Greenberg+Review+-+The+Nation.jpeg Blog - Artistic Ties: Adolph Gottlieb and Clement Greenberg https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1590973069456-V210L047XAZXM2AMB2X3/bennington+exh+1.PNG Blog - Artistic Ties: Adolph Gottlieb and Clement Greenberg https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1590973038664-9WVWC3V76TGT0D89N5G2/bennington+exh+2.PNG Blog - Artistic Ties: Adolph Gottlieb and Clement Greenberg Exhibition brochure from a 1954 retrospective exhibition of Adolph Gottlieb’s paintings at the Bennington College Gallery. Text by Clement Greenberg. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1591369154803-BWVHBX7V0HIO96W32OV3/1959-9-7+gottliebs+and+greenbergs+in+provincetown.jpg Blog - Artistic Ties: Adolph Gottlieb and Clement Greenberg The Gottliebs and friends (including the Greenbergs) in Provincetown, Massachusetts, September 7, 1959. Adolph at lower left (in sunglasses), Esther in center back, Clement Greenberg at far right https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1590973132436-FZTU114ER0CFF2O7M6DK/4645Pa.jpg Blog - Artistic Ties: Adolph Gottlieb and Clement Greenberg Adolph Gottlieb, Untitled (Pictograph), c. 1946, linocut, platemark: 11 13/16 in. x 14 3/4 in. (30 cm x 37.5 cm) Now part of the Davis Museum Collection at Wellesley College https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1590973166831-UJ2HREQ1WVPQ75TZDGCB/dcb3aebc-b911-4adb-b473-32cc3c046073.jpg Blog - Artistic Ties: Adolph Gottlieb and Clement Greenberg Adolph Gottlieb, Untitled, 1949, crayon, ink, and pencil on paper, 10 x 12" part of the Clement Greenberg Collection at the Portland Art Museum https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1590973206662-AS4OCRUTVZ9D8VMNZRGG/image-asset.png Blog - Artistic Ties: Adolph Gottlieb and Clement Greenberg Installation view of the 1959 exhibition New American Paintings at MoMA, May 1959 On the left: Side Pull (1956), a wedding gift from Adolph Gottlieb to Janice and Clement Greenberg in 1958. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1590973234729-BPTMHQ4OXQA6G5BKYX4E/1962-10-25+Art+International+clement+Greenberg.PNG Blog - Artistic Ties: Adolph Gottlieb and Clement Greenberg https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1590973255382-4ZEDY148Q5CCG4H81DB7/1963-2-13+Adolph+Gottlieb+to+Clement+Greenberg.PNG Blog - Artistic Ties: Adolph Gottlieb and Clement Greenberg https://www.gottliebfoundation.org/blog/2020/5/1/a-look-back-adolph-gottlieb-at-paul-kantor-gallery monthly 0.5 2024-08-21 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1588346489357-73W5LSTPBW4J5WVQCVSY/1956_Katgoff_Provincetown_03.jpg Blog - A Look Back: "Adolph Gottlieb" at Paul Kantor Gallery Adolph Gottlieb in Provincetown, 1956. Photo by Sy Katgoff In Background: Heavy Sky (top), Unstill Life (bottom) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1588346985587-XMFLM21RQ3VYNEAQRBWB/5612.1.jpg Blog - A Look Back: "Adolph Gottlieb" at Paul Kantor Gallery Heavy Sky, 1956, gouache and watercolor on paper, 22 1/4 x 31“ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1588346828729-L9OR8DMU8Y8NY8OVAYX4/_5614.1.jpg Blog - A Look Back: "Adolph Gottlieb" at Paul Kantor Gallery Unstill Life, 1956, gouache and ink on rag paper, 21 x 29 1/2” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1588347132107-G6397JEXRJX9AJ793MU8/5622.1_lacma.jpg Blog - A Look Back: "Adolph Gottlieb" at Paul Kantor Gallery Ovoid, 1956, gouache on paper, 20 3/4 x 29 3/8” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1588347164328-JYJZCJWR4KOE04OPH2YE/5623_heritage+auction.jpg Blog - A Look Back: "Adolph Gottlieb" at Paul Kantor Gallery Open Forms, 1956, gouache on paper, 22 1/2 x 31” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1588347199031-IZ8XYHQ8U8XP3BN5F07U/5617.1_bonahams.jpeg Blog - A Look Back: "Adolph Gottlieb" at Paul Kantor Gallery Thrust ,1956, gouache on paper, 20 1/2 x 28 3/4“ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1588347555303-H62BZD1A9F3ILCNBIW66/5613.1.jpg Blog - A Look Back: "Adolph Gottlieb" at Paul Kantor Gallery Figuration, 1956, gouache and ink on paper, 29 1/4 x 20 3/4” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1588347251702-MS9I3ZYCRCNA1YEUHK7S/catalogue+exhibition+Paul+Kantor.PNG Blog - A Look Back: "Adolph Gottlieb" at Paul Kantor Gallery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1588362622022-A26MS6WPPWL3IJ03N0P1/catalogue%2Bexhibition%2BPaul%2BKantor%2B2.jpg Blog - A Look Back: "Adolph Gottlieb" at Paul Kantor Gallery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1588354034290-D1AAKEIDSVGTAQTHEFSZ/handwritten+list+1.PNG Blog - A Look Back: "Adolph Gottlieb" at Paul Kantor Gallery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1588362593798-PTKB00QCIT81KCKR85CN/catalogue%2Bexhibition%2BPaul%2BKantor%2B3.jpg Blog - A Look Back: "Adolph Gottlieb" at Paul Kantor Gallery https://www.gottliebfoundation.org/blog/2020/3/31/spotlight-gottliebs-imaginary-landscape-paintings-from-1969 monthly 0.5 2024-08-21 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1585683705076-7OC5VHCHIVJSXJ5PN47C/image-asset.jpeg Blog - Spotlight: Gottlieb's Imaginary Landscape Paintings from 1969 Deep Red Ground, 1969 oil and acrylic on linen 24 x 30” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1585683728312-4BNH0CS4X6FMMMD97UD6/chrome+yellow+ground+-2.jpg Blog - Spotlight: Gottlieb's Imaginary Landscape Paintings from 1969 Chrome Yellow Ground, 1969 oil and alkyd on linen 24 x 30” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1585683777554-62434DCVSMB2TRI9SJCO/new.jpg Blog - Spotlight: Gottlieb's Imaginary Landscape Paintings from 1969 View of Gottlieb's bedroom in East Hampton with Deep Red Ground and Chrome Yellow Ground (both 1969), c. 1972. Photographer Bud Waintrob https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1585683909163-8WZY6ZQVMK8GZDMET1ZF/6909+copy.jpg Blog - Spotlight: Gottlieb's Imaginary Landscape Paintings from 1969 White, Maroon, Blue,1969 oil on canvas 48 x 60" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1585686940856-JENN56A59TCEFG862NFE/6907+copy.jpg Blog - Spotlight: Gottlieb's Imaginary Landscape Paintings from 1969 Two Grey Discs, 1969 oil on canvas 48 x 60" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1585684004774-62GQ45F72LIF748L4O1Y/image-asset.png Blog - Spotlight: Gottlieb's Imaginary Landscape Paintings from 1969 Green, Ochre, Maroon, 1969 oil on linen 48 x 60” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1585687018870-7520OYZGSWDNDKLE8ICS/6911+copy.jpg Blog - Spotlight: Gottlieb's Imaginary Landscape Paintings from 1969 Two White Discs, 1969 oil on canvas 48 x 60” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1585683816074-921A6XRDKXAA72K7DJS3/image-asset.png Blog - Spotlight: Gottlieb's Imaginary Landscape Paintings from 1969 Pre-installation photo for “10 Americans After Paul Klee” at the Zentrum Paul Klee, Bern, September 2017. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1585687171139-OPYRQ8TLK9BCW8TTDIGS/6923.jpg Blog - Spotlight: Gottlieb's Imaginary Landscape Paintings from 1969 Three Discs on Chrome Ground, 1969, oil and acrylic on canvas, 48 x 72” https://www.gottliebfoundation.org/blog/2020/2/28/an-inside-look-wall-1969-part-2 monthly 0.5 2024-08-21 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1582913743822-BDRJ1ZB4O2ETBFXBCJ1E/1988_Hirsch_6851_hi+res+4.jpeg Blog - An Inside Look: Wall 1969, Part 2 Wall on the lawn in East Hampton, 1980 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1582913848591-UEU0NQJWDYAHNMM9SYU7/6851_Lg+Wall+A.JPG Blog - An Inside Look: Wall 1969, Part 2 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1582914003318-6QKOBSAPEBQEZWR08OX0/6851_Lg+Wall+D.JPG Blog - An Inside Look: Wall 1969, Part 2 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1582914479875-7DOONPI72OSGDZA20F4D/Screen+Shot+2020-02-07+at+11.24.11+AM.png Blog - An Inside Look: Wall 1969, Part 2 Robert Price in the conservation studio https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1582914162081-6A21VCG78095Y07G0VAH/TMP-20293-054.jpg Blog - An Inside Look: Wall 1969, Part 2 Photos of the installation of Wall at the National Gallery, Courtesy of the National Gallery of Art https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1582914250736-SD3CDUOBGBLFSBXME0XE/TMP-20293-160.jpg Blog - An Inside Look: Wall 1969, Part 2 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1582914720598-CWZHMQMTY238E1AHL80D/IMG_0475.jpg Blog - An Inside Look: Wall 1969, Part 2 Photo of Conservator Robert Price to the right of Wall, installed in the East Wing at the National Gallery. https://www.gottliebfoundation.org/blog/2020/1/24/an-inside-look-wall-1969-part-1 monthly 0.5 2024-08-21 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1579897830519-7PPIAYJ5RC0WS2I2GIIV/IMG_0470.jpg Blog - An Inside Look: Wall 1969, Part 1 View of Wall in situ in the East Wing of the National Gallery of Art, DC, 2020 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1579897430652-YWW5ST59NYYMMGVOYQYZ/_6864.jpg Blog - An Inside Look: Wall 1969, Part 1 Wall, 1968, maquette; acrylic on cardboard, 8 7/8 x 13 1/2 x 8 1/4” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1579897473979-ZPTTIWQAF6EKBJC5519A/Wall_Templste+2.jpg Blog - An Inside Look: Wall 1969, Part 1 Template for WALL sculpture https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1579897839030-Z37UDW0HHYK8KCB0R287/Lg+Disc+Wall.jpeg Blog - An Inside Look: Wall 1969, Part 1 Close-up of disc element https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1579897863443-W6LX1HUKFSOB2TAMKMIU/_6871.jpg Blog - An Inside Look: Wall 1969, Part 1 Wall, 1968, painted aluminum, 26 1/2 x 40 5/8 x 24“ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1579897961802-0D2Y4CGOGOP90R1FTBLB/image-asset.png Blog - An Inside Look: Wall 1969, Part 1 Shown here: Installation of Wall and Petaloid at the Metropolitan Museum of Art exhibition 'New York Painting and Sculpture: 1940 – 1970', October 1969. Photo courtesy of Lippincott, Inc. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1579897990742-RW9BU8AG5UL7LSCZLRPN/_1.jpeg Blog - An Inside Look: Wall 1969, Part 1 Wall installed at the Gottlieb’s East Hampton home, ca. 1980. https://www.gottliebfoundation.org/blog/2019/12/19/a-look-back-evolution-of-an-exhibition-poster monthly 0.5 2020-05-01 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1576786003700-IL5LK1OUOPMQUC46GDFH/6732.2.png Blog - A Look Back: Evolution of an Exhibition Poster UNTITLED, c. 1968, acrylic on paper, 9 1/2 x 9“ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1576786087826-KIHMC7GZN7GDVM8MIYE6/6714.png Blog - A Look Back: Evolution of an Exhibition Poster UNTITLED, c. 1968, acrylic on paper, 9 1/2 x 9“ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1576786123089-KNV90SJI3ECB6EI7KQED/6720.2.png Blog - A Look Back: Evolution of an Exhibition Poster UNTITLED, c. 1968, acrylic on paper, 9 1/2 x 9“ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1576786142529-Y77FMNT8DKRE3WHE3SM6/image-asset.png Blog - A Look Back: Evolution of an Exhibition Poster UNTITLED, c. 1968, acrylic on paper, 9 1/2 x 9“ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1576786172074-OYSLH1PO93KBMVYMPJLC/6711.1.png Blog - A Look Back: Evolution of an Exhibition Poster UNTITLED, c. 1968, acrylic on paper, 9 1/2 x 9“ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1576786185853-RR7ANTMFQHXRIVJZ2D8O/6712.1.png Blog - A Look Back: Evolution of an Exhibition Poster UNTITLED, c. 1968, acrylic on paper, 9 1/2 x 9“ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1576786311584-OFLCBOR3162I79AMVRX0/image-asset.png Blog - A Look Back: Evolution of an Exhibition Poster UNTITLED, c. 1968, acrylic on paper, 9 1/2 x 9“ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1576786518722-7ZDVEI0HT1EZ3HK7WKSR/_WhitneyRet_1968_3_Front.jpeg Blog - A Look Back: Evolution of an Exhibition Poster https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1576786534733-E6PQTTGEXX24Z9IJAP00/Screen+Shot+2019-12-13+at+10.39.57+AM.png Blog - A Look Back: Evolution of an Exhibition Poster https://www.gottliebfoundation.org/blog/2019/12/4/foundation-highlight-artists-fellowship-award-dinner monthly 0.5 2020-05-01 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1575482879308-9LE1MVI5U0BP2DVA9EA9/DSC_0760.jpg Blog - Foundation Highlight: Artists' Fellowship Award Dinner Artists Fellowship 2019 Honorees: Artists Eric Fischl and April Gornik, and Executive Director Sanford Hirsch representing the Gottlieb Foundation https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1575487375108-P7BPVGUML5R92PR5YAY6/image-asset.jpeg Blog - Foundation Highlight: Artists' Fellowship Award Dinner https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1575483578252-97YJBFR6QO3EYIGPVEDP/DSC_0539.jpg Blog - Foundation Highlight: Artists' Fellowship Award Dinner From front left, clockwise: David Novros, Christina Hunter, Paul Hunter, Doug Flamm, Nancy Litwin (Gottlieb Foundation Art Collection Manager), Lynda Benglis (artist and Gottlieb Foundation board member), Joanna Pousette-Dart, Sarita Dubin https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1575484088452-O8F4FMCI017FU8QPTNT0/DSC_0658.jpg Blog - Foundation Highlight: Artists' Fellowship Award Dinner From front left, clockwise: Shaina Larrivee, Hanne Tierney, Donn Zaretsky, Lisa Zaretsky, Melissa Joseph (Gottlieb Foundation Grants Manager), Amy Schichtel, Grace Walsh (Gottlieb Foundation Archive Assistant), Charlotta Kotik (curator and Gottlieb Foundation board member), Gordon Marsh (Gottlieb Foundation board member), Charles Duncan. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1575561702666-FKV1220H26C27O0N2SKR/Screen+Shot+2019-11-22+at+10.13.45+AM.png Blog - Foundation Highlight: Artists' Fellowship Award Dinner Left to right: Lilly Wei (Curator/Critic and Gottlieb Foundation board member), Sanford Hirsch, Douglas Baxter, and Deborah Beblo https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1575562168469-5B9K1XSGM1YH3097BQGB/Screen%2BShot%2B2019-12-05%2Bat%2B11.02.45%2BAM.jpg Blog - Foundation Highlight: Artists' Fellowship Award Dinner Richard Rapaport and Brooke Kamin Rapaport (Curator and Gottlieb Foundation board member) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1575487468364-L3FR788YB2HE1ABERPUZ/DSC_0789.jpg Blog - Foundation Highlight: Artists' Fellowship Award Dinner Lynda Benglis and Sanford Hirsch https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1575483871457-3E4TVAHDE8C52AFV7GXH/DSC_0329.jpg Blog - Foundation Highlight: Artists' Fellowship Award Dinner Melissa Joseph (Grants Manager) and Grace Walsh (Archive Assistant) https://www.gottliebfoundation.org/blog/2019/10/24/an-inside-look-the-gottliebs-in-east-hampton monthly 0.5 2023-02-08 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1571927372070-ZIWYR28401B6GQJCBFTG/1964-65_Waggaman_EastHampton_04.jpg Blog - An Inside Look: The Gottliebs in East Hampton Esther and Adolph Gottlieb in the foyer of their East Hampton home. Photo c. 1964 by John Waggaman https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1571927420237-1ZXOQZH9VJ50EZ39HY1A/1964-65_Waggaman_EastHampton_03.jpg Blog - An Inside Look: The Gottliebs in East Hampton East Hampton house exterior. Photo c. by John Waggaman c. 1964. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1571927452541-XMGA37L2M2UN4972AEJ7/1962_Namuth_EastHampton_08.jpg Blog - An Inside Look: The Gottliebs in East Hampton Artists on the beach in East Hampton. Gottlieb pictured sitting in front row, second from the right. Photo by Hans Namuth, 1962. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1572013108812-GUZ8C0TVWEMEA7UN2D64/1964-65_Waggaman_EastHampton_05.jpg Blog - An Inside Look: The Gottliebs in East Hampton Interior of East Hampton studio with Orb (1964). Photo c. 1964 by John Waggaman https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1571927547417-M4J7DAC7DM9DBCROB8WZ/1971_Neumann_EastHampton_06.jpeg Blog - An Inside Look: The Gottliebs in East Hampton East Hampton studio with Petaloid (1968). Photo from summer 1971 by Hermann Neumann https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1571927576592-YYBXD24ODYX2HZTK4C1M/1964-65_Waggaman_EastHampton_02.jpg Blog - An Inside Look: The Gottliebs in East Hampton Adolph in front of his studio. Photo c. 1964 by John Waggaman https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1571927719414-QSBVU85ECYWX891AHLWU/Screen+Shot+2019-10-04+at+1.19.53+PM.png Blog - An Inside Look: The Gottliebs in East Hampton Foyer of East Hampton house, including the sculpture Tilted Wall (1968) below the print Untitled (from Prints for Phoenix House) (1972), and paintings at right Red Ground (1961) visible in mirror reflection, Yellow (1960) at far right in adjacent room. Photo c. 1972 by Bud Waintrob https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1571927781282-RRWQ9IVE7GMIN7K4SJWI/1966_Waggaman_EastHampton_04.jpg Blog - An Inside Look: The Gottliebs in East Hampton Interior of East Hampton house living room with Roman Three #2 (1963) on far wall, and two works on paper: Yellow and Sand (both 1960) above the fireplace. Photo c. 1964 by John Waggaman https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1571927803988-A2FPI5BAOA20R3POXPNY/1966_Waggaman_EastHampton_02.jpg Blog - An Inside Look: The Gottliebs in East Hampton Interior of East Hampton house living room with Red and Green (1961) to the left, and Roman Two (1961) on far wall. Photo c. 1964 By John Waggaman https://www.gottliebfoundation.org/blog/2019/10/17/foundation-highlight-adolph-and-esther-gottlieb-individual-support-grant monthly 0.5 2019-10-18 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1571340079718-MLR2IZDGQQXDSJO5N5BE/Screen+Shot+2019-09-19+at+2.27.56+PM.png Blog - Foundation Highlight: Adolph and Esther Gottlieb Individual Support Grant https://www.gottliebfoundation.org/blog/2019/9/4/an-inside-look-gottliebs-painted-postcards monthly 0.5 2020-05-01 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1567625067710-F9QV7LHIRGLNEC01MMS1/image-asset.png Blog - A Closer Look: Gottlieb's Painted Postcards WATTEAU, ASSEMBLEE DANS UN PARC, 1963, acrylic on postcard, 3 1/2 x 5” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1567705941041-HDKWERUFRQMM3L84OA6K/_6322.jpg Blog - A Closer Look: Gottlieb's Painted Postcards STATUE CHYPRIOTE, 1963, acrylic on postcard, 5 1/2 x 3 1/2 “ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1567782294527-2F4IK7XXG6DH7NSAD6LP/D4F64479-5F25-4BFF-B777-4D21E22DF7C4.jpg Blog - A Closer Look: Gottlieb's Painted Postcards FRANCOIS CLOVET “CHARLES IX - ROI DE FRANCE”, 1963, acrylic on postcard, no dims. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1567783519532-3O8YXU2Q1C0VDEF7MQIG/Screen%252BShot%252B2019-09-06%252Bat%252B11.12.48%252BAM.jpg Blog - A Closer Look: Gottlieb's Painted Postcards GAINSBOROUGH- “MRS ELLIOT”, 1963, acrylic on postcard, no dims https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1567782277051-ORTW5JG3S6ZXL8EA7HVB/E8732E2E-04E9-46A5-BDCA-31E71F2CB116.jpg Blog - A Closer Look: Gottlieb's Painted Postcards WATTEAU - “LA FINETTE”, 1963, acrylic on postcard, no dims. https://www.gottliebfoundation.org/blog/2019/7/1/summervacation monthly 0.5 2024-01-12 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1562003456220-BAGBD26YD8BLRLKEBZAJ/Screen+Shot+2019-06-28+at+1.11.03+PM.png Blog - From the Archive: The Gottliebs on Summer Vacation Adolph and Esther sailing in Provincetown, MA, 1950s. Photo by Mike Zwerling https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1562006098348-W902K4FI313D06F1GHT7/image-asset.jpeg Blog - From the Archive: The Gottliebs on Summer Vacation https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1562006065500-CR3L53Z48ACIRP8CFBFO/1934_AdolphGottlieb_CapeAnn_08.jpg Blog - From the Archive: The Gottliebs on Summer Vacation https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1562006028404-0IQA31EUQ7BDHFVT372D/1934%2BCape%2BAnn.jpg Blog - From the Archive: The Gottliebs on Summer Vacation https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1562006167463-DB14M52I6GSYHWGLN6ZP/1935approx_Unknown_Gloucester_05.jpg Blog - From the Archive: The Gottliebs on Summer Vacation https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1562006205158-OZI24EJD06EOV7990ATW/1935approx_Unknown_Gloucester_06.jpg Blog - From the Archive: The Gottliebs on Summer Vacation https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1562006349478-RPZP0UMRDF22NMM92QCC/1940s_Provincetown_Snapshots_27.jpg Blog - From the Archive: The Gottliebs on Summer Vacation https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1562006281749-Q8Y1K7YLQP2KY44NTSB0/1940s_Unknown_Provincetown_22.jpg Blog - From the Archive: The Gottliebs on Summer Vacation https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1562006426053-5NQ5R532YYE6BHICMP05/1960s-late_Adelman_EastHampton_32.jpg Blog - From the Archive: The Gottliebs on Summer Vacation https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1562006447923-OP48Z28FYYP3GLZKVRC0/1960s-late_Adelman_EastHampton_29.jpg Blog - From the Archive: The Gottliebs on Summer Vacation https://www.gottliebfoundation.org/blog/2019/5/29/a-closer-look-gottliebs-units-paintings monthly 0.5 2019-07-01 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1559146017100-MP5RJSP6L2SRW5FMLAI2/image-asset.jpeg Blog - A Closer Look: Gottlieb's "Units" Paintings Adolph Gottlieb at the Whitney Museum with Stewart Kranz, 1968 Shown: Units #2, Azimuth, Units #3 Photo by Michael Fredericks Art ©Adolph and Esther Gottlieb Foundation/Licensed by ARS, NY, NY https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1559146043161-13CUDSOUV4XC7DU8VGD8/6511.jpg Blog - A Closer Look: Gottlieb's "Units" Paintings Shown: UNITS #3, 1965, oil on canvas, 96 x 144 “ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1559148062368-NTDCOHD0OKV6AI48MVN2/image-asset.jpeg Blog - A Closer Look: Gottlieb's "Units" Paintings UNTITLED, 1970, acrylic on paper, 9 x 12 “ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1559231841469-QHIA1RMW0TO58FGZBWL4/unnamed-3.jpg Blog - A Closer Look: Gottlieb's "Units" Paintings UNTITLED, 1970, acrylic on paper, 9 x 12 “ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1559146283162-1XV7ARDRMZSD1KG7NBOM/6510.jpg Blog - A Closer Look: Gottlieb's "Units" Paintings UNITS #2, 1965, oil on canvas, 96 x 144 “ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1559146371453-TFGEN12LBN4U7KNQ9DI5/1968_Fredericks_08.jpg Blog - A Closer Look: Gottlieb's "Units" Paintings Adolph Gottlieb in his Bowery studio, 1968 (Units #4 on the right). Also shown: Gray Ground (rear) and Red Ground Maroon Disc (left, in frame) Photo by Michael Fredericks Art ©Adolph and Esther Gottlieb Foundation/Licensed by ARS, NY, NY https://www.gottliebfoundation.org/blog/2019/4/25/from-the-archive-a-selection-from-gottliebs-library monthly 0.5 2019-10-17 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1556217456800-EC1YBE224252JAB8Z5BP/Gottlieb%27s+library.jpg Blog - From the Archives: A Selection from Gottlieb's Library Book covers shown here: Langewiesche, Karl Robert. Michelangelo, Leipzig: Konigstein Verlag, 1925 Schürer, Oskar. Pablo Picasso, Leipzig: Klinkhardt & Biermann, 1927 Waldman, Emil. Honore Daumier, Leipzig: Verlag Von E. A. Seemann, 1923 Neumann, Carl. Rembrandt, Munich: Piper, 1921 Henry, Daniel. Der Weg Zum Kubismus (The Way to Cubism), Munich: Delphin-Verlag, 1920 Wolfradt, Willi. Otto Dix, Leipzig: Klinkhardt & Biermann, 1924 Kolle, Helmud. Henri Rousseau, Leipzig: Klinkhardt & Biermann, 1922 Burger, Fritz. Cezanne und Hodler: Eifuehrung in Die Probleme Der Malerei Gegenwart (Introduction to the Problems of Contemporary Painting), Munich: Delphia Verlag, 1920 [Title page shown instead of front cover] Mayer, August. El Greco, Munich: Delphia Verlage, 1916 https://www.gottliebfoundation.org/blog/2019/2/21/an-inside-look-making-of-an-exhibition monthly 0.5 2024-10-11 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1551208122782-A6NSDKG3FHF89FM08ZCB/image-asset.jpeg Blog - An Inside Look: Making of an Exhibition https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1551208162692-70TVB5FOUO00N7WJRNJN/image-asset.jpeg Blog - An Inside Look: Making of an Exhibition https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1550773624243-3OTC4A1VD2DYCEKLYLGJ/ac20cf15-c55b-4301-914d-f8af0d93c74c.jpg Blog - An Inside Look: Making of an Exhibition Dr. Kent Minturn and Gottlieb Foundation Executive Director Sanford Hirsch, being filmed Shown in the background, L to R: GROUNDSCAPE, 1956, oil on canvas,84 x 144 “ GREEN DREAM, 1967, acrylic on paper,24 x 19 “ BURST (FIRST STATE), 1974, acrylic on paper,23 7/8 x 18 " ©Adolph and Esther Gottlieb Foundation/Licensed by ARS, NY, NY⠀ The full exhibition video can be viewed here. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1552589769926-80QMY5XLIZCNPV7J431Y/7FF06771-47C4-4EE4-96AD-3CCCCF6625FC.jpg Blog - An Inside Look: Making of an Exhibition Installation view showing the installation plan (foreground) and the painting LAKE, 1971, acrylic on canvas, 90 x 108”. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1552668809925-1C2WHF33UHR72G23LD1M/IMG_0484.jpg Blog - An Inside Look: Making of an Exhibition “Adolph Gottlieb: Classic Paintings” Exhibition Catalogs, courtesy of the Pace Gallery [click to enlarge] https://www.gottliebfoundation.org/blog/2019/1/17/stories-from-the-director-adolph-gottliebs-first-printing-press monthly 0.5 2019-07-01 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1547750399951-OFZAYHC2WU34YOSPOZ3M/7499Pb.jpg Blog - Stories from the Director: Adolph Gottlieb's First Printing Press Adolph Gottlieb, SIX ARTISTS ETCHING, 1933 - 1974, etching on wove paper, image size = 5 3/4 x 7 3/4" sheet size = 9 3/4 x 10 5/8” ©Adolph and Esther Gottlieb Foundation/Licensed by ARS, NY, NY⠀ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1547756657229-C8XEQXM5YPR6ZZGXI3ST/Screen+Shot+2019-01-17+at+3.23.35+PM.png Blog - Stories from the Director: Adolph Gottlieb's First Printing Press Left: Adolph Gottlieb, UNTITLED (FISH & ANCHOR), c. 1938, etching on paper,3 7/8 x 2 3/4“ Right: Adolph Gottlieb, UNTITLED (SEASIDE STILL LIFE), c. 1940, Etching and aquatint on cream wove paper,6 x 7 5/8” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1547750707415-BSW5G5I059NPVIFJVFY8/Screen+Shot+2019-01-17+at+1.44.31+PM.png Blog - Stories from the Director: Adolph Gottlieb's First Printing Press Adolph Gottlieb, MONTAGE, c.1944, Etching and coarse-grained aquatint on cream wove paper,6 x 7 5/8" ©Adolph and Esther Gottlieb Foundation/Licensed by ARS, NY, NY⠀ https://www.gottliebfoundation.org/blog/2018/12/11/from-the-archives-adolph-gottliebs-first-solo-exhibition-1930 monthly 0.5 2024-01-12 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1544552393274-5AVGRJ04UIETUT3OI7PG/SouthFerryWaitingRoom.jpg Blog - From the Archive: Adolph Gottlieb’s First Solo Exhibition, 1930 Adolph Gottlieb, South Ferry Waiting Room, c. 1929, oil on cotton, 36 x 45" ©Adolph and Esther Gottlieb Foundation/Licensed by ARS, NY, NY https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1544553310887-OTZJUHUR2NUCCV6XDOVZ/image-asset.png Blog - From the Archive: Adolph Gottlieb’s First Solo Exhibition, 1930 https://www.gottliebfoundation.org/blog/2018/11/27/a-look-back-gottlieb-sculpture-1970 monthly 0.5 2019-07-01 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1543338075358-7BM17D2YLH8IDCL81SPC/_G5.jpg Blog - A Look Back: "Gottlieb: Sculpture," 1970 WALL, painted aluminum, 1968, 90 x 53 x 132” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1543338140230-WO4RNDMU7SK4C7HEZ5UG/_G4.jpg Blog - A Look Back: "Gottlieb: Sculpture," 1970 PETALOID WITH HEXAGON, 1968, painted steel, 24 ⅛ x 27 ¾ x 19 ¼” https://www.gottliebfoundation.org/blog/2018/11/6/an-inside-look-adolph-gottlieb-to-weldon-kees-1951 monthly 0.5 2020-05-01 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1541526010569-DF8IUO6IA77ZQKCV6S41/Screen+Shot+2018-11-05+at+1.58.12+PM.png Blog - An Inside Look: Adolph Gottlieb to Weldon Kees, 1951 Life Magazine, January 15, 1951. Photograph by Nina Leen, 1950. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1541533402504-LW2L6PJYX3AFYG2MA3WU/Screen+Shot+2018-11-06+at+2.42.47+PM.png Blog - An Inside Look: Adolph Gottlieb to Weldon Kees, 1951 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1541526046192-7LUYSOK2HJBI9H60GR8J/image-asset.png Blog - An Inside Look: Adolph Gottlieb to Weldon Kees, 1951 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1541531824272-FGH5LL57SRFZEDMRNIZS/Screen+Shot+2018-11-02+at+1.25.22+PM.png Blog - An Inside Look: Adolph Gottlieb to Weldon Kees, 1951 https://www.gottliebfoundation.org/blog/2018/10/19/from-the-archive-the-gottlieb-foundation-begins-operation monthly 0.5 2019-07-01 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1539975487647-JIBH7KOWVIMJLW7GRH2Q/380+w+broadway+edit+2.jpg Blog - From the Archive: The Gottlieb Foundation Begins Operation, 1976 Adolph and Esther Gottlieb in their West Broadway loft, 1971 In the background: UNITS #4, 1966, acrylic on canvas, 95 7/8 x 144 1/2” https://www.gottliebfoundation.org/blog/2018/06/18 monthly 0.5 2019-04-19 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1529697151219-XI0C3YL2KNJB7JRDW4X7/Gottlieb+Brazil.png Blog - 1963: Gottlieb is awarded the Grande Prêmio at the VII São Paulo Bienal "Gottlieb expresses intimate emotions through colors," Diáro de São Paulo, 1963. https://www.gottliebfoundation.org/blog/2018/06/07 monthly 0.5 2018-06-18 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1528392346699-XPNSBZJ0SLTG92NNNR5F/2018-05-25+-+Work+Feature+-+Petaloid+at+East+Hampton+6850+HIGH+RES+STORM+KING.jpg Blog - The Adolph & Esther Gottlieb Foundation 2018 Grant Recipient Announcement Esther Gottlieb at the Adolph and Esther Gottlieb Foundation, New York, NY c. 1980 https://www.gottliebfoundation.org/blog/2018/05/25 monthly 0.5 2018-10-19 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1527269687890-1SF67YI7J1NZS1B9WM9Q/2018-05-25+-+Work+Feature+-+Petaloid+at+East+Hampton+6850+HIGH+RES+STORM+KING.jpg Blog - Gottlieb at Storm King Adolph Gottlieb, Petaloid. 1968. 96 x 96 x 48”. Painted steel. ©Adolph and Esther Gottlieb Foundation/Licensed by VAGA, New York, NY Photo by Jerry L. Thompson https://www.gottliebfoundation.org/blog/2018/05/22 monthly 0.5 2018-10-19 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1527012412445-SXM1J29V8WK3DAAJ2WZG/Helen+Frankenthaler%2C+%22Beach%22+1950 Blog - From the Archive: Adolph Gottlieb selects Helen Frankenthaler Helen Frankenthaler "Beach," 1950 Oil, sand, plaster of Paris and coffee grounds on sized, primed canvas 34 1/4 x 32 inches (86.9 x 81.3 cm) Helen Frankenthaler Foundation, New York © 2018 Helen Frankenthaler Foundation, Inc. / Artists Rights Society (ARS) New York Photograph by Rob McKeever, courtesy Gagosian Gallery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1527012478344-5IH4IQS54XTPLOVXA3BR/%22Fifteen+Unknowns%22+invitation%2C+1950 Blog - From the Archive: Adolph Gottlieb selects Helen Frankenthaler Invitation to “Fifteen Unknowns: Selected by Artists of the Kootz Gallery” at Kootz Gallery, 1950. https://www.gottliebfoundation.org/blog/2018/05/17 monthly 0.5 2018-05-22 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1526583832675-8ACJKDND6M832RGHII87/2018-05-17++-+From+the+Archive+-+Gottlieb+Paris+gare+a+vous Blog - From the Archive: Gottlieb in Paris, 1959 The title of an article published in "La Gazette Lauzanne" and "Tribune de Lausanne" in 1959 exclaims, "French painters, watch out! Gottlieb is here!" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1526584014341-473X5PLW3WHL4SBD0TO9/2018-05-17+-+From+the+Archive+-+Installation+view+of+Galerie+Rive+Droite Blog - From the Archive: Gottlieb in Paris, 1959 Installation view of "Gottlieb: Ecole de New York" at Galerie Rive Droite, 1959. Crimson Spinning (1959) is shown at center. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1526583930690-IEPWPG26ZM2RARYI8A0U/2018-05-17+-+From+the+Archive+-+Installation+view+Rive+Droite Blog - From the Archive: Gottlieb in Paris, 1959 Outside of Galerie Rive Droite, Paris, 1959. https://www.gottliebfoundation.org/blog/2018/04/25-et8d6-pj9cr monthly 0.5 2018-05-21 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1526921486488-CMAT6ZPS2VV19RJXYQH5/2018+-+Pace+Gallery+lookback Blog - A Look Back: "Paintings from Four Decades" at Pace Gallery Installation view of "Paintings from Four Decades" at Pace Gallery, New York, 2008. https://www.gottliebfoundation.org/blog/2018/04/25-et8d6 monthly 0.5 2018-05-15 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1525286322857-LMZ4QRD7DWJCMDVGIJQE/2018-05-02+-+Neuberger+closing+soon+cropped.jpg Blog - Closing Soon: “From Motherwell to Hofmann: The Samuel Kootz Gallery” at the Neuberger Museum Installation view of "From Motherwell to Hoffman: The Samuel Kootz Gallery" at the Neuberger Museum. At left: Adolph Gottlieb Pictograph 1946 36 x 48” Oil on canvas https://www.gottliebfoundation.org/blog/2018/04/25 monthly 0.5 2018-05-15 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1524677712879-O2ILNN1K22PCLEEQU5QY/2018-04-25_Painter%27s+Hand+7319.jpg Blog - Last week to see "A Painter's Hand: The Monotypes of Adolph Gottlieb." Adolph Gottlieb Untitled 1974 Monotype in ink on paper 26 x 18" https://www.gottliebfoundation.org/blog/2018/04/23 monthly 0.5 2019-02-28 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1524511541177-9OBL9PLG9CCL62F9XQ4B/2018-04-20+-+Phillips+Install+2.jpg Blog - A symposium at the Phillips Collection Installation view, "Ten Americans After Paul Klee" at the Phillips Collection. Photo by Lee Stalsworth. https://www.gottliebfoundation.org/blog/2018/04/11 monthly 0.5 2019-02-28 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1524511321037-EYMVJ3AIJ7R16EJLCLKW/image-asset.jpeg Blog - Celebrating Esther Gottlieb Esther Gottlieb sailing in Provincetown, late 1940s. https://www.gottliebfoundation.org/blog/category/Archive monthly 0.5 https://www.gottliebfoundation.org/blog/category/Exhibitions+%26+Events monthly 0.5 https://www.gottliebfoundation.org/blog/category/About+the+Artist monthly 0.5 https://www.gottliebfoundation.org/blog/category/Grants monthly 0.5 https://www.gottliebfoundation.org/blog/category/Gottlieb+Foundation+News monthly 0.5 https://www.gottliebfoundation.org/blog/category/Interviews monthly 0.5 https://www.gottliebfoundation.org/blog/tag/works+on+paper monthly 0.5 https://www.gottliebfoundation.org/blog/tag/works monthly 0.5 https://www.gottliebfoundation.org/blog/tag/irascibles monthly 0.5 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https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1592613313865-CG4M7YESA788Z67IB5RC/1964-65_Waggaman_EHampton_04_ed5.jpg Miller https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1592398160620-W1Y33YZFS627WTLCSPY8/1956_Unknown_Provincetown_01.jpg Miller - Grants for Individual Artists Learn More → https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1591994650093-596UAKPRUU1ANVJMIL4C/1960-10_Weill_02edited.jpeg Miller https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1591992158428-041REK56SFUGSK2QKQJA/1960-10_Weill_07+copy.jpeg Miller https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1591992178837-IWGUMCVYX4QZ3X7J3NR9/1960-10_Weill_13+copy.jpg Miller https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1655217940343-4V6OQ72R68IGH6TFL3DR/Villalobos.png Miller - Mandy Cano Villalobos Grand Rapids, MI Throne of the Dog Faced Girl 2021 Garden cart, wood, toys, string, wooden potty seat, fake flowers, fake birds, bells, hand-made signs, etc. 75 x 38 x 49 inches Mandy Cano Villalobos is an artist/curator/educator based in Grand Rapids, Michigan. She works in a variety of mediums – installation, painting, performance, sculpture, and social practice – to explore concepts of home, memory, and cultural identity. Cano Villalobos exhibits internationally and is represented by Lafontsee Gallery in Michigan and drj art projects in Berlin. “A desire for home greatly informs my practice. My installations and sculptures portray the personal narratives of people excluded from official histories. I collaborate with individuals and families, exchanging stories and building friendships that ultimately yield relationally dynamic pieces. My work pays homage to my collaborators, retells their unheard stories, and invites viewers to recognize what is familiar and in turn, recognize themselves in the Othered. Site specificity is essential to my practice. My sites emphasize race and gender dichotomies within America’s cultural tableau. For example, I often install works in formerly industrial spaces. These spaces are conventionally male and public – spaces that have excluded the proverbial “weaker sex”, relegated to the domestic sphere. By contrast, my projects assert a female presence in this historically male dominant arena. I juxtapose sculpture and site to open a dialogue surrounding history, location, domesticity, dominance, the public and private, and effectively, America’s ever-changing identity. In this way, I hope to incite social change to empower women and communities who have been systematically devalued throughout this nation’s history.” Website: www.mandycano.com https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1655226087523-O6UNMWHVOPJCSPP2MMK7/Vance.png Miller - Ziui Chen Vance Philadelphia, PA I'm oh, K? 2021 Acrylic 36 x 48 inches Ziui Chen Vance was born in 1983 in Neijiang, Sichuan, China. A graduate of Sichuan Fine Arts Institute with a degree in studio art and Tsinghua University in Beijing, Chen continued her studies in the United States. After years of researching inclusive design, her works speak to the human body as its language, possessing infinite communications. “Affections are chaotic forces, urging us to seek the good or hurt of others. I am interested in understanding affections as an embodied experience that defines the most hidden acts as meaningful. Curiously, I lean towards asking what space is safe for us to show affection? And how might even the most minuscule of an outwardly flickering finger translate to inner emotions? My work on affections focuses on the power dynamics of women, particularly the perceptions of their body and identity amongst themselves, and the empowerment of Asian women by transforming biased judgments in public life. The most notable characteristic of the recent paintings is the ungrounded sense of personal space. I am displacing both the audience and the subjects as I believe the absence of gravity intensifies the voyeuristic feeling in observing the chaos of their engagement.” Website: www.ziuichen.com https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1655217968066-2OSC2YZZP32PCY12ZTBO/Colo%CC%81n-Gonza%CC%81lez.png Miller - Fernando Colón-González Dobbs Ferry, NY Untitled Oil on primed board 18 x 24 inches Fernando Colón-González was born in San Juan, Puerto Rico in 1966. He developed an interest in abstract art during his early years in art school and it has been the aesthetic he continues to develop since then. Fernando’s work has been exhibited in several venues in New York, across the United States, and abroad, including The Drawing Center, Howard Scott Gallery, Philippe Briet Gallery in New York, and Galería Jakob Karpio in San José, Costa Rica. “The majority of my works are executed with one uninterrupted line or brush stroke. They exist between complexity and grace. Someone compared them with the routine of a gymnast or a figure skater. Their exercise requires planning, a huge concentration, power, and grace. I believe the ART element within an artwork is like the soul in a human being, no one knows where it is. It is, or it is not.” Website: www.fernandostudio.info https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1655217978646-9O9M4V4DDQDHQXNVM6PU/Drury.png Miller - Chris Drury Lewes, UK SLOE LICHEN CLOUD - Chaumont-sur-Loire, France 2021 Lichen-covered blackthorn twigs strung on nylon thread between ceiling and floor - base and top - wood, steel, hooks, light 140 high x 80 inches diameter top and bottom Chris Drury was born in 1948 in Colombo, Ceylon, and trained at the Camberwell School of Art, London. His work has been shown internationally, including site-specific installations in the UK, Australia, the United States, South Korea, Australia, and France. In addition to other honors, he was the recipient, in 2018, of the Lee Krasner Lifetime Achievement Award. “I began my career making figurative sculptures. This changed in 1975 after walking in the Canadian Rockies with the artist Hamish Fulton. I began then to make walks and interventions in wild places and learned about the physical and emotional embodiment of land. In 1993 I began in earnest to build my career by making site-specific works, using materials to hand, and using the knowledge I had gained in my experience of wild landscapes. This new development evolved and I began to receive public and private commissions. As my reputation grew, I had the opportunity to work collaboratively with small and often diverse communities; with scientists, doctors, etc., all over the world. In fact, I have made work on every continent on Earth. In time I began to realize that there were three themes running through my art: the dynamic relationship between nature and culture; inner and outer; microcosm and macrocosm. I also became increasingly concerned with ecology and biodiversity, so that some works employed growing elements and would be designed to create biodiversity. From the early 90s, I have had a sustained fascination with fungi, about which I continue to make and show works.” Website: www.chrisdrury.co.uk https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1655217987421-4E1DS89Z6UI15L6QW2L4/Miranda-Texidor+.png Miller - Ana Fernandez/Miranda Texidor San Gregorio, CA Pangolin and Imaginary Habitat 2020 Gouache, collage, and ink on paper 30 x 44 inches Ana Fernandez/Miranda Texidor was born in 1963 and raised in Quito, Ecuador. She is currently a Ph.D. candidate in Philosophy, Aesthetics, and Art Theory with IDSVA Institute for Doctoral Studies in the Visual Arts. In her work, Ana explores the possibilities of art practice as connected to speculative fabulations about plant ontology, Amerindian spiritualities, and the artist in trance. She is a recipient of the Pollock-Krasner Foundation Award and was an Artist in Residence at Women’s Studio Workshop, Rosendale New York. Her work is currently in various shows in Quito and Cuenca Ecuador and has been shown throughout Latin America, Europe, and the US. She lives and works between Quito Ecuador and San Francisco California. “These last four years I’ve devoted to the creation of a body of work named “Vegetal Soul” where I explore the ontology of plants and our relationship to them as beings that show us a different, more attuned way to live on our planet. As I am finishing this last series, I am preparing to start “Women-with-Plants”, a series of paintings of women leaders who have dared to question how we inhabit planet Earth and specific plants as metaphors for their quest.” Website: mirandatexidor.wordpress.com https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1655226543777-4OERUFLKA8KIFZ5QFRCY/Greber.png Miller - Alphons Greber Compton, CA Spreuerbrücke Luzern (Spelt Bridge Lucerne) 2021 150 digital prints on fiberglass polyhedron Polyhedron diameter 25 inches “I grew up in a mill in rural Switzerland. Spinning millstones and delivering bread formed my early life, yet as a teenager, I found myself in the suburbs of Lucerne. Painting water and mountains kept me connected to nature. I learned woodworking. While in the army, I had the vision of going to a university in Los Angeles; a place completely alien. First, I enrolled at the local art school. Because of an accident, I lost my ability to walk, but I built my first commission, a fountain for the University of Lucerne. Los Angeles was exactly as I had seen it in my dream. I ended up teaching photography at USC, built a film school for teenagers, I created art with at-risk youth in Watts, and taught high school for six years. I got married and raised a daughter. On my way to Los Angeles, I saw the curvature of the earth and realized how fragile our planet is. This feeling had its roots in my vulnerability of being unable to walk through my new environment. Seeing the world only through the windshield of my car made me curious about the relationship between visual perception, visual representation, and tactile reality. How do we create a sense of solid reality out of mere fragments? My studies of perspective taught me that linear perspective is based on rigid Greek geometry. Alberti, the inventor of perspective, derived his formula by attaching strings to the squares of a checkerboard and bundling them through a pinhole. What happens to those theoretical strings once a film camera shoots 24 stills per second while the vehicle is in motion?” Website: www.alphonsgreber.com https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1655218008713-ZN84ESC75K2R72WBRB8U/Hegarty.png Miller - Valerie Hegarty Livingston Manor, NY Fresh Start (The Covid Diaries Series) 2021 Wood, canvas, paper, glue, wire, tape, epoxy clay 108 x 84 x 60 inches Valerie Hegarty received commissions for a public sculpture on the High Line, NY, and a show of site-specific installations in The Brooklyn Museum’s period rooms. She has been awarded grants from the Pollock-Krasner Foundation, The New York Foundation for the Arts, the Rema Hort Mann Foundation, and the Tiffany Foundation. Hegarty was the first Andrew W. Mellon Arts and the Common Good Artist-in-Residence at Drew University in Madison, New Jersey from 2014 to 2015. She is represented by Malin Gallery. “My work poses as artifacts of known history gone awry, envisioning an alternative world order or revealing repressed histories. As a visual artist with an emphasis on process and transformation, the sculptures and installations often contain commentary on American history and society, addressing such themes as colonization, Manifest Destiny, environmental degradation, and repressed histories. In recent years I’ve worked sculpturally in ceramics. I am at an exciting development in my work where I am combining my large-scale installations with sculptural elements in mixed media starting from personal inspiration and speaking to daily domestic routines conflated with global news events. In the work, I also try to convey some of the emotions I’ve been struggling with this past year in our catastrophic news cycle such as fear, humor, grief, and rage.” Website: www.valeriehegarty.com https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1655218015943-HJLL766EB8NZUDDLBZ7G/Hollingsworth.png Miller - Harold Hollingsworth Seattle, WA Grunbergerstrasse I 2020 Oil, collage, and acrylic on canvas 72 x 48 inches “My artwork is characterized by colorful eruptions of paint, rich surfaces built up over long stretches of time, and rhythmic playfulness. The tossed-off elements and poetic debris of our common modern environment influence my work – weathered advertisements, paper flyers peeling off walls and telephone poles, fonts, and moments of graphic abstraction in everyday life. In the past, I have used familiar images such as old road sign graphics, vintage, and classic modern letter forms, along with numbers, crossed with natural and accidental forms found in nature. Recent works are more subtle translations of modernist forms that mirror graphics that are cut free of their original meaning. I have shown locally in Seattle with Galleria Potatohead and Linda Farris Gallery after graduating from Western Washington University in 1989. I have shown with Elizabeth Leach Gallery in Portland, Circa Gallery in Minneapolis, and have been shown recently in residence at Takt – Berlin, Germany. My work has carried me forward in a curious fashion going on nearly 40 years. I truly enjoy bridging what I do and what I see to a broader and challenged audience.” Website: www.haroldhollingsworth.com https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1655218023177-GTP5H6WFHA7ONISSMK8Y/Kuroo.png Miller - Hiromitsu Kuroo Yokohama, Japan Bleach Painting "Tower of Red" 2021 Bleach and acrylic paint on linen canvas 18 x 15 inches Hiromitsu Kuroo was born in Yokohama, Japan 1972. Rejecting the rigid and competitive world of his youth, he embraced the artistic world, where creativity, individuality, and self-expression are held in high esteem. A Japanese expatriate in Brooklyn until 2021, Kuroo struggled with his cultural identity and his New York existence. Through his work, he attempts to bridge these two very different worlds. He has won several major art prizes, including The Pollock-Krasner Foundation grant in 2019 & 2011, He participated in the Golden Foundation for the Arts residency program in 2019. In addition to solo exhibitions at The Bronx Community College, MIKIMOTO NY, and Gloria Kennedy Gallery, he participated in many group exhibitions in the US. “Currently, artists of many genres are active, but I consider myself a painter. I want to continue to explore the expression of current paintings by inheriting the long-standing system of paintings using canvases and paints. I have two current work projects: "Folding painting", in which the canvas is folded and pasted, hinting to Japanese traditional Origami, and "Bleach painting", which I started during last year's pandemic when I was looking for a substitute for paint around me because of the ban on going out and the lack of painting materials The common theme is to use something that is everywhere and express it from a different perspective and method.” Website: www.hiromitsukuroo.com https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1655218035882-263IMP9OAOFQS3RAD0GT/Lorio.png Miller - George Lorio Rockville, MD Vestige 2021 Found twigs, branches & bark on constructed armature 16.5 x 21 x 18 inches (Pedestal placement) “I was born and raised, through my teenage years, in New Orleans. It framed my vision of life. It was and continues to be a place of extremes: beauty and decay, religion and ritual, custom and iconoclasm. From that experience, I acquired an excitement for visual matters: colors, forms, and even artifacts. Having lived on the border with Mexico for ten years changed my view of contemporary culture and our collective social responsibility. Viewing the ambient drug wars, the desperation of immigrants, and the collapsing Mexican democracy due to endemic political corruption and perceiving the curious lack of commitment for dialogue to offer solutions for the growing racial division, wealth inequality, and environmental decline in my own nation, I changed my insular focus of my art to embrace more topical issues. I use a narrative of social concern to engage dialogue. My sculptures convey my comments on ecological destruction and renewal; they present the value of nature’s provision of trees as they are the source for human shelter, oxygen, and avian refuge. I enjoy the physicality of materials. I am fascinated by found matter; following that inclination, I am presently using twigs from neighboring gardens and parks to construct fictions of trees, stumps, and logs; they are not renderings but reinterpretations of living forms.” Website: www.georgelorio.com https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1655218044796-IQJWLOS4KVQE92PIT5YW/Lume.png Miller - Charles Matson Lume Saint Paul, MN hearing it get dark (for William Faulkner) II 2021 Acetate and proofing paper Dimensions variable, approximately 108 x 84 x 72 inches For over 25 years Charles Matson Lume has created art with light and shadow. Light is quick-silver. Like poetry, it illuminates and provides perception. In 1998, Charles was awarded an MFA from the University of Wisconsin-Madison. Since 2000, Charles has lived in Minnesota and been awarded artist fellowships and grants from the Bush Foundation, Jerome Foundation, and the Minnesota State Arts Board. Since 1997, he has had forty-four solo exhibitions and participated in over fifty group exhibitions both internationally and nationally. He has participated in artist residencies in Ireland, Norway, Sweden, Iceland, Finland, and the US. Charles’s art has been reviewed or featured in The Irish Times, BeautifulDecay.com, Hyperallergic.com, ART PAPERS, Art Notes: International Art Magazine, and National Public Radio. His art has been curated into artist registries at The Drawing Center, White Columns, and ISE Cultural Foundation, all located in New York, NY. “Light needs a surface to reveal itself, just like we need one another to know ourselves. Light has the capacity of releasing a kind of secret from the quotidian. It’s a tool to re-examine the inherent qualities of selected materials for new insight and revelation. Light can become visual pleasure. Like us, my art is ephemeral. We cannot escape our expiration date. This old truth lives in my art. Paradoxically, I want viewers to leave my installations with a sense of aliveness!” Website: www.registry.whitecolumns.org https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1655218053366-0WSZKJ11WIJRJHDLIK83/Penna.png Miller - Paulo Camillo Penna São Paulo, Brazil Itororó -e um córrego, ìsquios 2021 Woodcut and photography 9 x 19 inches Paulo Camillo Penna received his B.A., master’s degree, and Ph.D. in visual arts at the University of São Paulo and pursued post-graduate studies at the Byam Shaw School of Art in London. His work was featured in solo exhibitions in Brazil and Germany and in group exhibitions in Brazil, Belgium, the United States, France, and Norway. He has won important art prizes from the Secretary of Culture of the City of São Paulo and the State of São Paulo and received the Acquisition Prize at the 1st Printmaking Biennial of Santo André. His artwork is represented in public collections throughout Brazil. “I have always been interested in the relationships between technical and poetic aspects of the image, considering the specificities of the media and the nature of the figures that I draw, engrave, photograph and print. From a constant practice of printmaking, I have developed a great interest in the investigation of some characteristics of the engraved and printed image and in conceptual and constructive questions that are inherent to this medium. I am currently working on a series of drawings, paintings, photographs, and prints that explore the construction of polysemic fields of signification, combining distinct media and images taken from different references, such as maps of hydrographs and constellations, photographs of the city, and internal images of the human body.” Website: www.acasatelie.com.br/paulo-camillo-penna https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1655218063213-C6TQ1J1JZIH7T8A6KV0I/Phunsombatlert.png Miller - Bundith Phunsombatlert Brooklyn, NY Returning Dialogue: Fragments of Blue and White Porcelain (Transatlantic Slave Trade Series) 2021 Digital printing transfers on porcelain (Overlaid illustration of callaloo referencing a plant widely grown in Africa, introduced to the Caribbean as a culinary dish by enslaved Africans through the transatlantic slave trade, on porcelain fragments no. 1, 5, 10, 11, and 12) Archival box: 16 x 27 x 2 inches. Bundith Phunsombatlert is a New York-based artist born in Bangkok, Thailand. He has been exhibited both nationally and internationally for over twenty years and has been awarded numerous grants and residencies. “For the past two decades, my art has fluctuated between traditional visual art and new media, being unique in its combination of becoming and staying. Rather than merely celebrating the transformative power of new media, I look at ways in which old media, such as print and architecture, remain within spaces of transformation; I explore how East and West stay with each other; I examine enduring and ongoing interactions between environment and self. The imagined and experienced, the material and inchoate are the axes that are navigated within my work. My background is in printmaking, but in 2001 my work moved into the media art field, involving interaction, participation, and theoretical complexity of new media and data-based aesthetics within the context of technically and spatially ambitious installations.” Website: www.bundithphunsombatlert.com https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1655218074815-ZWO7BWJG1RD3HHZABQVN/Ranieri.png Miller - Juan Ranieri Miami, FL Griffith 2021 Graphite on paper 24 x 24 inches “I was born in 1969 in the north of Buenos Aires Province, Argentina. I took art classes when I was eight. I learned drawing, painting techniques, perspective, and even graphic design. Because I lived on the outskirts of Buenos Aires, I had to travel to my college by bus, train, or even hitchhiking every day. It was a great way to understand the daily odysseys of millions of people struggling against the lack of infrastructure, public transportation, and development policies. I worked as an architect for some years but I needed a different way of conveying my convictions and existential concerns. The answer was to return to visual art as a communication tool to propose an ethical and aesthetic reflection (and perhaps a solution) to the contemporary uncertainties. In 2020 I left my country and moved to the US in order to improve my quality of life and develop myself as an artist. My artwork has been always inspired by architecture and urbanism, and the relation of these to social aesthetics and ethics along the continuum of history. I enjoy moving from geometric and sharp-like graphite media to gestural and amorphous ones like acrylic and elastomeric putty, but both these hard and gestural worlds always have a unifying connection ultimately. I like to experiment with different media in order to find new languages and new ways to communicate my ideas.” Website: www.juanranieri.com https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1655218083858-2IUA45648RZI56Y5R1EB/Schade.png Miller - Christopher Schade Watertown, MA Bunker 21 2021 Acrylic and ink on paper 13 x 14 inches Christopher Schade was born in Austin, Texas, and was raised in Austin and in Quirihue, Chile. He has exhibited in New York City, Massachusetts, and Texas. He is a founder of the Artist Lecture Series in Greenpoint, Brooklyn, and has curated numerous group shows. Since 2016 he has taught painting and drawing at the University of Massachusetts, Boston. He recently became a member of The Painting Center in New York City where he will have solo exhibitions in the fall of 2023 and 2025. “My artwork is about how we perceive and understand visually and conceptually. Through the mediums of painting and drawing, I make landscape images that explore different psychological states. I am interested in the mental space of holding simultaneous contradictory beliefs or perceptions, examining cognition, and questioning how and why we believe what we do. The Bunkers are a manifestation of my exploration into forms that resist resolution into a single knowable subject. The series began with a trip to Pointe Du Hoc, Normandy, the site of German bunkers that were destroyed during the invasion of Normandy. The remaining structures look as if they were from the future or the ancient past. Psychologically, I am interested in the impulse to guard a vast coastline within basically a medieval structure against ships that could shell them up to twenty miles away.” Website: www.christopherschade.com https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1655218094545-RWQBLC0KC758QESESYLX/Schulz.png Miller - Charlotte Schulz Peekskill, NY Variations Surrounding a Forest Circus 2021 Charcoal on paper 40 x 52 x 1 inches Charlotte Schulz was born in Massillon, Ohio, and studied art as an undergraduate at Kent State University. She attended Skowhegan School of Painting and Sculpture in the summer of 1992 and graduated from the University of South Florida, Tampa, with a Master of Fine Arts in 1993. She is the recipient of fellowships from the John Simon Guggenheim Memorial Foundation, the New York Foundation for the Arts, the Pollock-Krasner Foundation, and the State of Florida. Schulz’s work is included in the permanent collections of museums in California and Florida. She maintains a studio in Peekskill, NY, and teaches at Parsons School of Design in New York City. “In my large-scale charcoal drawings, a world is made by the intermingling of land, sea, and sky and depicts the fault-lines and threats of broad collective events. In counterpoint, the psychic pressure of these outside forces and their impact on daily life is held in balance. I use various sizes and shapes of torn paper and assemble them together, so the final drawing is oddly shaped and undulating—taking on a sculptural form. My process is at once additive, subtractive, and improvisational and mixes-up the actual and the illusionary. Through the careful blending of charcoal with delicate erasure, small discrete images ranging over expansive spaces weave together as an evolving narrative emerges as I draw. Informed by extensive reading and banks of images I’ve compiled over time, my work draws upon a variety of sources such as Buddhist teachings, contemporary fiction, news events, and poetry. In the current moment when our lives are defined more by shifting realities than some stable world, my work, with its flipped and twisted planes of torn paper and sutured-together fragments, discloses a new understanding of forces operating in the world through the lens of personal experience.” Website: www.charlotteschulz.com https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1655218104158-Y1R5H8RESE2ATYM5MUTP/Todorovic%CC%81.png Miller - Predrag Todorović Zagreb, Croatia Wall / From the new cycle: Walls / 2021 Combined technique (gypsum-lime mass, acrylic adhesives, gauze, pigments, on canvas, attached to a wooden frame) 62.99 x 118.11 inches Predrag Todorović was born in Drvar, Bosnia and Herzegovina, in 1966. He has exhibited in more than 40 solo and numerous group, juried, and selected shows both locally and internationally. He represented the contemporary Croatian art scene in curatorial selections both at home and in Italy, France, Germany, Austria, Finland, Hungary, Bosnia and Herzegovina, Macedonia, and Egypt. His works are represented in the holdings of museums in Rijeka and Zagreb, as well as in numerous private collections internationally. A recipient of several awards, he also participated in Artist-in-Residence programs, in Cairo (1997) and in Paris (2016). He is a member of the Croatian Freelance Artists’ Association. He lives and works in Zagreb. “The same theme is always present in all my works: Everything is constantly changing and moving and continues to unfold in contact with the perception of the observer. I look for details, places, and moments in which the Whole could be intuitively sensed. An artwork is a living organism that should be allowed to develop in unexpected directions. . . In this sense, my iconography is characterized by the frequent use of non-painting and non-sculptural materials and procedures. Currently, I am working on a new cycle of paintings-reliefs called Walls where I take a cast of nylon on which I leave traces while moving in my studio. At the same time, I continue to make drawings that I engrave with a graphic needle in galvanized sheets painted with black ink.” Website: www.predragtodorovic.com/en/ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1655218111496-V5XTHK3FAM1PKOHUCYYN/Trachtman.png Miller - Vaune Trachtman Brattleboro, VT Singlet 2021 Photopolymer gravure with surface roll on Awagami Shiramine paper 28 X 34 inches Vaune Trachtman (b. 1966, Philadelphia, PA) is a printmaker whose work honors historic photographic processes. Formerly a master printer for other artists, she became concerned about the chemicals used to create their images, so in her own work, she pivoted to a nontoxic printmaking process. She now makes gravures with little more than light and water. Her hand-pulled, etched prints conjure associations with early photographic methods, but they are not printed on photosensitive paper, nor do they involve solvents, fixers, or emulsions. Her images explore the evanescence of dreams and memory, resulting in “works that seem more like emanations than photographs” (Mark Feeney, Boston Globe). In 2020 she received a grant from the Vermont Arts Council and the National Endowment for the Arts to create a new series of gravures called NOW IS ALWAYS. She lives in Brattleboro, Vermont. “My current series of gravures, NOW IS ALWAYS, was begun during the Great Depression when my father, Joseph Trachtman (1914-1971), shot a few rolls of film near his father's drugstore in Center City, Philadelphia. Nearly 90 years later, my sister found the negatives and gave them to me. Working from my father’s original negatives, I've combined the people from his neighborhood with my own images, many of which were shot from windows and moving vehicles. I want to create a feeling of collapsed-yet-expanded time. I want the viewer to look at the past, and I want the past to look right back.” Website: www.vaune.net https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1655218124547-68AZPCVPYOLYLL2DOUU0/Tull.png Miller - Dani Tull Los Angeles, CA La Sagrada Familia 2021 Flashe on linen 60 x 48 inches Dani Tull is a Los Angeles-based artist. He has exhibited in galleries and museums internationally; His work has been written about in The New York Times, Los Angeles Times, Artforum, Art in America, I.D. Magazine, Art Review, Wallpaper magazine, and Frieze, amongst others. Permanent collections include The Metropolitan Museum of Art, The Getty, The Laguna Art Museum, and The Peter Norton Family Collection. “I think of my paintings as ‘narrative abstraction’, abstract compositions that appear to be subject to the forces of gravity, the earth element that keeps us grounded and able to sustain life - alternately, gravity makes things fall apart. The forms in my paintings lean, support, and negotiate complex relationships, much like organic lifeforms or the dynamics of human interrelations, always striving toward equilibrium, arching against collapse. Within my process, the gessoed underpainting presents a tabula rasa upon which I inscribe personal texts, poetry by various writers, and invited contributions. These lettered layers are ultimately painted over, becoming palimpsests as the handwritten words are obscured by the final layer of paint. Through a generative process, a repetition of hand-painted pinstripe lines accumulate into “streams.” The chosen color combinations are derived from meaningful life experiences and suspended in the compositions like trace artifacts. For example, within a single painting, one stream of colors is from a recollection of an event I don’t have a photograph of, the colors of my grandfather’s flannel shirt, the colors of my daughter’s hair, a sculpture by a friend… and so on. Meaningful references that embed the abstractions with inherent sentiment.” Website: www.danitull.com https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1655218130457-LQ4CVD67FM26HXM93EN6/Jones.png Miller - Theodora Varnay Jones San Francisco, CA Implications-I 2021 Watercolor on Yupo paper, graphite on film, pigment print, dry pigment on paper 19 x 26 inches Theodora Varnay Jones is a Hungarian-born American artist. She lives and works in San Francisco, CA. Her multimedia works in drawing, sculpture, photography, and installations echo her reverence for process and material while evoking an open-ended range of concepts from perception to relativity, transparency, and time. She synthesizes links between her roots in European education, her adopted country’s conceptual and minimalist art, and the significance she found in works of her Japanese contemporaries. Varnay Jones’ primary concern and challenge is the process of distilling her experience into optical and sensual form. Her meditation on the ambiguity of vision and perception fluctuates between three-dimensional objects and flat surfaces. She aims at demonstrating relationships, recontextualizing their position, and revealing connections between seemingly unlike things. Her works have been exhibited in museums and galleries in the United States, Central America, Japan, and Europe and can be found in major private and public collections around the world. “The natural world is referenced in many of my recent works. However, in all of the complex, layered images and sculptures, the depicted shapes and forms no longer represent any of the source objects. Their implications are their fugitive nature and changing contextual meaning. My intent of a dialogue between components is unsettled, evoking memories as well as empirical and philosophical questions. Consistently working in just shades of grey, my intention is to strip away associations and limitations that colors would introduce to my work.” Website: www.theodoravarnayjones.com https://www.gottliebfoundation.org/home-test daily 0.75 2025-10-21 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1592613313865-CG4M7YESA788Z67IB5RC/1964-65_Waggaman_EHampton_04_ed5.jpg Home Test https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1591994650093-596UAKPRUU1ANVJMIL4C/1960-10_Weill_02edited.jpeg Home Test - About the Foundation The Adolph and Esther Gottlieb Foundation has been operating since 1976 with two main purposes. We offer grants to individual visual artists through two programs: an annual Individual Support Grant and a separate program to assist visual artists in cases of catastrophic events through an Emergency Grant program. We also maintain an archive on the art and life of Adolph Gottlieb and organize exhibitions of his art and that of others. Learn more >> https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1594045804021-4TS7W4LR9K12S5CU9HV3/1956_Unknown_Provincetown_01.jpg Home Test - Grants for Individual Artists Over the course of his life Gottlieb had several friends and colleagues who, despite their artistic achievements, were not able to support themselves either through the sale of their art or through teaching or related work. Adolph and his wife Esther were known among their friends as people who would help out when times were hard or when someone was in serious need. In that spirit, Adolph left instructions in his will that a foundation be created to benefit “mature, creative painters and sculptors.” When Adolph died in 1974, this paragraph became a mandate for an artists’ estate to develop a program that would provide direct financial assistance to individual artists. Learn more >> https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1594045946786-LELS4T8YQPEFA4CAF8J4/gottlieb%2B1968.jpg Home Test - About The Artist Adolph Gottlieb (March 14, 1903 – March 4, 1974) was an American abstract expressionist painter, sculptor and printmaker. Learn more >> https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1597173993024-4AV1KREV7K9YPGBWE1KC/Amos_Sarah.jpg Home Test - Sarah Amos I Stop I Look 2017 Collagraph with Thread on Felt 66 x 84” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1597173992494-WE935EG5M61P2P0S53JS/Bray_Greg_36.jpg Home Test - Greg Bray Concern along Route 66 -GreenBook 1951 2019 Oil paint, paper collage on canvas 33 x 50” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1597173993519-J26X5TM5DAB6JPL4FJ31/decesaris_david_37.JPG Home Test - David DeCesaris White Man’s World 2019 Acrylic on Birch Panel 60 3/4 x 48” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1597173996757-ZSEP0SPZA8IOR6MMW7DK/Giordano_Jacin_40.jpg Home Test - Jacin Giordano Cutpainting 91 2019 Acrylic and glitter on wood 24 x 20” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1597173996975-YMVB04PP6CK6A3THYLQU/Jongman_Jarik_40.jpg Home Test - Jarik Jongman Yahoo Data Center, Lockport, New York 2019 Oil on Canvas 24 x 31 1/2” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1597173989150-3TZKM9V73BNP0CE9OFS9/Lanham_Sheila_38.jpg Home Test - Sheila Lanham World View #1 in the Series 2019 oil on canvas 40” x 30” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1597173991288-H2IYFB5CAFFCSX8WRNL9/Mattoose_SR_40.jpg Home Test - S. R. Mattoose Twilight 2019 Oil on Canvas 60 x 60” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1597174000530-FKM0JKA76AV0S5O2K32X/Molenaar_Linda_39.jpg Home Test - Linda Molenaar Molar Rings 2019 Human teeth, artificial polyester gum 1/2 x 1/2 x 1/3” each https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1597174001487-NYGXZ6434ENF7ATP0698/Shatz_Jacqueline_33.jpg Home Test - Jackie Schatz Intersection 2019 Ceramic and acrylic paint 13 x 11 x 7” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1597174002354-50X80W8P9LTGI0PN6OFM/Wray_Randy_37.jpg Home Test - Randy Wray Fuse 2019 Oil on linen 52 x 38” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1597174000557-V2HLYZKSWWPIPAFHBMUG/Yount_Paul_24.jpg Home Test - Paul F. Yount Discrimination of Thyself 2011 Oil on Canvas 72 x "72” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1597261438811-CTTBB4B4FPOPEJJDQG4Z/Stout_Rene%CC%81e_36.jpg Home Test - Renee Stout https://www.gottliebfoundation.org/special-exhibitions-walkthrough daily 0.75 2024-05-30 https://www.gottliebfoundation.org/special-exhibitions-walkthrough/2024/5/30/adolph-gottlieb-early-prints monthly 0.5 2024-06-05 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/0b9f8004-201a-4f3b-9810-5bf0a9c3304b/Untitled+4450Pa.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Early Prints" - Make it stand out Adolph Gottlieb, Untitled, c. 1944, linocut on paper, 7 5/8 x 6" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/9e059add-3637-460b-a886-8fba92640842/FinalGottliebPrintsCatalogwithCovers.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Early Prints" - Make it stand out The "Adolph Gottlieb: Early Prints" exhibition catalogue cover. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/0a8e748e-9e39-43e3-afdb-ffd3b4c5385f/OberlinOpening.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Early Prints" - Make it stand out An invitation to the opening reception of "Adolph Gottlieb: Early Prints" featuring Untitled, c. 1946, Linocut on wove paper, 7 3/8 x 6". https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/195761db-24d3-452c-8ec7-b691f067b5cd/2_2006-11-7+-+Early+Prints+-+Oberlin+College.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Early Prints" - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/2d2b349b-a637-4af0-a12d-c6df80e912f7/x128_Colby.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Early Prints" - Make it stand out The museum bulletin for the Colby College Museum of Art featuring Gottlieb's Untitled (1950) work on paper, Autumn 2007. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/e8c2ef0e-3062-44d6-a363-927c374b2404/Gottlieb1+%281%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Early Prints" - Make it stand out Installation photo of "Adolph Gottlieb: Early Prints" at the Allen Memorial Art Museum, Oberlin College, November 2006. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/eea9c04d-dafa-4bf4-9fc2-8e6b023b0416/unnamed+%2818%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Early Prints" - Make it stand out Installation photo of "Adolph Gottlieb: Early Prints" at the Colby College Museum of Art, February 2008. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/285d2fd4-4ba5-4b58-927c-6956ad801340/7499P-51.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Early Prints" - Make it stand out Untitled (Six Artist Print), 1933 - 1974, etching, image size = 5 3/4 x 7 3/4" sheet size = 9 3/4 x 10 5/8” (top row) Lucille Corcos by Dorothy Dehner, David Smith by Lucille Corcos, Adolph Gottlieb by Edgar Levy (bottom row): Edgar Levy by Esther Gottlieb. Dorothy Dehner by Adolph Gottlieb, Esther Gottlieb by David Smith https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1717098173971-3KAA496H5K143HJYU7V6/3860P.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Early Prints" - Untitled (Arizona Still Life) c. 1938 white-line linocut on paper 3 1/2 x 4 5/8 “ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1717098208322-LVQUCW5382M5FKC8WYUA/4543P.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Early Prints" - Untitled (The Seine, Paris) c. 1936 etching on paper 5 15/16 x 6 15/16” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1717098192084-CA5Q7M7Z23WQN1BD8TGV/3832pa.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Early Prints" - Untitled 1938 Stencil and hand-painted in oil on paper 3 5/8 x 3 1/2" Collection of the Barnett Newman Foundation https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1717098780035-2TFZC0VSL8OJDQ1HOROC/3950P.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Early Prints" - Untitled c. 1939 etching on paper 7 15/16 x 5 7/8" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1717098125018-VI88RTN1RKFO8J2PLZ7K/4050P.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Early Prints" - Montage c.1944 Etching and coarse-grained aquatint on cream wove paper 6 x 7 5/8" Collection of the Museum of Modern Art https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1717098123254-XBZBWWQ5DM4GW1NYMS1C/4053P.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Early Prints" - Untitled (Season's Greetings) c. 1942 Etching printed as relief on light wove paper 5 x 4" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1717098156749-UER21LTXBEUL2XQ18SQ7/4651P.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Early Prints" - Untitled c. 1945 Unique hand-colored etching on laid paper 9 3/4 x 7 3/4" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1717098156790-7FAWCWSX1R3AN9SVNPYC/4645P.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Early Prints" - Pictograph c. 1946 Linocut on wove paper, image size = 11 7/8 x 14 3/4” Collection of the Smithsonian American Art Museum https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1717098167965-LJARON7BZBZX59X80REX/4653P-05.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Early Prints" - Omen 1945 etching and aquatint surfaced rolled and printed as relief 9 7/8 x 11 3/4" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1717098181136-D0QVAMV06DUP2B4NPUO9/4528P-13.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Early Prints" - Apparition 1945 etching and aquatint and lift-ground on cream laid paper 20 x 15" https://www.gottliebfoundation.org/special-exhibitions-walkthrough/2024/4/12/gottlieb-in-new-york-painting-and-sculpture-19401970-at-the-metropolitan-museum-of-art monthly 0.5 2024-04-23 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/938d5da1-194b-4d72-be6a-b84291bc6461/1969_Newman_MetMuseum_03.jpg Special Exhibitions Walkthrough - Gottlieb in "New York Painting and Sculpture 1940–1970" at the Metropolitan Museum of Art - Make it stand out Adolph Gottlieb posing with Petaloid (1968) at the New York Painting and Sculpture: 1940–1970 exhibition at the Metropolitan Museum of Art, 1969. Photographer: Arnold Newman. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/bfe4be78-a6d2-410c-988b-a2de2212ac5b/1969_Newman_MetMuseum_02.jpg Special Exhibitions Walkthrough - Gottlieb in "New York Painting and Sculpture 1940–1970" at the Metropolitan Museum of Art - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/eae40e80-ce1b-4f6c-8b43-0276fd119a2c/1969-3-21+Metropolitan+Museum%2C+Henry+Geldzahler+re+x527.jpg Special Exhibitions Walkthrough - Gottlieb in "New York Painting and Sculpture 1940–1970" at the Metropolitan Museum of Art - Make it stand out A letter from Henry Geldzahler to Adolph Gottlieb about Gottlieb's inclusion in New York Painting and Sculpture: 1940–1970, March 21, 1969. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/ddae4496-1059-4cac-ba3a-0ec2c38e7f60/_MET+NYPaintingSculpture1969.jpeg Special Exhibitions Walkthrough - Gottlieb in "New York Painting and Sculpture 1940–1970" at the Metropolitan Museum of Art - Make it stand out Installation photo from New York Painting and Sculpture: 1940 –1970 at the Metropolitan Museum of Art, October 1969. Red, Blue, Yellow (1966), Una (1959), Sign (1962), Petaloid (1968), and Aureole (1959). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1713887604568-TSKWTMLTXNW7UV4AXUOB/_1969+gottlieb+at+the+MET+1.jpg Special Exhibitions Walkthrough - Gottlieb in "New York Painting and Sculpture 1940–1970" at the Metropolitan Museum of Art https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1713887604739-SJO18UZRUENRYUZHVDTH/_1969+gottlieb+at+the+MET+2.jpg Special Exhibitions Walkthrough - Gottlieb in "New York Painting and Sculpture 1940–1970" at the Metropolitan Museum of Art https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/2c9ff960-1c82-4ad1-a23c-64a448d8f90a/x527_CatalogueCover.jpg Special Exhibitions Walkthrough - Gottlieb in "New York Painting and Sculpture 1940–1970" at the Metropolitan Museum of Art - Make it stand out Exhibition catalogue cover for New York Painting and Sculpture: 1940 –1970. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/4ee7b667-0ada-4916-a626-fc02d8dd4f3c/x527_CatalogueInterior.jpg Special Exhibitions Walkthrough - Gottlieb in "New York Painting and Sculpture 1940–1970" at the Metropolitan Museum of Art - Make it stand out An interior note from Henry Geldzahler to Adolph and Esther Gottlieb, October 1969. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/e6dd69dc-7a09-4501-92d9-9d32e624a6b9/unnamed+%2815%29.jpg Special Exhibitions Walkthrough - Gottlieb in "New York Painting and Sculpture 1940–1970" at the Metropolitan Museum of Art - Make it stand out Goldsmith, Barbara. ''How Henry Made 43 Artists Immortal'', New York Magazine, October 18, 1969 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/7f9c8662-e56e-47a6-bc83-676938ac641c/unnamed+%2816%29.jpg Special Exhibitions Walkthrough - Gottlieb in "New York Painting and Sculpture 1940–1970" at the Metropolitan Museum of Art - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/cd9a4997-81da-468d-935a-71d354a38518/unnamed+%2817%29.jpg Special Exhibitions Walkthrough - Gottlieb in "New York Painting and Sculpture 1940–1970" at the Metropolitan Museum of Art - Make it stand out Goldsmith, Barbara. ''How Henry Made 43 Artists Immortal'', New York Magazine, October 18, 1969 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/bbcaa1b1-fefb-4b96-a8f1-e1d35e8bee8e/5928+Una.jpg Special Exhibitions Walkthrough - Gottlieb in "New York Painting and Sculpture 1940–1970" at the Metropolitan Museum of Art - Make it stand out Adolph Gottlieb, Una, 1959, oil on canvas, 108 x 90" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/c3d70500-00e0-47de-8032-a1b521175a4e/Screen+Shot+2024-04-19+at+1.31.23+PM.png Special Exhibitions Walkthrough - Gottlieb in "New York Painting and Sculpture 1940–1970" at the Metropolitan Museum of Art - Make it stand out Leider, Philip. “Modern American Art At The Met: “...as beautiful as any we are likely to see again””, Artforum, December 1969. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/7780e00f-648d-4b91-b866-4bf244905282/_1969-12+Artforum3.jpg Special Exhibitions Walkthrough - Gottlieb in "New York Painting and Sculpture 1940–1970" at the Metropolitan Museum of Art - Make it stand out Leider, Philip. ''Modern American Art At The Met: “...as beautiful as any we are likely to see again"", Artforum, December 1969 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/aa4b08d1-2ae7-46b9-9ac9-45d94c2bdf9d/unnamed+%2814%29.jpg Special Exhibitions Walkthrough - Gottlieb in "New York Painting and Sculpture 1940–1970" at the Metropolitan Museum of Art - Make it stand out Adolph Gottlieb, Petaloid, 1968, painted cor-ten steel, 96 x 96 x 48", Collection of the Storm King Art Center https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1712946589405-IRVMH85CC881CUNRRRHD/_4509.jpg Special Exhibitions Walkthrough - Gottlieb in "New York Painting and Sculpture 1940–1970" at the Metropolitan Museum of Art - Masquerade (1945) oil and tempera on canvas, 36 x 24" Collection of the High Museum of Art https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1712946796958-KGGNS1O7XAGE3F37Y1K6/_New%2BOrleans%2Bcopy.jpg Special Exhibitions Walkthrough - Gottlieb in "New York Painting and Sculpture 1940–1970" at the Metropolitan Museum of Art - Dream (1949) oil on canvas, 20 x 24" Collection of the New Orleans Museum of Art https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1712946492666-E3D6UFHWILJYZYC6VL8A/4602.2.jpg Special Exhibitions Walkthrough - Gottlieb in "New York Painting and Sculpture 1940–1970" at the Metropolitan Museum of Art - Recurrent Apparition (1946) oil on canvas, 36 x 54" Collection of the Chazen Museum of Art https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1713556663000-46MLWO9C1UKJC6DVPDCA/IMG_0289+2+copy.jpg Special Exhibitions Walkthrough - Gottlieb in "New York Painting and Sculpture 1940–1970" at the Metropolitan Museum of Art - Thrust (1959) oil on canvas, 108 x 90" Collection of the Metropolitan Museum of Art https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1712946753211-V8Z82H7B8CMHJSSYN7QS/5927%2BAureole.jpg Special Exhibitions Walkthrough - Gottlieb in "New York Painting and Sculpture 1940–1970" at the Metropolitan Museum of Art - Aureole (1959) oil on linen, 108 x 90" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1712946547106-51VS855GCC5QFI6BOPDA/_paulkasmin.jpeg Special Exhibitions Walkthrough - Gottlieb in "New York Painting and Sculpture 1940–1970" at the Metropolitan Museum of Art - Sign (1962) oil on canvas, 90 x 84" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1712946546247-HT0EVSM4WSVXZ120RKN3/_installed+National+Gallery.jpg Special Exhibitions Walkthrough - Gottlieb in "New York Painting and Sculpture 1940–1970" at the Metropolitan Museum of Art - Wall (1969) painted aluminum, 90 x 53 x 132" Collection of the National Gallery of Art, DC https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1713547976649-9EP4V3CYCG6T3K3HNZU5/6610.jpg Special Exhibitions Walkthrough - Gottlieb in "New York Painting and Sculpture 1940–1970" at the Metropolitan Museum of Art - Red, Blue, Yellow (1966) oil on canvas, 84 x 90" https://www.gottliebfoundation.org/special-exhibitions-walkthrough/2024/2/21/adolph-gottlieb-gravity-suspension-motion-paintings-19541972-at-pace-gallery monthly 0.5 2024-02-23 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/de1499ee-dcdc-438c-96a2-cd5512df0788/x1008_PaceInstall_8.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Gravity, Suspension, Motion: Paintings: 1954–1972" at Pace Gallery - Make it stand out Installation photo of “Adolph Gottlieb: Gravity, Suspension, Motion” at Pace Gallery, March 2012. Photographer: Kerry Ryan McFate for Pace Gallery. Artwork shown (from left to right): Aftermath (1959), Expanding (1962), Unstill Life III (1956), Collection of the Museum of Modern Art. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/75422956-bb57-4484-b2ae-debadb34a97e/x1008_PaceInstall_4.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Gravity, Suspension, Motion: Paintings: 1954–1972" at Pace Gallery - Make it stand out Shown: Installation photo of “Adolph Gottlieb: Gravity, Suspension, Motion” at Pace Gallery, March 2012. Photographer: Kerry Ryan McFate for Pace Gallery. Artwork shown (from left to right): The Red (1972), Unstill Life III (1956), Collection of the Museum of Modern Art, and Black White Pink (1954). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/77012ae4-c570-4971-a395-7fdb5591fe67/x1008_PaceInstall_5.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Gravity, Suspension, Motion: Paintings: 1954–1972" at Pace Gallery - Make it stand out Installation photo of “Adolph Gottlieb: Gravity, Suspension, Motion” at Pace Gallery, March 2012. Photographer: Kerry Ryan McFate for Pace Gallery. Artwork shown (from left to right): Unstill Life III (1956), Collection of the Museum of Modern Art, Black White Pink (1954), and One Two Three (1964). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/d7a5481b-ed07-4d12-9750-aaa769e532ef/x1008_PaceInstall_7.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Gravity, Suspension, Motion: Paintings: 1954–1972" at Pace Gallery - Make it stand out Installation photo of “Adolph Gottlieb: Gravity, Suspension, Motion” at Pace Gallery, March 2012. Photographer: Kerry Ryan McFate for Pace Gallery. Artwork shown (from left to right): Foursquare (1964), Pink and Blue (1971), and Aftermath (1959). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/88dc8d0f-3eb3-4bac-8c23-fc6e5c9e39b9/x1008_PaceInstall_10.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Gravity, Suspension, Motion: Paintings: 1954–1972" at Pace Gallery - Make it stand out Installation photo of “Adolph Gottlieb: Gravity, Suspension, Motion” at Pace Gallery, March 2012. Photographer: Kerry Ryan McFate for Pace Gallery. Artwork shown (from left to right): Three Discs (1960), Collection of the Smithsonian American Art Museum, Spray (1959), Collection of the Hirshhorn Museum & Sculpture Garden, and Ochre and Black (1962). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/d502ca1f-883f-43bf-afb2-ee38d9986189/Plagens_cropped.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Gravity, Suspension, Motion: Paintings: 1954–1972" at Pace Gallery - Make it stand out Plagens, Peter. ''Adolph Gottlieb: Gravity, Suspension, Motion'', The Wall Street Journal, April 1, 2012 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/bdd8fb8e-faa7-41fb-86e0-f2cf234cbbc3/unnamed+%2810%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Gravity, Suspension, Motion: Paintings: 1954–1972" at Pace Gallery - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1708707203357-DI37OKZ1P380BNMZ7CH6/unnamed+%2811%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Gravity, Suspension, Motion: Paintings: 1954–1972" at Pace Gallery - Three Discs (1960), Collection of the Smithsonian American Art Museum https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1708707207638-TWR9PB5T8JFSNBXY3GXW/unnamed+%2812%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Gravity, Suspension, Motion: Paintings: 1954–1972" at Pace Gallery - Spray (1959), Collection of the Hirshhorn Museum &amp; Sculpture Garden https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1708707204197-P7LBFSRDFD1C8I4099BT/unnamed+%2813%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Gravity, Suspension, Motion: Paintings: 1954–1972" at Pace Gallery - Unstill Life III (1954-56), Collection of the Museum of Modern Art https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1708707205180-NO0JYQQKVNS8EB2Y634I/unnamed+%2814%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Gravity, Suspension, Motion: Paintings: 1954–1972" at Pace Gallery - Open and Closed (1968 - 1970) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1708707206583-8QBMIZ5BEH9IWHS2TD1F/unnamed+%2815%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Gravity, Suspension, Motion: Paintings: 1954–1972" at Pace Gallery - One, Two, Three (1964) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1708707207803-9P7OD4N5K7BQ3BLVHO0E/unnamed+%2816%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Gravity, Suspension, Motion: Paintings: 1954–1972" at Pace Gallery - Ochre and Black (1962) https://www.gottliebfoundation.org/special-exhibitions-walkthrough/2023/12/19/adolph-gottlieb-1960s-at-galeria-elvira-gonzlez monthly 0.5 2023-12-19 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/df1baa11-4928-4976-9203-7382d754ca0e/unnamed+%2818%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1960s" at Galeria Elvira González - Make it stand out Shown: Installation view of Adolph Gottlieb: 1960s at Galeria Elvira González, Madrid, Spain, 9/21/2004-11/20/2004. Artwork shown (left to right): Untitled (1968), Untitled (1968), Untitled (1968), Untitled (1968), and Untitled (1968) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/686f5074-bb22-45a2-b8d0-220a85b9eea5/unnamed+%2819%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1960s" at Galeria Elvira González - Make it stand out Installation view of Adolph Gottlieb: 1960s at Galeria Elvira González, Madrid, Spain, 9/21/2004-11/20/2004. Artwork shown (left to right): Tilted Wall (1968) and Asterisk on Brown (1967) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/561de358-1ac1-4cfc-92cb-662d1994bc4f/unnamed+%2820%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1960s" at Galeria Elvira González - Make it stand out Installation view of Adolph Gottlieb: 1960s at Galeria Elvira González, Madrid, Spain, 9/21/2004-11/20/2004. Artwork shown (left to right): Looming (1967) and Untitled (1967) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/df25098b-bc2b-41b3-b34f-9af1ddcca1f8/unnamed+%2823%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1960s" at Galeria Elvira González - Make it stand out Installation view of Adolph Gottlieb: 1960s at Galeria Elvira González, Madrid, Spain, 9/21/2004-11/20/2004. Artwork shown (left to right): Violet Field (1968), Untitled (1969), and Enclosure (1961) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/ed9d0202-184c-4625-9ae2-cc2e03c2dee2/unnamed+%2824%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1960s" at Galeria Elvira González - Make it stand out Installation view of Adolph Gottlieb: 1960s at Galeria Elvira González, Madrid, Spain, 9/21/2004-11/20/2004. Artwork shown (left to right): Tilted Wall (1968), Asterisk on Brown (1967), and Notations (1966) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/0784398b-291b-472d-aea9-34200e024119/unnamed+%2825%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1960s" at Galeria Elvira González - Make it stand out Installation view of Adolph Gottlieb: 1960s at Galeria Elvira González, Madrid, Spain, 9/21/2004-11/20/2004. Artwork shown (left to right): Notations (1966), Roman Three (1962), Three White Discs (1967), and Acrypol #1 (1964) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/da6b431c-b962-45ae-8a23-a4bd196d6808/unnamed+%2826%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1960s" at Galeria Elvira González - Make it stand out An announcement of the exhibition's opening featuring Acrypol #1, 1964, acrylic on paper, 26 x 20" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/7ee9711e-9e92-4954-82ae-3e625ac55ef5/unnamed+%2827%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1960s" at Galeria Elvira González - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/84380d3e-2bb2-453a-82a1-608fd5e60ed0/unnamed+%2828%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1960s" at Galeria Elvira González https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/8c30df7d-074f-4d4d-9d06-fdd836706bf6/unnamed+%2829%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1960s" at Galeria Elvira González https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/a5b13b2c-9a46-4830-b6c2-cbb4f2549284/unnamed+%2830%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1960s" at Galeria Elvira González - Make it stand out 'En La Era Atómica'', ABC Cultural Sulpplement (Blanco y Negro Cultural), October 10, 2004 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1703009664476-F0VDSRHEADMP5W5Q2UJN/unnamed+%2831%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1960s" at Galeria Elvira González - Dawn (1965) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1703009664506-43RAGJ8QDWJKHSNG3AKT/unnamed+%2832%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1960s" at Galeria Elvira González - Three White Discs (1967) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1703009727174-SYL2QG5APD2CQKTVY2FT/1968+Bursts.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1960s" at Galeria Elvira González - all Untitled (1968) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1703009744585-9RBGP30Z918HCTZD6OMH/unnamed+%2837%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1960s" at Galeria Elvira González - Roman Three (1962) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1703009744646-2N7142HDZJ1Y94NJHXAG/unnamed+%2838%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1960s" at Galeria Elvira González - Looming (1967) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1703009745543-CWN8KOVFQA3XE55R41W4/unnamed+%2839%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1960s" at Galeria Elvira González - Asterisk on Brown (1967) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1703009746032-IHNYA5C7L3EHSXP4B7G2/unnamed+%2840%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1960s" at Galeria Elvira González - Untitled (1967) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1703009746234-A8018SQGJXVYVHP0G3OL/unnamed+%2841%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1960s" at Galeria Elvira González - Three Discs on Chrome Ground (1969) https://www.gottliebfoundation.org/special-exhibitions-walkthrough/2023/10/18/gottlieb-ecole-de-new-york-at-galerie-rive-droite-april-1959 monthly 0.5 2023-10-24 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1170faae-cdbb-4dcf-87f9-1c38e2357e31/unnamed+%2823%29.jpg Special Exhibitions Walkthrough - "Gottlieb: Ecole de New York" at Galerie Rive Droite, April 1959 - Make it stand out Installation view of the exhibition “Gottlieb: École de New York” at Galerie Rive Droite, Paris, April 1959. Eclipse (1952), Threads of Theseus (1948), Totemic Figures (1948), Crimson Spinning (1959), and Polychromed Maze (1956). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/43179ef3-a33c-4025-8bbc-85742ea104bd/unnamed+%2824%29.jpg Special Exhibitions Walkthrough - "Gottlieb: Ecole de New York" at Galerie Rive Droite, April 1959 - Adolph Gottlieb, "Crimson Spinning" (1959) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/3229934d-4e0a-46a9-ba07-4ebe3ff5b3d7/unnamed+%281%29.png Special Exhibitions Walkthrough - "Gottlieb: Ecole de New York" at Galerie Rive Droite, April 1959 - Adolph Gottlieb, "Polychromed Maze" (1956-58) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/23f2d445-b070-47f6-942a-39b51d205cbf/unnamed+%2825%29.jpg Special Exhibitions Walkthrough - "Gottlieb: Ecole de New York" at Galerie Rive Droite, April 1959 - Make it stand out Installation view of the exhibition “Gottlieb: École de New York” at Galerie Rive Droite, Paris, April 1959. Black and Black (1959), Pink Smash (1959), Figures in Pictoscape II (1949), Exclamation (1958), and Horizontals (1955). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/79c6b69c-8899-4bbf-bcec-ac49b218a027/unnamed+%283%29.png Special Exhibitions Walkthrough - "Gottlieb: Ecole de New York" at Galerie Rive Droite, April 1959 - Adolph Gottlieb, "Black and Black" (1959) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/fabfa846-57bf-42cc-9b89-6b57c1beadcc/unnamed+%2826%29.jpg Special Exhibitions Walkthrough - "Gottlieb: Ecole de New York" at Galerie Rive Droite, April 1959 - Adolph Gottlieb, "Pink Smash" (1959) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/057d2c01-09b4-4d7e-94d5-7ea7d6dd34ec/unnamed+%2827%29.jpg Special Exhibitions Walkthrough - "Gottlieb: Ecole de New York" at Galerie Rive Droite, April 1959 - Adolph Gottlieb, "Exclamation" (1958) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/998733a0-c4f3-4ba5-ba59-5a1365c83ef8/unnamed+%2828%29.jpg Special Exhibitions Walkthrough - "Gottlieb: Ecole de New York" at Galerie Rive Droite, April 1959 - Make it stand out View of advertisement for “Gottlieb: École de New York” at the Galerie Rive Droite posted in Saint Germain on the left bank, April 1959. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/234d2ef4-f88a-4fef-af9d-be37cc18d793/unnamed+%2829%29.jpg Special Exhibitions Walkthrough - "Gottlieb: Ecole de New York" at Galerie Rive Droite, April 1959 - Make it stand out Exterior view of the Galerie Rive Droite, Paris during “Gottlieb: École de New York,” April 1959. Pink Smash and Black and Black (both 1959) visible through the window. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/8e7cbb50-2c26-4d8a-aa03-a9adc8c7a796/unnamed+%2830%29.jpg Special Exhibitions Walkthrough - "Gottlieb: Ecole de New York" at Galerie Rive Droite, April 1959 - Make it stand out A letter from Jean Lacarde of Galerie Rive Droite finalizing the details of the exhibition with Gottlieb, May 19, 1958. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/00be50b6-804a-4f39-80b8-61ad45b4b36e/unnamed+%2831%29.jpg Special Exhibitions Walkthrough - "Gottlieb: Ecole de New York" at Galerie Rive Droite, April 1959 - Make it stand out An invitation to the exhibition preview on April 2, 1959. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/88225696-d036-4d03-a7dc-af51a253cfd8/unnamed+%2832%29.jpg Special Exhibitions Walkthrough - "Gottlieb: Ecole de New York" at Galerie Rive Droite, April 1959 - Make it stand out An announcement flyer for the exhibition "Gottlieb: Ecole de New York". https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/f0069f52-26d0-4db2-aa06-acba4d578aca/unnamed+%2833%29.jpg Special Exhibitions Walkthrough - "Gottlieb: Ecole de New York" at Galerie Rive Droite, April 1959 - Make it stand out A protester's note to Gottlieb and the Galerie Rive Droite thrown at the artist. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/686cbe7d-5738-4682-a7a5-b0e0ff1d0e95/unnamed+%2834%29.jpg Special Exhibitions Walkthrough - "Gottlieb: Ecole de New York" at Galerie Rive Droite, April 1959 - Make it stand out Massat, Rene. ''Adolph Gottlieb, Peintre de l’Incertitude'' (Adolph Gottlieb, Painter of Uncertainty), La Nation Française, April 8, 1959. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/385f379e-8eef-4c14-aca2-a7d3f09b65fd/unnamed+%2835%29.jpg Special Exhibitions Walkthrough - "Gottlieb: Ecole de New York" at Galerie Rive Droite, April 1959 - Make it stand out P.D. ''Peintres Francaise, Gare A Vous! Gottlieb Est La!'' (French Painters Beware! Gottlieb is here!), La Gazzette Lauzanne and Tribune de Lausanne, April 12, 1959. https://www.gottliebfoundation.org/special-exhibitions-walkthrough/2023/5/2/adolph-gottlieb-at-the-vii-so-paulo-bienal monthly 0.5 2023-09-12 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/8fd2b5f5-63a0-44de-8e5e-4a9c06217e17/Gottlieb.gif Special Exhibitions Walkthrough - Adolph Gottlieb at the VII São Paulo Bienal - Make it stand out Adolph Gottlieb receiving his Grande Prêmio at the VII São Paulo Bienal Award Ceremony, October 1963. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/6aff0d78-1e68-4635-8b0a-2c732ad25b5c/unnamed+%2824%29.jpg Special Exhibitions Walkthrough - Adolph Gottlieb at the VII São Paulo Bienal - Make it stand out Adolph and Esther Gottlieb at São Paulo Bienal opening, October 1963. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/bec6047b-27e4-4c9e-a6cb-b2558a3eee52/unnamed+%2825%29.jpg Special Exhibitions Walkthrough - Adolph Gottlieb at the VII São Paulo Bienal - Make it stand out Installation image of the São Paulo Bienal, September 1963. Photographer: Athayde de Barros, Image courtesy of the São Paulo Bienal. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/a2943bfe-f39f-4bad-92e0-97f48c2f959d/unnamed+%2826%29.jpg Special Exhibitions Walkthrough - Adolph Gottlieb at the VII São Paulo Bienal - Make it stand out The exhibition catalogue cover for the United States in the 1963 São Paulo Bienal. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/9db767d9-2e93-44ee-af00-307944631b64/unnamed+%2827%29.jpg Special Exhibitions Walkthrough - Adolph Gottlieb at the VII São Paulo Bienal - Make it stand out Installation image of Adolph Gottlieb: Estados Unidos da America at the VII Bienal de Arte Moderna, São Paulo, Brazil, 1963. Photographs courtesy The Walker Arts Center, Minneapolis. Artwork pictured from left to right: Coalescence (1961), Solitary (1957), Exclamation (1958), Transfiguration #4 (1958). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/a138971a-60d6-4e66-926a-eb83669490d4/unnamed+%2828%29.jpg Special Exhibitions Walkthrough - Adolph Gottlieb at the VII São Paulo Bienal - Make it stand out Installation image of Adolph Gottlieb: Estados Unidos da America at the VII Bienal de Arte Moderna, São Paulo, Brazil, 1963. Photographs courtesy The Walker Arts Center, Minneapolis. Artwork pictured from left to right: Return (1962), Saturnalia (1962), The Form of Thing (1958), Black Smash (1960), Blue at Night (1960). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1e143702-0f60-420d-893f-cc2fbae0f678/unnamed+%2829%29.jpg Special Exhibitions Walkthrough - Adolph Gottlieb at the VII São Paulo Bienal - Make it stand out Installation image of Adolph Gottlieb: Estados Unidos da America at the VII Bienal de Arte Moderna, São Paulo, Brazil, 1963. Photographs courtesy The Walker Arts Center, Minneapolis, Minnesota. Artwork pictured from left to right: Transfiguration #4 (1958), Blue at Night (1960), Black Smash (1960), Thrust #2 (1959), Rolling (1961), The Form of Thing (1958). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/41f01928-c373-4aa5-82ee-beff7ed948bd/unnamed+%2830%29.jpg Special Exhibitions Walkthrough - Adolph Gottlieb at the VII São Paulo Bienal - Make it stand out Installation image of Adolph Gottlieb: Estados Unidos da America at the VII Bienal de Arte Moderna, São Paulo, Brazil, 1963. Photographs courtesy The Walker Arts Center, Minneapolis, Minnesota. Artwork pictured from left to right: Sign (1962), Duet (1962), Argosy (1958), Counterpoise (1959), Jagged (1960). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/5c429c14-1697-42a0-98b4-66ef1092c79b/unnamed+%2831%29.jpg Special Exhibitions Walkthrough - Adolph Gottlieb at the VII São Paulo Bienal - Make it stand out Shown: Installation image of Adolph Gottlieb: Estados Unidos da America at the VII Bienal de Arte Moderna, São Paulo, Brazil, 1963. Photograph courtesy The Walker Arts Center, Minneapolis, Minnesota. Artwork pictured from left to right: Armature (1954), Artist Inside Landscape (1956), Cold Wave (1956), The Frozen Sounds #1 (1951). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/7ae0830c-8016-4ca5-9490-6cd8ecc3bd39/unnamed+%2832%29.jpg Special Exhibitions Walkthrough - Adolph Gottlieb at the VII São Paulo Bienal - Make it stand out Installation image of Adolph Gottlieb: Estados Unidos da America at the VII Bienal de Arte Moderna, São Paulo, Brazil, 1963. Photographs courtesy The Walker Arts Center, Minneapolis. Artwork pictured from left to right: Duet (1962), Argosy (1958), Counterpoise (1959), Blast #2 (1957). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/a5b04b67-39e9-426c-9d4b-32d495e2f9e6/unnamed+%2833%29.jpg Special Exhibitions Walkthrough - Adolph Gottlieb at the VII São Paulo Bienal - Make it stand out Installation image of Adolph Gottlieb: Estados Unidos da America at the VII Bienal de Arte Moderna, São Paulo, Brazil, 1963. Photographs courtesy The Walker Arts Center, Minneapolis. Artwork pictured from left to right: Return (1962), Duet (1962), Argosy (1958), Blast #2 (1957), Ascent (1958). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/a45ce81b-7bed-471f-995c-81ed64c5cd28/unnamed+%2834%29.jpg Special Exhibitions Walkthrough - Adolph Gottlieb at the VII São Paulo Bienal - Make it stand out Installation image of Adolph Gottlieb: Estados Unidos da America at the VII Bienal de Arte Moderna, São Paulo, Brazil, 1963. Photograph courtesy The Walker Arts Center, Minneapolis, Artwork pictured from left to right: Blue at Night (1960), Black Smash (1960), The Form of Thing (1958), Saturnalia (1962), Triad (1959). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/907f91b0-76cf-4b10-a038-bf8f97539650/unnamed+%283%29.jpg Special Exhibitions Walkthrough - Adolph Gottlieb at the VII São Paulo Bienal https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/9e03c840-515f-48f1-9b68-62d6dfbd4e8c/unnamed+%284%29.jpg Special Exhibitions Walkthrough - Adolph Gottlieb at the VII São Paulo Bienal https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/4a5b214e-21d3-4e7a-9231-0e6d33e742b4/unnamed+%285%29.jpg Special Exhibitions Walkthrough - Adolph Gottlieb at the VII São Paulo Bienal https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/ef9525f6-a542-4d5d-8050-364b35fe112f/unnamed+%286%29.jpg Special Exhibitions Walkthrough - Adolph Gottlieb at the VII São Paulo Bienal https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/199df43c-8a81-456d-8c27-66915c5fe708/unnamed+%287%29.jpg Special Exhibitions Walkthrough - Adolph Gottlieb at the VII São Paulo Bienal https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/abed1c1b-4367-4f67-93c4-ee7e4f7b6cc9/unnamed+%282%29.png Special Exhibitions Walkthrough - Adolph Gottlieb at the VII São Paulo Bienal https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/05ac70e5-df9b-4d10-a851-769771e0e935/unnamed+%288%29.jpg Special Exhibitions Walkthrough - Adolph Gottlieb at the VII São Paulo Bienal - Make it stand out Shown: Jean M. White, ''Honored U.S. Artist Is Irked by Homeland." Washington Post, October 31, 1963. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/eb83ead4-ea75-4052-8445-e5c45efd2668/unnamed+%289%29.jpg Special Exhibitions Walkthrough - Adolph Gottlieb at the VII São Paulo Bienal - Make it stand out A draft of a letter to Sidney Janis alerting him of Gottlieb's choice to show his work at Marlborough Gallery in the future, December 1963. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/03af7f62-8c04-43b0-ad46-373d79a93b60/unnamed+%2810%29.jpg Special Exhibitions Walkthrough - Adolph Gottlieb at the VII São Paulo Bienal - Make it stand out The final version of the letter sent to Sidney Janis, December 27, 1963. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1683312300969-FAX2JNNSVRFTH4T4E4VM/unnamed+%2811%29.jpg Special Exhibitions Walkthrough - Adolph Gottlieb at the VII São Paulo Bienal - Blue at Noon 1955 oil on canvas 60 x 72 inches Collection of the Walker Art Center https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1683312301855-I1DVSPP2EUXBFY9NSRCR/unnamed+%2812%29.jpg Special Exhibitions Walkthrough - Adolph Gottlieb at the VII São Paulo Bienal - Falling Star 1956 oil on canvas 52 x 42 inches Collection of the Detroit Institute of Arts https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1683312302694-M1YHUFR3Y1K9A3ELMG2O/unnamed+%2813%29.jpg Special Exhibitions Walkthrough - Adolph Gottlieb at the VII São Paulo Bienal - W 1954 oil on canvas 72 x 36 inches Collection of the Solomon R. Guggenheim Museum https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1683312302408-NW8ZRDMMJA2MV32A6LRR/unnamed+%283%29.png Special Exhibitions Walkthrough - Adolph Gottlieb at the VII São Paulo Bienal - Polychromed Maze 1956 oil on canvas 42 x 54 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1683312303198-6G6OWTF9HAA7Z9RJTSNV/unnamed+%2814%29.jpg Special Exhibitions Walkthrough - Adolph Gottlieb at the VII São Paulo Bienal - Saturnalia 1962 oil on canvas 72 x 90 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1683312303493-GG3WRK83Z6LOBPLJKXTV/unnamed+%2815%29.jpg Special Exhibitions Walkthrough - Adolph Gottlieb at the VII São Paulo Bienal - Sign 1962 oil on canvas 90 x 84 inches https://www.gottliebfoundation.org/special-exhibitions-walkthrough/2023/3/8/adolph-gottlieb-works-on-paper-1970-at-marlborough-gallery monthly 0.5 2023-03-17 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/72c5882e-ccd0-4125-a98d-59ab210d5ee9/CataloguePage2.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/5ae4a704-dbf3-4e18-ae91-71fb7f741ee0/CataloguePage1.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/01901433-40e8-45f7-bfcf-f94bd81db4d4/unnamed.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery - Make it stand out Shown: Installation image of "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery, New York, February 11 – March 6, 1971. Artwork pictured (from left to right): Apparition (1970), Orange and Lavender (1970), Tan Disc on Blue (1970), White Halo (1970), Black Splash (1970). Sculpture: Wall, 1968, painted aluminum, 26 1/2 x 40 5/8 x 24 inches. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1678294852087-6YEY3NT0EN9U05V0EW13/unnamed+%286%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1678294853420-RUWDH7LV967ZUMH0ITHR/unnamed.png Special Exhibitions Walkthrough - "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1678294851659-6KDBB90Q46ZIJ7PUIZ5L/unnamed+%2811%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1678294958984-W4YMN7QVH41JBS8CZ2K8/unnamed+%287%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1678294959790-7IAZO7K5CAF4CBYBVHPA/unnamed+%289%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1678294959143-310Q2RVQEUTN1JWNRJ9M/unnamed+%288%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/0b1e995f-0642-409c-8237-5fe961171f8f/unnamed+%2812%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery - Make it stand out Shown: Installation image of "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery, New York, February 11 – March 6, 1971. Artwork pictured (from left to right): Circle (1970), Black Field, (1970), Calligraphy (1970), Summer (1970), Yellow Ochre (1970), Heaving (1970), Untitled (1970), Loop (1970), Untitled (1970). Sculpture: Petaloid with Curved Arrow, 1968, painted aluminum, 28 1/4 x 25 x 20 1/2 inches. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1678295363248-7BR131LAIKAICD4A3EOQ/unnamed+%2813%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1678295364046-ULTTAP1C31DI3WL8XIMQ/unnamed+%2814%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1678295363425-NX6TI0IPXAM3O43ZJFI3/unnamed+%281%29.png Special Exhibitions Walkthrough - "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1678295364524-MIBU24QW8VN8FB6CL4LJ/unnamed+%2815%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/f1aed29e-9519-4f25-beb8-b4cfe42e4bdf/unnamed+%2816%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery - Make it stand out Shown: Installation image of "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery, New York, February 11 – March 6, 1971. Artwork pictured (from left to right): Red and Black (1970), Night (1970), Orange Glow (1970). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1678295525078-2ELJ1MWY23S4J2F7QHAJ/unnamed+%2817%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1678295525615-N7T0EO029EWDV4MCYCAC/unnamed+%2818%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1678295526527-AYXM2W1WL8O8T4MQ0URZ/unnamed+%2819%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/c8a92a25-f606-4a74-9123-2cf5a6ed6fbc/unnamed+%2820%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery - Make it stand out Shown: Installation images of "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery, New York, February 11 – March 6, 1971. Artwork pictured (from left to right): Petal on Pink (1970), Red on Pink (1970), Oriental (1970). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1678295723007-PTX0ZESNFQYARYITJZLO/unnamed+%282%29.png Special Exhibitions Walkthrough - "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1678295723429-ODICV1XJ3X81K4U68R26/unnamed+%2821%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/197830e7-9790-458e-91c5-64b5d430d189/unnamed+%2822%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery - Make it stand out Shown: Installation images of "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery, New York, February 11 – March 6, 1971. Artwork pictured (from left to right): Summer (1970), Yellow Ochre (1970), Heaving (1970). Sculpture: Petaloid with Curved Arrow, 1968, painted aluminum, 28 1/4 x 25 x 20 1/2 inches. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1679081565942-45NF8W9N6RU2J2TBSOTN/unnamed+%282%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1678298337770-6VGY4GNMPH2D6HEQPSSK/unnamed+%281%29.png Special Exhibitions Walkthrough - "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1678298338305-U9IO0YZLGVUEK7738URQ/unnamed+%2824%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/801c5b2c-c55d-4486-9187-dbd108d49fa5/unnamed+%2825%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery - Make it stand out Shown: Petaloid with Curved Arrow, 1968, painted aluminum, 28 1/4 x 25 x 20 1/2 inches. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/7697ceef-bcc1-4cbf-81d5-46244e400553/unnamed+%2826%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Works on Paper 1970" at Marlborough Gallery - Make it stand out Shown: An announcement of Adolph Gottlieb: Works on Paper 1970 at Marlborough Gallery, New York. https://www.gottliebfoundation.org/special-exhibitions-walkthrough/2023/1/17/adolph-gottlieb-at-the-jewish-museum-in-1957 monthly 0.5 2023-01-20 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/d4a31a3b-186f-414d-8720-84831308980f/unnamed+%2810%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb" at The Jewish Museum in 1957 - Make it stand out Shown: Installation image of Adolph Gottlieb at the Jewish Museum, New York, NY Nov. 17, 1957 - Dec. 31, 1957. Artwork pictured (from left to right): Burst, 1957, oil on canvas, 96 x 40 inches, Vigil, 1948, oil on canvas, 36 x 48 inches, Whitney Museum of American Art, Black, Blue, Red, 1956, oil and enamel on linen, 72 x 50 inches, Museum Frieder Burda, Armature, 1954, oil on canvas, 50 x 40 inches, Tournament, 1951, oil on canvas, 60 x 72 inches, The Museum of Modern Art. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1673977531794-S1FK3IJBK66R1AB0PZ4T/unnamed.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb" at The Jewish Museum in 1957 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1673977531321-R96S7XI55EEGHOSQCN8S/unnamed+%281%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb" at The Jewish Museum in 1957 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/31a15922-bf69-4303-ac67-cf26b19a9d81/unnamed+%282%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb" at The Jewish Museum in 1957 - Make it stand out Shown: The cover and first page of the exhibition catalogue for Adolph Gottlieb at The Jewish Museum. Artwork pictured: Burst, 1957, oil on canvas, 96 x 40 inches. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/18d2239d-47c8-4ab9-95c7-9f5d28c6dd83/unnamed+%283%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb" at The Jewish Museum in 1957 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/f6496301-584a-4473-af5a-d8784890cc5e/unnamed+%284%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb" at The Jewish Museum in 1957 - Make it stand out Shown: An invitation to the opening of Adolph Gottlieb at The Jewish Museum featuring a quote by Clement Greenberg. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/f8c9885b-5afc-4795-af89-1ef4aa2f83f1/unnamed+%285%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb" at The Jewish Museum in 1957 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1673976431521-MUV1S9TNQ93O25QFTC18/unnamed+%286%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb" at The Jewish Museum in 1957 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1673976431639-LZT5NK266FFFS16KG1PW/unnamed+%287%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb" at The Jewish Museum in 1957 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/b19158b7-34d1-44b9-ab89-e5692bc601c7/unnamed+%288%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb" at The Jewish Museum in 1957 - Make it stand out Shown: A review of the exhibition written by E. C. Goossen in the Monterey Peninsula Herald, December 18, 1957. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/fada389f-6b4f-41b2-9c9d-47581af306c7/unnamed+%289%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb" at The Jewish Museum in 1957 - Make it stand out Shown: A letter sent to Mr. Goossen by Adolph Gottlieb thanking him for his review of the artist's exhibition, March 8, 1958. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/e336c149-9029-40d3-91d4-90c7c3ce4965/unnamed+%2811%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb" at The Jewish Museum in 1957 - Make it stand out Shown: A letter to Adolph Gottlieb from David Smith on the reception of the artist's exhibition at The Jewish Museum, December 25, 1957. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1674237230000-AMVK579ROK5LBXSG65I5/_Persephone.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb" at The Jewish Museum in 1957 - Persephone 1942, oil on canvas, 34 x 26 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1674237600059-93GAK6BXHNPJIJBHMUQN/_james+reinish+web+photo.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb" at The Jewish Museum in 1957 - Nostalgia for Atlantis 1944, oil on canvas, 20 x 25 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1673976855486-9WFAPDMIDKKFGMB5NKWM/unnamed+%2812%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb" at The Jewish Museum in 1957 - Vigil 1948, oil on canvas, 36 x 48 inches, Whitney Museum of American Art https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1674237087726-70ZIFZLFIHQBNMLWY10A/_moma+website.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb" at The Jewish Museum in 1957 - Tournament 1951, oil on canvas, 60 x 72 inches, The Museum of Modern Art https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1673976858381-87GTALXD4DF3GG7UF8NL/unnamed+%2814%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb" at The Jewish Museum in 1957 - The Seer 1950, oil on canvas, 60 x 72 inches, The Phillips Collection https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1673976854703-AQUYWXJPB6Y63O8ZKT65/unnamed+%2813%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb" at The Jewish Museum in 1957 - Unstill Life 1952, oil on canvas, 36 x 48 inches, Whitney Museum of American Art. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1673976857217-TDY5T034EO1QYG1ACSK7/unnamed+%2815%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb" at The Jewish Museum in 1957 - Sea and Tide 1952, oil on canvas, 60 x 72 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1673976859025-MS00BDTT2G7K2LXWKVS6/unnamed+%2816%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb" at The Jewish Museum in 1957 - Unstill Life&nbsp;III 1954-56, oil on canvas, 84 x 192 inches, The Museum of Modern Art https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1673976859129-MV61FF9TKHY1SYJYM5RY/unnamed+%2817%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb" at The Jewish Museum in 1957 - Falling Star 1956, oil on canvas, 52 x 42 inches, Detroit Institute of Art https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1674237748916-92HWMMNC89DUXWEII6VP/_5612.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb" at The Jewish Museum in 1957 - Hot Horizon 1956, oil on canvas, 50 x 72 inches, Yale University Art Gallery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1673976860019-5X4UA9Q5U3JOAX1CWO2C/unnamed+%2818%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb" at The Jewish Museum in 1957 - Bias Pull 1957, oil on canvas, 42 x 60 inches, Hirschhorn Museum https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1673976860440-SKAHNPJM4TWXPLLL1YVG/unnamed+%2819%29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb" at The Jewish Museum in 1957 - Black, Blue, Red 1956, oil and enamel on linen, 72 x 50 inches, Museum Frieder Burda https://www.gottliebfoundation.org/special-exhibitions-walkthrough/2022/11/17/adolph-gottlieb-a-survey-exhibition-at-ivam monthly 0.5 2023-03-08 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/6b3a7eeb-e0b5-4b12-9f56-4998a35a32df/unnamed.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Survey Exhibition" at IVAM - Make it stand out Shown: Installation image of Adolph Gottlieb. A Survey Exhibition, IVAM Centre Julio González, Valencia, Spain, February 1- April 22, 2001. Artwork from left to right: Echo, 1967, oil on linen, 66 x 78 inches, Notations, 1966, oil on canvas, 60 1/8 x 90 1/4 x 1 5/8 inches, Roman Three, 1962, oil on canvas, 78 x 66 1/6 x 1 5/8 inches, Ochre and Black, 1962, oil on canvas 78 x 132 inches, Red at Night, 1956, oil on canvas 72 x 96 inches, The Couple, 1955, oil and enamel on canvas, 72 x 60 inches, Exclamation, 1958, oil on canvas, 90 x 72 inches, Open, 1968, acrylic on canvas, 84 x 120 inches, Una, 1959, oil on canvas, 108 x 90 inches, Units #2, 1965, oil on canvas, 96 x 144 inches. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1668685508212-EI5EA6B70WD3DKGR3LW5/_2001-2-1+-+A+Survey+Exhibition+-+IVAM+Valencia+Spain.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Survey Exhibition" at IVAM https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1668685508291-RZKLF6KSR5ITDLMJ03N2/_2001-8-13+-+A+Survey+Exhibition+-+Fundacion+Juan+March+Madrid+Spain.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Survey Exhibition" at IVAM https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1668685509093-LDJ1F4WKSQO73HQQRAOJ/_2001-8-21+-+A+Survey+Exhibition+-+Von+der+Heydt+Museum+Wuppertal+Germany.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Survey Exhibition" at IVAM https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1668685509114-YQKDNHW4Z10NBMNVHQWW/_2002-10+-+Adolph+Gottlieb+A+Survey+Exhibition+-+Jewish+Museum.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Survey Exhibition" at IVAM https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/fac34d22-67db-47f3-9ced-4b4b05eab3d9/unnamed.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Survey Exhibition" at IVAM - Make it stand out Shown: Installation image of Adolph Gottlieb. A Survey Exhibition, IVAM Centre Julio González, Valencia, Spain, February 1- April 22, 2001. Artwork pictured from left to right: Oedipus, 1941, oil on canvas, 34 x 26 inches, Pictograph - Symbol, 1942, oil on canvas, 54 x 40 inches, Alchemist (Red Portrait), 1945, oil on canvas, 34 x 26 inches, The Enchanted Ones,1945, oil on linen, 48 x 36 inches, Mariner's Incantation,1945, oil, gouache, tempera, casein on canvas, 39 13/16 x 29 7/8 inches, Pink and Indian Red, 1946, oil on canvas 27 3/4 x 35 7/8 inches, Sounds at Nights,1948, oil and charcoal on commercially prepared linen, 48 1/8 x 60, The Terrors of Tranquility, 1948, oil on canvas, 38 x 30 inches, Sea and Tide, 1952, oil on canvas, 60 x 72 inches, Figurations of Clangor, 1951, oil, gouache and tempera on unsized burlap, 48 1/16 x 60 1/8 inches, Exclamation, 1958, oil on canvas, 90 x 72 inches, Open, 1968, acrylic on canvas, 84 x 120 inches, Una, 1959, oil on canvas, 108 x 90 inches. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/3de1e7a6-9a9e-4f9e-9c5e-eba99b9cfa7e/unnamed-2.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Survey Exhibition" at IVAM - Make it stand out Shown: Installation image of Adolph Gottlieb. A Survey Exhibition, IVAM Centre Julio González, Valencia, Spain, February 1- April 22, 2001. Artwork pictured from left to right: Units #2, 1965, oil on canvas, 96 x 144 inches, Three Elements, 1964, oil on linen, 96 x 48 inches, Triptych, 1971, acrylic on canvas, 90 x 228 inches overall, 90 x 60 in., 90 x 108 in., 90 x 60 in. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1b5520ed-1c60-41fe-bd4e-fa0175ddc04f/unnamed-3.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Survey Exhibition" at IVAM - Make it stand out Shown: Installation image of Adolph Gottlieb. A Survey Exhibition, IVAM Centre Julio González, Valencia, Spain, February 1- April 22, 2001. Artwork pictured from left to right: The Couple, 1955, oil and enamel on canvas, 72 x 60 inches, Ascent, 1958, oil on linen, 90 x 60 inches. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/4c72aab7-22e7-476c-ad93-07ef43fa7960/unnamed-4.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Survey Exhibition" at IVAM - Make it stand out Shown: Installation image of Adolph Gottlieb. A Survey Exhibition, IVAM Centre Julio González, Valencia, Spain, February 1- April 22, 2001. Artwork pictured from left to right: Labyrinth #3, 1954, oil and enamel on canvas, 80 x 185 inches. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/bf54cc75-085b-4474-9416-adbdaab8f9d8/unnamed-5.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Survey Exhibition" at IVAM - Make it stand out Shown: Installation image of Adolph Gottlieb. A Survey Exhibition, IVAM Centre Julio González, Valencia, Spain, February 1- April 22, 2001. Artwork pictured from left to right: (left wall) Rising, 1971, oil on linen, 72 x 90 inches, Two Bars, 1968, oil and acrylic on linen, 72 x 48 inches, Imaginary Landscape, 1969, oil on canvas, 48 x 112 inches, Echo, 1967, oil on linen 66 x 78 inches, Notations, 1966, oil on canvas, 60 x 90 inches, Roman Three, 1962, oil on canvas, 78 x 66 1/6 x 1 5/8 inches, Ochre and Black, 1962, oil on canvas 78 x 132 inches. (center) Red at Night, 1956, oil on canvas, 72 x 96 inches. (right wall) Exclamation, 1958, oil on canvas, 90 x 72 inches, Open, 1968, acrylic on canvas, 84 x 120 inches, Una, 1959, oil on canvas, 108 x 90 inches, Units #2, 1965, oil on canvas. (at far right) Levitation, 1959, oil on linen, 90 x 60 1/6 x 1 1/2 inches. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1668685736944-MCIQXZ289Y078TJOU1R6/unnamed-6.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Survey Exhibition" at IVAM https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1668685737360-722C3P3BAT7MTWASS50C/unnamed-7.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Survey Exhibition" at IVAM https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1668685737736-IKJUULA4YDDFEWQMU6UH/unnamed-8.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Survey Exhibition" at IVAM https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1668685892022-2SXCPK6RC2DCHCQEHHZ7/unnamed-9.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Survey Exhibition" at IVAM Adolph Gottlieb Untitled (Self Portrait in Mirror) 1938 oil on canvas 39 x 29 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1668685892108-LNX90UAZG3E4OHA90TFA/unnamed-10.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Survey Exhibition" at IVAM Adolph Gottlieb Untitled (Box and Sea Objects) c. 1940 oil on linen 25 x 31 7/8 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1668685892697-XLL0H421ZHNFUZYBC98U/unnamed-11.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Survey Exhibition" at IVAM Adolph Gottlieb Mariner's Incantation 1945 mixed media on canvas 39 x 29 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1668685892789-QUAEFOZO7ISTBZSCTZJP/unnamed-12.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Survey Exhibition" at IVAM Adolph Gottlieb Sounds at Night 1948 oil and charcoal on linen 48 x 60 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1668685893691-JITWT6427NW7QB8IAGSK/unnamed-13.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Survey Exhibition" at IVAM Adolph Gottlieb Sea and Tide 1952 oil on canvas 60 x 72 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1668685893722-LV8O0GAKVRA7DEZ1UEIJ/unnamed-14.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Survey Exhibition" at IVAM Adolph Gottlieb Labyrinth #3 1954 84 x 192 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1668686048275-S9HGIOK7CO65JX1DTONK/unnamed-15.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Survey Exhibition" at IVAM Adolph Gottlieb Red at Night 1956 oil on canvas 72 x 96 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1668686048374-STPK6D2D5PZWYC06EB0O/unnamed-16.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Survey Exhibition" at IVAM Adolph Gottlieb Notations 1966 oil on canvas 60 x 90 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1668686049011-YV5F296YE875LQP091G7/unnamed-17.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Survey Exhibition" at IVAM Adolph Gottlieb Una 1959 oil on canvas 108 x 90 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1668686049044-9XOHG2FUNLL2HSA8CPV5/unnamed-18.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Survey Exhibition" at IVAM Adolph Gottlieb Two Bars 1968 oil and acrylic on linen 72 x 48 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1668686049873-LUP7T11579GNM6SYFFNL/unnamed-19.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Survey Exhibition" at IVAM Adolph Gottlieb Triptych 1971 acrylic on canvas 90 x 228 inches overall, 90 x 60 in., 90 x 108 in., 90 x 60 in https://www.gottliebfoundation.org/special-exhibitions-walkthrough/2022/6/24/adolph-gottlieb-small-images-spanning-four-decades monthly 0.5 2023-03-08 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/2b7c0973-6bd5-428b-b327-5b6a765d6f75/unnamed.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Small Images Spanning Four Decades" at Manny Silverman Gallery - Make it stand out Image: Installation view of “Adolph Gottlieb: Small Images Spanning Four Decades” at Manny Silverman Gallery, Los Angeles, CA, 1995. Works pictured (from left to right): Untitled (Study for Partisan Review Cover), 1969, gouache on paper, 7 15/16 x 5 3/8 inches, Untitled (Study for Partisan Review Cover), gouache and acrylic on paper, mounted on canvasboard, 7 15/16 x 5 3/8 inches, Untitled (Study for Partisan Review Cover), 1969, gouache on paper, 9x6 inches. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1434208b-ee72-49f9-af94-c43a301bf083/unnamed-2.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Small Images Spanning Four Decades" at Manny Silverman Gallery - Make it stand out Image: Installation view of “Adolph Gottlieb: Small Images Spanning Four Decades” at Manny Silverman Gallery, Los Angeles, CA, 1995. Works pictured (from left to right): Untitled, 1973, acrylic on canvas, 24 x 20 inches, Three Bars, 1969, oil on linen, 30 x 24 inches, Rose Ground, 1967, oil on canvas, 14 x 10 inches. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/717895f1-890c-460f-9a4e-574cd275f8fe/unnamed-3.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Small Images Spanning Four Decades" at Manny Silverman Gallery - Make it stand out Installation view of “Adolph Gottlieb: Small Images Spanning Four Decades” at Manny Silverman Gallery, Los Angeles, CA, 1995. Works pictured (from left to right): Untitled, 1969, oil and acrylic on linen, 16 1/16 x 20 1/16 inches, Arizona Still Life, c. 1938, oil on canvas mounted on pasteboard, 16 x 23 7/8 inches, Carnival, c. 1938, oil on canvas mounted on pressed board, 10 x 7 13/16 inches. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/a558be03-e4ee-4d7b-bf5b-2eb9580e2a4c/unnamed-4.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Small Images Spanning Four Decades" at Manny Silverman Gallery - Make it stand out Installation view of “Adolph Gottlieb: Small Images Spanning Four Decades” at Manny Silverman Gallery, Los Angeles, CA, 1995. Works pictured (from left to right): Pink and Blue, 1949, oil and enamel on canvasboard, 15 15/16 x 20 inches, Van Dyck - "Lucas van Uffel", 1963, acrylic on postcard, 4 1/2 x 3 1/4 inches, Musee Guimet, Cheval et Cavalier par Tchao-Mong, 1963, acrylic on postcard, 5 1/2 x 3 1/2 inches, Morning, 1950, oil and enamel on masonite, 24 x 30 inches, Rectangle Landscape, 1953, oil on composition board, 20 3/4 x 28 1/2 inches. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/4e6938d9-a5f2-4b82-9a72-6bec2c629dc4/unnamed-5.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Small Images Spanning Four Decades" at Manny Silverman Gallery - Make it stand out Image: Installation view of “Adolph Gottlieb: Small Images Spanning Four Decades” at Manny Silverman Gallery, Los Angeles, CA, 1995. Works pictured (from left to right): Man and Woman, 1951, oil on masonite, 24 x 20 inches, Images, 1948, oil on canvas, mounted on pressed board, 14 x 18 inches, Pictograph, 1949, oil and tempera on canvas, mounted on pasteboard, 10 3/4 x 12 3/4 inches, Eyes at Night,1948, oil, enamel & casein on linen, mounted on masonite, 14 1/8 x 18 inches, Pink Pictograph, 1950, oil on canvasboard, 10 x 14 inches, Man with Fish,1949, oil and tempera on canvas mounted on masonite, 14 1/8 x 18 inches, Pink and Blue, 1949, oil and enamel on canvasboard, 15 15/16 x 20 inches. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/190317ee-488f-4915-aed1-17ca01a1853c/unnamed-6.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Small Images Spanning Four Decades" at Manny Silverman Gallery - Make it stand out Image: Installation views of “Adolph Gottlieb: Small Images Spanning Four Decades” at Manny Silverman Gallery, Los Angeles, CA, 1995. Works pictured (from left to right): Untitled, 1956, oil and enamel on canvasboard, 11 7/8 x 8 7/8 inches, Untitled, 1956, oil and enamel on canvasboard, 11 7/8 x 8 ⅞ inches, Dream, 1967, oil and enamel on canvasboard, 20 x 24 inches. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/a72a2a63-b066-4c28-abb0-dbd6f9a4c207/unnamed-7.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Small Images Spanning Four Decades" at Manny Silverman Gallery - Make it stand out Image: Installation views of “Adolph Gottlieb: Small Images Spanning Four Decades” at Manny Silverman Gallery, Los Angeles, CA, 1995. Works pictured (from left to right): Looming #2, 1969, acrylic and alkyd resin on canvas, 48 1/8 x 60 inches, Petaloid, 1968, maquette; acrylic on cardboard, 10 1/4 x 13 1/2 x 10 1/2 inches, Oval Slanted, 1968, maquette; acrylic on cardboard, 4 3/4 x 8 x 5 inches. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/74e56933-6326-4b05-adba-da45444d1748/unnamed-8.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Small Images Spanning Four Decades" at Manny Silverman Gallery - Make it stand out Image: Installation view of “Adolph Gottlieb: Small Images Spanning Four Decades” at Manny Silverman Gallery, Los Angeles, CA, 1995. Works pictured (from left to right): Summer #2, 1964, oil on linen, 24 x 20 inches, Untitled - Gray Ground, 1967, oil on linen, 24 x 20 inches, Red Ground, 1961, oil on paper mounted on canvas, 29 3/4 x 24 inches, Blue Glow, 1967, oil on canvasboard, 24 x 20 inches. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/14d07d2d-bf3b-423a-aa2f-6982e43a707c/unnamed-9.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Small Images Spanning Four Decades" at Manny Silverman Gallery - Make it stand out Image: Installation view of “Adolph Gottlieb: Small Images Spanning Four Decades” at Manny Silverman Gallery, Los Angeles, CA, 1995. The exhibition's catalouge is pictured on the front desk of Manny Silverman Gallery. Works pictured (from left to right): Sand, 1960, oil and gouache on paper, 20 1/2 x 29 1/2, Summer #2, 1964, oil on linen, 24 x 20 inches, Untitled - Gray Ground, 1967, oil on linen, 24 x 20 inches, Red Ground, 1961, oil on paper mounted on canvas, 29 3/4 x 24 inches. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/07996a21-1152-46b4-9f32-568b71ba851e/unnamed-10.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Small Images Spanning Four Decades" at Manny Silverman Gallery - Make it stand out Image: Installation view of “Adolph Gottlieb: Small Images Spanning Four Decades” at Manny Silverman Gallery, Los Angeles, CA, 1995. Works pictured (from left to right): Rectangle Landscape, 1953, oil on composition board, 20 3/4 x 28 1/2 inches, Sea and Tide, 1952, oil on masonite, 11 x 13 1/2 inches, Beach, 1952, oil on masonite, mounted to 2nd masonite panel, 11 x 13 3/8 inches, Black Band, 1952, oil on masonite, 11 x 13 1/2 inches. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/87ea8400-313b-4f68-b530-77a3c6fda4c3/unnamed-11.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Small Images Spanning Four Decades" at Manny Silverman Gallery - Make it stand out Image: Installation view of “Adolph Gottlieb: Small Images Spanning Four Decades” at Manny Silverman Gallery, Los Angeles, CA, 1995. Works pictured (from left to right): Blue Glow, 1967, oil on canvasboard, 24 x 20 inches, Deep Red Ground, 1969, oil and acrylic on linen, 24 x 30 inches, Green Disc, 1969, oil on linen, 30 x 24 inches. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1656099297500-AN3K5193U4LM9UF8P8LT/unnamed-12.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Small Images Spanning Four Decades" at Manny Silverman Gallery - Arizona Still Life c. 1938, oil on canvas mounted on pasteboard, 16 x 23 7/8 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1656099302758-YIMQAJY0ISE0BX096MJ5/unnamed-14.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Small Images Spanning Four Decades" at Manny Silverman Gallery - Images 1948, oil on canvas, mounted on pressed board, 14 x 18 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1656099297991-DGZGHMNUX5VUUG7ZU3E8/unnamed-13.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Small Images Spanning Four Decades" at Manny Silverman Gallery - Untitled c. 1949, gouache on paper, 29 3/4 x 19 3/4 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1656099363913-MHMQB8I223H6MEOMK7KN/unnamed-15.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Small Images Spanning Four Decades" at Manny Silverman Gallery - Black Band 1952, oil on masonite, 11 x 13 1/2 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1656099372858-IFLIR7XR4DX2IK9K21A7/unnamed-16.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Small Images Spanning Four Decades" at Manny Silverman Gallery - Pink Pictograph 1950, oil on canvasboard, 10 x 14 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1656099372870-F205FAAW60U62VW0TWMM/unnamed-17.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Small Images Spanning Four Decades" at Manny Silverman Gallery - Morning 1950, oil and enamel on masonite, 24 x 30 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1656099423305-H4D79EQ6CM21R0V3ST73/unnamed-18.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Small Images Spanning Four Decades" at Manny Silverman Gallery - Rectangle Landscape 1953, oil on composition board, 20 3/4 x 28 1/2 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1656099424490-57YYK2XNLYB21LQ65VPX/unnamed-19.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Small Images Spanning Four Decades" at Manny Silverman Gallery - Summer #2 1964, oil on linen, 24 x 20 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1656099425990-CMSNU3K6DXUQ54DUNQHU/unnamed-20.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Small Images Spanning Four Decades" at Manny Silverman Gallery - Untitled 1967, acrylic on paper, 15 x 20 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1656099426487-IACGWNQUZDUTZLJ0NHN6/unnamed-21.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Small Images Spanning Four Decades" at Manny Silverman Gallery - Echo #2 1967, oil and canvas board, 19 7/8 x 23 7/8 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1656099427493-NRF014JSLSDA0M39C4A1/unnamed-22.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Small Images Spanning Four Decades" at Manny Silverman Gallery - Untitled 1967, acrylic on paper, 15 x 20 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1656099475118-4T9RE4MBVN3XC4UKLK9E/unnamed-23.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Small Images Spanning Four Decades" at Manny Silverman Gallery - Untitled - Gray Ground 1967, oil on linen, 24 x 20 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1656099475279-IO6DCX54PLRNC8DV8CH5/unnamed-24.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Small Images Spanning Four Decades" at Manny Silverman Gallery - Petaloid 1968, maquette; acrylic on cardboard, 10 1/4 x 13 1/2 x 10 1/2 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1656099475671-B74CJ56ISA48H9AZIGJE/unnamed-25.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Small Images Spanning Four Decades" at Manny Silverman Gallery - Green Disc 1969, oil on linen, 30 x 24 inches https://www.gottliebfoundation.org/special-exhibitions-walkthrough/2022/4/22/a-special-exhibitions-walkthrough-a-major-concurrent-two-museum-survey-exhibition monthly 0.5 2023-04-26 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/13fae042-b64a-4721-94ae-d891d7708390/unnamed-2.jpg Special Exhibitions Walkthrough - A Major Concurrent Two Museum Survey Exhibition at the Whitney and Guggenheim - Make it stand out Installation view of Adolph Gottlieb, The Solomon R. Guggenheim Museum, New York, NY February 14, 1968 - March 31, 1968. Work pictured (left to right): Trajectory (1954), The Couple (1955), Armature(1954), Blue at Noon (1955), Labyrinth III (1954). Photographer: Budd Photography. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/dbf91fb3-8971-489b-8106-81c51a63c586/unnamed.jpg Special Exhibitions Walkthrough - A Major Concurrent Two Museum Survey Exhibition at the Whitney and Guggenheim - Make it stand out Installation view of Adolph Gottlieb, The Whitney Museum, New York, NY February 14, 1968 - March 31, 1968. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/fe2b8e52-c9de-4a81-9fe8-a42f52a86d74/unnamed-3.jpg Special Exhibitions Walkthrough - A Major Concurrent Two Museum Survey Exhibition at the Whitney and Guggenheim - Make it stand out An invitation to exhibit at the Whitney Museum addressed to Adolph Gottlieb from John Baur on December 16, 1964. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/756d7dd3-b2fb-45b5-9cb1-0b25bcb9833d/unnamed-4.jpg Special Exhibitions Walkthrough - A Major Concurrent Two Museum Survey Exhibition at the Whitney and Guggenheim - Make it stand out Adolph Gottlieb's reply to John Baur's correspondence, December 31, 1964. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/6eae436d-3848-470c-9763-1c2b357c9614/unnamed-5.jpg Special Exhibitions Walkthrough - A Major Concurrent Two Museum Survey Exhibition at the Whitney and Guggenheim - Make it stand out An exhibition proposal from The Guggenheim Museum for Part I of the survey exhibition, the "Memorandum” is from Lawrence Alloway (“LA”) to H. Harvard Arnason (“HHA”) & Thomas Messer (“TMM”), respectively, the Curator, Associate Director, and Director of the Guggenheim, February 23, 1965. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/d209cd59-1a43-4d99-ab43-16799225dd73/unnamed-6.jpg Special Exhibitions Walkthrough - A Major Concurrent Two Museum Survey Exhibition at the Whitney and Guggenheim - Make it stand out A letter to Adolph Gottlieb from Thomas Messer, Director of The Guggenheim Museum discussing the success of the exhibition, February 20, 1968. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/ee84e8d4-db5c-4021-88a7-c50f87765ba1/unnamed-7.jpg Special Exhibitions Walkthrough - A Major Concurrent Two Museum Survey Exhibition at the Whitney and Guggenheim - Make it stand out Installation view of Adolph Gottlieb, The Solomon R. Guggenheim Museum, New York, NY February 14, 1968 - March 31, 1968. Work pictured (left to right): Upper level: Romanesque Facade (1949), Man Looking at Woman (1949), Dream (1948), Lower level: Unstill Life III (1954-56), Symbols and a Woman(1951). Photographer: Budd Photography. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/80ca8876-97ce-44d1-b14e-ba9f7c85494a/unnamed-8.jpg Special Exhibitions Walkthrough - A Major Concurrent Two Museum Survey Exhibition at the Whitney and Guggenheim - Make it stand out Installation view of Adolph Gottlieb, The Solomon R. Guggenheim Museum, New York, NY February 14, 1968 - March 31, 1968. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/b5bf39fd-baab-4aa1-9db0-dbda0cbf2469/unnamed-9.jpg Special Exhibitions Walkthrough - A Major Concurrent Two Museum Survey Exhibition at the Whitney and Guggenheim - Make it stand out Installation view of Adolph Gottlieb, The Solomon R. Guggenheim Museum, New York, NY February 14, 1968 - March 31, 1968. Work pictured: The Seer (1950), Man and Arrow #1 (1950), Man and Arrow #2 (1950). Photographer: Budd Photography. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/ee5a02b0-e18d-4e86-8d2d-959b598e0402/unnamed-10.jpg Special Exhibitions Walkthrough - A Major Concurrent Two Museum Survey Exhibition at the Whitney and Guggenheim - Make it stand out Installation view of Adolph Gottlieb, Whitney Museum of American Art, New York, NY February 14, 1968 - March 31, 1968. Artwork pictured: Expanding (1962), Red, Blue, Yellow (1966), Exclamation (1958), From Midnight to Dawn (1956), Focal (1965), Dialogue #1 (1960). Photographer: Budd Photography. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/f5616643-6b37-4f46-bf91-9ef06e3e5b39/unnamed-11.jpg Special Exhibitions Walkthrough - A Major Concurrent Two Museum Survey Exhibition at the Whitney and Guggenheim - Make it stand out Installation views of Adolph Gottlieb, Whitney Museum of American Art, New York, NY February 14, 1968 - March 31, 1968. (left) Artwork pictured: Trinity (1962) partial, Two Discs (1963), Focal (1965), Icon (1964). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/aa129c70-e7fc-442c-a11a-5ed11814022e/unnamed-12.jpg Special Exhibitions Walkthrough - A Major Concurrent Two Museum Survey Exhibition at the Whitney and Guggenheim - Make it stand out Artwork pictured: Nadir (1952), Equal (1964), Blue at Night (1957), Groundscape (1956) rear wall, Blast (1957) right wall. Photographer: Budd Photography. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/b7af0966-2b92-4f01-9aa8-da98b3d89ae8/unnamed-13.jpg Special Exhibitions Walkthrough - A Major Concurrent Two Museum Survey Exhibition at the Whitney and Guggenheim - Make it stand out Adolph Gottlieb at the Whitney Museum with Stuart Kranz and paintings Units #2, Azimuth, and Units #3 (all 1965), 1968. Photographer: Michael Fredericks. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/fcdffd64-d02a-4bf0-bd6a-28df86e6b153/unnamed-14.jpg Special Exhibitions Walkthrough - A Major Concurrent Two Museum Survey Exhibition at the Whitney and Guggenheim - Make it stand out Adolph Gottlieb at the Whitney “Adolph Gottlieb” exhibition speaking with an unidentified woman, 1968. Aureole (1959) is visible in the background. Photographer: Michael Fredericks. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1650635239663-7CXHKIN5W80MWO0KJOHW/4801_web.jpg Special Exhibitions Walkthrough - A Major Concurrent Two Museum Survey Exhibition at the Whitney and Guggenheim Sounds at Night 1948 Oil and charcoal on linen 48 x 60" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1650635383656-9JW5HJEHINO7QLRRT93V/W1siZiIsIjE4MjAwNyJdLFsicCIsImNvbnZlcnQiLCItcXVhbGl0eSA5MCAtcmVzaXplIDIwMDB4MjAwMFx1MDAzZSJdXQ.jpg Special Exhibitions Walkthrough - A Major Concurrent Two Museum Survey Exhibition at the Whitney and Guggenheim Man Looking at Woman 1949 Oil on canvas 42 x 54" Collection of the Museum of Modern Art https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1650635397672-Q9DW7YVQ9029M57LMUR7/5618.1_web.jpg Special Exhibitions Walkthrough - A Major Concurrent Two Museum Survey Exhibition at the Whitney and Guggenheim Unstill Life III 1954 Oil on canvas 84 x 192" Collection of the Museum of Modern Art https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1650636444354-EJ7X72QPZSF3F3B0LYU3/0803.jpg Special Exhibitions Walkthrough - A Major Concurrent Two Museum Survey Exhibition at the Whitney and Guggenheim The Seer 1950 Oil on canvas 59 3/4 x 71 5/8" Collection of the Phillips Collection https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737127101772-Z0TEXEYQPHG8JM43BLQZ/5108.jpg Special Exhibitions Walkthrough - A Major Concurrent Two Museum Survey Exhibition at the Whitney and Guggenheim Symbols and a Woman 1951 Oil on canvas 60 x 72" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737128443536-EX6M3UA9WSGKV0RI3V91/5802_Exclamation.jpg Special Exhibitions Walkthrough - A Major Concurrent Two Museum Survey Exhibition at the Whitney and Guggenheim Exclamation 1958 Oil on canvas 90 x 72" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1650635952117-XO2L8UVXI80OZ3JMPLCN/5927_web.jpg Special Exhibitions Walkthrough - A Major Concurrent Two Museum Survey Exhibition at the Whitney and Guggenheim Aureole 1959 Oil on linen 108 x 90" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737130507682-7FWTAKI5H7RL26JA44FR/6005+Dialogue+%231.jpg Special Exhibitions Walkthrough - A Major Concurrent Two Museum Survey Exhibition at the Whitney and Guggenheim Dialogue #1 1960 Oil on canvas 66 x 132" Collection of the Buffalo AKG Art Museum https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737132997503-T8EDO7M98NW1P2CJSKAV/Gottlieb_6510_Units+%232.jpg Special Exhibitions Walkthrough - A Major Concurrent Two Museum Survey Exhibition at the Whitney and Guggenheim Units #2 1965 Oil on canvas 96 x 144" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1650636156494-KPJ6111WRC3BRQU4U13E/6437.jpg Special Exhibitions Walkthrough - A Major Concurrent Two Museum Survey Exhibition at the Whitney and Guggenheim Icon 1964 Oil on canvas 144 x 100" https://www.gottliebfoundation.org/special-exhibitions-walkthrough/2022/2/18/adolph-gottlieb-sculptor monthly 0.5 2023-03-08 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/ead8c605-9fcf-4651-af31-331c5a75db2d/unnamed.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Sculptor" (2006-2014) - Make it stand out Shown: Adolph Gottlieb in his Bowery loft, New York, 1969. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1645201172518-4N1F06FNEF4HYDS3MPDH/unnamed-2.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Sculptor" (2006-2014) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1645201181927-Z98Z2SQ2CUBLPS7TP39L/unnamed-3.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Sculptor" (2006-2014) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1645201208963-P0I4Q4QC6FFJCXWRUYY9/unnamed.png Special Exhibitions Walkthrough - "Adolph Gottlieb: Sculptor" (2006-2014) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/448b1ff1-4e92-4228-8358-7e76c30795ee/unnamed-4.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Sculptor" (2006-2014) - Make it stand out Installation view of "Adolph Gottlieb: Sculptor" at The Akron Art Museum, Akron, OH, October 27, 2012 - February 17, 2013. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/648ba539-5312-404c-9aff-5bfedacc2163/unnamed-5.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Sculptor" (2006-2014) - Make it stand out Installation view of "Adolph Gottlieb: Sculptor" at The University of Michigan Museum of Art, Ann Arbor, MI, September 21, 2013 - January 5, 2014. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/d78f5749-3878-41d5-b5f0-293d3f6e9cd7/unnamed-6.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Sculptor" (2006-2014) - Make it stand out Installation view of "Adolph Gottlieb: Sculptor" at The Philbrook Museum of Art, Tulsa, OK, June 14 - August 25, 2013. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/ee63b587-d7d6-456f-9659-f3ef775f1907/unnamed-7.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Sculptor" (2006-2014) - Make it stand out Installation view of "Adolph Gottlieb: Sculptor" at The Museum Pfalzgalerie Kaiserslautern, Kaiserslautern, Germany, February 28 - June 1, 2009. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/a3e75add-1577-427a-ad45-c564e9c560ab/MuseoEstebanVicente+install.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Sculptor" (2006-2014) - Make it stand out Installation view of "Adolph Gottlieb: Sculptor" at Museo de Arte Contemporaneo Esteban Vicente, Segovia, June 8 - September 3, 2006. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1645547485497-0CAEU2RWX67GQKAPUNCK/6854.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Sculptor" (2006-2014) - PETALOID 1968 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1645547361409-WCL1EHMZ1N679P5W4Q6R/6859.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Sculptor" (2006-2014) - NEGATIVE 1968 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1645547366164-VT56LI9NT011U4XIK269/6863.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Sculptor" (2006-2014) - UNTITLED (THREE DISCS) 1968 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1645547371090-4HOPZIFAE3RYQ1M4372H/6864.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Sculptor" (2006-2014) - WALL 1968 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1645547379243-0C76CWD3WDRQAPPPVS9D/6865.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Sculptor" (2006-2014) - UNTITLED 1968 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1645547385068-EQFVZDRIDB72GRN7WTFD/6866.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Sculptor" (2006-2014) - ARABESQUE 1968 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1645547389596-C8P4WB3D1HU6VVJD6CRM/6868.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Sculptor" (2006-2014) - UNTITLED 1968 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1645547394486-WDXZ9CGZQY46TQQ9M887/6869.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Sculptor" (2006-2014) - PETALOID WITH CURVED ARROW 1968 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1645547402437-KFI79AITL8VZJYXA58C3/6872.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Sculptor" (2006-2014) - UNTITLED 1968 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1645547411516-CED19YSR37DHIRZLFU1C/6877.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: Sculptor" (2006-2014) - TWO ARCS 1968 https://www.gottliebfoundation.org/special-exhibitions-walkthrough/2021/12/13/adolph-gottlieb-a-retrospectivenbspat-the-peggy-guggenheim-collection-2010-bm9fz monthly 0.5 2023-03-08 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/075e4ab7-a1b5-4820-a42f-2b72eda90613/001.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Retrospective"&nbsp;at the Peggy Guggenheim Collection (2010) - Make it stand out Shown: Adolph Gottlieb: A Retrospective at The Peggy Guggenheim Collection, Venice, Italy. September 4, 2010 - January 9, 2011. Photography by Sergio Martucci. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/f85f02d3-7880-4130-919f-282edaf12027/014.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Retrospective"&nbsp;at the Peggy Guggenheim Collection (2010) - Make it stand out Shown: Adolph Gottlieb: A Retrospective at The Peggy Guggenheim Collection, Venice, Italy. September 4, 2010 - January 9, 2011. Photography by Sergio Martucci. Works pictured (from left to right): Black, White, Pink, 1954, oil on canvas, 84 x 144 in., Sentinel, 1951, oil on canvas, 60 x 48 in., T, 1952, oil on canvas 38 x 30 in., Labyrinth #1, 1950, oil and sand on linen, 36 x 48 in., Composition, 1945, oil, gouache, casein and tempera on linen, 29 13/16 x 35 7/8 in. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/890e6680-6471-4c7c-91fd-afc759b1baa6/032.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Retrospective"&nbsp;at the Peggy Guggenheim Collection (2010) - Make it stand out Shown: Adolph Gottlieb: A Retrospective at The Peggy Guggenheim Collection, Venice, Italy. September 4, 2010 - January 9, 2011. Photography by Sergio Martucci. Works pictured (from left to right): Untitled, 1968, bronze cast in form of masking tape roll, 11 x 6 1/2 x 1 7/8 in., Red Ground, 1972, oil on linen, 84 x 60 in., Ochre and Black, 1962, oil on canvas, 78 x 132 in. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/66992c04-b519-46ce-946c-3c001c8ff6e5/050.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Retrospective"&nbsp;at the Peggy Guggenheim Collection (2010) - Make it stand out Shown: Adolph Gottlieb: A Retrospective at The Peggy Guggenheim Collection, Venice, Italy. September 4, 2010 - January 9, 2011. Photography by Sergio Martucci. Works pictured (from left to right): Three Discs on Chrome Ground, 1969, oil and acrylic on canvas, 48 x 72 in., Russet, 1973, acrylic on canvas, 60 x 48 in., Blue Ground, 1973, oil and acrylic on canvas, 60 x 48 in., Swirl, 1972, oil and alkyd resin on linen, 84 x 60 in., Imaginary Landscape, 1969, oil on canvas, 48 x 112 in., Burst 1973, acrylic and enamel on canvas 84 x 60 in. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/46e7a44f-ffce-47a8-aaa2-51118a82e83e/047.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Retrospective"&nbsp;at the Peggy Guggenheim Collection (2010) - Make it stand out Shown: Adolph Gottlieb: A Retrospective at The Peggy Guggenheim Collection, Venice, Italy. September 4, 2010 - January 9, 2011. Photography by Sergio Martucci. Works pictured (from left to right): Imaginary Landscape, 1969, oil on canvas, 48 x 112 in., Burst, 1973, acrylic and enamel on canvas, 84 x 60 in., Pale Disc, 1965, oil on canvas, 72 x 60 in.,Three Discs on Chrome Ground, 1969, oil and acrylic on canvas, 48 x 72 in. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/132b8e8e-cc9f-4521-b9f1-7f934e8d9322/029.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Retrospective"&nbsp;at the Peggy Guggenheim Collection (2010) - Make it stand out Shown: Adolph Gottlieb: A Retrospective at The Peggy Guggenheim Collection, Venice, Italy. September 4, 2010 - January 9, 2011. Photography by Sergio Martucci. Works pictured (from left to right): Untitled, 1966, acrylic on paper, 24 x 19 in., Negative, 1968, maquette; acrylic on cardboard, 7 1/2 x 17 3/4 x 4 3/4 in., Arabesque, 1968, maquette; acrylic on cardboard, 13 1/8 x 17 1/2 x 6 1/4 in., Oval Slanted, 1968, maquette; acrylic on cardboard, 4 3/4 x 8 x 5 in., Petaloid, 1968, maquette; acrylic on cardboard, 7 3/4 x 8 x 3 1/2 in. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/8c3d2f4c-9d38-4bb7-8110-4f3ac89b6dc5/unnamed.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Retrospective"&nbsp;at the Peggy Guggenheim Collection (2010) - Make it stand out Shown: A poster from the exhibition hung over the Grand Canal https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/2614c6d7-520e-4998-824a-5a7f15d2ded5/CrateArrival8.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Retrospective"&nbsp;at the Peggy Guggenheim Collection (2010) - Make it stand out Shown: Gottlieb's work arriving at The Peggy Guggenheim Collection. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/51700ad0-fc6b-4148-b295-6f72f42e73a8/CrateArrival13.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Retrospective"&nbsp;at the Peggy Guggenheim Collection (2010) - Make it stand out Shown: Gottlieb's work arriving at The Peggy Guggenheim Collection. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/091411eb-3a41-4def-9185-357a2b8da9dd/ExclamationArrival2.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Retrospective"&nbsp;at the Peggy Guggenheim Collection (2010) - Make it stand out Shown: Exclamation, 1958 arriving at the Peggy Guggenheim Collection. The work's arrival is overseen by Dr. Grazina Subelyte, Associate Curator at the Peggy Guggenheim Collection. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1640702873471-QDX1TOHYEADWDVBIAFLY/5004_web.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Retrospective"&nbsp;at the Peggy Guggenheim Collection (2010) - LABYRINTH #1 1950 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1641413196291-XF09EIEIH6G7EIPTP8VF/4528P-13_web.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Retrospective"&nbsp;at the Peggy Guggenheim Collection (2010) - APPARITION 1945 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1640702884092-PIAJ5EOBLLU1PFCGDZNX/5112_web.jpeg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Retrospective"&nbsp;at the Peggy Guggenheim Collection (2010) - SENTINEL 1951 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1640702888947-FZWU610LTOM57VNNSJOT/5616_web_2.jpeg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Retrospective"&nbsp;at the Peggy Guggenheim Collection (2010) - RED AT NIGHT 1956 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1640702896007-TXA0UOAA0Q7ULBHIOO3O/5802_web.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Retrospective"&nbsp;at the Peggy Guggenheim Collection (2010) - EXCLAMATION 1958 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1640702900640-RRC650T15G4EGPYSXGKM/6923_web.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Retrospective"&nbsp;at the Peggy Guggenheim Collection (2010) - THREE DISCS ON CHROME GROUND 1969 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1640702907093-QZ3IDCOSWE6ISH3YYH9C/7316_web.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Retrospective"&nbsp;at the Peggy Guggenheim Collection (2010) - BURST 1973 1973 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1641413203996-DQ3HERCMJ20C9FTYSS6V/6870_web_3.jpeg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Retrospective"&nbsp;at the Peggy Guggenheim Collection (2010) - ARABESQUE 1968 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1641413209284-OX2K12UM4MCHYFUQHYUE/6878_web_2.jpeg Special Exhibitions Walkthrough - "Adolph Gottlieb: A Retrospective"&nbsp;at the Peggy Guggenheim Collection (2010) - PETALOID 1968 https://www.gottliebfoundation.org/special-exhibitions-walkthrough/2021/12/13/gottliebs-solo-show-at-galerie-neufville-1960 monthly 0.5 2023-03-08 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1598989144916-U5L9FGR1Z4Y4VQVBINA9/_Neufville_1960_Front.jpeg Special Exhibitions Walkthrough - Gottlieb’s Solo Show at Galerie Neufville (1960) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1598985247429-GFC6T4DU2Z2Q3RIZ0MAJ/_Neufville_1960_Inside.jpeg Special Exhibitions Walkthrough - Gottlieb’s Solo Show at Galerie Neufville (1960) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1639425338496-I1PYBEAEZJXJIIWC10II/1960_Neufville_02.jpg Special Exhibitions Walkthrough - Gottlieb’s Solo Show at Galerie Neufville (1960) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1639425422496-AP09KC1A2KXSMP8KB9LS/1960_Neufville_05.jpg Special Exhibitions Walkthrough - Gottlieb’s Solo Show at Galerie Neufville (1960) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1639425343999-9UZO24Y5IQ1TSHVY0OFM/1960_Neufville_03.jpg Special Exhibitions Walkthrough - Gottlieb’s Solo Show at Galerie Neufville (1960) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1639425275817-9FEZ90O2D8U3EGWPTG32/1960_Neufville_01.jpg Special Exhibitions Walkthrough - Gottlieb’s Solo Show at Galerie Neufville (1960) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1639425452969-45LIFZ9D3FZUFPSFI0IH/1960_Neufville_06.jpg Special Exhibitions Walkthrough - Gottlieb’s Solo Show at Galerie Neufville (1960) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1639425394400-23OYW3I0M6Q760S0WN53/1960_Neufville_04.jpg Special Exhibitions Walkthrough - Gottlieb’s Solo Show at Galerie Neufville (1960) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/7d08bb15-fc71-42d8-9d4f-49c7c15d24eb/larry%2Brubin%2Bto%2Bag%2Bnovember%2B1.jpeg Special Exhibitions Walkthrough - Gottlieb’s Solo Show at Galerie Neufville (1960) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/14b65c19-ee6f-43f4-89e3-f20953c9cada/larry%2Brubin%2Bto%2Bag%2Bnovember%2B2.jpeg Special Exhibitions Walkthrough - Gottlieb’s Solo Show at Galerie Neufville (1960) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/f57732cc-85b0-4e02-9b9b-67699bedfbad/image-asset%2Bcopy.jpg Special Exhibitions Walkthrough - Gottlieb’s Solo Show at Galerie Neufville (1960) - Make it stand out “Gottlieb belongs to the same group as Kline, Pollock, and Gorky (these last two are no longer of this world). His art is more subtle, more refined and more civilized than that of his peers, the American Abstract Expressionists. It bears the hallmark of China. Huge black, yellow, green and orange suns illuminate unusual landscapes, made of black ink spots or splashes of rich polychromy” - review of “Gottlieb” in COMBAT, 1963 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/287548fb-6465-4c1e-a784-a7d20bcc322d/carrefour%2Bcopy.jpg Special Exhibitions Walkthrough - Gottlieb’s Solo Show at Galerie Neufville (1960) - Make it stand out “That this artist was influenced by Asian painting, that he therefore strove to find a new space, is not in doubt. Rather than varying his themes and effects, he prefers to place on the background of each of his paintings, above a calm solar or lunar disk, below a violent black serif, to draw from this contrast a strong poetic feeling. If his process, repeated, risks generating some monotony, we nonetheless appreciate his specific pictorial qualities, as well as his laudable concern for elegant simplicity. Nothing arbitrary, nothing neglected in the art of this painter, one of the most interesting of the American school” - review of “Gottlieb” in “Expositions”, CARREFOUR, November 23, 1960 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1645544267276-8BNFXLJFXEL0DTM5INBQ/5814.jpg Special Exhibitions Walkthrough - Gottlieb’s Solo Show at Galerie Neufville (1960) - RISING 1958 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1645544448688-55R7SYEB1FSWE5MDU74D/6001.jpg Special Exhibitions Walkthrough - Gottlieb’s Solo Show at Galerie Neufville (1960) - CRESCENDO 1960 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1645544362668-0MP0SFVPAQQWYEEJJG01/6004_sothebys.jpg Special Exhibitions Walkthrough - Gottlieb’s Solo Show at Galerie Neufville (1960) - GREEN OVER BLACK 1960 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1639426140545-SZL8T8ZZM4Z0N8H16LMH/5907_hirshhorn%2Bwebsite%2Bimage.jpg Special Exhibitions Walkthrough - Gottlieb’s Solo Show at Galerie Neufville (1960) - SPRAY 1959 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1639426149911-I9MHSP7XDMZPHHDQVMYL/5917%2BPrismatic.jpg Special Exhibitions Walkthrough - Gottlieb’s Solo Show at Galerie Neufville (1960) - PRISMATIC 1959 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1639426162001-30VRTMG9LFEA07JERFOE/image%2B%281%29.png Special Exhibitions Walkthrough - Gottlieb’s Solo Show at Galerie Neufville (1960) - ANTIPODES 1959 https://www.gottliebfoundation.org/special-exhibitions-walkthrough/2024/1/2/gottliebs-1972-solo-exhibition-at-marlborough-gallery monthly 0.5 2024-01-02 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1624724904423-A1QRHWQG9J58PR9I2ZHL/marlborough+invitation+1.JPG Special Exhibitions Walkthrough - Gottlieb's 1972 Solo Exhibition At Marlborough Gallery - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1624724954838-WABXR3EF0RDWW2EQD038/marlborough+invitation+2.JPG Special Exhibitions Walkthrough - Gottlieb's 1972 Solo Exhibition At Marlborough Gallery - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1624725013796-F2H8GRC9B1O43JRXUOTF/x59_PaintingsMarlborough1971-72i.jpg Special Exhibitions Walkthrough - Gottlieb's 1972 Solo Exhibition At Marlborough Gallery - Make it stand out Shown from left to right: Two Bars (1971), Triptych (1971), Red Vs. Blue (1972), Mirage (1970). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1624823558691-4O5D0QCMULX31RMKV85W/x59_PaintingsMarlborough1971-72j.jpg Special Exhibitions Walkthrough - Gottlieb's 1972 Solo Exhibition At Marlborough Gallery - Make it stand out Shown from left to right: Open Above (1972), Pewter (1971), Drift (1971). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1624823462676-OZYT4BLZK3TRULZ4L0YR/x59_PaintingsMarlborough1971-72d.jpg Special Exhibitions Walkthrough - Gottlieb's 1972 Solo Exhibition At Marlborough Gallery - Make it stand out Shown from left to right: Black Emblems (1971), Black Note (1971), Shadows (1971), The Red (1972). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1624725597282-8BGKCFN447XISQ2PWSX7/stamos.JPG Special Exhibitions Walkthrough - Gottlieb's 1972 Solo Exhibition At Marlborough Gallery - Make it stand out Above: a November 1972 letter from Theodoros Stamos to Gottlieb congratulating him on his exhibition. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1624725687472-3UPSBF1C0DIDH7O3Q2JZ/Harriet+vicente.JPG Special Exhibitions Walkthrough - Gottlieb's 1972 Solo Exhibition At Marlborough Gallery - Make it stand out Above: part of a handwritten letter from Harriet Vicente, wife of Esteban Vicente and friends of Adolph Gottlieb. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1624823697450-F36B0C8V3T5H4Y5RWUQZ/New+york+magazine+3.JPG Special Exhibitions Walkthrough - Gottlieb's 1972 Solo Exhibition At Marlborough Gallery - Make it stand out Above: a review by Thomas Hess for New York Magazine, December 5, 1972. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1624726099708-G9E458QE2K0RA71EV3YH/7113_christies.jpg Special Exhibitions Walkthrough - Gottlieb's 1972 Solo Exhibition At Marlborough Gallery - Ochre and Gold (1971) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1624726101882-HVTHWQCANS507M3GPJLC/7129_sothebys.jpg Special Exhibitions Walkthrough - Gottlieb's 1972 Solo Exhibition At Marlborough Gallery - Bullet (1971) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1624726100382-KVVFXWSTARIBM41VW48Y/7131.JPG Special Exhibitions Walkthrough - Gottlieb's 1972 Solo Exhibition At Marlborough Gallery - Red Sea (1971) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1624726101181-OQ3XFRFGV3V4AWOH4GL9/7134.JPG Special Exhibitions Walkthrough - Gottlieb's 1972 Solo Exhibition At Marlborough Gallery - Triptych (1971) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1624726101749-89DXBCPD5K6Z9S7HRUHD/7201.JPG Special Exhibitions Walkthrough - Gottlieb's 1972 Solo Exhibition At Marlborough Gallery - Red Vs. Blue (1972) https://www.gottliebfoundation.org/special-exhibitions-walkthrough/2024/1/2/the-pictographs-of-adolph-gottlieb monthly 0.5 2024-01-02 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1612295796925-409JZ504IRM5PS7B217H/x96_PictographAGBKmuseum1995e.jpeg Special Exhibitions Walkthrough - "The Pictographs Of Adolph Gottlieb" - Make it stand out Shown from L-R: Black Enigma (1946), Pictograph (1946), Premonition of Evil (1946), Nostalgia for Atlantis (1944). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1612295810852-0RHGGHU4LJR8LOT4NU0B/x96_PictographAGBKmuseum1995j.jpeg Special Exhibitions Walkthrough - "The Pictographs Of Adolph Gottlieb" - Make it stand out Shown from L-R: Dark Journey (1949), Centurion (1949), Running (1948), The Terrors of Tranquility (1948), Letter to a Friend (1948). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1612295855697-TQZ6EVQCUM7F3CULIOA7/x96_PictographAGBKmuseum1995l.jpeg Special Exhibitions Walkthrough - "The Pictographs Of Adolph Gottlieb" - Make it stand out Shown from L-R: The Token (1945), Blue and White Pictograph (1947), Inscription to a Friend (1948), Black Silhouette (1949), Vigil (1948), Tournament (1951), Pictograph (1946). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1612297096431-OFN8FH6OJ81K1D4IANHO/x96_PictographAGBKmuseum1995r.jpeg Special Exhibitions Walkthrough - "The Pictographs Of Adolph Gottlieb" - Make it stand out Shown from L-R: Archer (1951), Mariner's Incantation (1945), The Token (1945), Blue and White Pictograph (1947), Inscription to a Friend (1948), Black Silhouette (1949). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1612295361913-428IGP3KZ2K5EAEFV88G/4656+forgotten+dream+johnson.jpg Special Exhibitions Walkthrough - "The Pictographs Of Adolph Gottlieb" - Forgotten Dream 1946, oil on canvas, 24 x 30", currently in the collection of the Johnson Museum of Art at Cornell University, Ithaca, NY https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1612295356561-MITQT65GC66WW1JRUBED/4516+expectation+of+evil+lacma-2.jpg Special Exhibitions Walkthrough - "The Pictographs Of Adolph Gottlieb" - Expectation of Evil 1945, oil, gouache & tempera on canvas 43 1/8 x 27 1/8", currently in the collection of the Los Angeles County Museum of Art, Los Angeles, CA https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1612295357744-PUUW5QZA7HB35DRK8DY0/4555+augury+guggenheim.jpg Special Exhibitions Walkthrough - "The Pictographs Of Adolph Gottlieb" - Augury 1945, oil on canvas, 40 x 30", currently in the collection of the Guggenheim Museum, New York, NY https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1612295360919-GES80J99QOWWRBUI89FN/4602+black+enigma+hood.jpg Special Exhibitions Walkthrough - "The Pictographs Of Adolph Gottlieb" - Black Enigma 1946, oil on canvas, 25 x 32", currently in the collection of the Hood Museum of Art at Dartmouth College, Hanover, NH https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1612295374439-JSYP32IRAXH3V1018IBK/5110.jpg Special Exhibitions Walkthrough - "The Pictographs Of Adolph Gottlieb" - Figuration (Two Pronged) 1951, oil on canvas, 36 x 48“ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1612295346349-DJ0W3BJ4KXL7OLBN0KXU/4205-2.jpg Special Exhibitions Walkthrough - "The Pictographs Of Adolph Gottlieb" - Pictograph (Yellow and Purple) 1942, oil on canvas, 48 x 36” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1612295353562-LRKY30TQMV3MUVZ4I7QR/4305.jpg Special Exhibitions Walkthrough - "The Pictographs Of Adolph Gottlieb" - Home 1943, oil and pencil on linen 23 7/8 x 19 7/8” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1612295366784-B8O7G1RS20MC2UBPQRJN/4513.jpg Special Exhibitions Walkthrough - "The Pictographs Of Adolph Gottlieb" - Mariner's Incantation 1945, oil, gouache, tempera, casein on canvas, 39 13/16 x 29 7/8” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1612295369065-JMFJ80OT6QQIQ6BBQ2U9/4809.jpg Special Exhibitions Walkthrough - "The Pictographs Of Adolph Gottlieb" - Running 1948, oil on canvas, 38 x 30” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1612295554351-9W877H8E4JU2PHJUSZOI/Pictograph+catalog+%281%29.jpeg Special Exhibitions Walkthrough - "The Pictographs Of Adolph Gottlieb" - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.gottliebfoundation.org/special-exhibitions-walkthrough/2023/12/15/adolph-gottlieb-1956 monthly 0.5 2024-01-02 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1588176460998-DBYT0U6N26WFABXGWS1F/image.png Special Exhibitions Walkthrough - "Adolph Gottlieb: 1956" - Make it stand out Cover of Adolph Gottlieb: 1956 exhibition catalog https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603818946510-9KLT9LJSQGRJTHHKG1D7/2005_HydeCollection_1956_18.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1956" - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603818978466-STMN9N9RQCBV2MCGNO7B/2005_HydeCollection_1956_25.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1956" - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603818913346-605XCAN5YAF7OL3UH100/2005_HydeCollection_1956_11.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1956" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603818913744-472ZUXHS0RP4SNMVZL04/2005_HydeCollection_1956_12.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1956" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603818924026-3106NGZJDR9KLGMR0UN5/2005_HydeCollection_1956_13.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1956" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603818924140-425Q4JQOHXPURU7HLYZK/2005_HydeCollection_1956_14.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1956" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603818934173-L3F3MUCG3GUCVQ2SMGB7/2005_HydeCollection_1956_16.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1956" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603818934580-C3S46IMI9URYINJY1ZAZ/2005_HydeCollection_1956_15.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1956" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603818945907-B9LL0OKS898P20ICNI8Y/2005_HydeCollection_1956_17.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1956" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603818946510-9KLT9LJSQGRJTHHKG1D7/2005_HydeCollection_1956_18.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1956" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603818955837-6NWKHQIND7NIZW8LADYR/2005_HydeCollection_1956_19.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1956" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603818955864-LEWOSH5QTX3T67SMJUHT/2005_HydeCollection_1956_20.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1956" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603818963562-WHKDTECZO3ZK7IV76CXG/2005_HydeCollection_1956_22.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1956" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603818964035-DNE6VVWDA8HQJMCUFSWH/2005_HydeCollection_1956_21.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1956" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603818970559-KIV27WJSHBPE7WATTAUJ/2005_HydeCollection_1956_24.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1956" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603818969459-GT52HHDVNP94692RNMVW/2005_HydeCollection_1956_23.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1956" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603818978466-STMN9N9RQCBV2MCGNO7B/2005_HydeCollection_1956_25.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1956" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603818981790-I66KM5HVBQNAIXKFX94D/2005_HydeCollection_1956_26-2.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1956" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603818988860-7KABPSYY3WHIKU2ACPXF/2005_HydeCollection_1956_28.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1956" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603818992124-TMVUFI4PB00ND12LX8ZX/2005_HydeCollection_1956_29.jpg Special Exhibitions Walkthrough - "Adolph Gottlieb: 1956" https://www.gottliebfoundation.org/current-special-exhibitions-1 daily 0.75 2022-09-06 https://www.gottliebfoundation.org/current-special-exhibitions-1/2022/9/6/adolph-gottlieb-monotypes-at-pace-east-hampton monthly 0.5 2022-09-06 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1662475209733-JHBRQP9XHF8DPLGOUN5X/7315.1_pace+high+res.jpg Current Special Exhibitions - Adolph Gottlieb: Monotypes at Pace East Hampton - Make it stand out Adolph Gottlieb, Untitled, 1973 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1662473907095-U7GU29V74YRAANOZOF8R/GOTTLIEB_inst_EH_20220901_JN_v28.jpg Current Special Exhibitions - Adolph Gottlieb: Monotypes at Pace East Hampton https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1662473907387-YT7MPVNJ8B1D40UM59NP/GOTTLIEB_inst_EH_20220901_JN_v32.jpg Current Special Exhibitions - Adolph Gottlieb: Monotypes at Pace East Hampton https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1662473908130-K7YOCINAYZBRS7CKVZOZ/GOTTLIEB_inst_EH_20220901_JN_v36.jpg Current Special Exhibitions - Adolph Gottlieb: Monotypes at Pace East Hampton https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1662473908817-Q2DY5VOPJ2Z1QWAYAA4J/GOTTLIEB_inst_EH_20220901_JN_v40.jpg Current Special Exhibitions - Adolph Gottlieb: Monotypes at Pace East Hampton https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1662476368802-P83MLIP018A7C0WAZ52B/GOTTLIEB_inst_EH_20220901_JN_v35.jpg Current Special Exhibitions - Adolph Gottlieb: Monotypes at Pace East Hampton https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1662476388808-58QHREOZXLN9CJIY5SSZ/GOTTLIEB_inst_EH_20220901_JN_v24_Crop.jpg Current Special Exhibitions - Adolph Gottlieb: Monotypes at Pace East Hampton https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1662475091445-DCZHAKQLC7P56VZ6IVPL/7301.1_pace+high+re.jpg Current Special Exhibitions - Adolph Gottlieb: Monotypes at Pace East Hampton Adolph Gottlieb UNTITLED 1973 monotype in ink on paper 23 7/8 x 17 3/4 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1662475097391-35I8LTFSWCN0SULGYF6H/7312.1_pace+high+res.jpg Current Special Exhibitions - Adolph Gottlieb: Monotypes at Pace East Hampton Adolph Gottlieb UNTITLED 1973 monotype in ink on paper plate size: 24 x 18 inches, paper size: 31 x 22 1/4 inches https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1662475104087-DL9JTBKIE388K3TBQM9S/7313_pace+high+res.jpg Current Special Exhibitions - Adolph Gottlieb: Monotypes at Pace East Hampton Adolph Gottlieb UNTITLED 1973 monotype in ink on paper plate size: 24 x 18 “, paper size: 29 5/8 x 22 “ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1662475209733-JHBRQP9XHF8DPLGOUN5X/7315.1_pace+high+res.jpg Current Special Exhibitions - Adolph Gottlieb: Monotypes at Pace East Hampton Adolph Gottlieb UNTITLED 1973 monotype in ink on paper plate: 18 x 24 “, paper size: 19 7/8 x 28 7/8” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1662475221893-99OE4EPR38UE57VVM3F4/7327.1_pace+high+res.jpg Current Special Exhibitions - Adolph Gottlieb: Monotypes at Pace East Hampton Adolph Gottlieb UNTITLED 1973 monotype in ink on paper plate size: 18 x 24 “, paper size: 23 x 31” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1662475234170-N4EGI5I8HVGX04D869V3/7403_pace+high+res.jpg Current Special Exhibitions - Adolph Gottlieb: Monotypes at Pace East Hampton Adolph Gottlieb UNTITLED 1974 monotype in ink on paper plate size: 17 3/4 x 12 “; paper size: 22 1/2 x 15 1/2” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1662475245606-GBO1SA4HMV2L05ECWJMU/7408_pace+high+res.jpg Current Special Exhibitions - Adolph Gottlieb: Monotypes at Pace East Hampton Adolph Gottlieb UNTITLED 1973 monotype in ink on paper plate size: 17 3/4 x 12 “, paper size: 22 3/8 x 15 1/2” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1662475256114-8A31XFUT7W528ST5KPRW/7412_pace+high+res.jpg Current Special Exhibitions - Adolph Gottlieb: Monotypes at Pace East Hampton Adolph Gottlieb UNTITLED 1974 monotype in ink on paper plate size: 17 3/4 x 12 “; 22 1/4 x 15 1/4” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1662475266571-MAY1PJHS8USTTHZDRI56/7413_pace+high+res.jpg Current Special Exhibitions - Adolph Gottlieb: Monotypes at Pace East Hampton Adolph Gottlieb UNTITLED 1974 monotype in ink on paper plate size: 17 3/4 x 12 “, paper size: 22 1/4 x 15 3/8” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1662475277799-4TWSIYA2RTWO9GDWUS8X/7466_pace+high+res.jpg Current Special Exhibitions - Adolph Gottlieb: Monotypes at Pace East Hampton Adolph Gottlieb UNTITLED 1974 monotype in ink on tissue paper plate size: 19 1/2 x 14 7/8"; frame size: 25 3/4 x 20 7/8 x 1 1/2” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1662475285180-1DDR26VEGFMUJ6PKJ73Y/7471_pace+high+res.jpg Current Special Exhibitions - Adolph Gottlieb: Monotypes at Pace East Hampton Adolph Gottlieb UNTITLED 1974 monotype in ink on tissue paper plate size: 14 7/8 x 19 5/8"; frame size: 20 3/4 x 25 3/4 x 1 1/2” https://www.gottliebfoundation.org/blog-1 daily 0.75 2023-04-05 https://www.gottliebfoundation.org/blog-1/2023/4/5/making-art-in-challenging-times-gottliebs-pictographs monthly 0.5 2023-04-05 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1593650597138-O7JPZNQ11ANTWX7YOF44/black+enigma.jpg Blog 1 - Making Art In Challenging Times: Gottlieb's Pictographs - Make it stand out Adolph Gottlieb, Black Enigma, 1946, oil on canvas, 25 x 32 in. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1593650635093-M6LYGCQIBNEG3REGEQU1/hands+of+oedipus.jpg Blog 1 - Making Art In Challenging Times: Gottlieb's Pictographs - Make it stand out Adolph Gottlieb, Hands of Oedipus, 1943, oil on linen, 40 x 35 15/16 in. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1593650681277-G2URFS7IQV2EJE06J4PO/eyes+of+oedipus.jpg Blog 1 - Making Art In Challenging Times: Gottlieb's Pictographs - Make it stand out Adolph Gottlieb, Eyes of Oedipus, 1941, oil on canvas, 32 1/4 x 25 in. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1593650743223-HK07SINSL9THYUFRM75Q/pictograph-symbol.jpg Blog 1 - Making Art In Challenging Times: Gottlieb's Pictographs - Make it stand out Adolph Gottlieb, Pictograph - Symbol, 1942, oil on canvas, 54 x 40 in. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1593650795962-6I7OHPZHAQL6P31FVA4L/composition.jpg Blog 1 - Making Art In Challenging Times: Gottlieb's Pictographs - Make it stand out Adolph Gottlieb, Composition, 1945, oil, gouache, casein and tempera on linen, 29 13/16 x 35 7/8 in. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1598897171208-INN2WL4NI8Q4HENGTX7H/1942+Adolph+Gottlieb+in+his+home_studio+in+Brooklyn+with+paintings+including+Reflection+%281941%29+and+Pictograph+%281942%29%2C+1942.+Photographer+Aaron+Siskind.jpg Blog 1 - Making Art In Challenging Times: Gottlieb's Pictographs - Make it stand out Adolph Gottlieb in his home/studio in Brooklyn with paintings including Reflection (1941) and Pictograph (1942), 1942. Photographer: Aaron Siskind. https://www.gottliebfoundation.org/blog-1/2023/4/4/artistic-ties-adolph-gottlieb-and-clement-greenberg monthly 0.5 2023-04-05 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1590974227249-DZIJU0S6H0Y1F9PCJHO7/1959-9_Unknown_London_01.jpg Blog 1 - Artistic Ties: Adolph Gottlieb And Clement Greenberg - Make it stand out Adolph and Esther Gottlieb and friends, including Clement Greenberg (kneeling). The artists (from right to left) Adolph Gottlieb, William Scott and Tony Caro in London, June 1959 "We went to London and had a wonderful time. As a matter of fact, I have some photographs—I think I showed you one with Clem. He was there with his wife. It’s a photograph of us in the garden with the painter, William Scott.Then we decide to go to Paris just for a weekend. (Paul) Jenkins was having a show, and we thought we’d go see it. Clem went with us to Paris to Paul’s opening, and then we flew home." - Esther Gottlieb, in a 1975 interview with Stephen Pearson https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1590972970608-7CHZVQ8QAERA8JL3Z8YS/Greenberg+Review+-+The+Nation.jpeg Blog 1 - Artistic Ties: Adolph Gottlieb And Clement Greenberg - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1590973069456-V210L047XAZXM2AMB2X3/bennington+exh+1.PNG Blog 1 - Artistic Ties: Adolph Gottlieb And Clement Greenberg https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1590973038664-9WVWC3V76TGT0D89N5G2/bennington+exh+2.PNG Blog 1 - Artistic Ties: Adolph Gottlieb And Clement Greenberg https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1591369154803-BWVHBX7V0HIO96W32OV3/1959-9-7+gottliebs+and+greenbergs+in+provincetown.jpg Blog 1 - Artistic Ties: Adolph Gottlieb And Clement Greenberg - Make it stand out The Gottliebs and friends (including the Greenbergs) in Provincetown, Massachusetts, September 7, 1959. Adolph at lower left (in sunglasses), Esther in center back, Clement Greenberg at far right https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1590973132436-FZTU114ER0CFF2O7M6DK/4645Pa.jpg Blog 1 - Artistic Ties: Adolph Gottlieb And Clement Greenberg - Make it stand out Adolph Gottlieb, Untitled (Pictograph), c. 1946, linocut, platemark: 11 13/16 in. x 14 3/4 in. (30 cm x 37.5 cm) Now part of the Davis Museum Collection at Wellesley College. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1590973166831-UJ2HREQ1WVPQ75TZDGCB/dcb3aebc-b911-4adb-b473-32cc3c046073.jpg Blog 1 - Artistic Ties: Adolph Gottlieb And Clement Greenberg - Make it stand out Adolph Gottlieb, Untitled, 1949, crayon, ink, and pencil on paper, 10 x 12in. part of the Clement Greenberg Collection at the Portland Art Museum https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/05d4ac33-dc05-4269-8783-cbc3e2c96ebd/image-asset.png Blog 1 - Artistic Ties: Adolph Gottlieb And Clement Greenberg - Make it stand out Installation view of the 1959 exhibition New American Paintings at MoMA, May 1959 On the left: Side Pull (1956), a wedding gift from Adolph Gottlieb to Janice and Clement Greenberg in 1958. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1590973234729-BPTMHQ4OXQA6G5BKYX4E/1962-10-25+Art+International+clement+Greenberg.PNG Blog 1 - Artistic Ties: Adolph Gottlieb And Clement Greenberg - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1590973255382-4ZEDY148Q5CCG4H81DB7/1963-2-13+Adolph+Gottlieb+to+Clement+Greenberg.PNG Blog 1 - Artistic Ties: Adolph Gottlieb And Clement Greenberg - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.gottliebfoundation.org/blog-1/2023/4/4/a-look-back-adolph-gottlieb-at-paul-kantor-gallery monthly 0.5 2023-04-04 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1588346489357-73W5LSTPBW4J5WVQCVSY/1956_Katgoff_Provincetown_03.jpg Blog 1 - A Look Back: "Adolph Gottlieb" At Paul Kantor Gallery - Make it stand out Adolph Gottlieb in Provincetown, 1956. Photo by Sy Katgoff In Background: Heavy Sky (top), Unstill Life (bottom) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1588346985587-XMFLM21RQ3VYNEAQRBWB/5612.1.jpg Blog 1 - A Look Back: "Adolph Gottlieb" At Paul Kantor Gallery - Make it stand out Heavy Sky, 1956, gouache and watercolor on paper, 22 1/4 x 31 in. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1603818781776-KCBHYPXV4PZ5NN4W39BE/_5614.1.jpg Blog 1 - A Look Back: "Adolph Gottlieb" At Paul Kantor Gallery - Make it stand out Unstill Life, 1956, gouache and ink on rag paper, 21 x 29 1/2 in. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1588347132107-G6397JEXRJX9AJ793MU8/5622.1_lacma.jpg Blog 1 - A Look Back: "Adolph Gottlieb" At Paul Kantor Gallery - Make it stand out Ovoid, 1956, gouache on paper, 20 3/4 x 29 3/8 in. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1588347164328-JYJZCJWR4KOE04OPH2YE/5623_heritage+auction.jpg Blog 1 - A Look Back: "Adolph Gottlieb" At Paul Kantor Gallery - Make it stand out Open Forms, 1956, gouache on paper, 22 1/2 x 31 in. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1588347199031-IZ8XYHQ8U8XP3BN5F07U/5617.1_bonahams.jpeg Blog 1 - A Look Back: "Adolph Gottlieb" At Paul Kantor Gallery - Make it stand out Thrust ,1956, gouache on paper, 20 1/2 x 28 3/4 in. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1588347555303-H62BZD1A9F3ILCNBIW66/5613.1.jpg Blog 1 - A Look Back: "Adolph Gottlieb" At Paul Kantor Gallery - Make it stand out Figuration, 1956, gouache and ink on paper, 29 1/4 x 20 3/4 in. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1588347251702-MS9I3ZYCRCNA1YEUHK7S/catalogue+exhibition+Paul+Kantor.PNG Blog 1 - A Look Back: "Adolph Gottlieb" At Paul Kantor Gallery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1588362622022-A26MS6WPPWL3IJ03N0P1/catalogue%2Bexhibition%2BPaul%2BKantor%2B2.jpg Blog 1 - A Look Back: "Adolph Gottlieb" At Paul Kantor Gallery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1588354034290-D1AAKEIDSVGTAQTHEFSZ/handwritten+list+1.PNG Blog 1 - A Look Back: "Adolph Gottlieb" At Paul Kantor Gallery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1588362593798-PTKB00QCIT81KCKR85CN/catalogue%2Bexhibition%2BPaul%2BKantor%2B3.jpg Blog 1 - A Look Back: "Adolph Gottlieb" At Paul Kantor Gallery https://www.gottliebfoundation.org/blog-1/2023/4/4/spotlight-gottliebs-imaginary-landscape-paintings-from-1969 monthly 0.5 2023-04-04 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1680636145552-A3IB5CN4HJ9Z50K39DTR/image-asset.jpeg Blog 1 - Spotlight: Gottlieb's Imaginary Landscape Paintings From 1969 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1680636141856-QHAQ37C66TFZ12APUERV/chrome%2Byellow%2Bground%2B-2.jpg Blog 1 - Spotlight: Gottlieb's Imaginary Landscape Paintings From 1969 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1585683777554-62434DCVSMB2TRI9SJCO/new.jpg Blog 1 - Spotlight: Gottlieb's Imaginary Landscape Paintings From 1969 - Make it stand out View of Gottlieb's bedroom in East Hampton with Deep Red Ground and Chrome Yellow Ground (both 1969), c. 1972. Photographer Bud Waintrob https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1585683909163-8WZY6ZQVMK8GZDMET1ZF/6909+copy.jpg Blog 1 - Spotlight: Gottlieb's Imaginary Landscape Paintings From 1969 - Make it stand out White, Maroon, Blue, 1969, oil on canvas, 48 x 60 in. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1585686940856-JENN56A59TCEFG862NFE/6907+copy.jpg Blog 1 - Spotlight: Gottlieb's Imaginary Landscape Paintings From 1969 - Make it stand out Two Grey Discs, 1969, oil on canvas, 48 x 60 in. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/038ff435-89c5-461f-b6bd-395b16448432/image-asset.png Blog 1 - Spotlight: Gottlieb's Imaginary Landscape Paintings From 1969 - Make it stand out Green, Ochre, Maroon, 1969, oil on linen, 48 x 60 in. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1585687018870-7520OYZGSWDNDKLE8ICS/6911+copy.jpg Blog 1 - Spotlight: Gottlieb's Imaginary Landscape Paintings From 1969 - Make it stand out Two White Discs, 1969, oil on canvas, 48 x 60 in. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/18af80a3-2b30-4c75-8a17-96b4b9ed4f16/image-asset+%281%29.png Blog 1 - Spotlight: Gottlieb's Imaginary Landscape Paintings From 1969 - Make it stand out Pre-installation photo for “10 Americans After Paul Klee” at the Zentrum Paul Klee, Bern, September 2017. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1585687171139-OPYRQ8TLK9BCW8TTDIGS/6923.jpg Blog 1 - Spotlight: Gottlieb's Imaginary Landscape Paintings From 1969 - Make it stand out Three Discs on Chrome Ground, 1969, oil and acrylic on canvas, 48 x 72 in. https://www.gottliebfoundation.org/blog-1/2023/4/4/an-inside-look-wall-1969-part-2 monthly 0.5 2024-04-12 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/164af53a-3221-4a70-8304-921a2922534d/_1Wall.jpeg Blog 1 - An Inside Look: Wall 1969, Part 2 - Make it stand out WALL on the lawn in East Hampton, 1980 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1582913848591-UEU0NQJWDYAHNMM9SYU7/6851_Lg+Wall+A.JPG Blog 1 - An Inside Look: Wall 1969, Part 2 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1582914003318-6QKOBSAPEBQEZWR08OX0/6851_Lg+Wall+D.JPG Blog 1 - An Inside Look: Wall 1969, Part 2 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/a711a997-7ba2-41ad-a0db-5d822efdb5ab/Screen%2BShot%2B2020-02-07%2Bat%2B11.24.11%2BAM.png Blog 1 - An Inside Look: Wall 1969, Part 2 - Make it stand out Robert Price in the conservation studio https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1582914162081-6A21VCG78095Y07G0VAH/TMP-20293-054.jpg Blog 1 - An Inside Look: Wall 1969, Part 2 - Make it stand out Photos of the installation of WALL at the National Gallery, Courtesy of the National Gallery of Art https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1582914250736-SD3CDUOBGBLFSBXME0XE/TMP-20293-160.jpg Blog 1 - An Inside Look: Wall 1969, Part 2 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1582914720598-CWZHMQMTY238E1AHL80D/IMG_0475.jpg Blog 1 - An Inside Look: Wall 1969, Part 2 - Make it stand out Photo of Conservator Robert Price to the right of WALL, installed in the East Wing at the National Gallery. https://www.gottliebfoundation.org/blog-1/2023/4/4/an-inside-look-wall-1969-part-1 monthly 0.5 2023-04-04 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1579899487648-QDWGE4Y6VQTPZ1M100Y2/IMG_0470.jpg Blog 1 - An Inside Look: Wall 1969, Part 1 - Make it stand out View of WALL in situ in the East Wing of the National Gallery of Art, DC, 2020. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1579897430652-YWW5ST59NYYMMGVOYQYZ/_6864.jpg Blog 1 - An Inside Look: Wall 1969, Part 1 - Make it stand out WALL, 1968, maquette; acrylic on cardboard, 8 7/8 x 13 1/2 x 8 1/4 in. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/6e5e3d42-b8fe-4245-8ffb-70af1544fc80/Wall_Templste%2B2.jpg Blog 1 - An Inside Look: Wall 1969, Part 1 - Make it stand out Template for WALL sculpture https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1579897839030-Z37UDW0HHYK8KCB0R287/Lg+Disc+Wall.jpeg Blog 1 - An Inside Look: Wall 1969, Part 1 - Make it stand out Close-up of disc element https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1579897863443-W6LX1HUKFSOB2TAMKMIU/_6871.jpg Blog 1 - An Inside Look: Wall 1969, Part 1 - Make it stand out WALL, 1968, painted aluminum, 26 1/2 x 40 5/8 x 24 in. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/784da290-227f-4530-8fae-f490ea0bfa58/image-asset+%282%29.png Blog 1 - An Inside Look: Wall 1969, Part 1 - Make it stand out Shown here: Installation of WALL and PETALOID at the Metropolitan Museum of Art exhibition 'New York Painting and Sculpture: 1940 – 1970', October 1969. Photo courtesy of Lippincott, Inc. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/164af53a-3221-4a70-8304-921a2922534d/_1Wall.jpeg Blog 1 - An Inside Look: Wall 1969, Part 1 - Make it stand out WALL installed at the Gottliebs' East Hampton home, ca. 1980. https://www.gottliebfoundation.org/blog-1/2023/4/4/a-look-back-evolution-of-an-exhibition-poster monthly 0.5 2024-08-21 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1576786798866-DFUBE1VV86SCJ5BRRPMU/6732.2.png Blog 1 - A Look Back: Evolution Of An Exhibition Poster - Make it stand out Untitled, c. 1968, acrylic on paper, 9 1/2 x 9" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1576786087826-KIHMC7GZN7GDVM8MIYE6/6714.png Blog 1 - A Look Back: Evolution Of An Exhibition Poster - Make it stand out Untitled, c. 1968, acrylic on paper, 9 1/2 x 9" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1576786123089-KNV90SJI3ECB6EI7KQED/6720.2.png Blog 1 - A Look Back: Evolution Of An Exhibition Poster - Make it stand out Untitled, c. 1968, acrylic on paper, 9 1/2 x 9" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/d1945136-bcc6-4a5c-9250-07f2a2eac00d/image-asset.png Blog 1 - A Look Back: Evolution Of An Exhibition Poster - Make it stand out Untitled, c. 1968, acrylic on paper, 9 1/2 x 9" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1576786172074-OYSLH1PO93KBMVYMPJLC/6711.1.png Blog 1 - A Look Back: Evolution Of An Exhibition Poster - Make it stand out Untitled, c. 1968, acrylic on paper, 9 1/2 x 9" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1576786185853-RR7ANTMFQHXRIVJZ2D8O/6712.1.png Blog 1 - A Look Back: Evolution Of An Exhibition Poster - Make it stand out Untitled, c. 1968, acrylic on paper, 9 1/2 x 9" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/9d04c592-cf8a-4b43-8cb5-c392ec981fbd/image-asset+%281%29.png Blog 1 - A Look Back: Evolution Of An Exhibition Poster - Make it stand out Untitled, c. 1968, acrylic on paper, 9 1/2 x 9" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1576786518722-7ZDVEI0HT1EZ3HK7WKSR/_WhitneyRet_1968_3_Front.jpeg Blog 1 - A Look Back: Evolution Of An Exhibition Poster - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/f4446887-4292-4745-817a-980e02ff9604/Screen%2BShot%2B2019-12-13%2Bat%2B10.39.57%2BAM.png Blog 1 - A Look Back: Evolution Of An Exhibition Poster - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.gottliebfoundation.org/blog-1/2023/2/8/foundation-highlight-artists-fellowship-award-dinner monthly 0.5 2023-02-17 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1575482879308-9LE1MVI5U0BP2DVA9EA9/DSC_0760.jpg Blog 1 - Foundation Highlight: Artists' Fellowship Award Dinner - Make it stand out Artists Fellowship 2019 Honorees: Artists Eric Fischl and April Gornik, and Executive Director Sanford Hirsch representing the Gottlieb Foundation https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1575487375108-P7BPVGUML5R92PR5YAY6/image-asset.jpeg Blog 1 - Foundation Highlight: Artists' Fellowship Award Dinner - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1575483578252-97YJBFR6QO3EYIGPVEDP/DSC_0539.jpg Blog 1 - Foundation Highlight: Artists' Fellowship Award Dinner - Make it stand out From front left, clockwise: David Novros, Christina Hunter, Paul Hunter, Doug Flamm, Nancy Litwin (Gottlieb Foundation Art Collection Manager), Lynda Benglis (artist and Gottlieb Foundation board member), Joanna Pousette-Dart, Sarita Dubin https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1575484088452-O8F4FMCI017FU8QPTNT0/DSC_0658.jpg Blog 1 - Foundation Highlight: Artists' Fellowship Award Dinner - Make it stand out From front left, clockwise: Shaina Larrivee, Hanne Tierney, Donn Zaretsky, Lisa Zaretsky, Melissa Joseph (Gottlieb Foundation Grants Manager), Amy Schichtel, Grace Walsh (Gottlieb Foundation Archive Assistant), Charlotta Kotik (curator and Gottlieb Foundation board member), Gordon Marsh (Gottlieb Foundation board member), Charles Duncan. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1575561702666-FKV1220H26C27O0N2SKR/Screen+Shot+2019-11-22+at+10.13.45+AM.png Blog 1 - Foundation Highlight: Artists' Fellowship Award Dinner - Make it stand out Left to right: Lilly Wei (Curator/Critic and Gottlieb Foundation board member), Sanford Hirsch, Douglas Baxter, and Deborah Beblo https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1575562136669-33FR2UGMYEII1ILT2R9P/Screen+Shot+2019-12-05+at+11.02.45+AM.png Blog 1 - Foundation Highlight: Artists' Fellowship Award Dinner - Make it stand out Richard Rapaport and Brooke Kamin Rapaport (Curator and Gottlieb Foundation board member) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1575487468364-L3FR788YB2HE1ABERPUZ/DSC_0789.jpg Blog 1 - Foundation Highlight: Artists' Fellowship Award Dinner - Make it stand out Lynda Benglis and Sanford Hirsch https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1575483871457-3E4TVAHDE8C52AFV7GXH/DSC_0329.jpg Blog 1 - Foundation Highlight: Artists' Fellowship Award Dinner - Make it stand out Melissa Joseph (Grants Manager) and Grace Walsh (Archive Assistant) https://www.gottliebfoundation.org/blog-1/2023/2/8/94alc1d96oe8ug09c29oy93uqpg1d6 monthly 0.5 2023-02-08 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1592613313865-CG4M7YESA788Z67IB5RC/1964-65_Waggaman_EHampton_04_ed5.jpg Blog 1 - An Inside Look: The Gottliebs in East Hampton - Make it stand out Esther and Adolph Gottlieb in the foyer of their East Hampton home. Photo c. 1964 by John Waggaman https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1571927420237-1ZXOQZH9VJ50EZ39HY1A/1964-65_Waggaman_EastHampton_03.jpg Blog 1 - An Inside Look: The Gottliebs in East Hampton - Make it stand out East Hampton house exterior. Photo c. by John Waggaman c. 1964. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1571927452541-XMGA37L2M2UN4972AEJ7/1962_Namuth_EastHampton_08.jpg Blog 1 - An Inside Look: The Gottliebs in East Hampton - Make it stand out Artists on the beach in East Hampton. Gottlieb pictured sitting in front row, second from the right. Photo by Hans Namuth, 1962. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1598897165084-ZCS57D5W9TX44CYA7LS7/1964+Interior+of+East+Hampton+studio+in+front+of+Orb+%281964%29%2C+c.+1964-1965.+Photographer+John+F.+Waggaman.jpg Blog 1 - An Inside Look: The Gottliebs in East Hampton - Make it stand out Interior of East Hampton studio with Orb (1964). Photo c. 1964 by John Waggaman. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1598896928867-2TEA5HMM33PDU3YX9CZD/4.3+1971+East+Hampton+studio+with+Petaloid+%281968%29%2C+summer+1971.+photographer+Hermann+Neumann.jpeg Blog 1 - An Inside Look: The Gottliebs in East Hampton - Make it stand out East Hampton studio with Petaloid (1968). Photo from summer 1971 by Hermann Neumann. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1571927576592-YYBXD24ODYX2HZTK4C1M/1964-65_Waggaman_EastHampton_02.jpg Blog 1 - An Inside Look: The Gottliebs in East Hampton - Make it stand out Adolph in front of his studio. Photo c. 1964 by John Waggaman https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1571927719414-QSBVU85ECYWX891AHLWU/Screen+Shot+2019-10-04+at+1.19.53+PM.png Blog 1 - An Inside Look: The Gottliebs in East Hampton - Make it stand out Foyer of East Hampton house, including the sculpture Tilted Wall (1968) below the print Untitled (from Prints for Phoenix House) (1972), and paintings at right Red Ground (1961) visible in mirror reflection, Yellow (1960) at far right in adjacent room. Photo c. 1972 by Bud Waintrob https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1571927781282-RRWQ9IVE7GMIN7K4SJWI/1966_Waggaman_EastHampton_04.jpg Blog 1 - An Inside Look: The Gottliebs in East Hampton - Make it stand out Interior of East Hampton house living room with Roman Three #2 (1963) on far wall, and two works on paper: Yellow and Sand (both 1960) above the fireplace. Photo c. 1964 by John Waggaman https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1571927803988-A2FPI5BAOA20R3POXPNY/1966_Waggaman_EastHampton_02.jpg Blog 1 - An Inside Look: The Gottliebs in East Hampton - Make it stand out Interior of East Hampton house living room with Red and Green (1961) to the left, and Roman Two (1961) on far wall. Photo c. 1964 By John Waggaman https://www.gottliebfoundation.org/blog-1/2022/10/25/foundation-highlight-adolph-and-esther-gottlieb-individual-support-grant monthly 0.5 2022-10-25 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1571409467094-6OSPCY7DT959BZ7BJNCV/Screen+Shot+2019-09-19+at+2.27.56+PM.png Blog 1 - Foundation Highlight: Adolph and Esther Gottlieb Individual Support Grant - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.gottliebfoundation.org/blog-1/2022/10/25/a-closer-look-adolph-gottliebs-painted-postcards monthly 0.5 2024-08-21 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1567625067710-F9QV7LHIRGLNEC01MMS1/image-asset.png Blog 1 - A Closer Look: Adolph Gottlieb's Painted Postcards - Make it stand out Jean-Antoine Watteau, Assemblee dans un Parc, 1963, acrylic on postcard, 3 1/2 x 5” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1567705941041-HDKWERUFRQMM3L84OA6K/_6322.jpg Blog 1 - A Closer Look: Adolph Gottlieb's Painted Postcards - Make it stand out Statue Chypriote, 1963, acrylic on postcard, 5 1/2 x 3 1/2 “ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1567782294527-2F4IK7XXG6DH7NSAD6LP/D4F64479-5F25-4BFF-B777-4D21E22DF7C4.jpg Blog 1 - A Closer Look: Adolph Gottlieb's Painted Postcards - Make it stand out Francois Clovet, “Charles IX - Roi de France”, 1963, acrylic on postcard, no dims. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1567783519532-3O8YXU2Q1C0VDEF7MQIG/Screen%252BShot%252B2019-09-06%252Bat%252B11.12.48%252BAM.jpg Blog 1 - A Closer Look: Adolph Gottlieb's Painted Postcards - Make it stand out Thomas Gainsborough, “Mrs. Elliot”, 1963, acrylic on postcard, no dims https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1567782277051-ORTW5JG3S6ZXL8EA7HVB/E8732E2E-04E9-46A5-BDCA-31E71F2CB116.jpg Blog 1 - A Closer Look: Adolph Gottlieb's Painted Postcards - Make it stand out Jean-Antoine Watteau, “La Finette”, 1963, acrylic on postcard, no dims. https://www.gottliebfoundation.org/blog-1/2022/10/25/from-the-archives-the-gottliebs-on-summer-vacation monthly 0.5 2024-08-21 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1562006703419-P4FVEW917YHJQN68YM3H/Screen+Shot+2019-06-28+at+1.11.03+PM.png Blog 1 - From the Archive: The Gottliebs on Summer Vacation - Make it stand out Adolph and Esther sailing in Provincetown, MA, 1950s. Photo by Mike Zwerling https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1562006098348-W902K4FI313D06F1GHT7/image-asset.jpeg Blog 1 - From the Archive: The Gottliebs on Summer Vacation - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1562006065500-CR3L53Z48ACIRP8CFBFO/1934_AdolphGottlieb_CapeAnn_08.jpg Blog 1 - From the Archive: The Gottliebs on Summer Vacation - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1562006028404-0IQA31EUQ7BDHFVT372D/1934%2BCape%2BAnn.jpg Blog 1 - From the Archive: The Gottliebs on Summer Vacation - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1562006167463-DB14M52I6GSYHWGLN6ZP/1935approx_Unknown_Gloucester_05.jpg Blog 1 - From the Archive: The Gottliebs on Summer Vacation - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1562006205158-OZI24EJD06EOV7990ATW/1935approx_Unknown_Gloucester_06.jpg Blog 1 - From the Archive: The Gottliebs on Summer Vacation - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1562003088679-9VCJ9E3G4BNFPEAEJRG8/1940s_Provincetown_Snapshots_27.jpeg Blog 1 - From the Archive: The Gottliebs on Summer Vacation - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1562006281749-Q8Y1K7YLQP2KY44NTSB0/1940s_Unknown_Provincetown_22.jpg Blog 1 - From the Archive: The Gottliebs on Summer Vacation - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1562003379092-QKX4GTZJRH9LSE59VJJI/1960s-late_Adelman_EastHampton_32.jpg Blog 1 - From the Archive: The Gottliebs on Summer Vacation - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1562006447923-OP48Z28FYYP3GLZKVRC0/1960s-late_Adelman_EastHampton_29.jpg Blog 1 - From the Archive: The Gottliebs on Summer Vacation - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.gottliebfoundation.org/blog-1/2022/10/25/a-closer-look-adolph-gottliebs-units-paintings monthly 0.5 2024-08-21 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1583427208870-4E6PHN7968FWOHZNQBTJ/1968_Fredericks_09.jpg Blog 1 - A Closer Look: Adolph Gottlieb's "Units" Paintings - Make it stand out Adolph Gottlieb at the Whitney Museum with Stewart Kranz, 1968 Shown: Units #2, Azimuth, Units #3 Photo by Michael Fredericks Art ©Adolph and Esther Gottlieb Foundation/Licensed by ARS, NY, NY https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1559146043161-13CUDSOUV4XC7DU8VGD8/6511.jpg Blog 1 - A Closer Look: Adolph Gottlieb's "Units" Paintings - Make it stand out Shown: UNITS #3, 1965, oil on canvas, 96 x 144 “ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1559146116515-UL3IJSO7JMM3QHI509YY/image-asset.jpeg Blog 1 - A Closer Look: Adolph Gottlieb's "Units" Paintings - Make it stand out Untitled, 1970, acrylic on paper, 9 x 12" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1559148062368-NTDCOHD0OKV6AI48MVN2/image-asset.jpeg Blog 1 - A Closer Look: Adolph Gottlieb's "Units" Paintings - Make it stand out Untitled, 1970, acrylic on paper, 9 x 12" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1650636077661-2EKL1AEGAW14UQYS6N8S/6510_web.jpg Blog 1 - A Closer Look: Adolph Gottlieb's "Units" Paintings - Make it stand out Units #2, 1965, oil on canvas, 96 x 144" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1559146371453-TFGEN12LBN4U7KNQ9DI5/1968_Fredericks_08.jpg Blog 1 - A Closer Look: Adolph Gottlieb's "Units" Paintings - Make it stand out Adolph Gottlieb in his Bowery studio, 1968 (Units #4 on the right). Also shown: Gray Ground (rear) and Red Ground Maroon Disc (left, in frame) Photo by Michael Fredericks Art ©Adolph and Esther Gottlieb Foundation/Licensed by ARS, NY, NY https://www.gottliebfoundation.org/blog-1/2022/10/25/from-the-archives-a-selection-from-adolph-gottliebs-library monthly 0.5 2024-01-12 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1556217456800-EC1YBE224252JAB8Z5BP/Gottlieb%27s+library.jpg Blog 1 - From the Archive: A Selection from Adolph Gottlieb's Library - Make it stand out Book covers shown here: Langewiesche, Karl Robert. Michelangelo, Leipzig: Konigstein Verlag, 1925 Schürer, Oskar. Pablo Picasso, Leipzig: Klinkhardt & Biermann, 1927 Waldman, Emil. Honore Daumier, Leipzig: Verlag Von E. A. Seemann, 1923 Neumann, Carl. Rembrandt, Munich: Piper, 1921 Henry, Daniel. Der Weg Zum Kubismus (The Way to Cubism), Munich: Delphin-Verlag, 1920 Wolfradt, Willi. Otto Dix, Leipzig: Klinkhardt & Biermann, 1924 Kolle, Helmud. Henri Rousseau, Leipzig: Klinkhardt & Biermann, 1922 Burger, Fritz. Cezanne und Hodler: Eifuehrung in Die Probleme Der Malerei Gegenwart (Introduction to the Problems of Contemporary Painting), Munich: Delphia Verlag, 1920 [Title page shown instead of front cover] Mayer, August. El Greco, Munich: Delphia Verlage, 1916 https://www.gottliebfoundation.org/blog-1/2022/10/25/wv5gr6us8hua3blkodkeduzf4rmcr5 monthly 0.5 2024-08-21 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1551208122782-A6NSDKG3FHF89FM08ZCB/image-asset.jpeg Blog 1 - An Inside Look: The Making of an Exhibition - Make it stand out Rigging paintings out the window of the Gottlieb Foundation in preparation for the exhibition. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1551208162692-70TVB5FOUO00N7WJRNJN/image-asset.jpeg Blog 1 - An Inside Look: The Making of an Exhibition - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1552581126459-D9XGXKFE6CNZTQOSIH1R/ac20cf15-c55b-4301-914d-f8af0d93c74c.jpg Blog 1 - An Inside Look: The Making of an Exhibition - Make it stand out Dr. Kent Minturn and Gottlieb Foundation Executive Director Sanford Hirsch, being filmed Shown in the background, L to R: Groundscape, 1956, oil on canvas, 84 x 144" Green Dream, 1967, acrylic on paper, 24 x 19" Burst (First State), 1974, acrylic on paper, 23 7/8 x 18" ©Adolph and Esther Gottlieb Foundation/Licensed by ARS, NY, NY https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1552589769926-80QMY5XLIZCNPV7J431Y/7FF06771-47C4-4EE4-96AD-3CCCCF6625FC.jpg Blog 1 - An Inside Look: The Making of an Exhibition - Make it stand out Installation view showing the installation plan (foreground) and the painting Lake (1971) acrylic on canvas, 90 x 108”. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1552668809925-1C2WHF33UHR72G23LD1M/IMG_0484.jpg Blog 1 - An Inside Look: The Making of an Exhibition - Make it stand out “Adolph Gottlieb: Classic Paintings” Exhibition Catalogs, courtesy of the Pace Gallery https://www.gottliebfoundation.org/blog-1/2022/10/25/stories-from-the-director-adolph-gottliebs-first-printing-press monthly 0.5 2024-08-21 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1547750908498-IZBJQDKBI1PO4YQXCKLS/7499Pb.jpg Blog 1 - Stories from the Director: Adolph Gottlieb's First Printing Press - Make it stand out Adolph Gottlieb, Six Artists Etching, 1933 – 1974, etching on wove paper, image size = 5 3/4 x 7 3/4" sheet size = 9 3/4 x 10 5/8” ©Adolph and Esther Gottlieb Foundation/Licensed by ARS, NY, NY https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1547756657229-C8XEQXM5YPR6ZZGXI3ST/Screen+Shot+2019-01-17+at+3.23.35+PM.png Blog 1 - Stories from the Director: Adolph Gottlieb's First Printing Press - Make it stand out Left: Adolph Gottlieb, Untitled (Fish & Anchor), c. 1938, etching on paper, 3 7/8 x 2 3/4“ Right: Adolph Gottlieb, Untitled (Seaside Still Life), c. 1940, Etching and aquatint on cream wove paper, 6 x 7 5/8” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1547750707415-BSW5G5I059NPVIFJVFY8/Screen+Shot+2019-01-17+at+1.44.31+PM.png Blog 1 - Stories from the Director: Adolph Gottlieb's First Printing Press - Make it stand out Adolph Gottlieb, Montage, c.1944, Etching and coarse-grained aquatint on cream wove paper, 6 x 7 5/8" ©Adolph and Esther Gottlieb Foundation/Licensed by ARS, NY, NY https://www.gottliebfoundation.org/blog-1/2022/10/25/okmdoxnq4yw31dnirb37mw50h8d5lu monthly 0.5 2024-08-21 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1593978388575-WL2OTLFRABGHVHPYZFTA/1929_south+ferry+waiting+room.jpg Blog 1 - From the Archive: Adolph Gottlieb's First Solo Exhibition, 1930 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1544553310887-OTZJUHUR2NUCCV6XDOVZ/image-asset.png Blog 1 - From the Archive: Adolph Gottlieb's First Solo Exhibition, 1930 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.gottliebfoundation.org/blog-1/2022/10/25/a-look-back-gottlieb-sculpture-1970 monthly 0.5 2024-08-21 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1583419931772-EFRPNQ83HAC8CNN1VCKE/_G5.jpg Blog 1 - A Look Back: "Gottlieb: Sculpture", 1970 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1543338140230-WO4RNDMU7SK4C7HEZ5UG/_G4.jpg Blog 1 - A Look Back: "Gottlieb: Sculpture", 1970 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.gottliebfoundation.org/blog-1/2022/10/25/an-inside-look-adolph-gottlieb-to-weldon-kees-1951 monthly 0.5 2024-08-21 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1541526010569-DF8IUO6IA77ZQKCV6S41/Screen+Shot+2018-11-05+at+1.58.12+PM.png Blog 1 - An Inside Look: Adolph Gottlieb To Weldon Kees, 1951 - Make it stand out Life Magazine, January 15, 1951. Photograph by Nina Leen, 1950. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1541533402504-LW2L6PJYX3AFYG2MA3WU/Screen+Shot+2018-11-06+at+2.42.47+PM.png Blog 1 - An Inside Look: Adolph Gottlieb To Weldon Kees, 1951 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1541526302569-1KMPM1CKJW39MUCG3LP2/Screen+Shot+2018-10-30+at+1.59.49+PM.png Blog 1 - An Inside Look: Adolph Gottlieb To Weldon Kees, 1951 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1541531824272-FGH5LL57SRFZEDMRNIZS/Screen+Shot+2018-11-02+at+1.25.22+PM.png Blog 1 - An Inside Look: Adolph Gottlieb To Weldon Kees, 1951 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.gottliebfoundation.org/blog-1/2022/10/25/from-the-archive-the-gottlieb-foundation-begins-operation-1976 monthly 0.5 2024-08-21 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1539978063510-SEKC3R0UU0HAGQKUM6NG/380+w+broadway+edit+2.jpg Blog 1 - From the Archive: The Gottlieb Foundation Begins Operation, 1976 - Make it stand out Adolph and Esther Gottlieb in their West Broadway loft, 1971. In the background: Units #4, 1966, acrylic on canvas, 95 7/8 x 144 1/2" https://www.gottliebfoundation.org/blog-1/2022/10/20/from-the-archive-adolph-gottlieb-selects-helen-frankenthaler monthly 0.5 2024-06-11 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1527012412445-SXM1J29V8WK3DAAJ2WZG/Helen+Frankenthaler%2C+%22Beach%22+1950 Blog 1 - From the Archive: Adolph Gottlieb Selects Helen Frankenthaler - Make it stand out Helen Frankenthaler "Beach," 1950 Oil, sand, plaster of Paris and coffee grounds on sized, primed canvas 34 1/4 x 32 inches (86.9 x 81.3 cm) Helen Frankenthaler Foundation, New York © 2018 Helen Frankenthaler Foundation, Inc. / Artists Rights Society (ARS) New York Photograph by Rob McKeever, courtesy Gagosian Gallery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1527013446443-PJ12YNGD7V1AW9T8EN8N/2018-05-22+-+1950+-+Fifteen+Unknowns+with+Frankenthaler.jpg Blog 1 - From the Archive: Adolph Gottlieb Selects Helen Frankenthaler - Make it stand out Invitation to “Fifteen Unknowns: Selected by Artists of the Kootz Gallery” at Kootz Gallery, 1950. https://www.gottliebfoundation.org/blog-1/2022/10/20/celebrating-esther-gottlieb monthly 0.5 2022-10-20 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1524764645197-OW3XSIHVWPXHDOWQXE2C/2018-04-13+-+Esther+sailing+Provincetown+c+1935.jpg Blog 1 - Celebrating Esther Gottlieb - Make it stand out Esther Gottlieb sailing in Provincetown, late 1940s. https://www.gottliebfoundation.org/2023-grant-recipients daily 0.75 2023-05-22 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1684436969576-O8JS6YCV92LIR9RB93U5/Bergmann_Olga_4.jpg 2023 Grant Recipients Olga Bergmann Reykjavik, Iceland @obergmann5050 Heavenly Body (“Heavenly Bodies” series), 2022 Wood, charred wood, pigments, wax & charcoal 16 x 24 x 8 inches Olga Bergmann was born in Reykjavik in 1967 to an Icelandic father and a Russian-Jewish mother. This mixed background has been significant in her artistic practice in regard to cultural and aesthetic interests and influences. She studied painting at the Icelandic College of Arts and Crafts and earned an MFA in studio art from the California College of the Arts, where her focus shifted from painting to sculpture and collage. Her work has been exhibited extensively, including at The National Gallery of Iceland and The Reykjavik Art Museum, Bozar in Brussels, The Nordic Biennial Momentum in Norway, and the Mediations Biennale in Poznan, Poland. She has taught at the Art Academy in Iceland, served on the board for the Reykjavik Sculpture Association, and curated shows. She also manages a non-profit, artist-run outdoor gallery in Reykjavik for temporary art projects in public space. “My ideas and visual language are born out of juxtaposing fragments that relate to history, knowledge, and the natural world. Currently, I am working on wood sculptures made out of discarded tree trunks that I collect. The wood is turned on a lathe and/or shaped with a chainsaw and hand tools, then I add different materials and colors to the wood bodies - drawing on them with charcoal, applying colored wax, scraping the surface, and often putting pieces back on the lathe again - repeating the process several times before assembling the sculpture out of the individual parts, often adding pieces of branches or other details. I call this body of work ‘Heavenly Bodies’.” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1684436969576-O8JS6YCV92LIR9RB93U5/Bergmann_Olga_4.jpg 2023 Grant Recipients Olga Bergmann Reykjavik, Iceland @obergmann5050 Heavenly Body (“Heavenly Bodies” series), 2022 Wood, charred wood, pigments, wax & charcoal 16 x 24 x 8 inches Olga Bergmann was born in Reykjavik in 1967 to an Icelandic father and a Russian-Jewish mother. This mixed background has been significant in her artistic practice in regard to cultural and aesthetic interests and influences. She studied painting at the Icelandic College of Arts and Crafts and earned an MFA in studio art from the California College of the Arts, where her focus shifted from painting to sculpture and collage. Her work has been exhibited extensively, including at The National Gallery of Iceland and The Reykjavik Art Museum, Bozar in Brussels, The Nordic Biennial Momentum in Norway, and the Mediations Biennale in Poznan, Poland. She has taught at the Art Academy in Iceland, served on the board for the Reykjavik Sculpture Association, and curated shows. She also manages a non-profit, artist-run outdoor gallery in Reykjavik for temporary art projects in public space. “My ideas and visual language are born out of juxtaposing fragments that relate to history, knowledge, and the natural world. Currently, I am working on wood sculptures made out of discarded tree trunks that I collect. The wood is turned on a lathe and/or shaped with a chainsaw and hand tools, then I add different materials and colors to the wood bodies - drawing on them with charcoal, applying colored wax, scraping the surface, and often putting pieces back on the lathe again - repeating the process several times before assembling the sculpture out of the individual parts, often adding pieces of branches or other details. I call this body of work ‘Heavenly Bodies’.” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1684437128781-VJANLUR2SSBVDV0F0GYT/Bird_Rebecca_03.jpg 2023 Grant Recipients - Rebecca Bird Rebecca Bird Brooklyn, NY @birdbirdbirdbirdbird Appetite, 2022 Oil and acrylic on wood 36 x 48 inches Rebecca Bird received her BFA from the Cooper Union in 2000, followed by a Fulbright Fellowship to research Nihonga painting in Japan. Bird has had solo shows at Kopeikin Gallery, Los Angeles (2019, 2017, 2015, 2011, 2009), Russell Day Gallery, Everett, WA (2017), Voookhyang, Seoul (2016), William Holman Gallery, New York (2015), Wave Hill, Bronx, NY (2003) and other venues. Her paintings have appeared in the Paris Review and Harper’s Magazine. She is the recipient of numerous grants and residencies. Her work is held in public and private collections including MoMA, NY. “I began painting daily as a child and continue to do so. Painting presented a means to stop time and escape situations, so it became my primary compulsion. Paints exercise an inexorable hold on me; first watercolor then acrylic, oil, egg tempera, fresco, and Nihonga. Now I compose fluidly between mediums, observing the way pools of paint settle, drips dry, pigment disperses, and affixes itself. Its physics have become familiar. My surfaces are specific, always leaving paper, wood, and canvas visible, embracing the integrity of materials. Construction of female identity, my identity, is a question that runs through all the work. The self-portraits are always shadows or reflections. In the painted reflections the marks on either side can be compared for their imprecise but determined relationship, like different people’s memories of events. The constructed space of these paintings is familiar but unreachable, a site of plausible deniability.” https://www.rebeccabird.info https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1684437281066-TW12BJ83Y2FVGYPIULDG/CHADBOURNE_Danville_5_22_18SA.jpg 2023 Grant Recipients Danville Chadbourne San Antonio, TX Prayer Monument to the Fear of Regeneration, 2022 Wood, acrylic on wood, earthenware, metal 87 x 27 x 27 inches Danville Chadbourne received his MFA in 1973 from Texas Tech University in Lubbock, TX. After teaching college-level studio art and art history for 17 years, he quit teaching in 1989 to devote himself full-time to his art. His work has been exhibited in over 100 solo shows across the US and is included in numerous private and public collections. In addition to creating public art projects in Texas, New Mexico, and Washington, D.C., he was the featured artist for the West Texas Triangle, a series of simultaneous exhibitions at a consortium of West Texas museums. Chadbourne’s work has been featured in Sculpture Magazine, Ceramics Monthly, and other publications. He has been the recipient of the Dozier Travel Grant (2016), an Individual Artist Support Grant from the Adolph and Esther Gottlieb Foundation (2019), and artist residencies in Calcutta, India, and Sachsen-Anhalt, Germany. Chadbourne has lived in San Antonio, TX since 1979. “Essentially, my work is concerned with evoking spiritual or primal states. The works often seem interrelated, part of an unknown culture with an elaborate but undefined mythological structure. Wood is linear, active, dynamic, moving away from gravity with a searching expansiveness. In recent years I have been preoccupied with the inherent character, gesture, and expressive range of wood. As the remnant of a once living, active, and responsive organism, its life history remains. Growth and change are inherent. Using it is my small act of reverence for the natural world, an act of self-reflection and meditation on our shared human condition.” http://www.danvillechadbourne.com https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1684437467625-ZDHDFE3BYWYSQUF7XGLQ/Grgich_Anne_File_29_Pink_Brushes_2021-2023_16_x_24_x_1.50__MM_Collage_and_Ephemera_on_Canvas.jpg 2023 Grant Recipients Anne Marie Grgich Tacoma, WA @annemariegrgich 29 Pink Brushes, 2021-2022 Mixed media collage and ephemera on canvas 16 x 24 x 1.50 inches Anne Grgich’s work has been shown from Portland, Oregon to Australia, France, and Canada, and appeared on clothing by fashion house Comme des Garçons in 2018. Her art has been featured in Raw Vision Magazine, as well as in several books, including Outsider Art: Art Brut & Its Affinities (2022) by Colin Rhodes. She regularly shows at the Outsider Art Fair in New York. Her work is in public and private collections in the U.S., Europe, and Australia. Pursuing her love of supporting other artists, she curated a three-floor exhibition in Shoreline, WA. Grgich continues to work as an artist, collaborator, and curator internationally, chasing her ever-expanding muse from Tacoma, WA. “I first started making art as a child in the 1960s, but I was catapulted into life as a full-time artist after suffering a traumatic brain injury in 1981. As I recovered from a coma, and mourned the death of my boyfriend in the accident that almost killed me, I turned to art, finding an outlet for both my grief and the confusion caused by the effects of my injury. Much of this was tied up with ruminations about the nature of consciousness and identity, and my early drawings very quickly moved toward what I am most known for, multilayered renderings of human faces that stare into the viewer’s soul. My collage works brought me the opportunity to add layers of mystery and intricacy. To me, these layers are reminiscent of human consciousness, and continue to provide opportunities for representing the mysteries of the human mind.” https://annegrgich.com https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1684504696715-RB3K5AV54EVJ0FUXYUX5/Michael_Hall_1.jpg 2023 Grant Recipients Michael Hall Salt Lake City, UT June, 2022 Pencil, pastel, oil pastel on paper 42 X 38 inches Michael Hall was born in 1952 in Lafayette, Indiana. He graduated from the Art Academy of Cincinnati in 1974. Aiming to separate himself from the culture of school and colleagues, he decided to move to Chicago with the intention of getting a studio and a job and do as much work as possible while being lost in the middle of several million anonymous people. It was a very successful time. For six years, he drew every day, creating hundreds of drawings, before moving on and establishing the same routine, first in Southern California and then in Salt Lake City, Utah, where he started to show his work and was affiliated with Phillips Gallery for many years. “What is it that occurs at that singular moment of 'present' when the eye sees a line emerging? The body and mind are always becoming more themselves with a new line, image, color at each instant continually. It is a procession of points becoming a line and a life. These points recede as new ones occur to increase or create a line themselves, a constant motion forward. The action continues and I see the drawing emerge. I see the city or the meal or the person in front of me. I see the art and the seeing is the art. I create the object as much as the object creates me.“ https://www.michaelhallart.com/ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1684437778145-69UA5L17JPQIL23SC5QZ/Hall_Ronald_5.jpg 2023 Grant Recipients Ronald Hall Brooklyn, NY @ronaldhallstudios Madams of the Black Ether, 2022 Acrylic on canvas 20 x 18 inches Ronald Hall creates otherworldly spaces in which figures engage in and reflect upon the past, present, and future. Shifting between fiction and nonfiction, his narrative paintings distort domestic interiors, plantations, and other environmental structures into eerie dreamscapes that invoke historical and contemporary issues involving race and social constructionism. Hall is a native of Pittsburgh where he attended the High School for Creative and Performing Arts, before studying at the Art Institute of Pittsburgh and the Skowhegan School of Painting and Sculpture. His work has been exhibited in galleries and art museums internationally. Hall has been the recipient of a Bronx Museum of the Arts AIM Fellowship in 2015, a Pollock-Krasner Grant in 2016 and a Sharpe Walentas Studio Program residency, and the inaugural Phillip Pearlstein Painter Award in 2020/21. “As an artist, I am deeply inspired by African American history and the rich cultural traditions that have shaped it. In my work, I seek to explore the complexities and contradictions of this history, as well as the ongoing struggles and triumphs of the African American experience. Currently, I'm working on a series of African American figurative paintings that explores the intersection of surrealism, art history, and technology. In this series, I am using the surrealist tradition of irrational juxtapositions and dreamlike imagery to challenge and subvert traditional art historical narratives and representations of African Americans. I am also incorporating elements of popular culture and technology, using digital media and new forms of expression to create works that are both rooted in the past and forward-looking.” https://www.ronaldhall.com https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1684438214220-33IHJNJLBEL9TTLJYRW7/Hitchcock_Meg_4.jpg 2023 Grant Recipients Meg Hitchcock Lake Peekskill, NY @meghitchcocksteger The Ferryman, 2022 Letters cut from the Kabbalah to create the Sukhavati Sutra, acrylic paint, graphite on paper 20 x 16 inches Meg Hitchcock’s work with sacred texts is an expression of her lifelong interest in religion, psychology, and literature. She received her BFA from the San Francisco Art Institute and studied classical painting in Florence, Italy. She writes the art blog “IN THEIR STUDIOS: Conversations with Women Artists”, where she talks with women artists about art, creativity, and inspiration. Hitchcock’s work was included in exhibitions at Crystal Bridges Museum in Bentonville, AK and at MASS MoCA in North Adams, MA. She was an artist-in-residence at the Foundation of Spirituality and the Arts in Charleston, SC. “I started working with sacred texts in 2007, cutting letters from one text to form the writings of another. In one piece I cut letters from the Bible to create a passage from the Koran, in another I cut letters from the Koran to create a passage from the Bhagavad Gita, and so on. This “cross-pollination” of holy books has a larger purpose – namely, it suggests that all sacred writings point toward the same, ultimate source, eliminating the need for exclusivity or intervention. In the “Illuminated Manuscripts” series, I combine sacred texts with painting, sewing, and burning, rendering a contemporary interpretation of an ancient tradition. But instead of illuminating a long-established, patriarchal religion, I illuminate the state of awareness. This state of being, found at the heart of spiritual traditions, is the origin and destination of all religions.” www.meghitchcock.com https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1684505677003-B362SJIS5PU8MUDNIMGT/Susannah_Israel_2.jpg 2023 Grant Recipients Susannah Israel Oakland, CA @thecolorsculptor Asphalt & Honey: Painter, 2022 Terracotta, mixed media 29 x 18 x 15 inches Susannah Israel's gritty yet passionate view of humanity is drawn from city life. Born in 1954 in New York City, she attended Pratt Art Institute on scholarship as a high school senior. She was certified as one of the first women paramedics in San Francisco in 1980 and earned her BA in Art and Chemistry (1987) and her MFA (2000) at San Francisco State University. Her work is widely exhibited and held in collections in the US and around the world. Career distinctions include awards from the Center for Cultural Innovation, US Artists, NCECA, Fletcher Challenge Premier Award, and Virginia Groot Foundation, among others. Selected residencies include the Oregon Coast School of Art, Archie Bray Foundation, Mendocino Art Center, Black Bean Studios, Jentel Foundation, Boise VASP, and Mission Clay Art & Industry. “I am an artist and activist in east Oakland, California. My practice is anchored in figurative sculpture, and my intention is to provoke responses of recognition and reflection. “Asphalt & Honey” (2022) re-engages with a world in turmoil, hearing gunshots and sirens all night, and people living in abandoned cars. It is an autobiographical, socio-political art intervention about life in post-industrial Oakland. Asphalt is the gritty surface on which we land, hard. It’s an ever-present reminder of mortality, a final resting place. Its creatures are rats and pigeons. Honey is sweetness, intoxication, and passion, flowers in cement, sunset through barbed wire. Abstracted and architectonic, the sculpted figures stand in for live bodies, and the environment is graphically represented on their skins.” https://www.susannahisrael.com https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1684438464477-04N7C03E59ANX32OJIJ2/Lee_Michael_01.jpg 2023 Grant Recipients Michael Aaron Lee Woodside, NY @3dmikelee Every Picture Tells A Story, 2022 Graphite and metallic gouache on paper and wood construction 26 x 28 x 2.25 inches Michael Aaron Lee holds a BFA from the University of Texas, Austin, and an MFA from Hunter College, New York. He has exhibited extensively, most recently in “Confluence: Tradition in Contemporary Art”, which traveled to China and Scotland. He has been published in New York Magazine and Hyperallergic, among others. For over ten years, Lee co-curated the monthly “Artist Lecture Series.” In 2021 he began “Hudson Presents: Conversations with Contemporary Artists,” which is live-streamed by Hudson County Community College (HCCC). Lee is an adjunct professor of art at HCCC and Montclair State University, NJ. He was awarded residencies from the Cooper Union and the Robert Blackburn Printmaking Workshop and is featured in the White Columns flat file program. His work will be the subject of two New York-area solo exhibitions in 2023. “Borrowing patterns and pictorial forms from decorative art and craft traditions, my current work often resembles picture frames, badges or emblems—those things that memorialize, commemorate or signify a particular allegiance. Ancient human forms such as masks and altars mingle with poker cards and advertising imagery, Morse code, and classic American pop song lyrics. This intentional mash-up of culturally and chronologically diverse ingredients is composed in symmetrical or grid-like arrangements to echo traditional crafts like quilting but also to stress its status as information to be read—even if parsing definitive meaning remains elusive. My project is shaped by a desire to build a personal lexicon as well as an effort to understand how our public narratives and mythologies are shared through visual language.” https://michaelaaronlee.com https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1684438623809-5I4SGB590X7CHXFKPPIG/Li_Honglei_6.jpg 2023 Grant Recipients Honglei Li Queens, NY @honglei.li.painting Asian American Mythology: No Escape on the 40th Road, 2022 Oil on canvas 48 x 48 inches Honglei Li has worked in the field of oil painting for three decades. His artworks have been exhibited around the globe, including at the Whitney Museum, Queens Museum, ICA Boston, Musée Guimet in Paris, Museum of Ara Pacis in Rome, and Shanghai University Gallery in China. Honglei has been the recipient of grants and awards from the Museum of Arts & Design, Creative Capital, the New York Foundation for the Arts, the Queens Council on the Arts, and the Korea Art Forum, among others. Honglei’s work has been discussed by many prominent art historians and featured in many contemporary art publications. “Since emigrating to the States in 2000, I have witnessed endless stories of Asian immigrants, their tragedies, struggles, pain, or joy. These real-life stories of my friends, colleagues, family, and community members have been forever engraved in my memory and heart. Yet, through the course of studying Western contemporary art, I realized there have been very few artworks addressing the experience of this group of people, rendering them invisible in the American arts and cultural landscape. Bringing light to a blind spot in contemporary art, I am motivated to create art projects directly depicting the lives of Asian immigrants who remain struggling at the bottom of American society. Taking a bold approach to integrating Eastern and Western visual languages, my painting aims at creating a new style that belongs to the multicultural society of the 21st century and connects different groups through the communicative power of visual arts.” https://lilyhonglei.net/?page_id=605 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1684438766524-TS0NJNL98EJQ737D76VL/Majumdar_Sangram_01.jpg 2023 Grant Recipients Sangram Majumdar Seattle, Washington @sangram_majumdar The Meeting, 2022 Oil on canvas 78 x 63 inches Sangram Majumdar was born in Kolkata, India. He holds a BFA from RISD and an MFA from Indiana University. His work has been featured in solo and group exhibitions in New York, Los Angeles, and London and has been reviewed in Artforum, The Brooklyn Rail, and Hyperallergic, among others. He has received numerous grants, awards, and residencies and, in 2019, was inducted into the National Academy of Design. Since 2021, he has been an Assistant Professor at the University of Washington in Seattle. From 2003 to 2021, he was a full-time painting faculty at the Maryland Institute College of Art. In January 2024 he will have his first solo exhibition in India at Galerie Mirchandani + Steinruecke in Mumbai. “Over the last twenty years, I have been making paintings that inhabit and personify a place between ‘what was’ and ‘what’s next’. The imagery has shifted from observed quotidian subjects to staged interiors to bodies in motion. I work on the paintings until they begin to feel like places embedded with time, where the old and the new coexist. More recently, the figure has taken on a more urgent role in my work, shapeshifting between appearing or assembling as a person, a character, a body, or a symbol. I adopt abstraction as a strategy to reinforce a permanent state of ambiguity resulting from obscurity, indistinctness, or imagery. I am pulling from my personal biography, my immediate surroundings, and a broader Indian heritage of art and storytelling. Painting becomes a zone where subjectivity matters and where identity is constantly being remade.” http://www.sangrammajumdar.com https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1684439308841-YUT0L8IKZW6LB1SWPXY0/Myers_Amy_1.jpg 2023 Grant Recipients Amy Myers Brooklyn, NY @amymyersstudio Hydromelodic Event, 2022 Oil on canvas 60 x 60 inches Amy Myers’ large-scale drawings and paintings simultaneously reference particle physics, biology, philosophy, and the human mind. Myers has received numerous grants and residencies, including The Pollock-Krasner Foundation, The Elizabeth Foundation for the Arts, Maison Dora Maar, Yaddo, and The American Academy in Rome. In addition to solo exhibitions at Mary Boone Gallery (New York, NY), Suzanne Vielmetter Los Angeles Projects, Rhona Hoffman Gallery (Chicago, IL), and Talley Dunn Gallery, (Dallas, TX) her work has been shown in many museums and is in the permanent collections of the Solomon R. Guggenheim Museum, New York, Pérez Art Museum, Miami, and the Museum of Fine Arts, Houston, among others. Publications that have cited her work include The New York Times, Artforum, Hyperallergic, ARTnews, and BOMB. The work explores premises such as the unseen world of molecules and atoms, the laws that govern their interaction, coupled with the exposure to ideas concerning scientific experimentation within the notion that everything is a combination of something else. Each body of work begins with research into visual complexity and the unpredictable nature of the universe. Over time, a symbolic language evolves which function as substructures of the composition. These systems help navigate both elements of time and complexity in the work. Symmetry is at the heart of the studio practice since all particles in the universe are spinning, creating an inherent visual symmetry. Compositions are slightly off-center, creating a dynamic spatial relationship between the artwork and the audience, which in turn allows the composition to maintain its inherent motion. www.amymyersdrawings.com https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1684769333274-1V28QZZ3E3HRLFXSACHM/osgood_susan_6.jpg 2023 Grant Recipients Susan Osgood Brattleboro, VT @susanosgoodvt Rust River, 2022 Oil on canvas 24 x 30 inches Susan Osgood graduated from the Rhode Island School of Design with honors in 1978 and has focused on painting, drawing, and printmaking ever since. A 1993 Pollock-Krasner Foundation award allowed her to live and work in New York City, and the culminating body of work eventually traveled from 1993-2005 to exhibition venues throughout Germany. Osgood has received awards from the Puffin Foundation, the Vermont Council on the Arts, and the Adolph and Esther Gottlieb Foundation, among others. Since 1985, she has spent winters examining and drawing the carved reliefs of ancient sites in Luxor, Egypt, for the University of Chicago’s Epigraphic Survey Project. “In 2008, I became fascinated with an ancient upside-down map of seemingly impossible geography. Even though in its time it was considered accurate for some three hundred years, I saw only lines—delicate, curving, changing course—dancing from page to page. Seeing the map as a wonderfully enigmatic abstraction rekindled my interest in the absolute grace and beauty of line. The tattered early topographic maps of the desert, blueprinted drawings of ancient Egyptian temple graffiti, pigments ground from desert stones, and ink of black walnuts, have all become catalysts for series of artwork. For me, painting and drawing are forms of travel, giving the sense of being in unfamiliar territory and experiencing the wonder of discovery. The aim for my art is to move the viewer to be curious, step out of this busy world, follow fluid lines, and delve into the place of not knowing—suspended in the timelessness of infinite possibility.” https://www.susanosgood.com https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1684504916128-22M2ZI3YNJMLTGDZTV6K/PAVLOPOULOU_HELENE_1.jpg 2023 Grant Recipients Hélène Pavlopoùlou Athens, Greece @helenepavlopoulou Voltaire and Assange in an Arcadian Forest, 2022 Acrylic, oil on prepared canvas 63 x 95 inches Hélène Pavlopoùlou studied painting at the Athens School of Fine Arts. Her work is in many public and private collections and has been shown in 14 solo exhibitions, as well as in art fairs and biennials worldwide. She collaborates with the State Museums of Contemporary Art of Greece (MOMus) in Thessaloniki on international exhibitions. Last year, Pavlopoùlou had an artist residency at the Schütz Museum in Austria which will result in a future solo show. She is represented in Greece by Alexandros Donopoulos International Fine Arts. She is working on a new project for a 2023/24 exhibition in Naples, Italy. “My work takes an allegorical, philosophical, and poetic approach to the theme of nature. I was initially influenced by the Greek Islands as symbols and metaphors of the mystical heritage of the Aegean Sea. Other paintings revolve around vessels and boats to represent the archetypal and mythical meaning of sea travel as a way of transporting human dreams and transforming life. Another recurring subject is the horse, often in combination with fragments of other subjects, including broken statues or figures of mystery or paradox. Surrealism is always a good way to explore the unconscious and to represent new images of contemporary life. Horses are archetypes of the psyche, the soul. My new project combines these various themes. Now nature is a spiritual blue and trees and forests form the background, the theatrical scene of the players. There are also references to the universe: Earth is reflected in the cosmic order, underlining the human responsibility to historical memory.” http://www.helenepavlopoulou.gr https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1684505032212-7VK2XDSEF5QAZM7QW6WP/Rajashekar_Sashirekha.jpg 2023 Grant Recipients Sashirekha Rajashekar Bangalore, India @the_drawing.room A Day in Mumbai, 2022 Oil on canvas 97.2 x 69.6 inches Sashirekha Rajashekar has been a practicing visual artist for the last 28 years. She studied at Chitrakala Parishat, College of Fine Arts, Bangalore, and has been featured in many group and solo exhibitions in Chennai, Bangalore, and Goa. In 2022, she completed her Master’s degree in painting at the Chitrakala Parishat evening college, Bangalore, with first-class distinction. “I worked with collage for years creating layers using paper and colored images from magazines and then the process made me realize that the same could happen in painting where I could pick and choose every element that goes into the narrative. Now I’m creating the same layers in painting on a larger scale since large-size works give me more space for composition which is very important to me. My paintings have become layers of life experiences where I’m witnessing more and more clarity, purpose, and focus. The past is fading into the background and the present is pushing into the foreground to be more on the forefront to start something fresh and purposeful. Sometimes it’s my work making me think and at times what I’m thinking is transforming into my work. Some of the images I see on a day-to-day basis are connecting me to memories within me, awakening them, reconnecting me to them, and then they become a part of my visual narrative. The images are a combination of humans, animals, buildings, temples, and domes, which are all integral parts of society. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1684505113859-Y0OOQRBLJ87Q3PDVSHP9/Rush_Chris_1.jpg 2023 Grant Recipients Chris Rush Tucson, AZ @thelightyearsbook King, 2022 Oil on copper 14 x 16 inches Chris Rush’s work has been exhibited in galleries and museums across the U.S., including Etherton Gallery, the Tucson Museum of Art, and The Phoenix Art Museum. For the City of Tucson, he created twenty portraits of people living in the culturally diverse downtown area. Rush is the recipient of fellowships from Art Matters, The Ludwig Vogelstein Foundation, The Phoenix Art Museum, and The Puffin Foundation, as well as artist residencies in New Mexico, New York, and Italy. His work has been written about by Luis Camnitzer in Drawing Papers 28 (The Drawing Center, NY), by Rosemarie Garland-Thomson in Staring, and in the essay collection Re-Presenting Disability: Activism and Agency in the Museum. His memoir The Light Years is published by Farrar, Straus & Giroux. “25 years ago, I began to focus on unconventional, non-commissioned portraits. This led to a long-term project called “The Lost Portraits.” The subjects of many of these works were individuals with physical or mental disabilities. This was a life-changing experience and redefined my ideas and values in regard to portraiture. Classical portraiture has always been the domain of a privileged class. Even now, the art form largely remains a celebration of physical perfection and beauty, of pride and power. To depict individuals formerly deemed unworthy of portraiture subverts the conventional aims of the art form. Recently, I’ve also been drawing and painting on found paper and other found objects, such as old chalkboards and signage, using these surfaces to help ground my efforts in the rusticity of everyday life.” http://chrisrushartist.com/ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1684505232350-62ADCJZZXXWIVTJSDCY7/Scher_David_6.jpg 2023 Grant Recipients David Scher New York, NY @davidcscher Village, 2022 Mixed media on paper 30 x 44 inches David Scher has been working toward being an artist since early childhood. At age 10, he became Sia Armajani's sole pupil for 4 years, from 1962 to 1966. That has been the entirety of his art education, as he stopped schooling at 17. To support his work in art and music, he has worked as a self-employed carpenter, contractor, and graphic designer for 50 years. He has been fortunate to have had representation in the USA and Europe for 30 years with many years of collaborations, performances, and exhibitions. “The major theme in my work has been a lifelong dedication to drawing and all of its uses. I have become a pencil at this point. Drawing has led me into work in many fields and countless subjects. My work as a builder, a designer, a cartoonist, a political agitator, a graffitist, a sculptor, a photographer, an animator, a painter, and a clarinetist have all been made possible through drawing. I have always been on the lookout for holes in the fence, unexamined long-held contradictions, and roads not taken. I am currently working on several projects, including large drawings that are musical and purely visual scores for either the ear or the eye. In these works, the drawing is both a "recording" of the hand's movement and a score for the interpretation of the performer or viewer. These scores will be animated and performed by my musical ensemble as well.” https://plasterofparis.ink/drawings/david-scher/ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1684505338967-SUG21MJ8UXCN58DZ99YF/Snelling_Tracey_3.jpg 2023 Grant Recipients Tracey Snelling Berlin, Germany @trraceysnelling Disaster-Proof Mobile Unit (sculpture project with over 200 University of Michigan students; clients from the Delonis Center and Freighthouse Day Shelter, Ypsilanti; and families from the shelter for New Americans, Hamtramck), 2022 Mixed media sculptural installation with lights 120 x 50 x 25 inches Tracey Snelling (born 1970, Oakland, California; lives and works in Berlin, Germany) has exhibited at The Royal Museum of Fine Arts, Brussels; Palazzo Reale, Milan; The Museum of Arts and Design, New York; El Museo de Arte de Banco de la Republica, Bogota; The Stenersen Museet, Oslo, Baltimore Museum of Art, and Kunstmuseen Krefeld, among others. Her large-scale installation Woman on the Run was originally commissioned by Selfridges, London during Frieze 2008, and has traveled to venues throughout the U.S. Snelling was awarded a Joan Mitchell Foundation Grant in 2016, the Foundwork Art Prize in 2020, and the 2022 Working Scholarship from the Stiftung Kunstfonds, Germany. Snelling showed in the Venice Biennale and in the Havana Biennale in 2019. She recently completed residencies at the University of Michigan and in Tokyo, Japan, and has upcoming exhibitions in Tokyo, Berlin, and Munich. “Through the use of sculpture, installation, video, and photography, I give my impression of a place, its people, and their experience. Often, the cinematic image stands in for real life as it plays out behind windows in the buildings, sometimes creating a sense of mystery, other times stressing the mundane. My work derives from voyeurism and geographical and architectural location. Within this idea of location, themes develop that transport observation into the realm of storytelling, with reality and sociological study being the focus. My core skill as an artist is to capture the essence of time and place, engaging with my surroundings and merging its residents, localities, and atmospheric peculiarities into my work.” https://traceysnelling.com https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1684505507622-W8EUCUEF071OB8WF6S7G/Yarborough_Bert_3.jpg 2023 Grant Recipients Bert Yarborough Truro, MA @beryar Offering, 2022 Acrylic, Flashe, gouache, ink, and reactive dyes on grommeted canvas 72 x 60 inches Bert Yarborough has a degree in Architecture from Clemson University and an MA and MFA in Photography from the University of Iowa. As the Sonia C. Davidow ’56 Endowed Chair in the Fine and Performing Arts at Colby-Sawyer College, New London, NH, he taught painting and drawing and served as the gallery director. He was a two-year Resident Fellow at the Fine Arts Work Center in Provincetown, MA, where he also served as Visual Arts Program Coordinator, Chairman of the Visual Committee, and a member of the Board of Trustees. He has received two NH State Arts Council Grants in Painting, an NEA Fellowship in Sculpture, a Fulbright Fellowship to Nigeria, and a Visual Arts Residency Fellowship from the Civitella Ranieri Foundation, Umbria, Italy. His work has been exhibited nationally and internationally and is included in the collections of the Currier Museum of Art in Manchester, NH, Hood Museum of Art in Hanover, NH, the Boston Public Library, and the Herbert F. Johnson Museum of Art in Ithaca, NY. He is represented by the Berta Walker Gallery in Provincetown, MA, and resides in Truro, MA. “My current work presents a merging of many personal, significant visual experiences and places. I continue to employ and expand the mark-making language honed through over 40 years of working in the landscape of Provincetown, an engagement with ritual and symbolic iconography absorbed in Nigeria, and the creation of forms incorporating aspects of the Medieval geological depictions of landscapes and mountain formations.” https://bertawalkergallery.com/artist/bert-yarborough https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1684771269146-E8VAUZMFC9NKT8EVHD13/HD_transparent_picture.png 2023 Grant Recipients A Recipient Wishing to Remain Anonymous https://www.gottliebfoundation.org/blog-2 daily 0.75 2023-09-06 https://www.gottliebfoundation.org/2024-grant-recipients-1 daily 0.75 2024-06-04 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1714756581221-0U1TVPBYB5RN8N3DG6MX/image-asset.jpeg 2024 Grant Recipients Agathe de Bailliencourt Berlin, Germany @agathedebailliencourt 72 – 10.05.23 After DL, 2023 Acrylic painting on raw linen canvas 79 x 59 inches Agathe de Bailliencourt was born in Paris and graduated from Ecole Boulle in 1998. She has exhibited internationally, including at the Shanghai Youth Biennale; the Singapore Biennale; the Mori Art Museum and the French Embassy in Tokyo; Lu Mangus Gallery New York; Blain Southern in London; the Fondation d’entreprise Hermès in Singapore; and Château de Ratilly in Treigny, France. Grants and residencies include Tokyo Wonder Site, Japan; Lower Manhattan Cultural Council; Art Omi in Ghent, NY; Marfa Contemporary, Texas; the Jon Schueler Scholarship, Isle of Skye, Scotland, the Berlin Senate and Griffelkunst, and the Gerhard Bürger Foundation. She has been living in Berlin since 2007. “My practice plays with conceptual and poetic painting possibilities, specifically ideas arising while creating on canvas, paper, or in environments. Recording time is an ongoing theme, the mediums influencing each other. With an open, non-structured approach, I use spontaneity, accident, and error to overcome what I know. I approach making work as producing meaning, recording the present moment, linking time, memory, and space. My most recent work has explored change of state ideas, particularly in serigraph screen drawings capturing real-time shifts between states, half print, and half watercolor. The works featured unresolved movement between control and unpredictability, domination and fragility: a powerful yet delicate conflict zone.” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1714756581221-0U1TVPBYB5RN8N3DG6MX/image-asset.jpeg 2024 Grant Recipients Agathe de Bailliencourt Berlin, Germany @agathedebailliencourt 72 – 10.05.23 After DL, 2023 Acrylic painting on raw linen canvas 79 x 59 inches Agathe de Bailliencourt was born in Paris and graduated from Ecole Boulle in 1998. She has exhibited internationally, including at the Shanghai Youth Biennale; the Singapore Biennale; the Mori Art Museum and the French Embassy in Tokyo; Lu Mangus Gallery New York; Blain Southern in London; the Fondation d’entreprise Hermès in Singapore; and Château de Ratilly in Treigny, France. Grants and residencies include Tokyo Wonder Site, Japan; Lower Manhattan Cultural Council; Art Omi in Ghent, NY; Marfa Contemporary, Texas; the Jon Schueler Scholarship, Isle of Skye, Scotland, the Berlin Senate and Griffelkunst, and the Gerhard Bürger Foundation. She has been living in Berlin since 2007. “My practice plays with conceptual and poetic painting possibilities, specifically ideas arising while creating on canvas, paper, or in environments. Recording time is an ongoing theme, the mediums influencing each other. With an open, non-structured approach, I use spontaneity, accident, and error to overcome what I know. I approach making work as producing meaning, recording the present moment, linking time, memory, and space. My most recent work has explored change of state ideas, particularly in serigraph screen drawings capturing real-time shifts between states, half print, and half watercolor. The works featured unresolved movement between control and unpredictability, domination and fragility: a powerful yet delicate conflict zone.” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1714762888668-6SZ87F3OSNIWA9RXN5OV/debailliencourt_agathe_4.jpg 2024 Grant Recipients Agathe de Bailliencourt Berlin, Germany @agathedebailliencourt 72 – 10.05.23 After DL, 2023 Acrylic painting on raw linen canvas 79 x 59 inches Agathe de Bailliencourt was born in Paris and graduated from Ecole Boulle in 1998. She has exhibited internationally, including at the Shanghai Youth Biennale; the Singapore Biennale; the Mori Art Museum and the French Embassy in Tokyo; Lu Magnus Gallery New York; Blain Southern in London; the Fondation d’entreprise Hermès in Singapore; and Château de Ratilly in Treigny, France. A recipient of awards and residencies from organizations in Tokyo, the Isle of Skye, New York, Marfa, and soon at Villa Medici in Rome, she has lived in Berlin since 2007. “My practice plays with conceptual and poetic painting possibilities, specifically ideas arising while creating on canvas, paper, or in environments. Recording time is an ongoing theme, the mediums influencing each other. With an open, non-structured approach, I use spontaneity, accident, and error to overcome what I know. I approach making work as producing meaning, recording the present moment, linking time, memory, and space. My most recent work has explored ideas about change of state, particularly in serigraph screen drawings capturing real-time shifts between states, half print, half watercolor. The works featured unresolved movement between control and unpredictability, domination and fragility: a powerful yet delicate conflict zone.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1715712232099-NJG5ZW8LFR8DSW6JKNZH/Burge_Victoria_1.jpg 2024 Grant Recipients Victoria Burge Harrisville, NH @v_burge Star Data, 2023 Portfolio of 8 hand-cut prints, edition of 5 10 x 8 inches each Victoria Burge was born in New York in 1976, and creates small-scale sculpture and works on paper. Trained as a printmaker, her two-dimensional pieces often incorporate the printed mark. Burge’s works are in the permanent collections of the Metropolitan Museum of Art, Philadelphia Museum of Art, Los Angeles County Museum of Art, the New York Public Library, the Smithsonian American Art Museum, the British Museum, and the Hunterian Museum, Glasgow, among others. “Over the last year, I have been working with the Harvard College Observatory’s Astronomical Photographic Glass Plate Collection at the Harvard & Smithsonian Center for Astrophysics. My research has focused on celestial photographic prints from the late 19th and early 20th centuries. These photographs are dotted with exquisite handwritten marks – letters, numbers, symbols – by the Harvard Computers (a group of women astronomers), coded inventories of the night sky. These handwritten marks are drawings and as such graphic traces of history. They are accounts of invisible labor; collective, often anonymous, notes working in cumulative unison to build networks of knowledge. I am inspired by visual languages such as these, various modes of graphic notation that organize and distribute information. My current/ongoing body of work is an homage to these unique notations; the utility of tangible data; the analog archive; the organizing principles of the grid and its function in creating an information architecture.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1714756610657-XEZK8FJLOX2NNP3TRM16/Delgado_Michele_1.jpeg 2024 Grant Recipients Michel Delgado Chicago, IL @micheldelgadoart Face Your Shadow, 2023 Oil and mixed media on panel 32 x 20 x 2 inches Michel Delgado was born on the West Coast of Africa, in Dakar, Senegal, and he currently lives and works in Chicago, IL and Key West, FL. Throughout his career as a primarily self-taught artist, Delgado has invested time in giving back to artists to help grow the community he came up in. Delgado currently serves as Juror and Artist Advisor for the Artist in Residence Program at the Studios of Key West and has been invited to juror other fine art exhibits throughout the western United States. Delgado’s work is included in the collections of the Plains Art Museum, the American Visionary Art Museum, the DeLand Museum of Art, and the NSU Art Museum in Fort Lauderdale. His art was featured in the 2014 television series Empire. “My work is driven by my focused curiosity about the relationship of humanity, our purpose here, and what we come here to accomplish on a spiritual, emotional, and fantasy level. The first and most significant influence on my work was growing up in West Africa. Daily life in Dakar, Senegal was a fluid, energetic, chaotic pool of creativity for me. Every aspect of life, from finding materials for housing and clothing to cooking, was a creative endeavor often with unexpected results. Premeditated expectations were rarely useful in this environment. That daily creativity imbued me and my work with a sense of surprise and openness to experience.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1714756628267-H5JDUFECKVVUB4ZHABLP/Duerr_Justin_3.jpg 2024 Grant Recipients Justin Duerr Philadelphia, PA @justinduerr Secret Sisterhood of the Space Lattice Sanctum, 2023 Ink and gouache on paper 30 x 22 inches Justin Duerr was born in 1976 and grew up in rural Pennsylvania, spending the early years of his life without the conveniences of indoor plumbing or electricity. After dropping out of high school in 1993, he spent the latter half of the 1990s working on fishing boats on the Bering Sea. In 1999, Duerr began a lifelong artistic project of interconnecting drawings based on a flash of inspiration from his time at sea. In 2011, Duerr was featured in the documentary Resurrect Dead, which premiered and won an award at the Sundance Film Festival. Justin Duerr’s work has been exhibited internationally and is included in the permanent collection of the Intuit Museum in Chicago, in addition to numerous private collections worldwide. “My artistic work addresses concerns of global, societal, personal, and even cosmic cataclysm through a process of meditative careful patterning and storytelling/fantasy. In 1999 I began an interconnecting series of “story scroll” panels that connect to each other, left to right. The panels contain recurring characters and philosophical schemas, with the intention to someday, at the sunset of my lifetime, connect the final panel to the first, thus completing a single cycloramic artwork.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1715869013011-XHPL87DNFE93FJXW3CX4/Christine-Hiebert-zwischen-view-west.jpg 2024 Grant Recipients Christine Hiebert Brooklyn, NY @christinehiebert zwischen, 2023 Black paint on blue tape, and blue tape, on wall and floor 12 x 110 feet; floor area is 271 square feet Christine Hiebert was born in 1960 in Basel, Switzerland, and raised in the United States. Hiebert has focused on the gestural line in drawing for over thirty years. Her interest in abstract visual language is rooted in early studies in typography and letterforms. Hiebert’s work has been shown widely in galleries and museums including The Morgan Library and Museum, The Museum of Modern Art, and The Metropolitan Museum of Art in New York; the Museum of Fine Arts Houston; the Museo del Estéban Vicente in Segovia, Spain; and the Kolumba Museum in Cologne, Germany. Since 2000, she has created site-specific wall drawings using tape and other materials. Installation sites include The Drawing Center, NY, the Pinakothek der Moderne in Munich, Germany, and the Haus der Kunst St Josef, in Solothurn, Switzerland. “I took my first drawing course at the same time as a letterform drawing course, so the two activities have always felt linked. I learned that observations of nature and light could be absorbed into the forms and spacing of abstract marks. Studying them closely became a way to see the world, as much as life drawing did, at the time. In the 1990s, my step into gestural abstraction felt natural. What grew from those early years was a sense that each gestural mark evokes a condition of being in the world. I quickly developed a comfort with large format, which led to drawings on walls and in rooms. My way of placing individual marks on a surface holds an idea of “belonging” or “dwelling,” even as it may result in something that feels open or unfixed. I have called my drawings "my houses", because in their fragmented and active spaces I feel most at home." Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1714758183184-7F7IKOEN7AAH4LDGR5S1/Mattoose_SR_4.JPG 2024 Grant Recipients SR Mattoose Silver City, NM @mattoose_paintiings Manticore, 2023 Oil on canvas 60 x 60 inches SR Mattoose was born in a small, southwest border town in Texas. Mattoose discovered his passion for art during his first semester of college, in 1989, when he signed up for a drawing course. As one professor put it, Mattoose “took to painting as a duck takes to water.” Later, in 1998, after a transformative experience in the Chihuahuan Desert, a sense of the mystical began to pervade Mattoose’s work. “A sense of the spiritual, transcendental, and mystical pervades all my work. This is my focus and my theme. I see the role of art as a way of knowledge, an experience based on emotional understanding with the power to reconstruct a certain fugitive sensation. Therefore, I paint symbols. That is, in my creative pursuit, I intend to construct, in veiled and ciphered form, works that point, hint, and evince. I aim for my work to transpose one’s attention, curiosity, and wonder to transcendental ideas; ideas that lie dormant in the depth of our consciousness. In the end, I aim to imbue the surfaces and images I present with the qualities by which to transmit these primordial mystical ideas. And this to me is symbol-making.” Website Facebook https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1714758191080-GM0954CPIHHJA9LOTRUX/Maxwell_Felix_3_jpg.jpg 2024 Grant Recipients Felix Maxwell Lewisburg, TN @felixmaxwell993 At Art Fest, 2023 Watercolor 15 x 19 inches Felix Maxwell is a photorealist painter, gallery owner, and art teacher from Middle Tennessee. Maxwell developed a lifelong passion for visual storytelling during his early years of art classes in 1968. In 1975, Maxwell established Maxwell House of Art, and from 1990 until 2022, he worked as Gallery Manager, Member, and Art Instructor for the Marshall County Art Guild. Maxwell’s work is included in various corporate and museum collections, including the Dollar General Corporation Art Collection and the Tennessee State University Van Gordon Gallery Collection. Notable exhibitions of his work include a one-man show at The Parthenon in Nashville, Tennessee, and the “Black Creativity” exhibit at the Museum of Science and Industry, Chicago. “As an artist, my work is primarily focused on a few major themes, including capturing touching, relatable, and emotional moments that I am guided to and inspired by in everyday life through photography, observing and noting the contrasts of color, the effects of light and shadow, and facial expressions, and then translating these moments into paintings. I also emphasize using everyday people and characters I encounter as subjects for my art, capturing their life stories through interviews. This approach allows me to communicate a visual narrative that goes beyond just the photograph, reflecting the essence and experiences of the subjects through my paintings.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1714758208761-XZ8A925SQGQ5CSTORWDI/ortega.renzo_5.jpg 2024 Grant Recipients Renzo Ortega Carrboro, NC @renzoortegaart Omes, 2023 Acrylic, oil, oil stick, sand on canvas 48 x 48 inches Renzo Ortega was born in Peru in 1974 and currently lives and works in Carrboro, North Carolina. Ortega received a BFA in painting from the Escuela Nacional de Bellas Artes del Peru in 1999, studied at the Art Students League of New York from 2000-2004, and received an MFA from Hunter College in 2014. Ortega’s work has been exhibited at the Nasher Museum of Art, the Southeastern Center for Contemporary Art SECCA, the Weatherspoon Art Museum, and the Cameron Art Museum in North Carolina, as well as El Museo del Barrio and the Queens Museum in New York. “My artwork reflects a varied intellectual experience and development as an artist. In Lima, Peru, where I grew up, the color of the Andes blends with the gray of urban chaos. In New York, I lived for 16 years surrounded by people of different cultures, and now I live in the small, green town of Carrboro, North Carolina. These cultural and geographical elements are part of my identity. My artwork contains that diversity, and I embody it in the variety of pictorial styles and treatments that exist in it. In a single painting, you can find influences ranging from pre-Hispanic patterns, colonial iconography, native and popular art, and expressionism to gestural abstraction. This fusion occurs in my artistic production, like a continuous and constantly evolving soundtrack for a film of life. I believe that painting is part of existence, connected to the vast universe of artistic creation. Painting, for me, is an eternal journey.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1714758220260-10MCLDMQYVQYV7M6Z4JO/Puthoor_Pradeep_1.jpg 2024 Grant Recipients Pradeep Puthoor Thiruvananthapuram, India @puthoor.pradeep Vertical ponds, 2023 Watercolor on paper 44 x 60 inches Pradeep Puthoor was born in Kerala, India. Since graduating with first rank from the State University for painting in 1988, he has devoted his life to painting. He has participated in art projects in India and internationally and has received several awards and prizes, including from the Indian Ministry of Culture (1992 and 2008), the British Royal Overseas League (1997), the Pollock-Krasner Foundation (2003 and 2019), and the Adolph and Esther Gottlieb Foundation (2021). “My artistic philosophy revolves around the idea of ‘One religion, One caste, One race, and One God for Humanity.’ This philosophy, born from my childhood experiences witnessing untouchability and poverty, serves as the backbone of my art. My journey took me to the countryside, I immersed myself in the innocent lives and struggles of the people and documented the impact of modern progress on impoverished communities, animals, and the environment. Inspired by Gauguin's existential questions, my current themes explore diverse human conditions, struggles, gender equality, climate change, and the profound interconnectedness of life. I seek to contribute to the narrative that addresses pressing issues like the arrogance of the affluent over the impoverished, environmental degradation, and the pain of slaughtered animals and birds. I utilize symbols like bones and decay to encapsulate the essence of the conditions I aim to portray, approach my canvas with a deep commitment to making a meaningful impact and fostering a sense of global unity.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1714758263645-MNFDM7RPO9VAUAMP357R/Roberts_Leslie_1.jpg 2024 Grant Recipients Leslie Roberts Brooklyn, NY @lesliejaneroberts Some Birds That Are Largely Blue, 2023 Acrylic, gouache, ink, pencil on panel 16 x 12 inches Leslie Roberts was born in 1957 in Goldsboro, North Carolina, and she currently lives and works in Brooklyn, New York. Roberts makes work driven by color, language, and self-devised rules. She has shown her work at venues that include Minus Space, Marlborough Gallery, McKenzie Fine Art, 57W57 Arts, Pierogi, PPOW, Tiger Strikes Asteroid NY, and the Brooklyn Museum (all in New York, NY); the Weatherspoon Art Museum (Greensboro, NC); and the Wellin Museum (Clinton, NY). She holds a BA from Yale and an MFA from Queens College. Roberts is Professor Emerita at Pratt Institute. “I compile words from commonplace sources like ads, signage, email, and the internet, to create artifacts of 21st century culture. I transcribe vernacular that’s ubiquitous but largely overlooked, such as acronyms we use in intimate text exchanges (TMI, BTW . . .) Lists of signs and ads seen on the subway document urban landscapes. Catalogs of headlines hint at political and social vicissitudes. Rosters of assorted instructions underscore the demands that bombard us, on and off-screen. These mismatched lexicons of ephemeral language often make sense in some non-linear, even ridiculous way. In the studio, I handwrite lists in columns, then use self-devised rules to chart letters, along X and Y axes, into grids of acrylic gouache. Painting elements include geometric shapes, constellations of dots, networks of line, and layered pools of translucent wash. The diagrammatic process leads to unexpected color, in patternlike structures that are satisfyingly askew: optical experiences I couldn’t otherwise invent.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1714758269855-ZWWQ0LAR12IBSW4C7Y0K/Robinson_Dorothy_4.jpg 2024 Grant Recipients Dorothy Robinson Peekskill, NY @dorothyrobinsonart Words Fail, 2023 Oil on panel 40 x 48 inches Dorothy Robinson lives and works in Peekskill, New York. She studied geography as an undergraduate and received an MFA in painting from the University of California, Berkeley. Several artist residencies have been key to the development of her work, including Caldera in central Oregon, the Marie Walsh Sharpe Art Foundation in NYC, Virginia Center for the Arts, and Monson Arts in Maine. Robinson has exhibited her work in New York and elsewhere on the East and West Coasts and is the recipient of financial support from the Alexander Rutsch Painting Award, the Pollock Krasner Foundation, and Tree of Life. “At its most basic level, my work is inspired by nature, the beauty of color, and the expressive possibilities of oil paint. Passages of thick impasto, scrapings of mixed-up colors, and thinned-out washes suggest the quality and feeling of landscape, if not its details. Adding and subtracting layers of paint tap into the constant motion of an interior life and evoke themes of growth, change, and instability. My approach is intuitive—I don’t plan my paintings or work on them from sketches. Compositions emerge from accumulating fragments and passages that grow, collide, shrink, and finally settle into what feels like ‘place’. They are intended to hover between abstraction and figuration, leaving room for subjectivity and multiple meanings to emerge. Rather than a single view, the landscape suggests movement and the passage of time.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1714759598348-ERTP8Q948TD3YLDNWOPH/Sabzevari_Bahar_4.JPG 2024 Grant Recipients Bahar Sabzevari Brooklyn, NY @bahar_sabzevarii Untitled (“Unity” Series), 2023 Ink and acrylic on polystyrene sheet mounted on wood 24 x 24 inches Bahar Sabzevari, an Iranian-born visual artist, began her artistic journey after earning a bachelor’s degree in her home country. Her pursuit of artistic excellence brought her to Paris, France, in 2002 and subsequently to the United States, where she earned her MFA from the New York Academy of Art. Her work has been featured in solo and group exhibitions in New York, Los Angeles, Paris, London, and Milan, and has been reviewed in The Brooklyn Rail, Aspire Magazine, and Maize Magazine, among others. She was awarded residencies from the China Central Academy of Fine Arts and Civitella Ranieri in Italy and frequently participates in discussions, panels, and collaborative projects aimed at bridging cultural divides and promoting global awareness through her art. “Self-portraiture has been a pivotal medium for my introspection and cultural examination. Through this practice, I navigate my Iranian heritage, weaving personal narratives with broader socio-cultural themes. A key aspect of my recent work is the cheetah series, where I depict myself as an Asiatic cheetah. This choice serves as a metaphor highlighting the urgent issues of climate change and environmental neglect. Beyond environmental commentary, these pieces explore themes of vulnerability, resilience, and our interconnectedness with nature, portrayed through intricate textures and colors. This series gained additional depth with the 2022 Iranian "Woman, Life, Freedom" movement, drawing parallels between the resilience of Iranian women and girls and the endangered cheetahs, both striving for survival under oppressive conditions.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1714760190467-WU1ZVCKA8BVJT0A74VQC/Schwid_Sheila_2.jpeg 2024 Grant Recipients Sheila Schwid New York, NY @sheilaschwid Back and Forth, 2023 Oil on linen 35 x 28 inches Sheila Schwid was born in Milwaukee, Wisconsin, in 1932. After graduating from the University of Omaha in 1954, she attended Art Center School in Los Angeles in 1955/56. She also studied art with Milton Wolsky, and other Omaha artists before moving to New York in 1959, where she was part of the Beatniks and showed at various 10th Street Galleries. Her sculpture was the subject of a solo exhibition at Antioch College in 1962 and her animated films were exhibited in Provincetown in 1984. Her work in the 1973 "Women Choose Women" show at the New York Cultural Center was reviewed in the New York Times. Sheila Schwid frequently shows at the Carter Burden Gallery and Westbeth Gallery in New York. “In 2012 I started my “14th Street Reflections” series. I am still working on this series. I take photos with my iPhone on the 14th Street Crosstown Bus. These photos show the most amazing shapes, textures, slices of light, and overlapping shapes, sometimes shadows, that can cut off a part of a figure's body and replace it with a pattern of leaves, or any old color or shape. This results in a picture that shows us our crowded and frustrating lives interrupted by sirens, screams, loud music, people yelling, advertising, and confusion. But the people just keep going. They amaze me. Nothing stops them. They keep walking, shopping, talking, and making it to their appointments. I paint them with awe and respect.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1714760204934-RMBVBV72N9NOFIIU8YKP/Sengupta_Joydip_1.jpg 2024 Grant Recipients Joydip Sengupta Kolkata, India @joydipsengupta Continuum, 2023 Acrylic on canvas 60 x 60 inches Joydip Sengupta holds MFA degrees from the College of Art, University of New Delhi, India, and Duncan of Jordanstone College of Art and Design, University of Dundee, Scotland. He was awarded a UK Commonwealth Scholarship and has received grants from the Pollock Krasner Foundation and The Elizabeth Greenshields Foundation, among others. His work has been featured in exhibitions throughout India, including at Ganges Art Gallery, Kolkata; Sarala Art Centre, Chennai; Pundole Art Gallery, Mumbai; and at Arushi Arts and Gallery Nature Morte, New Delhi. “In my artistic exploration, major themes converge at the intersection of cultural alienation, identity, and socio-political concerns. In my current practice, I am absorbed in understanding the intricate complexities of our interconnected world. Here, existence is an amalgamation of layered realities, where experiences blend with memory, myth, reality, and make-believe realms. This understanding has driven me to examine the intricate interplay between the individual humanity and the vast universe all converging to create a profound and interconnected experience. Central to my creative pursuit is the belief that invisible energies weave through and unite everything, whether tangible or abstract. This conviction has enhanced my awareness of the subtle yet profound pathways that link unrelated entities. In my practice, I have explored an elaborate visual narrative that combines various elements, seamlessly blending formal components with seemingly unrelated entities.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1714760212739-RNU8QDSCPS2AY9Y8W5UQ/Shin_Minshik_2.jpeg 2024 Grant Recipients Minshik Shin Queens, NY @minshikfineart Writings of my artistic wishes, 2023 Indian ink, acrylic, acrylic pen, oil, collage, fiber paper, rice paper, on canvas 60 x 75 inches Minshik Shin is an immigrant artist based in Queens, New York. Shin earned a BFA in Korean painting from Seoul National University and an MFA from the School of Visual Arts. Shin is currently creating socially engaged visual arts and community activities through several projects involving members of the local community, in addition to typical creative endeavors. Shin is the recipient of a number of grants and fellowships and has participated in numerous exhibitions and projects, including “Queens Seen” Queens Rising, Culture Lab LIC, NY (2023); Shared Dialogue, Shared Space, 601Artspace with Korea Art Forum (2022); the DMZ PROJECT at Heyri Art Village in South Korea; and Queens International 2004 at the Queens Museum. “As a Korean-American immigrant artist navigating displacement, I explore the themes of family, identity, and resilience in my art. After graduate school (2003), my work began with portrait drawings and abstract expressions based on nature. My portraits focused on satirical and topical paintings, sculptures, and experiential mediums through a synthesis of society, sex, and commercial advertising. These topics began my journey into mixed media. I continued to work on portraits of myself, my family, and immigrant families within my communities. Based on the subject’s occupation, religion, and family relationships, I expressed the process of settling into life in the United States as immigrants. My oil painting works use mixed media and materials with various textures to create three-dimensional portraits.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1714760224645-8R3ZRKLOA1K16JJHC8LH/sivilli_val_3.jpg 2024 Grant Recipients Val Sivilli Milford, NJ @valsivilli Dancer, 2023 Direct printing on muslin, acrylic on canvas 30 x 34 inches Val Sivilli grew up on Long Island. After earning a BFA in Printmaking, Ceramics, and Painting, she lived in Brooklyn from 1984-1991, exhibiting at NYC galleries and working as an assistant to both Nancy Spero and Leon Golub. She earned an MFA at Mason Gross in 1990, then moved to Frenchtown, NJ, to raise a family. In the early 1990s, she spearheaded many local art projects, including The Steamroller Gallery artist collective. She held various adjunct teaching positions and exhibited at several NJ venues before taking a deliberate break from exhibiting between 2006 and 2015, when she spent three months at the Wurlitzer Foundation in Taos, NM. She returned to create The Hunterdon Art Tour in 2016 and began once more to pursue exhibition and project opportunities. “Recently, I inherited a few large dolls from my grandmother. I could not bring myself to throw them away. Body printing found itself back into my work. These dolls, combined with tools, bones, phone chords, and useless pieces of tech are fuel for my current work evoking disconnectedness by replacing the physical body with digital tools. It is at the intersection of external forces – AI, climate change, social justice – with internal struggles –identity, substance abuse, family trauma – that my current work resides. By building a 'subtext' of printed doll parts, tools, and tech onto a lightweight cotton fabric, secondary forms emerge. A selection of the printed fabric is glued down onto a stretched canvas. I then respond to this 'subtext' as a painter.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1714760235102-6LVTX65ZT8R4BJXMUOU0/Sohn_MiYoung_1.jpg 2024 Grant Recipients MiYoung Sohn Provincetown, MA @miyoung__s 230808 (Daily Collage Series), 2023 Painted cut paper on Fabriano 11 x 14 inches Born in South Korea, MiYoung Sohn came to the United States alone as a child and spent her youth in foster homes in Northern Virginia. She received a BFA from Parsons School of Design and an MFA in Sculpture from Yale. Her sculptural works, installations, and collages have been exhibited widely, including at Galerie LarocheJoncas, Montreal, Canada; Provincetown Art Association and Museum, Provincetown, MA; Smack Mellon, Brooklyn, NY; MoMA PS1, Queens, NY and Hudson River Museum, Yonkers, NY. The recipient of numerous grants and fellowships, Sohn lives and works in Provincetown, MA, where she creates interactive community art projects, teaches workshops, curates exhibitions, and maintains her studio practice. "When I moved to Provincetown, MA, the colors from neighboring gardens and landscapes were so stunning that they entered into my work, defying my belief that flowers are too pretty to use as subject matter. I’m currently working on a series of daily collages started last Spring in response to living on the tip of Cape Cod. “Spring Training'' is a working title for this series and reminds me to keep nimble by going back into training or going “back to the basics” by simply using paint, paper, and glue. I look inwardly for inspiration as I navigate between isolation and solitude and continue to make work no matter the circumstance." Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1715706689941-X8HY3MH9Z7Q5PFLCX1GC/Stetzel_Climate+Watch+Chair.jpg 2024 Grant Recipients Dawn Stetzel Seaview, WA @dawnstetzelstudio Climate Watch Chair, 2022 mixed media 67 x 37 x 50 inches Dawn Stetzel has contributed to innovation in the field of sculpture through her work over the past 20 years. She holds an MFA from the College of Visual and Performing Arts at The University of Massachusetts at Dartmouth. She has shown in solo and group exhibitions and created public art commissions across the United States and abroad, including Grounds for Sculpture, Disjecta, and the Portland Biennial. Stetzel’s work is included in multiple publications and public collections, such as The City of Seattle Office of Arts & Culture and the Shiwan Ceramic Museum in the Guangdong Province of China. She has lectured in the United States, China, and Brazil. “My sculptures are tools I use to interact with a specific environment. Often these pieces require me to physically propel, push, pull, row, or ski, challenging my strength, safety, and comfort levels. The landscapes I am compelled to navigate are usually ones in the margins of places, they might feel somehow desolate to me, vast, or lonely due to environmental neglect. These are places that I find oddly fascinating, sometimes disgusting and they pull at visceral threads in my being. Often these landscapes exhibit hints of resourcefulness and potential paths to new ways of living in a place, thus they at times feel somewhat like home to me.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1715711970291-OGVGAG5QKD9VMYB27W5K/Wood_Josephine_4.jpg 2024 Grant Recipients Josephine Wood London, United Kingdom @josephinewoodart Knickerbocker Glory, 2023 Acrylic, gouache on canvas 37 x 43 inches Josephine Wood lives and works in London, UK. She graduated in 1998 from Goldsmiths College, London. Exhibitions include Kingsgate Gallery, London, 2021, Glasgow Centre of Contemporary Art, 2019, Kunst Raum Riehen, Basel, 2018, The Horse Hospital, London, 2017, Whitechapel Gallery, London, 2015, Global Art Container, Tallinn, Estonia 2008 and The Royal Academy of Art, Ghent, Belgium 2007. Wood’s work is drawn from the grimmer, tragi-comedy aspects of life and the pathos of modern living. Cheap food, pound shops, dilapidated interiors and bodies, desire, and sexuality take on different forms in her work. Wood’s working-class London background, her interest in counterculture, and her punk aesthetic are prevalent throughout her work. “The recurrent themes in my paintings rotate around ideas about the body, in particular women's bodies. Over the years I have experimented with painting bodily forms, figures, and heads with domestic objects and motifs. When I paint the body I am trying to transcribe a psychological or emotional state relating to alienation, the abject, humor, desire, and sexuality. The wider implications in my paintings point towards the socio-political in regard to social structures and class, disenfranchisement, and identity. In my recent paintings, I explore the female body and our fractious relations to consumerism and commodities. The recurring motifs such as plastic grocery bags, food, and domestic objects mutate and encroach on the body, collapsing the boundary between subject and object, reality and fantasy, comedy and horror.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1714760284155-LA2014YIGMO149340DKF/Yount_Paul_3.jpg 2024 Grant Recipients Paul F. Yount Venus, FL @paulfyount Extinction of the Individual ism, 2021 Oil on canvas 60 x 80 inches Paul F. Yount has been painting large-scale figurative oil paintings for 45 years. He completed a BFA at The University of Tennessee, Knoxville and graduate studies at The Museum School of the Museum of Fine Arts, Boston. In 2020, he was awarded an Individual Support Grant from The Adolph and Esther Gottlieb Foundation and previously the Ewing Scholarship from The University of Tennessee. He has exhibited widely throughout the United States. “I am a queer artist who has experienced a vast array of ideas, thoughts, and memories in my many decades on this planet and my 45 years of painting about my life and the life around me. I see myself as an explorer of time and space traveling in a Time Machine. This Time Machine allows me to live in a universe within a universe. I can pull myself away from the ebb and flow of life’s ordinary routine and I display the sparkle, the glamour, the beauty, the ugly sincerity of humanity. Presently, I am creating paintings that are highly developed with a philosophy of time revealing that past, present, and future exist in one state of time. The paintings are a series of triptychs with myself and my husband depicting the beginnings of time and through the rise and fall of humanity to another existence far from our present ideologies.” Website https://www.gottliebfoundation.org/paintings-19201939 daily 0.75 2025-05-28 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737053962949-C0E9U9AJRS38U8G4FH8C/2101.jpeg Paintings 1920-1939 - Portrait c. 1923 oil on canvas 23 1/16 x 17 1/8” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737053962949-C0E9U9AJRS38U8G4FH8C/2101.jpeg Paintings 1920-1939 - Portrait c. 1923 oil on canvas 23 1/16 x 17 1/8” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737054159172-2NFSY4F4F39EXHJ283WX/2502.jpg Paintings 1920-1939 - Still Life (Gate Leg Table) 1925 oil on canvas 35 5/8 x 24 7/8” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1748445804260-55PJ7POHHET5NRRK01WC/2705_GOTTLIEB_v01.jpg Paintings 1920-1939 - Untitled (Alex with Mandolin) c. 1930 oil on linen 19 7/8 x 16” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1748445878717-J4KU7QB6LSC4MFYTWYAI/2960_GOTTLIEB_v01.jpg Paintings 1920-1939 - South Ferry Waiting Room c. 1929 oil on cotton 36 x 45” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737054464690-BIP28Y6XKFRTB34R8PNL/3002_GF_23_05_04_029.jpg Paintings 1920-1939 - The Waste Land 1930 oil on canvas 22 x 34” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737053993426-WE6FGUKLJI7MMFDT32JJ/Gottlieb_3102_Esther.jpg Paintings 1920-1939 - Esther 1931 oil on canvas 19 x 24” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737144035334-5SIOS5CERQS8NAJXMV7D/3464.jpg Paintings 1920-1939 - Lucille Corcos c. 1934 oil on canvas 17 x 24” Collection of the National Gallery of Art, Washington, DC https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737054556074-UXT30SWYG638801DSBSD/3401.jpeg Paintings 1920-1939 - Seated Nude 1934 oil on canvas 35 5/8 x 27 5/8” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737054672866-S6PZ7546RXOVCM6VVZT8/3410.jpeg Paintings 1920-1939 - Noon c. 1935 oil on canvas 25 1/2 x 33 1/2” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1748445940010-TBVWOL5YFQ0Y9OF9FF03/3803_GOTTLIEB_v01.jpg Paintings 1920-1939 - Untitled (Self Portrait in Mirror) c. 1938 oil on canvas 39 7/8 x 29 5/8” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737055092987-PW0UBEFHJR7NBA91CPBK/3704.jpeg Paintings 1920-1939 - Untitled (Portrait - Striped Shirt) c. 1938 oil and sand on canvas 29 3/4 x 23 1/2” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737055202718-2XIXNOSHOIQZ30OJBS65/3827_lancebrewerb.jpg Paintings 1920-1939 - Arizona Still Life c. 1938 oil on pressed board 36 x 48 “ https://www.gottliebfoundation.org/paintings-19401949 daily 0.75 2025-01-17 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737126201946-5Y7PBWQ6DIF18BZKGC3Y/4101_GF_23_05_04_005.jpg Paintings 1940-1949 - Untitled (Still Life) 1941 oil on canvas 25 13/16 x 34” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737126201946-5Y7PBWQ6DIF18BZKGC3Y/4101_GF_23_05_04_005.jpg Paintings 1940-1949 - Untitled (Still Life) 1941 oil on canvas 25 13/16 x 34” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737059578331-OBQ36QJV5GZRTL91OC0Y/image-asset.jpeg Paintings 1940-1949 - Oedipus 1941 oil on canvas 34 x 26” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737059753693-F9Y948Y1R7UJ6EIPZU4A/4203_Pictigraph+-+Symbol.jpg Paintings 1940-1949 - Pictograph - Symbol 1942 oil on canvas 54 x 40” Collection of the Art Institute of Chicago https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737059631998-Z2CWQGQQI5US6749CFHN/4103_lancebrewerb.jpg Paintings 1940-1949 - Oedipus 1941 oil on canvas 34 x 26” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737060045153-DL4S3FTCEP5839DP2W72/4305.jpg Paintings 1940-1949 - Home 1943 oil and pencil on linen 23 7/8 x 19 7/8” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737060203466-5AU1901USJG2Q78JKN0J/4508+Alkahest+of+Paracelsus.jpg Paintings 1940-1949 - Alkahest of Paracelsus 1945 oil on linen 60 X 44” Collection of the Museum of Fine Arts, Boston https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737060615979-MSUSTJ1E6P8WFSSRJKM4/4506_Cerulean+Bull.jpg Paintings 1940-1949 - Cerulean Bull 1945 oil, gouache, and tempera on canvas 33 3/4 x 25 15/16” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737060888224-0U8A5W406CXVQZ3H6J9Z/4659_albright+knox+website.jpeg Paintings 1940-1949 - Pictograph 1946 oil on canvas 36 x 48” Collection of the Buffalo AKG Art Museum https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737060717012-OAX3ZS5GRGTV64GIBGPL/4513_GF_23_05_04_010.jpg Paintings 1940-1949 - Mariner's Incantation 1945 oil, gouache, tempera, casein on canvas 39 13/16 x 29 7/8 " https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737061007103-FW8TM93NCFM7P2Z58S8B/4520_GF_24_05_07_011.jpg Paintings 1940-1949 - Composition 1945 oil, gouache, casein, and tempera on linen 29 13/16 x 35 7/8” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737061090705-00VH2PZ7ZM16O4BYNXJS/4617.jpg Paintings 1940-1949 - Evil Omen 1946 oil on canvas 38 x 30” Collection of the Neuberger Museum https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737143353184-ZH41151N59NDGWTNR26R/4704_Altar.jpg Paintings 1940-1949 - Altar 1947 oil on canvas 48 x 36” Collection of the Pérez Art Museum Miami https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737126050348-42OG3KR1MCNZ37GE39N3/4801_GF_24_05_07_006.jpg Paintings 1940-1949 - Sounds at Night 1948 oil and charcoal on commercially prepared linen 48 1/8 x 60” https://www.gottliebfoundation.org/paintings-19501959 daily 0.75 2025-01-22 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737126732469-ZM3VXXJHXDZTA5SZOFIJ/5004_GF_24_05_07_008.jpg Paintings 1950-1959 - Labyrinth #1 1950 oil and sand on linen 36 x 48” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737126732469-ZM3VXXJHXDZTA5SZOFIJ/5004_GF_24_05_07_008.jpg Paintings 1950-1959 - Labyrinth #1 1950 oil and sand on linen 36 x 48” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737126830784-0GL3K7TLHQT841MI2GZU/5112_GF_24_05_07_004.jpg Paintings 1950-1959 - Sentinel 1951 oil on canvas 60 x 48” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737126676495-5T17W66V6DGN389NJNIE/image-asset.jpeg Paintings 1950-1959 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737127245567-7ZAHXVKV5432U45AFOO2/5618.1.jpg Paintings 1950-1959 - Unstill Life III 1954-56 oil on canvas 84 x 192” Collection of the Museum of Modern Art, New York https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737127774808-82TCW1NN9DY1CHL19OO2/5419+Labyrinth+%233.jpg Paintings 1950-1959 - Labyrinth #3 1954 oil and enamel on canvas 80 x 185” Collection of the Ivam Centre Julio Gonzalez https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737127666158-2WM5HKYZRENKQ4COMVLK/5612_Hot+Horizon.jpg Paintings 1950-1959 - Hot Horizon 1956 oil on canvas 50 x 72” Collection of the Yale University Art Gallery https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737128689532-U0J94O30VHFN0ZFRJ05S/5606_Falling+Star.jpg Paintings 1950-1959 - Falling Star 1956 oil on canvas 52 x 42” Collection of the Detroit Institute of Arts https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737127916894-KO4TO94XYQ72BEK11GAH/5613.jpg Paintings 1950-1959 - Black, Blue, Red 1956 oil and enamel on linen 72 x 50” Collection of the Museum Frieder Burda https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737129000617-KCSISWBTGG99NSYGOMJ2/Gottlieb_5616_lancebrewer.jpg Paintings 1950-1959 - Red at Night 1956 oil on canvas 72 x 96” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737128159326-NB5VP3MO2FN6KHHPW97J/5615.jpg Paintings 1950-1959 - Descending Arrow 1956 oil on canvas 96 x 72” Collection of the Museum of Modern Art, New York https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737128305720-GCBMLHB6LW1APOZX06Z3/5601_CMA_Gottlieb02.jpg Paintings 1950-1959 - From Midnight to Dawn 1956 oil and enamel on linen 72 x 96” Collection of the Currier Museum of Art https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737128443536-EX6M3UA9WSGKV0RI3V91/5802_Exclamation.jpg Paintings 1950-1959 - Exclamation 1958 oil on canvas 90 x 72” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737128597074-HBFMROBGNRTJBY4NN3LZ/Gottlieb_5927_Aureole.jpg Paintings 1950-1959 - Aureole 1959 oil on linen 108 x 90” https://www.gottliebfoundation.org/paintings-19601969 daily 0.75 2025-01-17 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737130507682-7FWTAKI5H7RL26JA44FR/6005+Dialogue+%231.jpg Paintings 1960-1969 - Dialogue #1 1960 oil on canvas 66 x 132” Collection of the Buffalo AKG Art Museum https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737130330708-88TR9RLM9R9SBRYJ95RK/image-asset.jpeg Paintings 1960-1969 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737130507682-7FWTAKI5H7RL26JA44FR/6005+Dialogue+%231.jpg Paintings 1960-1969 - Dialogue #1 1960 oil on canvas 66 x 132” Collection of the Buffalo AKG Art Museum https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737130683404-9PQVE4RYABS4QKDPVDW0/6122_Mist.jpg Paintings 1960-1969 - Mist 1961 oil on canvas 72 x 48” Collection of the Solomon R. Guggenheim Museum https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737130830617-CEU381W3UHJUEMJKQ6CG/6221_Primeval.jpg Paintings 1960-1969 - Primeval 1962 oil on canvas 84 x 89 3/4” Collection of The Art Institute of Chicago https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737131827641-4NVPSVMM9FZX2ACOY4XJ/6214_crystal+bridges.jpg Paintings 1960-1969 - Trinty 1962 oil on canvas 80 x 185” Collection of the Crystal Bridges Museum https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737134748815-BN9EW8OONQ0FO38ZLNW6/6304_Excalibur.jpg Paintings 1960-1969 - Excalibur 1963 oil on canvas 84 x 90” Collection of the Whitney Museum of American Art https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737132364965-M27PPJBKM887Z63CSN2E/6434_Orb.jpg Paintings 1960-1969 - Orb 1964 oil on canvas 90 x 60” Collection of the Dallas Museum of Art https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737132479278-SY0JO152V9EFPDR72DP3/6419_Above+and+Below.jpg Paintings 1960-1969 - Above and Below 1964-65 oil on canvas 90 x 108” Collection of the Museum of Modern Art, New York https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737132883872-ELB2B6KO7O5J12GOJCM6/6437_lancebrewerb.jpg Paintings 1960-1969 - Icon 1964 oil on canvas 144 1/4 x 100” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737132997503-T8EDO7M98NW1P2CJSKAV/Gottlieb_6510_Units+%232.jpg Paintings 1960-1969 - Units #2 1965 oil on canvas 96 x 144” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737133127472-T8KXYS695KYVI7UDUYKS/6601_Notations.jpg Paintings 1960-1969 - Notations 1966 oil on canvas 60 1/8 x 90 1/4 x 1 5/8” Collection of the Museo Nacional Centro de Arte Reina Sofía https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737133305101-7C2F7K68GBV28ZZ6FDWY/6712_lancebrewerb.jpg Paintings 1960-1969 - Echo 1967 oil on linen 66 x 78” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737135369936-OQ0RVT1TJJFDA29TI3F0/6923_M.jpg Paintings 1960-1969 - Three Discs on Chrome Ground 1969 oil and acrylic on canvas 48 x 72” https://www.gottliebfoundation.org/paintings-19701974 daily 0.75 2025-01-17 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737138012766-Q7ITOALA7UGLOBE4FW5E/7011.jpg Paintings 1970-1974 - Open and Closed 1968 - 1970 oil on linen 72 x 90” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737137988761-O60HPKX6HF7I9XET22KA/image-asset.jpeg Paintings 1970-1974 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737138012766-Q7ITOALA7UGLOBE4FW5E/7011.jpg Paintings 1970-1974 - Open and Closed 1968 - 1970 oil on linen 72 x 90” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737138511861-E029O0QI9A27TA7XGEWW/7128_Drift.jpg Paintings 1970-1974 - Drift 1971 alkyd resin on canvas 90 x 48” Collection of the Boca Raton Museum of Art https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737138642227-KRKAZ1OFCPPQMWIHL186/Gottlieb_7119_Lake_.jpg Paintings 1970-1974 - Lake 1971 acrylic on canvas 90 x 108” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737139502031-NWHITOH2W65MKBS1WVNZ/7130+Collision.jpg Paintings 1970-1974 - Collision 1971 oil and acrylic on linen 90 1/8 x 60 1/8” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737140258267-4609T7HQJ6H4E4B4AVSD/7134_Pace11-2024.jpg Paintings 1970-1974 - Triptych 1971 acrylic on canvas 90 x 228” overall 90 x 60”, 90 x 108”, 90 x 60” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737140335198-36MWJWTS8O7UBYTHG799/7135_Rising.jpg Paintings 1970-1974 - Rising 1971 oil on linen 72 x 90” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737141077044-QUCEGY6XT913OZNBGGTI/7201.jpg Paintings 1970-1974 - Red Vs. Blue 1972 acrylic on canvas 90 x 108” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737140448778-QZ7O17Z69OYA0UEACDDC/7218_Pace11-2024.jpg Paintings 1970-1974 - Swirl 1972 oil and alkyd resin on linen 84 x 60” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737140473338-IJC8TPUOI7BCAE2RUHTY/7306_Max+Minimal.jpg Paintings 1970-1974 - Max-Minimal 1973 acrylic on linen 108 x 90” Collection of the Ivam Centre Julio Gonzalez https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737142140211-MINJZR6D6LMTICPU99LV/7316.jpg Paintings 1970-1974 - Burst 1973 1972 acrylic on canvas 90 x 108” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737140418936-CRRD4N0VPS6SDXUDG3FA/7312_Pace11-2024.jpg Paintings 1970-1974 - Russet 1973 acrylic on canvas 60 x 48” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737140494706-QHG3TQP5H8WRHQGDR9ON/7321+Black+Umber.jpg Paintings 1970-1974 - Black Umber 1973 oil on canvas 90 x 60” https://www.gottliebfoundation.org/2025-grant-recipients daily 0.75 2025-05-16 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747160149938-SFJXOA3HVU7WE6ERKFJT/Adibi_Elise_1.jpg 2025 Grant Recipients Elise Adibi Pittsburgh, PA Blue Tansy Mirasol Grid, 2024 Graphite, oil paint and blue tansy and lemon essential plant oil raw canvas sized with rabbit skin glue 40 x 40 in. Elise Adibi holds a Master of Architecture from the University of Pennsylvania and an MFA from Columbia University. She is the recipient of fellowships and grants from the Terra Foundation, the Pollock-Krasner Foundation, The Radcliffe Institute of Advanced Study, and the Pittsburgh Foundation, among others. Her work has been shown in galleries in New York, Los Angeles, and Frankfurt, Germany, in addition to solo exhibitions at The Frick Pittsburgh and Allegheny College. “I am an abstract painter. I am an explorer at heart. In my paintings, I investigate perception and optical experience, as well as the conceptual realm of ideas. Throughout my career, I have sought to bring abstract forms to life. My paintings invite contemplation about the connection between matter and consciousness, life and death, the passage of time, and the process of change. In my paintings, I collaborate with natural materials and create works that can change and adapt. They are resilient. I feel this is a message that extends beyond painting and has contemporary relevance for humans today.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747160149938-SFJXOA3HVU7WE6ERKFJT/Adibi_Elise_1.jpg 2025 Grant Recipients Elise Adibi Pittsburgh, PA Blue Tansy Mirasol Grid, 2024 Graphite, oil paint and blue tansy and lemon essential plant oil raw canvas sized with rabbit skin glue 40 x 40 in. Elise Adibi holds a Master of Architecture from the University of Pennsylvania and an MFA from Columbia University. She is the recipient of fellowships and grants from the Terra Foundation, the Pollock-Krasner Foundation, The Radcliffe Institute of Advanced Study, and the Pittsburgh Foundation, among others. Her work has been shown in galleries in New York, Los Angeles, and Frankfurt, Germany, in addition to solo exhibitions at The Frick Pittsburgh and Allegheny College. “I am an abstract painter. I am an explorer at heart. In my paintings, I investigate perception and optical experience, as well as the conceptual realm of ideas. Throughout my career, I have sought to bring abstract forms to life. My paintings invite contemplation about the connection between matter and consciousness, life and death, the passage of time, and the process of change. In my paintings, I collaborate with natural materials and create works that can change and adapt. They are resilient. I feel this is a message that extends beyond painting and has contemporary relevance for humans today.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747160390750-K1NJD87FJ4QD9H9CREK1/Blackwe_J_Stoner_01.jpg 2025 Grant Recipients J Stoner Blackwell Bennington, VT @jstonerblackwell Neveruses (Flex Courageous), 2024 Plastic, wool, silk, acrylic, yarn and paint 32 x 24 in. J Stoner Blackwell was born in 1972 in New Orleans, LA. Currently based in Bennington, VT, Blackwell is a faculty member in Visual Arts at Bennington College. Honors include fellowships from the Guggenheim Foundation and Pollock-Krasner Foundation as well as residencies at Delfina Foundation, Yaddo, the Josef and Anni Albers Foundation, and Santa Fe Art Institute, among others. Blackwell’s work has been exhibited at the Museum of Arts and Design, New York, Mackintosh Gallery, Glasgow School of Art, Contemporary Arts Center in New Orleans, and MoMA PS1. Their work was included in Vitamin T: Threads + Textiles in Contemporary Art, published by Phaidon Press. “I am a painter in the broadest sense of the term. Investigating the intersections of painting, textiles, installation, and found objects, I focus on the meaning of materials and their possibilities through manual manipulation and visual play. In my studio, androgynous hybrid painting-objects called Neveruses (pronounced “never uses”) emerge from a mass of recovered plastic bags, colorful fibers, and paint. The work reconsiders conventions of waste, craft, and pleasure.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747160406541-F1LZ8MN4M5QCCSX8CQNY/bunting_buddy_1.jpg 2025 Grant Recipients Buddy Bunting Seattle, WA @buddybunting Basketball court, county jail, Ephrata, Washington, 2024 Oil on linen 11 x 14 in. Buddy Bunting’s work has been exhibited at Tacoma Art Museum, PS122 in New York, and the Chrysler Museum in Norfolk, VA. Upon leaving art school, he worked for the National Park Service and as a field technician and scientific illustrator at the Virginia Institute of Marine Science. After moving to Seattle in 1997, he began a group of landscape paintings of prisons throughout the American West. Starting as a travelogue of small field sketches, these works grew in size over the next decade to 30-foot-long panoramas. “When I was in art school in Baltimore in the 1980s a new prison was built near my hometown, in rural Somerset county, Maryland. Five years after it opened, a childhood friend began serving 25 years there, having pleaded guilty to manslaughter. This circumstance led to my first visit and subsequent drawing of a prison. That drawing grew into a long fascination with the western landscape, its mythology of transcendence, openness, and expansion. When I moved to the Pacific Northwest in 1997, my interest in these ideas and the booming American penal system grew. In 2010, I shifted to using oil paint and working quickly on a more modest scale. I painted new subjects related to the penitentiaries I’d been to: basketball courts, skateboard parks, churches, schools, and motel rooms. I worked to capture the character and nuance of these places, the feeling of sunlight on concrete at a certain time of day, even the smell of the air.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747160116665-TEZ4VJZ6PUH9V5G5IX0P/image-asset.jpeg 2025 Grant Recipients https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747235300594-O92SR5KB4SLQ822UL3Y9/Cano_Edgar_2.jpeg 2025 Grant Recipients Edgar Cano Natchitoches, LA @edgarcanostudio The queen is he, 2024 Oil on linen 60 × 55 in. Edgar Cano began his journey in the visual arts by creating illustrations and scenography for university theater while studying at the Faculty of Arts in Xalapa, Veracruz, Mexico. A recipient of multiple scholarships and awards, he has presented eighteen solo exhibitions in Mexico and abroad and has participated in over fifty group shows in various international cities. Cano moved to Louisiana to pursue an MA in Visual Arts at Northwestern State University of Louisiana on a full scholarship. He currently lives in Natchitoches with his family and serves as an Assistant Professor of Art at NSULA. “The painting I do is simultaneously interested in its own process and in events that come from unusual aspects of everyday life. I use my own or others' experiences, coming from old archives as well as from my photographic collection, as a visual narrative. With my images, I try to generate a chronicle. This language expands the message or accentuates a sort of script in order to create different evocations and a kind of convergence point where the author, the viewer, and the memory will be located. A wink of unreality peers through some of the cracks in my works to warn those who see that something does not fit, that everything is not as it is thought, that the established world breaks down on its most fragile side, by the least thought of.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747410128879-I0NQLICQCRWJG0OKQUNE/Iced+Water_1+copy+small.jpg 2025 Grant Recipients Michelle Charles London, United Kingdom @michellecharles_artist Iced Water, 2025 Paint on paper 34 × 24 in. Born in London in 1959, Michelle Charles spent her formative 20 years as an artist, making and exhibiting her work across various locations in the United States. In 2001, she temporarily returned to London due to complications from 9/11. Her work has been exhibited at Danese Gallery, Anthony Grant, John Weber Gallery, Art in General, and The New Museum of Contemporary Art, all in New York, as well as the Neuberger Museum of Art in Purchase, NY, the Lodz Biennale in Poland, and Kettle's Yard in Cambridge, UK. "Since the mid-eighties, I have made paintings and drawings of objects on various surfaces—including wooden panels, canvas, the covers of withdrawn library books, grocery bags, paper, and silk. My subjects have included crystal balls, glasses of water, glasses of milk, glasses with milk residue stains, empty glasses filled with air, light, and shadows, as well as jars of honey, bottles, flies, and soap. I have chosen items that serve as metaphors for my ideas and that are fluid and liquid enough to become paintings. Running through my work are the themes of glass, light, and containers." Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747326827697-0HFC8A0T5B1DMZAXBWAI/Fulton_Lynn_1.jpg 2025 Grant Recipients Lynn Fulton Southwell, United Kingdom @lynncfulton Kiosk, 2024 Plywood, gesso 42 x 20 x 15 in. Lynn Fulton graduated from Bath Academy of Art in 1987 and after some time involved in artist-led organizations in Manchester and London went on to study at The Slade on the sculpture MFA, which she completed in 1997. She was awarded a Boise travel scholarship in 1999 and spent three months in New York. The recipient of several residencies and a 2023/24 Abbey Fellowship at the British School at Rome, Lynn Fulton has exhibited internationally. “My work is sculpture-based and comes from an interest in the overlooked or remnant that is left behind after something else has happened. I use flat materials to explore form and presence, informed by landscape and dress patterns. Landscape is a place where I find ideas that I connect with, where hidden instruction informs pattern and colour, surface describes what lies beneath. More recent work explores sculpture, which has many ways of existing folded or open, and that contains all these possibilities at the same time. This comes from a concern with the stored or passive form waiting to be activated, the potential of the storeroom. I use the offcuts of larger pieces to make smaller works. The offcut as an idea is interesting to me – it is a work in itself that has come about under very specific conditions. The conditions for the work to happen is a significant focus.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747236731756-7AKJYXG32BZONLMTVUEN/Gundersdorf_Carrie_1.jpg 2025 Grant Recipients Carrie Gundersdorf Brooklyn, NY @carriegund Moncuri Cone, back, 2024 Colored pencil and watercolor on paper 28 x 22 in. Carrie Gundersdorf lives and works in Brooklyn, NY and Portland, ME. She has had solo exhibitions at La Loma Projects, Los Angeles, CA; the Museum of Contemporary Art, Chicago, IL; and Shane Campbell Gallery, Chicago, IL. Featured in group exhibitions throughout the U.S., Gundersdorf’s work has been reviewed in Art Review, Artforum, Artnet, Art on Paper, Chicago Tribune, and Time Out Chicago. She was awarded the Artadia Award in Chicago, IL, and the Bingham Fellowship to attend the Skowhegan School of Painting and Sculpture. Gundersdorf received her B.A. from Connecticut College and her M.F.A. from the School of the Art Institute of Chicago. “I connect science, craft, images, and process in my paintings and drawings. My current work explores the variety and subtle differences in the patterned surfaces of seashells. Each piece transcribes a specific shell, with the patterns conveying themes of time, growth, and impermanence. The artworks also serve as maps of their creation, as the color test swatches left on the side and the slight color shifts reveal my decisions and discoveries throughout the artistic process. Forms, patterns, and colors that serve as starting points for my compositions are sourced from photographs found in science books and online.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747326990597-KNKU9VI3JKUP87ADZHES/HALL_SHARON_2+2.jpg 2025 Grant Recipients Sharon Hall London, United Kingdom @sharonhallartist Painting for a corner II, 2024 Oil on gesso panels 16 x 20 in. each panel Sharon Hall was born in the United Kingdom in 1954. She studied painting at Lanchester Polytechnic, Coventry, and Slade School of Fine Art, London. After finishing her studies, she lived and worked as a painter in Paris with a scholarship from the French Government. In 1991 she was awarded a scholarship and residential studio at the British School at Rome, Italy. In 2024, she was the recipient of the Shelagh Cluett Trust Award which enabled her to live and work in a studio at the Alice Boner Institute in Varanasi, Uttar Pradesh, India for six weeks. Her work has been featured in group and solo exhibitions in the UK, France, and Italy. She will be holding a solo exhibition at Stanza 251 in Florence, Italy in 2025. “The paintings employ a system of divisions moving away and in from the edges of the painting’s physical boundaries following an intuitive and often precarious compositional balance. Optical colour of different luminosities brings forward expressive possibilities and while essentially abstract I hope to invite a viewing experience which is about feeling and nuance beyond the simple architectonic. Shifting movement is generated through colour contrast, flux and dissonance. The work over the last few decades has been very much influenced by Italian painting traditions, especially those seen in wall paintings and frescoes where the physical materiality of surface is at play with the depicted spaces.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747250470505-P9WWVMI7A7751Z05FV4B/hayes_annie_1.jpg 2025 Grant Recipients Annie Hayes Delhi, NY @anniehayesart Beer-4, 2024 Flashe, acrylic, pastel, pencil on flattened beer caddy 10 x 6.75 in. Annie Hayes earned a BFA from The University of Iowa. In 1980, she moved to New York and established a small, highly respected graphic design firm while also maintaining her studio practice and exhibiting her work. She was selected for artist residencies at Vermont Studio Center, Anderson Ranch in Colorado, and the Ellis-Beauregard Foundation in Maine, and has been awarded grants from the New York Foundation for the Arts and the New York State Council on the Arts. Most recently, her work was featured in a solo show at KIPNZ Gallery in upstate NY and a three person show at the KIPNZ temporary space in Manhattan. She has lived and worked in the Northern Catskills of New York since 1990. “I primarily work with discarded packaging that has served its usefulness in storing, transporting and displaying food and commercial goods. The connection between my work as an artist and the workers who use the boxes in their jobs to transport food is subliminal, vague and felt, not expressly spelled out. Concerns about sustainability, about over abundance, about favoring the too easily attainable “new” are subconscious drivers in my work. The paintings’ surfaces, with their brokenness, disturbed corners, tears and rips revealing the interior ask the viewer to move away from perfection and the expected and toward embracing in a new way material that has served a function that we all invariably depend on.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747327462507-0WB7OC6IJNVQSJTOTU8B/Hayes_Frederick_6_.jpg 2025 Grant Recipients Frederick Hayes Brooklyn, NY @fhay_00 Gargoyle Stack, 2024 Wood, metal, LED string of lights, cardboard, turned wood, plastic propeller, rubber sole, plastic car parts, twine, clipboard, electric fan frame 35 x 25 x 19 in. Frederick Hayes is a Brooklyn-based artist working in drawing, painting, and sculpture. At the San Francisco Art Institute, he studied with Robert Colescott who suggested that he work from photographs, a practice he has maintained to this day. In 2010, he made sculptural contributions to the 3rd Street Light Rail (Art Train) in San Francisco, CA. His work was featured in solo exhibitions in Buffalo, NY and New York, NY and was included in the 2015 Kingston Sculpture Biennial and in “Black Anatomy” at the Spartanburg Museum in Spartanburg, SC. Honors include a Pollock Krasner Grant, a NYFA Artist Fellowship, and the Lillian Orlowsky and William Freed Foundation Grant and Exhibition. “The major focus of my work is portraiture and the urban environment of working-class African Americans. I work in drawing, painting, and sculpture and am interested in the imaginary conversations that I believe take place with the viewer whenever they are confronted by the gaze of the portrait as it looks out and sometimes beyond the viewer. In general, my work is informed by a certain degree of uncontrollability and the notion of the "primal other" constantly experimenting. I work within specific parameters at the start, but I always allow and seek change.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747236766345-XFETRI1424K22TGCR5MR/Hirano_Kaoru_1.jpg 2025 Grant Recipients Kaoru Hirano Hiroshima, Japan @kaoru_hirano_ Web #16, 2024 Stockings Dimensions variable Kaoru Hirano was born in Nagasaki in 1975. She obtained her Ph.D. from Hiroshima City University in 2003 and has exhibited internationally, including at KUMUKUMU, New York, SCAI THE BATHHOUSE, Tokyo, POLA MUSEUM OF ART, Kanagawa, mm project, Hiroshima, and Kulturforum, Berlin, among others. She was the recipient of a SHISEIDO Art Egg Award in 2007 as well as Fellowships from the Asian Cultural Council’s Japan-United States Arts Program at ISCP, New York, and the Agency for Cultural Affairs, Japan’s Emerging Artist Overseas Study Grant, Berlin, Germany, and the POLA ART FOUNDATION's Overseas Study Program for Young Artists, Berlin, Germany. “I take threads from old cloth one by one. The cloth seems to remember the time that it was worn by somebody, or caught the rain in some city, or hung in the sky. I take the threads from the old cloth one by one. One by one. One by one. The threads taken from the cloth are tied and arranged in order. The cloth is unraveled into threads one by one and broken into pieces. The threads are no longer used as clothes or umbrellas, or flags, but are left as threads and memory. The memory is of me, my family, friends, city, country, or humanity.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747236776196-EIC9R4LENIMTVKK0A4BE/Ida_+Bryan+%2522Grandfather%2522+60x37.jpg 2025 Grant Recipients Bryan Ida Los Angeles, CA @bryanida “Grandfather” The text is from Executive Order no. 9066 which established military areas excluding those of Japanese descent and establishing the internment camps., 2018 Ink on panel 36 x 28 in. Bryan Ida initially studied electronic music and sound design but when he worked as Sam Francis’ studio assistant in the mid-80s, he realized that the artistic language most natural for him was visual. He was fortunate to start painting in one of Francis’ fully-equipped studios and has been a full-time artist since. He has exhibited widely, with solo exhibitions at the Bakersfield Museum of Art, De Saisset Museum at Santa Clara University, and the Japanese American Museum, San Jose, among others. “I completed the first portrait of my ongoing series titled “con.Text” in 2017 using black ink on panel. The portrait was a response to the newly-elected president using Twitter to justify his ban on entry to the United States of followers of the Muslim religion. I rendered my neighbor, who is Muslim, using the words of President Trump’s tweets as my mark, writing the text over and over, wanting to turn words of hatred and animosity into a visual language of strength and beauty. I continued with this concept, completing another portrait based on a photograph taken by Dorothea Lange of my grandfather and his family waiting to board a bus that would take them away to an internment camp during WWII. I used the words of Executive Order 9066 that established the internment camps for Japanese Americans to render my grandfather. These were two events that occurred 70 years apart that were directly connected through me and I could feel the inspiration forming inside me.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747236784128-9YFS83EINY9P8095UYWI/Karolak_Jason_1.jpg 2025 Grant Recipients Jason Karolak Brooklyn, NY @jasonkarolak Eyrie, 2024 Oil on linen 22 × 19 in. Jason Karolak (born 1974, Rochester, MI) earned a BFA from Pratt Institute, Brooklyn, NY and an MFA from The School of the Art Institute of Chicago, Chicago, IL. Recent solo exhibitions include Grölle Galerie, Düsseldorf, Germany; Morgan Lehman Gallery, New York, NY; David Shelton Gallery, Houston, TX; and the Boulder Museum of Contemporary Art, Boulder, CO. Group exhibitions include Kavi Gupta, Chicago, IL; The Landing Gallery, Los Angeles, CA; and the Museum Wilhelm Morgner, Soest, Germany. Karolak’s work has been reviewed in The New York Times, Art in America, ARTnews, and Hyperallergic. He has been awarded residencies at the Sharpe-Walentas Studio Program in Brooklyn, NY, the Saltonstall Arts Colony in Ithaca, NY, and the Josef & Anni Albers Foundation in Sinthian, Senegal. He received a Mellon Foundation Grant for his research on color. Karolak is an Associate Professor at Drew University in Madison, NJ. He lives and works in Brooklyn, NY. “I make abstract, geometric paintings as a way to process information and concrete experiences in the world. This begins with gathering and collecting, as I pull from my environment and the vernacular of the objects and design that I encounter. My research extends to interests in utopian architecture and communal societies, musical structures, screen technologies, and color phenomena. This material is digested through an iterative drawing practice where forms are reworked and clarified in multiple stages, becoming usable components or anchors within the paintings. Color is organized into floating, illuminated structures, suggesting a kind of imagined or speculative architecture, set within a projected space.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747236794723-EX3L0CYQ36DWUDIJZMZZ/Milbrets_Lauris_1.jpg 2025 Grant Recipients Lauris Mīlbrets Riga, Latvia @milbrets.art DIVERSITY, 2024 Acrylic on wood 15 × 20 in. Lauris Mīlbrets (b.1979) holds a Bachelor's and Master's degree in Visual Arts from the Art Academy of Latvia and has been participating in exhibitions since 2002. Lauris has experienced two distinct phases in his career—one marked by realism and the other by abstraction. Lauris was recipient of a 2003 Latvian Unibank "Professor's Indulis Zariņš" painters award. Being selected for the Toronto Outdoor Art Exhibition in 2014 marked a significant career moment, offering exposure to a broad, diverse audience at one of Canada’s major art festivals. Later, receiving a scholarship in 2017 from the Ministry of Culture of Latvia for a residency at "Cité Internationale des Arts" in Paris allowed him to refine his practice, and broaden his creative perspective. His works are in collections in Latvia, USA, Canada, Norway, Denmark and Germany. “My abstract art focuses on signals as carriers of information and explores them through a visual language that communicates beyond literal representation. Use of shapes, lines, and colors serves as a metaphor for signals - abstract elements that carry meaning and evoke different interpretations. The dynamic arrangement of these visual components can be seen as symbolic of how signals in communication systems (whether human, technological, spiritual or natural) transmit information, influence perception, and create connections.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747327036624-PEZ9WGPL0C76NTHS5S90/Rave_Johannes_4.jpg 2025 Grant Recipients Johannes Rave Stuttgart, Germany @johannesrave Balance, 2024 Watercolor 35 × 23 in. Johannes Rave, born in 1955 in Stuttgart, Germany, studied at the State Academy of Fine Arts Stuttgart from 1978 to 1986 under the mentorship of Professor Rudolf Schoofs. During this time, he developed a strong foundation in watercolor and oil painting that has remained central to his practice. Throughout his prolific career, Rave has exhibited in over 100 shows in Germany and abroad. His sustained dedication to artistic development has earned him numerous distinctions. "My current work centers on watercolor paintings on paper. For years, I have been exploring the interaction of color with different surfaces. I am particularly interested in how colors behave on various types of paper—how they merge, contrast, retreat, or assert themselves. In some pieces, tension arises from layers of overlapping color fields; in others, the colors stand independently. While I tend towards abstraction, my work often maintains associative qualities. Despite the creative freedom within my process, my goal is always clarity. Whether through calm or unrest, dynamism or reflection, the key is making clear, intentional artistic decisions. The Balance series captures the fleeting moment when equilibrium is achieved but cannot be maintained. This fragile stability lies in the nature of watercolor painting itself. Abstract forms in fragile positions are often held in place by fine lines. In this series, I translate the unbalanced world into a visual language that reveals vulnerability, yet also expresses a quiet confidence through color, clarity, and connecting elements." Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747236812843-5MOX1949DR3KMG9YBL02/Roy_Jayanta_1.jpg 2025 Grant Recipients Jayanta Roy Kolkata, India @m2jayanta Waste land II, 2024 Watercolor and gouache on paper 29 x 22 in. Jayanta Roy (b. 1973) has been a Kolkata-based artist for 27 years. His primary medium is painting, though he explores sculpture as well. Roy participated in several two-person shows and curatorial projects over the last couple of decades; his most recent solo exhibition–the second one to date–was last year. He has twice received the Pollock-Krasner grant (2013 & 2023), in addition to several other awards throughout his career. What is more, Roy’s work was included in 100 Painters of Tomorrow (Thames & Hudson, 2014). “Early on, I was fascinated by American abstract painting. I was brought up in an antiquated part of Kolkata, where I was drawn to dilapidated buildings, congested neighborhoods, and old architecture. Moving to a suburb of the city in 2003 was a pivotal change that influenced my work. Indian society faced waves of cultural change due to economic liberalization and the overwhelming impact of technology. Visual and conceptual references from advertisements inspired me to shape a new vocabulary. My images became more conceptual, where ideas were more important than visual experience. The current phase in my work emerged during the uncertainties of the Covid pandemic. A form of existential irreverence reminiscent of the Dada movement challenged aesthetic conventions and cultural normativity by underscoring chance and incongruity. My recent series of works in monochrome, titled Wasteland, stylistically and iconographically builds on surrealism. I use numerous common signs, such as war weapons, guns, children’s toys, in landscapes. There is a quasi-narrative in each work that addresses aspects of current geopolitics.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747236819161-M79A94D1SGOOU4NQDJ2X/Singh_Sanjay_1.jpg 2025 Grant Recipients Sanjay Singh Bangalore, India Mishap, 2024 Acrylic on canvas 48 x 30 in. Born in Purnea, Bihar, India (1963), Sanjay was exposed to local folk and tribal art that inspired and prompted him to pursue art. Initially, he completed his B.A. Hons. in Maithili literature from Mithila University, Bihar (1982). Later he obtained bachelors and masters degrees in painting at Kala Bhavan, Santiniketan, an institution founded by Nobel Laureate Rabindranath Tagore. He assisted artist K.G. Subramanyan’s murals in Santiniketan and has continued his art practice, participating in state and national level group shows since 1985, including the workshop ‘Impressions-the New India’ 1992 sponsored by TATA steel. He held his first solo show in 1999 and has since exhibited in various cities in India. “The simplicity of life at Santiniketan was of fascination to me from my student days. Sketching the streets, road side eateries, people and their activities was my routine. My literature background helped me probe deeper into the simple appearances and activities of the common man. Gradually I manipulated the compositional structures to enhance the brooding narratives. I am an observer of society. My surroundings, people, their expressions and gestures, all play an important role in my paintings. My paintings are not documentary, but a reflection of changing times. I am transferring the essence of the city, the neighbourhood, and the spirit of the times I live in. I bring forth that which is often taken for granted to the centre stage for the viewer.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747327209991-CQ662GELPQU4TYXHNQTC/Tabatabai_Hadi_2.jpg 2025 Grant Recipients Hadi Tabatabai San Francisco, CA @abumisha From Blue, 2024 Polyester thread, acrylic paint and aluminum on dibond panel 24.125 x 21.625 x 1.125 in. Born in Mashhad, Iran in 1964, Hadi Tabatabai immigrated to the United States in 1977. He received a BS in Industrial Technology from California State University, Fresno, in 1985 and a BFA in Painting from the San Francisco Art Institute in 1995, spending his final semester at the Academy of Fine Arts in Prague, Czech Republic. Tabatabai’s work has been exhibited in London, Paris, Turin, Bonn, Frankfurt, and across the United States and is in numerous public and private collections internationally, including the San Francisco Museum of Modern Art. “During a trip to Vienna, I unexpectedly encountered a series of ink drawings by Agnes Martin. Although initially uninterested, the impact lingered. Six months later, at the Berkeley Art Museum, I found myself in a room with a collection of square paintings by Martin—horizontal bands of varying gray shades with pencil lines defining the edges at regular intervals. This experience profoundly affected me with its simplicity and directness. From then on, my art shifted from storytelling to mark-making—a singular narrative: the human experience. My artwork is a combination of drawing, painting, and sculpture that describes a place that is as much an idea as a physical location. I view the ‘line’ as empty space without an agenda or allegiance; it is neither here nor there. I have found that by paying attention to this tiny, subtle, yet detailed space, one is forced to turn away from the outside world and focus inward on one’s own interior space. Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747236840144-9B8PYEWXMW1LXHPP17SB/Weinberg_Michelle_1.jpg 2025 Grant Recipients Michelle Weinberg New York, NY @mwpinkblue Seeing Double, 2024 Colored pencil, crayon, and graphite on paper 22 x 16 in. Michelle Weinberg’s work has been presented in solo exhibitions at ArtBridge/Studio 502, New York, NY, Outer Space, Miami, Pulp Holyoke, Holyoke, MA, Schoolhouse Gallery, Provincetown, MA, Robert Rauschenberg Gallery, Ft. Myers, FL, and Corcoran Gallery of Art, Washington, D.C., among others. In addition to many public art commissions, she has done residencies at MacDowell, Yaddo, Mass MoCA, Fine Arts Work Center in Provincetown and Corsicana Artists and Writers in TX, among others. She is the recipient of two Pollock-Krasner Awards, a NYSCA Individual Artist Grant, a NYFA Fellowship, and others. “My painting and drawing is composed of eccentric, flickering patterns that become structural, architectures or stage sets. Pastel and hothouse color, personalized geometry, and hand-painted typography all conspire to create new spaces for making thoughts visible. Much of my expression concerns the artist's studio, as a site of playful physics. The observable reality of my surroundings leaks into my pictures, creating parables of my career, a forensics of my habitual workplace tools, processes, and arrangements. The stage set metaphor is apt, as many of my invented figures migrate throughout my works like actors on a stage, disappearing here, re-appearing there. I alternate between working in fully saturated color in a painterly way on paper and canvas, and making black line drawings using carbon transfer. In these, the imagery is transferred from one side of the page to the other: a process that resembles engraving/etching, yielding half-tones/ghost images, a kind of pseudo printmaking, possibly influenced by my architect father's blueprint machine in our home.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747236846321-H1NSG2GVPHD7RGJY3E2M/Weinberger_Uros%CC%8C_1.jpg 2025 Grant Recipients Uroš Weinberger Ljubljana, Slovenia @urosweinberger N. D. E., 2023 Oil on canvas 63 x 78 in. Uroš Weinberger (born 1975, Trbovlje, Slovenia) is a contemporary figural painter. His works bring out social awareness, dealing with local and global problems that influence our daily lives. He completed a Master’s degree in painting at the Academy of Fine Arts and Design in Ljubljana, Slovenia, in 2005. He received the Prešeren Student Award (2001) and he was recipient of the highest artistic recognition for important works of art, University of Ljubljana, Slovenia (2018). His art series include Seven Sisters, Projectories, Neoanthromes, among others. He continuously exhibits in Slovenian and international galleries and his artworks are included in public and private collections. “My artworks talk about fundamental questions about the nature of the future, the future of nature and the role of man in a post-technological world. My work problematizes the use of high-tech tools for the extraction and exploitation of natural resources, the discipline of »bodies« and the management of population and mass phenomena such as birth rate, morbidity, work capacity, migrations and public safety, as well as the economic and biological segregation of »bodies«. I am currently working on transforming the image into a media surface dominated by glitches, momentary or prolonged freezes of movement that create mosaic, static surfaces and patterns, and are considered a general cliché in media expression.” Website https://www.gottliebfoundation.org/prints daily 0.75 2025-09-25 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1478026973794-2VQCKJN3TSHLD0FWIIDQ/3861p_web.jpg Prints - Untitled (Arizona Lanscape) c. 1938 white-line linocut on paper 3 x 4 1/2" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1478026973794-2VQCKJN3TSHLD0FWIIDQ/3861p_web.jpg Prints - Untitled (Arizona Lanscape) c. 1938 white-line linocut on paper 3 x 4 1/2" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/0b9f8004-201a-4f3b-9810-5bf0a9c3304b/Untitled+4450Pa.jpg Prints - Untitled c. 1944 linocut on paper 7 5/8 x 6" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1717098181136-D0QVAMV06DUP2B4NPUO9/4528P-13.jpg Prints - Apparition 1945, etching and aquatint and lift-ground on cream laid paper 20 x 15" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1478023989543-OZ78490TQL3OZ9QK5THV/4684P_web.jpg Prints - Untitled c. 1945 Etching on paper 9 x 7" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1477511166944-MZRBYPQ98PKETMLJL6W9/6650P-39_web.jpg Prints - Black Ground - Red Disc 1966 Lithograph 28 x 20" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1477511408611-BUYU2K6TN63KI13A24FI/6660P-39_web.jpeg Prints - Chrome Yellow - Green Disc 1966 Lithograph 30 x 22" https://www.gottliebfoundation.org/monotypes-1 daily 0.75 2025-09-25 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1758826448120-OQT9UQL1TOTY20DWPJ8V/7313.jpg Monotypes - Untitled 1973 monotype in ink on paper plate size: 24 x 18“; paper size: 29 5/8 x 22“ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1758826448120-OQT9UQL1TOTY20DWPJ8V/7313.jpg Monotypes - Untitled 1973 monotype in ink on paper plate size: 24 x 18“; paper size: 29 5/8 x 22“ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1758826622284-9B22D97AC0JMI6QBRSHD/7315.1.jpg Monotypes - Untitled 1973 monotype in ink on paper plate: 18 x 24“; paper size: 19 7/8 x 28 7/8” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1476811094399-UN18MGEJ8I68CJXETHRM/7325.1_web.jpg Monotypes - Untitled 1973 monotype in ink on paper plate size: 24 x 18”; paper size: 31 x 22” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1758826846003-V1K7STNPURZWPL49FFY0/7408.jpg Monotypes - Untitled 1973 monotype in ink on paper plate size: 17 3/4 x 12“; paper size: 22 3/8 x 15 1/2” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1758826946860-JOT39B6ZH4GYC50GUWLD/7412.jpg Monotypes - Untitled 1974 monotype in ink on paper plate size: 17 3/4 x 12“; 22 1/4 x 15 1/4” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1476814122157-R962NO0YFA45WN3LII95/7409_web.jpg Monotypes - Untitled 1974 monotype in ink on paper 17 3⁄4 x 12” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1758827036512-WWFU4R1DK1Z5QHGK2B3X/7413.jpg Monotypes - Untitled 1974 monotype in ink on paper plate size: 17 3/4 x 12“; paper size: 22 1/4 x 15 3/8” https://www.gottliebfoundation.org/chronology daily 0.75 2020-01-21 https://www.gottliebfoundation.org/selected-artworks daily 0.75 2020-06-12 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1585939392649-TVQEH8ZPQ1GUTSZBIBLF/painting.jpg Selected Artworks https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1585939551961-H2IXGQ9MK7IVC0DEASSO/monotype+2.jpg Selected Artworks https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1585939428184-KGUC85HAKO5E36CVB8CY/Sculpture.jpg Selected Artworks https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1585939432882-1M8QJN9NLN1BX7DRPYD7/Work+on+paper.jpg Selected Artworks https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1585939436123-NYZYEZIOOLHFV3XYR0K9/special+project.jpg Selected Artworks https://www.gottliebfoundation.org/selected-artist-statements daily 0.75 2022-08-11 https://www.gottliebfoundation.org/writing-on-the-artist daily 0.75 2025-01-08 https://www.gottliebfoundation.org/rights-reproductions daily 0.75 2023-10-03 https://www.gottliebfoundation.org/contactus daily 0.75 2025-10-21 https://www.gottliebfoundation.org/upcoming-current daily 0.75 2026-03-31 https://www.gottliebfoundation.org/exhibition-history daily 0.75 2025-05-28 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1583419904465-IO7PN5VD4MSXQMXJLJB2/_BMe.jpg Exhibition History https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1583419909626-RX86652VP5ZM5C61IPNC/_GuggenheimSurvey1968i.jpg Exhibition History https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1583419915992-D9YIGNTJFB5T1LHLSES7/Venice047.jpg Exhibition History https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1583419931772-EFRPNQ83HAC8CNN1VCKE/_G5.jpg Exhibition History https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1583419942061-2A6M1DX4IL9QRXDDB3SB/_AG+12+Paintings1966c.jpeg Exhibition History https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1583422793765-AKSMGQQ66ZOLPBXXH5TV/_WhitneyAGSurvey1968e.jpg Exhibition History https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1583422795022-BUEODL3ON649ZUVPVQXA/_GuggenheimSurvey1968.jpg Exhibition History https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1583427208870-4E6PHN7968FWOHZNQBTJ/1968_Fredericks_09.jpg Exhibition History https://www.gottliebfoundation.org/grants daily 0.75 2022-08-11 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1484079740474-LL8OWIQC4VR7XQNNXVSL/image-asset.jpeg About Our Grants Esther and Adolph Gottlieb, c. 1963 https://www.gottliebfoundation.org/emergency-grant daily 0.75 2022-08-11 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1592574117798-OROXE0H74R43W4GHXSHH/gottlieb+emergency+grant.jpg Emergency Grant Adolph Gottlieb c. 1956 https://www.gottliebfoundation.org/about-the-artist daily 0.75 2025-12-19 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/bc9b5fb8-ed05-4325-b562-b167a087721e/photo+2+1930-10_Unknown_04.jpg About the Artist Adolph Gottlieb (standing) with Emil, Edna, Elsie and Rhoda Gottlieb and their New York apartment. October 1930. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/f8159d63-174f-4f0c-ba97-055e30f63935/1922_Unknown_Europe_01.jpg About the Artist - Make it stand out Photo of Adolph Gottlieb and his mother Elsie in Europe, 1922. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1524857352275-0KEBLT7RN1YQAZNXXIDK/1925+-+Gottlieb+and+friends+in+Central+Park.jpg About the Artist - Make it stand out Barnett Newman, Adolph Gottlieb, Alex Borodulin, Otto Soglow, and unidentified friend in Central Park, c. 1925. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1524857408389-XZJUVVWUNZLCI3HOMHGP/1930s+-+Esther+and+Adolph+Gottlieb+at+Brooklyn+Pier.jpg About the Artist Adolph and Esther Gottlieb with Mickey the dog at Brooklyn Pier, c. mid 1930s. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/d5146e69-d0fc-48dd-ae8f-344a5f62b8ac/photo+11+_1935-12-16+-+The+Ten+-+Montross+NYC.jpg About the Artist - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/d69e8148-ee85-4705-90c2-48dc3caf4173/1936+-+Adolph+Gottlieb+and+Milton+Avery+in+Three+Bridges+NJ.jpg About the Artist - Make it stand out Adolph Gottlieb and Milton Avery in Three Bridges, NJ, summer 1936. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/59bf87b5-f8ed-4eec-af66-abfb4af29b65/4151_Yerington-NV-PO-mural.jpg About the Artist - Make it stand out Adolph Gottlieb, Homestead on the Plain, c. 1941, oil on canvas, attached to the wall, 4 ‘ 8 3/4” x 12”, Yerrington, NV. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/69bb38ff-8848-4513-bc6c-9fa8fe11bf63/Gottlieb_4103_Oedipus.jpg About the Artist Adolph Gottlieb, Oedipus, 1941, oil on canvas, 34 x 26” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/a3184688-c40a-421d-a7e8-b1eaed468cd6/photo+14+1942_Siskind_Home_02.jpg About the Artist - Make it stand out Adolph Gottlieb in his home/studio in Brooklyn in front of Pictograph-Symbol (1942), 1942. Photographer: Aaron Siskind. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/cd325dc4-0c84-4db8-9103-e227ebab5fab/1940s_Unknown_Provincetown_22.jpg About the Artist - Make it stand out Adolph Gottlieb sailing in Provincetown, c. late 1940s. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/4eb91192-a119-4782-9e34-8f6e94df51f7/photo+24+1949_Unknown_ProvincetownForum49_02.jpg About the Artist - Make it stand out Adolph Gottlieb and fellow artists at the Provincetown Art Association’s Forum 49 art exhibition, either August 11 or September 1, 1949. Also visible are Weldon Kees, Karl Knaths, (both seated right of Gottlieb) and Robert Motherwell (seated back row far left). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/4f515b8b-da9c-4e86-bd1b-6a44d17f6635/Shutterstock_1950_Leen_Irascibles.jpg About the Artist - Make it stand out Irascibles photo for Life Magazine, November 24, 1950. Photographer: Nina Leen, Life Picture Collection. Back row (l-r): de Kooning, Gottlieb, Reinhardt, Sterne. Middle (l-r): Pousette-Dart, Baziotes, Pollock, Still, Motherwell, Tomlin. Front row (l-r): Stamos, Ernst, Newman, Brooks, Rothko. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/24cf344c-cd2d-4fbb-870e-ac5932fe21db/5107_Frozen+Sounds.jpg About the Artist - Make it stand out Adolph Gottlieb, The Frozen Sounds # 1, 1951, oil and enamel on canvas, 36 x 48”, Collection of the Whitney Museum of American Art https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1581699047302-QNDWGRNMERDOD9ME3HL7/1950s%2B-%2BAdolph%2BGottlieb%2Bworking%2Bon%2Bthe%2BSteinberg%2Bstained%2Bglass.jpg About the Artist Adolph Gottlieb in the studio at Heinigke & Smith inspecting stained glass for Steinberg House façade, c. 1953-1954. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/45377d2c-d905-4235-9454-bf2304908be7/5613.jpg About the Artist Adolph Gottlieb, Black, Blue, Red, 1956, oil and enamel on linen, 72 x 50”, Collection of the Museum Frieder Burda, Baden-Baden, Germany. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/d6b2d70f-7ae4-4e64-8f91-41af4aa1705b/x100_jewishmus1957b.jpeg About the Artist - Make it stand out Installation photo of “Adolph Gottlieb” at the Jewish Museum, November 1957. Burst (1957), Vigil (1948), Black Blue Red (1956), Armature (1954), and Tournament (1951). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/97609114-8977-4115-ae45-6d327c88b517/1966_Frasnay_23rdSt_01.jpg About the Artist - Make it stand out Adolph Gottlieb in his 23rd Street studio, New York, 1966. Photographer: Daniel Frasnay. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/40da5e93-d6cf-47f8-b5b5-6596283eb82a/x33_RDinterior1959.jpg About the Artist - Make it stand out Installation photos of the “Gottlieb: Ecole de New York” at Galerie Rive Droite, Paris, April 1959. Eclipse (1952), Threads of Theseus (1948), Totemic Figures (1948), Crimson Spinning (1959), and Polychromed Maze (1956). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/db018794-e079-4289-80ce-83a2beba3b35/1964-65_Waggaman_EastHampton_02.jpg About the Artist - Make it stand out Adolph Gottlieb at the rear of East Hampton house, in front of studio building, c. 1964. Photographer: John F. Waggaman. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/0628cca4-9770-4653-8b17-59b1315ee008/1961-3-6_McDarrah_Unknown_01.jpg About the Artist - Make it stand out Adolph Gottlieb and Mark Rothko at an unknown art opening, March 6, 1961. Photographer: Fred McDarrah. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1598897128772-A20CU5KL8YASE386E51O/1962+Adolph+Gottlieb+in+his+studio+painting++February+16%2C+1962.+Photographer+Fred+McDarrah.jpg About the Artist - Make it stand out Adolph Gottlieb in his studio painting unidentified painting next to Saturnalia and Duo (both 1962), February 16, 1962. Photographer: Fred McDarrah. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1529344637582-MDRDVPJV379BI9UKNHHG/saopaulo1-gif.gif About the Artist - Make it stand out Adolph Gottlieb receiving his Grande Prêmio at the VII São Paulo Bienal Award Ceremony, October 1963. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/67bf09eb-2b89-4503-b131-67dab30f859f/FIGURE+1+6327_Watteau_Assemblee.jpg About the Artist - Make it stand out Adolph Gottlieb, Watteau, Assemblée dans un Parc, 1963, acrylic on postcard, 3 1/2 x 5” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/6e9da21f-611c-4abf-9ef4-c863da7364ef/1958_Burckhardt_Clipping_02.jpg About the Artist - Make it stand out Adolph Gottlieb in his studio painting Ascent (1958), 1958. Photographer: Rudolph Burckhardt. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/80cb2089-c08a-4e07-986b-9beb01656439/1968_Frederick_01.jpg About the Artist - Make it stand out Adolph Gottlieb in his Bowery studio, March 1968. Photographer: Michael Fredericks. Artwork Shown: Asterisk on Red (1967), Green Ground (1968), and unknown editions of Green Ground Black Form and Magenta Disc (both 1966). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/f07f8d61-af87-4bed-8cc9-aef59dd12970/1967_+AG%26EG_EastHampton.jpg About the Artist - Make it stand out Adolph and Esther Gottlieb in East Hampton, NY, c. 1967. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1581700199830-7V82RTKJ43N9WNZTPH1Q/1968%2B-%2BGottlieb%2Bretrospective%2Bat%2BGuggenheim%2Band%2BWhitney%2Bmuseums%2BNew%2BYork.jpg About the Artist (left) Adolph Gottlieb at The Solomon R. Guggenheim Museum, 1968, Photo by Bud Waintrob. (right) Adolph Gottlieb at the Whitney Museum of American Art, 1968, Photo by Bud Waintrob. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/52b9d4d0-f0eb-4257-96e3-63cf0157a5bd/1970_Newman_MetMuseum_14.jpeg About the Artist - Make it stand out Adolph Gottlieb with Petaloid (1968) and Sign (1962) in “New York Painting and Sculpture: 1940-1970” at the Metropolitan Museum of Art, 1969. Photographer: Arnold Newman. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/d82a8482-a567-49b4-8807-be7b3bf6d737/photo+63a+1970_BuddStudios_380WBroadway_02.jpg About the Artist - Make it stand out Moving into 380 West Broadway, 1970. Photographer: Bud Waintrob. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/2bf74dfd-4cb2-4896-bccb-ae7ab2421784/photo+64+1973_Dominis_WBway_01.jpg About the Artist Adolph Gottlieb and studio assistant Laura Westby at 380 West Broadway working on Gray Bars (1973), 1973. Photographer: John Dominis. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/60cf8a59-a588-48dd-8382-7c529d5e4ed3/photo+67+x62_MoMaGottlieb+Memorial+1974a.jpeg About the Artist - Make it stand out Installation image of “Adolph Gottlieb: 1903-1974” memorial exhibition at MoMA, March 1974. Man Looking at Woman (1949), Descending Arrow (1956), and Composition (1955). https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/4dee5186-c57b-4489-b85d-36092e20ecdb/photo+68+1980s_Unknown_04.jpg About the Artist - Make it stand out Esther Gottlieb at 380 West Broadway studio, c. 1980s. Untitled (Esther with Gourd on Table) (1938) visible on easel. https://www.gottliebfoundation.org/painting-1920-1939 daily 0.75 2025-05-15 https://www.gottliebfoundation.org/painting-1940-1949 daily 0.75 2025-05-15 https://www.gottliebfoundation.org/painting-1950-1959 daily 0.75 2025-05-15 https://www.gottliebfoundation.org/painting-1960-1969 daily 0.75 2025-05-15 https://www.gottliebfoundation.org/painting-1970-1974 daily 0.75 2025-05-15 https://www.gottliebfoundation.org/limited-edition-12-1945 daily 0.75 2017-12-11 https://www.gottliebfoundation.org/artist-photos daily 0.75 2024-03-19 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1475173297385-JJFBAODS5SYFHHN2TMW3/1925_Unknown_01_web.jpg Artist Photos - Barnett Newman, Adolph Gottlieb, Alex Borodulin, Otto Soglow&amp; unidentified friend Central Park, 1925 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1475173466215-4YMB43RYRRT7A7XM8LOY/1932_Unknown_845WestEndAve_01_web.jpg Artist Photos - Adolph and Esther Gottlieb<br>New York, 1932 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1475173748326-FK4PYIW404CHLD0T1FT0/1930s_Unknown_BrooklynPier_01_web.jpg Artist Photos - Adolph and Esther Gottlieb<br> with dog Mickey <br>Brooklyn docks, mid-1930s https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1475174566608-OJ1EL66XZVVULAU0KVOC/1936_Unknown_ThreeBridgesNJ_03_web.jpg Artist Photos - Adolph Gottlieb and Milton Avery <br> Three Bridges, NJ, 1936 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1475175577837-4MHM7SJ33M52C6Y8ADGA/1942_Siskind_Home_05_web.jpg Artist Photos - Adolph Gottlieb with his works c. 1942Photo by Aaron Siskind © Aaron Siskind Foundation https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1475174740742-E7VJGS0UB174515FYRPD/1935_Unknown_Gloucester_36_web.jpg Artist Photos - Adolph and Esther Gottlieb<br> Provincetown, MA <br>1948 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1475177612125-H34LKN64GT7MHMRDN0YZ/1935_Unknown_Gloucester_02_edited.jpeg Artist Photos - Adolph Gottlieb sailing <br> Provincetown, MA<br>c. 1948 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1710867951212-ECTMFN61C79VXUCTDK5Q/1958_Unknown_01.jpg Artist Photos - Adolph Gottlieb with his painting"Positive" (1958)1958 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1478201415178-5Y832IGG2KJ7JGT6PRYW/1960s_Unknown_EastHampton_05_small.jpg Artist Photos - Adolph Gottlieb in his<br> East Hampton home<br>1960s https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1475176060676-CV6Y5VN554H28MN9AUWP/1959_Lazarus_01_web.jpg Artist Photos - Adolph Gottlieb in his 23rd St studio<br> 1965 <br> Photo by Marvin Lazarus <br> © Roberta Fast Lazarus https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1475177953232-DXVOEW9SIVCNKSO6U9K6/1960s_Unknown_EastHampton_03_Web.jpg Artist Photos - Adolph and Esther Gottlieb<br>East Hampton, NY<br>1960s https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1475177372846-OGDWD36M1FUYU4XBHGLC/1973_GottliebStudio_01_web.jpeg Artist Photos - Adolph and Esther Gottlieb <br> East Hampton studio <br> 1973 https://www.gottliebfoundation.org/individual-support-grant-1 daily 0.75 2026-03-24 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1591981957180-07X6VHQKCEZ75P41SG83/Adolph%2BGottlieb%2Bin%2Bhis%2BNew%2BYork%2BCity%2Bstudio%252C%2B1958 Individual Support Grant Adolph Gottlieb in his New York City studio, 1958 https://www.gottliebfoundation.org/tigers-eye-12-1947 daily 0.75 2017-12-11 https://www.gottliebfoundation.org/unintelligiblity-5-1948 daily 0.75 2017-12-11 https://www.gottliebfoundation.org/the-new-decade-1955 daily 0.75 2017-12-11 https://www.gottliebfoundation.org/martin-friedman-8-1962 daily 0.75 2017-12-11 https://www.gottliebfoundation.org/washington-post-7-31-1966 daily 0.75 2017-12-11 https://www.gottliebfoundation.org/exhibition-catalogues daily 0.75 2025-09-24 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1475258704110-6AM4T50SJ7CD4ZFPT8CR/image-asset.jpeg Exhibition Catalogues Adolph Gottlieb: Sculptor 2012 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1475258734343-27V3KXO93ZJ582GFNOVY/image-asset.jpeg Exhibition Catalogues Adolph Gottlieb: Early Prints 2006 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/9b9fd83d-c9b2-440b-ba83-ac96599ca3f7/GRMandCO_Books_112924+187.jpg Exhibition Catalogues - Make it stand out Adolph Gottlieb: A Powerful Will to Art 2024 https://www.gottliebfoundation.org/collections-not-us daily 0.75 2016-10-03 https://www.gottliebfoundation.org/collections-us-1 daily 0.75 2023-07-28 https://www.gottliebfoundation.org/archival-documents daily 0.75 2024-01-24 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1501779785611-XF0JYBLVBOFU556DW8S1/x153_GallerySecession_1935_web.jpg Archival Documents - Announcement for an exhibition <br> at Gallery Secession in New York <br> 1935 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1475685356841-XVGSHC2LNE5SZYHEKW4X/TheTen_1936_Invite_Web.jpg Archival Documents - Invitation for "The Ten"<br>Montross Gallery<br>New York, NY<br>1936 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1501868014708-203CDT33HD520GEZDBNM/1937_Bodin_VT_Combo.jpg Archival Documents - Postcard to Paul Bodin from <br> The Gottliebs <br> c. 1937 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1480620842847-ZSDHGV83JY2RFR8AKPCA/x19_Kootz_1947_Front_web.jpeg Archival Documents - Invitation to a Gottlieb exhibition<br>at Kootz Gallery<br>1947 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1475685356884-H6REK6GD9MKDZP2VFRKA/x0_Forum49_1949_Web.jpeg Archival Documents - Flyer for Forum 49<br>1949 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1501781503930-2NWZ58X4OP1H2JI7B7J6/irascible_letter_web.jpg Archival Documents - Letter to Roland L. Redmond <br> at the Metropolitan Museum of Art<br>1950 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1526930997667-N9CMKU28A5CQMPCYSLCF/Posted+2015-12-07+-+18+Painters+in+Museum+Strike.jpg Archival Documents - "18 Painters in Museum Strike"<br />Published in "The Daily News"<br />1950 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1480621427274-6K9TZUB8JG60EQ9Y55IV/x24_Kootz_1951+stitched.jpg Archival Documents - Invitation for Gottlieb exhibition <br>at Kootz Gallery<br>Top - Front, Bottom - Back<br>1951 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1480620399853-HAYLXYE4JY3UJ7P31F4T/1951-11-1+AG+to+Thomas+Thompoon+re+philosophies+on+art-1+stitched.jpg Archival Documents - Letter from Gottlieb to Thomas Thompson philosophies of art 1951 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1478285606799-2JK8723M0XQ4YN03IWRQ/notecard2_1954.jpg Archival Documents - Notecard from a talk<br>1954 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1501869037415-R0013AIEJE92ENI47AXN/1965_Polarities_Notes.jpg Archival Documents - Excerpt from Gottlieb's <br>notebook on "Polarities."<br>1956 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1526931135565-AH8IPJHS5TJAWNC2LTVQ/Posted+2016-10+-+Letter+to+John+Baur.jpg Archival Documents - Letter to curator John Baur<br /> regarding the exhibition <br /> "Nature in Abstraction"<br />1957 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1501786372394-9QEVQCB2P7AQQQ0PYTU6/agtogoosen.jpg Archival Documents - Letter from Gottlieb to <br>the art critic Eugene Goossen<br>1957 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1476384243405-3FQM52AGKORBJ0EO2VAL/x35_ICA_1959_02_web.jpeg Archival Documents - Invitation for Gottlieb's solo exhibition<br> at the Institute of Contemporary Art<br>London, England<br>1959 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1480620982386-MWEBMZ93O9SSXT7XX1BR/x33_RiveDroite_1959_web.jpg Archival Documents - Invitation to a Gottlieb exhibition<br>at Galerie Rive Droite in Paris<br>1959 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1480621660539-KT64PW892SCJNWXCT24K/x49_WhitneyRet_1968_3_Front.jpg Archival Documents - Invitation for the Gottlieb retrospective<br>The Whitney Museum of American Art<br>1968 https://www.gottliebfoundation.org/bibliography daily 0.75 2025-01-14 https://www.gottliebfoundation.org/catalogue-raisonn daily 0.75 2025-06-16 https://www.gottliebfoundation.org/selected-paintings daily 0.75 2022-08-04 https://www.gottliebfoundation.org/selected-prints daily 0.75 2025-09-25 https://www.gottliebfoundation.org/selected-sculpture daily 0.75 2022-08-04 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1476814726517-EQ9837G1ZXVHLOKWR1DW/6854_web.jpg Selected Sculpture - <br><i>Untitled</i> <br> 1968<br>Painted aluminium<br>33 x 45 x 27" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1476815586704-2JN0UXDFL8AAXSYZH8KD/6870_web_3.jpeg Selected Sculpture - <br><i>Arabesque</i> <br> 1968<br>Painted steel<br>26 x 38 x 12" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1476817243953-R8PZW6KXCWB8E44WZ3BV/6856_web.jpg Selected Sculpture - <br><i>Untitled</i> <br> 1968<br>Painted aluminium<br>24 x 42 x 22" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1477673743242-DD6JXS8ZO5YW2B3G8K05/6865_web.jpg Selected Sculpture - <br><i>Untitled</i> <br> 1968<br>Painted wood<br>8 x 9 x 3" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1476815735662-YY7JPSZPT372VL9AQTEK/6878_web_2.jpeg Selected Sculpture - <br><i>Petaloid</i> <br> 1968<br>Painted aluminium<br>15 x 15 x 6" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1478720575109-BJD3EUFNZ5G5510CWF3B/6850_web.jpg Selected Sculpture - <br><i>Petaloid</I> (East Hampton installation)<br>1968<br>96 x 96 x 48"<br>Painted steel https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1476819324114-GE468R2B9ALY19WZJ0CC/6871_web.jpg Selected Sculpture - <br><i>Wall</i> <br> 1968<br>Painted aluminium<br>26 x 40 x 24" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1476819681676-G0NJRK9C84NBAN8X6YS3/6869_web.jpg Selected Sculpture - <br><i>Petaloid with Curved Arrow</i> <br> 1968<br>Painted aluminium<br>28 x 25 x 20" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1477675400295-X66K41IJIIOG9CAS9UWZ/6877_web.jpg Selected Sculpture - <br><i>Two Arcs</i> <br> 1968<br>Painted aluminium<br>26 x 37 x 24" https://www.gottliebfoundation.org/selected-wop daily 0.75 2022-08-04 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1478113697525-J15L15J5AJTM06SRL6CR/2351_web.jpg Selected Works on Paper - <br><i>Self-Portrait</i><br>1923<br>Pencil on paper<br>10 x 6" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1478027221673-ZJ7DC0HOY7DVOS2QEXYI/2951_web.jpg Selected Works on Paper - <br><i>Seated Woman</i><br>c. 1929<br>Charcoal on paper<br>12 x 9" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1478029888095-5QZFMADH42EJ9RURPRN4/3210_web.jpg Selected Works on Paper - <br><i>Untitled</i><br>1932<br>Watercolor on paper<br>Unknown dims https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1478030164110-A99X8QTLY1V8VBP02JP8/3758_web.jpg Selected Works on Paper - <br><i>Portrait of Esther</i><br>c. 1937<br>Gouache on paper<br>8 x 5" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1478030466496-8G95S9BVQ6WNC7KR0KX1/4050Pa_web.jpg Selected Works on Paper - <br><i>Montage</i><br>c. 1944<br>Etching on paper<br>6 x 7" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1478024926956-48XNATB17TO6HY7CZMYY/4580_web.jpg Selected Works on Paper - <br><i>Birds</i><br>1945<br>Gouache on paper<br>26 x 20" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1478026533995-7JT794ANK0SPVV6FPY6W/4883_web.jpg Selected Works on Paper - <br><i>Untitled</i><br>1948<br>Gouache on paper<br>18 x 24" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1478024926993-KWMGDD12B16S7D1QNDDM/4770_web.jpg Selected Works on Paper - <br><i>Untitled</i><br>c. 1948<br>Mixed media on paper<br>24 x 18" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1477671543241-450CDJLUUO05XK5MG5W8/5303.1_web.jpg Selected Works on Paper - <br><i>Disparate Images</i> <br> 1953<br>Gouache on paper<br>21 x 28" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1477671942176-YDWHBYC0RY7QJR6KMTTX/5611.1_web.jpg Selected Works on Paper - Ascent 1956Gouache on paper29 x 20" 1956 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1477672162203-FZR8T97KT2OKPV7H3ONH/5612.1_web.jpg Selected Works on Paper - <br><i>Heavy Sky</i> <br> 1956<br>Gouache and watercolor on paper<br>22 x 31" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1585930368519-BMX1MLW11ZMG9PC7C0OP/van+dyck-+lucas+van+uffel.jpg Selected Works on Paper Van Dyck - “Lucas Van Uffel” 1963 Acrylic on postcard 4 x 3” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1585930583779-9VBACRURH1MEVWS2BI45/chevel%2Bet%2Bcavalier%2Bpar%2Btschoa%2BMong.jpg Selected Works on Paper - Chevel et Cavalier par Tchoa-Mong1963Acrylic on postcard5 x 3” Chevel et Cavalier par Tchoa-Mong 1963 Acrylic on postcard 5 x 3” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1477672649873-GTCJDO23HNUSP4R517A9/6631_web.jpg Selected Works on Paper - <br><i>Untitled</i> <br> 1966<br>Acrylic and gouache on paper<br>20 x 26" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1477672976580-Y6GQOHHXLC7I42A7CMK4/6722.1_web.jpg Selected Works on Paper - <br><i>Green Dream</i> <br> 1967<br>Acrylic on paper<br>24 x 19" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1477673225742-1UIUQDPGMQZJG47X0O0F/6779_web.jpg Selected Works on Paper - <br><i>Untitled</i> <br> 1967<br>Acrylic on paper<br>15 x 20" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1477671225085-OMRG4AJEW1Y0GPUWFZ15/6824_web.jpg Selected Works on Paper - <br><i>Untitled</i> <br> 1968<br>Acrylic on paper<br>7 x 9" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1477670936917-LEKAGPXDV159DNPXMGFM/7304.1_web.jpg Selected Works on Paper - <br><i>Untitled</i> <br> 1973<br>Acrylic on paper<br>18 x 24" https://www.gottliebfoundation.org/miscellaneous daily 0.75 2022-08-04 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1478191377117-4DAZYMWN1Q1879R3GVGP/5153_web.jpg Special Projects - <br><i>Millburn Ark Curtain</i><br>c. 1951<br>Silk and velvet<br>58 x 70" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1478116460122-WHDGBUAEW8SY1HHKZOS5/1953_Beth+El+Ark+Curtain_NewYorkTimes_web.jpg Special Projects - <br>Springfield Arc Curtain<br>c. 1952<br> https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1478115409867-XLHJ7KXJFSUX0LFBKL1I/5307_web.jpg Special Projects - <br><i>Untitled</i><br>1953<br>Stained glass<br>29 x 24" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1478197540096-J38FEETFCE21K4A6T7J5/5341_web.jpg Special Projects - <br>Drawing for sliding panel tapestry<br>c. 1953<br>Mixed media on board<br>20 x 29" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1478197503172-1WQPWUI2NOCMLBB7AP3R/5340_web_2.jpg Special Projects - <br>Drawing for sliding panel tapestry<br>c. 1953<br>Mixed media on board<br>20 x 29" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1478115349463-OR2NHDRLAUAESUBQ0U6V/5364_web.jpg Special Projects - <br>Sliding panel tapestry for Temple Beth-El<br>1953<br>Woven wood plaques https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1478116746113-S4XR9AG0BMCAKOBZXSX0/5356_web.jpg Special Projects - <br>Proposal for the Steinberg House window<br>c. 1953<br>Gouache and pencil on board<br>39 x 26" https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1478191761843-QF6RW7VCAX2D54LHEODB/5412_web.jpg Special Projects - <br>Milton Steinberg House façade<br>1954<br>Glass<br>5 stories tall glass façade https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1478195286769-01WI52TQSG7M5I8JBB8T/1956_KingswayWindows_48_web_1.jpg Special Projects - <br>Kingsway Synagogue windows, west wall<br>1956<br>Glass<br>70 x 144" each https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1478192471098-NMKH7QPLM606B3NQQL4I/6886_web.jpg Special Projects - <br><i>Burst</i><br>1968<br>Tapestry<br>94 x 72" https://www.gottliebfoundation.org/artist-relief daily 0.75 2025-11-19 https://www.gottliebfoundation.org/newsletter daily 0.75 2025-02-25 https://www.gottliebfoundation.org/2005ag1956hydecollection daily 0.75 2020-07-09 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1588176460998-DBYT0U6N26WFABXGWS1F/image.png Special Exhibitions Walkthrough Cover of Adolph Gottlieb: 1956 exhibition catalog. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1587743544552-39RCNXD3119ND111XVAB/2005_HydeCollection_1956_18.jpg Special Exhibitions Walkthrough https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1587747424588-Q9N8RNA7Q4M9HN69VDX2/2005_HydeCollection_1956_25.jpg Special Exhibitions Walkthrough https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1587742762819-N8FIEPWZEVI1IHMT43VK/2005_HydeCollection_1956_03.jpg Special Exhibitions Walkthrough https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1587742762693-3DCW547D3HQR1QZYUWOE/2005_HydeCollection_1956_04.jpg Special Exhibitions Walkthrough https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1587742770362-BM7ELLG3LSVP1K6UBCPP/2005_HydeCollection_1956_05.jpg Special Exhibitions Walkthrough https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1587742779411-SGJ3LDI4U5UH3MY83A5N/2005_HydeCollection_1956_07.jpg Special Exhibitions Walkthrough https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1587742786167-HOQ8IEKDC85AFNRUFI91/2005_HydeCollection_1956_09.jpg Special Exhibitions Walkthrough https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1587742786233-7825KL9NDU3IX0SKI90M/2005_HydeCollection_1956_10.jpg Special Exhibitions Walkthrough https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1587742792090-0NAQYM9N1EOMEPR3AAS9/2005_HydeCollection_1956_11.jpg Special Exhibitions Walkthrough https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1587742792537-6Z2YEG7Z9R71JMI8IL5U/2005_HydeCollection_1956_12.jpg Special Exhibitions Walkthrough https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1587742799631-WZMRQKS5K4V9IO5FLZON/2005_HydeCollection_1956_14.jpg Special Exhibitions Walkthrough https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1587742803004-HR1BBGPL7FO1Z07CHAGA/2005_HydeCollection_1956_15.jpg Special Exhibitions Walkthrough https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1587742807937-A30Z00TQ1JRNCVZKXUGH/2005_HydeCollection_1956_16.jpg Special Exhibitions Walkthrough https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1587742813531-GMHRRKI8PEM7OPIPGBB6/2005_HydeCollection_1956_18.jpg Special Exhibitions Walkthrough https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1587742817447-PVJ890Z9WBYJQ2O0NMD7/2005_HydeCollection_1956_19.jpg Special Exhibitions Walkthrough https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1587742836561-T0UATYRW1100YQJWC8SW/2005_HydeCollection_1956_25.jpg Special Exhibitions Walkthrough https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1587742844978-9LAX2ZHTRKAXGP4Y3VWM/2005_HydeCollection_1956_27.jpg Special Exhibitions Walkthrough https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1587742845015-OXY3Y9CG833B5PGGOK6C/2005_HydeCollection_1956_28.jpg Special Exhibitions Walkthrough https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1587742849237-BMJHSRM4GFDS0UYTT4DZ/2005_HydeCollection_1956_29.jpg Special Exhibitions Walkthrough https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1587742846179-H598D3KYE5FWLMHAO1V7/x126_P9260085copy.jpg Special Exhibitions Walkthrough https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1587742846844-KXNO320CQ6JLKD5BB4US/x126_P9260086copy.jpg Special Exhibitions Walkthrough https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1587742847382-F95I7Y9VL9W59I5TCL31/x126_P9260087copy.jpg Special Exhibitions Walkthrough https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1588256394474-WJC3Q8FGPRYAN9ORWRWB/2005_HydeCollection_1956_23A.jpeg Special Exhibitions Walkthrough https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1588256525093-2COBKYSA9LVY20LT2UL1/wall+text.PNG Special Exhibitions Walkthrough https://www.gottliebfoundation.org/archives-and-photos daily 0.75 2020-06-17 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1592398879391-S918W37SJ5GKC877NE5C/1960s_Brown_EastHampton_04%2Bedited.jpg Archives and Photos https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1592398922929-WCKOZJM4YZFXB2Q6FO2K/1965_Polarities_Notes.jpg Archives and Photos https://www.gottliebfoundation.org/pace-gallery-show daily 0.75 2020-04-24 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1554310519855-FRKLWJYYBYF6PGX8WB9A/Screen+Shot+2019-04-03+at+12.45.07+PM.png Pace Gallery Show https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1552411720482-3LLU2PMUYBJIWVOZ4LHH/GOTTLIEB_inst_2019_A.jpg Pace Gallery Show https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1552411734364-B6VTNM2Z2VDNM3B0TJ6U/GOTTLIEB_inst_2019_C.jpg Pace Gallery Show 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https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1554310267998-9XNPR4HIXREICL9ZN2Y6/Screen+Shot+2019-04-03+at+12.47.38+PM.png Pace Gallery Show https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1554310431159-THN68T3X30OXGFIDNTLD/Screen+Shot+2019-04-03+at+12.48.48+PM.png Pace Gallery Show https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1554310486335-P8W8MX9CP8FZBQWSEA5L/Screen+Shot+2019-04-03+at+12.45.36+PM.png Pace Gallery Show https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1554310494179-GRAE51UP00JGWEPJUDJA/Screen+Shot+2019-04-03+at+12.49.50+PM.png Pace Gallery Show https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1554310503692-3Z9F3OYQAPP52SKG2P69/Screen+Shot+2019-04-03+at+12.46.18+PM.png Pace Gallery Show https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1554310507261-MQKWT98ZPF7Y71TB8DN7/Screen+Shot+2019-04-03+at+12.50.09+PM.png Pace Gallery Show https://www.gottliebfoundation.org/covid19 daily 0.75 2020-06-04 https://www.gottliebfoundation.org/bibliography-1 daily 0.75 2020-07-05 https://www.gottliebfoundation.org/andrewhudson daily 0.75 2020-10-01 https://www.gottliebfoundation.org/grants-faq daily 0.75 2021-09-03 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1591981957180-07X6VHQKCEZ75P41SG83/Adolph%2BGottlieb%2Bin%2Bhis%2BNew%2BYork%2BCity%2Bstudio%252C%2B1958 Grants FAQ https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1602616371801-FWP1DI2XQNDYX6MP6NET/provincetown.jpg Grants FAQ https://www.gottliebfoundation.org/isgrantfaq daily 0.75 2025-10-14 https://www.gottliebfoundation.org/emergency-grant-faq daily 0.75 2022-08-11 https://www.gottliebfoundation.org/privacypolicy daily 0.75 2021-10-13 https://www.gottliebfoundation.org/news-2 daily 0.75 2021-12-13 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1598989144916-U5L9FGR1Z4Y4VQVBINA9/_Neufville_1960_Front.jpeg Special Exhibitions Walkthrough (Copy) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1598985247429-GFC6T4DU2Z2Q3RIZ0MAJ/_Neufville_1960_Inside.jpeg Special Exhibitions Walkthrough (Copy) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1596671022651-M4AAWMDN9D90LS5OUOEA/_Galerie+Neufville+1960+b.jpg Special Exhibitions Walkthrough (Copy) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1596670995890-US6I2F2EBHH5MEMLVHFQ/_Galerie+Neufville+1960+a.jpg Special Exhibitions Walkthrough (Copy) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1596671024815-SH8Q0IQFCAMNE9TAYI8E/_NeufviileParis1960.jpg Special Exhibitions Walkthrough (Copy) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1596671025801-SQX9S81P49VOWR6BCSUB/_NeufviileParis19602.jpg Special Exhibitions Walkthrough (Copy) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1596671027469-9YH20VG1PH1ZYPU6K8FU/_NeufviileParis19603.jpg Special Exhibitions Walkthrough (Copy) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1596671027778-QZA8BNG3GZNB0LBYOE83/_NeufviileParis19604.jpg Special Exhibitions Walkthrough (Copy) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1599784649422-TQXWNB1RS4EKLHETIK6K/larry+rubin+to+ag+november+1.JPG Special Exhibitions Walkthrough (Copy) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1600041998641-2NQN3YHOWI7F3I37LV8W/larry+rubin+to+ag+november+2.JPG Special Exhibitions Walkthrough (Copy) https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1600192099260-6R4ANL1PID9EBRM4NVDH/image-asset+copy.jpg Special Exhibitions Walkthrough (Copy) “Gottlieb belongs to the same group as Kline, Pollock, and Gorky (these last two are no longer of this world). His art is more subtle, more refined and more civilized than that of his peers, the American Abstract Expressionists. It bears the hallmark of China. Huge black, yellow, green and orange suns illuminate unusual landscapes, made of black ink spots or splashes of rich polychromy” - review of “Gottlieb” in COMBAT, 1963 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1600192083803-ZE09HY18TSAY26JJ334B/carrefour+copy.jpg Special Exhibitions Walkthrough (Copy) “That this artist was influenced by Asian painting, that he therefore strove to find a new space, is not in doubt. Rather than varying his themes and effects, he prefers to place on the background of each of his paintings, above a calm solar or lunar disk, below a violent black serif, to draw from this contrast a strong poetic feeling. If his process, repeated, risks generating some monotony, we nonetheless appreciate his specific pictorial qualities, as well as his laudable concern for elegant simplicity. Nothing arbitrary, nothing neglected in the art of this painter, one of the most interesting of the American school” - review of “Gottlieb” in “Expositions”, CARREFOUR, November 23, 1960 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1600042313975-6V54SH2DZPH9SI1K2PUV/5814.jpg Special Exhibitions Walkthrough (Copy) - RISING (Copy) 1958 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1600042634666-J014RHWF7LN1VHMGMOVG/6001.jpg Special Exhibitions Walkthrough (Copy) - CRESCENDO (Copy) 1960 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1600042356953-QP2FWW6XF9RET6VH4SSS/6004_sothebys.jpg Special Exhibitions Walkthrough (Copy) - GREEN OVER BLACK (Copy) 1960 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1600178034477-9XL51K6O717FBE478JRM/5907_hirshhorn+website+image.jpg Special Exhibitions Walkthrough (Copy) - SPRAY (Copy) 1959 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1600205719903-TFHW8Q0DJ9XIU39U0NXZ/5917+Prismatic.jpg Special Exhibitions Walkthrough (Copy) - PRISMATIC (Copy) 1959 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1600205798959-U8XDPDJ3EFP2NQ9U0YV3/image+%281%29.jpg Special Exhibitions Walkthrough (Copy) - ANTIPODES (Copy) 1959 https://www.gottliebfoundation.org/resources-for-artists-in-ukraine daily 0.75 2022-08-11 https://www.gottliebfoundation.org/2023-grant-recipients-1 daily 0.75 2023-05-22 https://www.gottliebfoundation.org/home-om daily 1.0 2025-08-01 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1614007473350-R7SHQ4J984BFST4DNHAN/1952_Berezov_ProvincetownMA_10.jpg Home https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1591994650093-596UAKPRUU1ANVJMIL4C/1960-10_Weill_02edited.jpeg Home - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1591992158428-041REK56SFUGSK2QKQJA/1960-10_Weill_07+copy.jpeg Home - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1591992178837-IWGUMCVYX4QZ3X7J3NR9/1960-10_Weill_13+copy.jpg Home - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/18d4676b-d3cd-4b5a-93e9-23fa7b714d1a/GRMandCO_Books_112924+218.jpg Home - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747160149938-SFJXOA3HVU7WE6ERKFJT/Adibi_Elise_1.jpg Home Elise Adibi Pittsburgh, PA Blue Tansy Mirasol Grid, 2024 Graphite, oil paint and blue tansy and lemon essential plant oil raw canvas sized with rabbit skin glue 40 x 40 in. Elise Adibi holds a Master of Architecture from the University of Pennsylvania and an MFA from Columbia University. She is the recipient of fellowships and grants from the Terra Foundation, the Pollock-Krasner Foundation, The Radcliffe Institute of Advanced Study, and the Pittsburgh Foundation, among others. Her work has been shown in galleries in New York, Los Angeles, and Frankfurt, Germany, in addition to solo exhibitions at The Frick Pittsburgh and Allegheny College. “I am an abstract painter. I am an explorer at heart. In my paintings, I investigate perception and optical experience, as well as the conceptual realm of ideas. Throughout my career, I have sought to bring abstract forms to life. My paintings invite contemplation about the connection between matter and consciousness, life and death, the passage of time, and the process of change. In my paintings, I collaborate with natural materials and create works that can change and adapt. They are resilient. I feel this is a message that extends beyond painting and has contemporary relevance for humans today.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747160390750-K1NJD87FJ4QD9H9CREK1/Blackwe_J_Stoner_01.jpg Home J Stoner Blackwell Bennington, VT @jstonerblackwell Neveruses (Flex Courageous), 2024 Plastic, wool, silk, acrylic, yarn and paint 32 x 24 in. J Stoner Blackwell was born in 1972 in New Orleans, LA. Currently based in Bennington, VT, Blackwell is a faculty member in Visual Arts at Bennington College. Honors include fellowships from the Guggenheim Foundation and Pollock-Krasner Foundation as well as residencies at Delfina Foundation, Yaddo, the Josef and Anni Albers Foundation, and Santa Fe Art Institute, among others. Blackwell’s work has been exhibited at the Museum of Arts and Design, New York, Mackintosh Gallery, Glasgow School of Art, Contemporary Arts Center in New Orleans, and MoMA PS1. Their work was included in Vitamin T: Threads + Textiles in Contemporary Art, published by Phaidon Press. “I am a painter in the broadest sense of the term. Investigating the intersections of painting, textiles, installation, and found objects, I focus on the meaning of materials and their possibilities through manual manipulation and visual play. In my studio, androgynous hybrid painting-objects called Neveruses (pronounced “never uses”) emerge from a mass of recovered plastic bags, colorful fibers, and paint. The work reconsiders conventions of waste, craft, and pleasure.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747160406541-F1LZ8MN4M5QCCSX8CQNY/bunting_buddy_1.jpg Home Buddy Bunting Seattle, WA @buddybunting Basketball court, county jail, Ephrata, Washington, 2024 Oil on linen 11 x 14 in. Buddy Bunting’s work has been exhibited at Tacoma Art Museum, PS122 in New York, and the Chrysler Museum in Norfolk, VA. Upon leaving art school, he worked for the National Park Service and as a field technician and scientific illustrator at the Virginia Institute of Marine Science. After moving to Seattle in 1997, he began a group of landscape paintings of prisons throughout the American West. Starting as a travelogue of small field sketches, these works grew in size over the next decade to 30-foot-long panoramas. “When I was in art school in Baltimore in the 1980s a new prison was built near my hometown, in rural Somerset county, Maryland. Five years after it opened, a childhood friend began serving 25 years there, having pleaded guilty to manslaughter. This circumstance led to my first visit and subsequent drawing of a prison. That drawing grew into a long fascination with the western landscape, its mythology of transcendence, openness, and expansion. When I moved to the Pacific Northwest in 1997, my interest in these ideas and the booming American penal system grew. In 2010, I shifted to using oil paint and working quickly on a more modest scale. I painted new subjects related to the penitentiaries I’d been to: basketball courts, skateboard parks, churches, schools, and motel rooms. I worked to capture the character and nuance of these places, the feeling of sunlight on concrete at a certain time of day, even the smell of the air.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747235300594-O92SR5KB4SLQ822UL3Y9/Cano_Edgar_2.jpeg Home Edgar Cano Natchitoches, LA @edgarcanostudio The queen is he, 2024 Oil on linen 60 × 55 in. Edgar Cano began his journey in the visual arts by creating illustrations and scenography for university theater while studying at the Faculty of Arts in Xalapa, Veracruz, Mexico. A recipient of multiple scholarships and awards, he has presented eighteen solo exhibitions in Mexico and abroad and has participated in over fifty group shows in various international cities. Cano moved to Louisiana to pursue an MA in Visual Arts at Northwestern State University of Louisiana on a full scholarship. He currently lives in Natchitoches with his family and serves as an Assistant Professor of Art at NSULA. “The painting I do is simultaneously interested in its own process and in events that come from unusual aspects of everyday life. I use my own or others' experiences, coming from old archives as well as from my photographic collection, as a visual narrative. With my images, I try to generate a chronicle. This language expands the message or accentuates a sort of script in order to create different evocations and a kind of convergence point where the author, the viewer, and the memory will be located. A wink of unreality peers through some of the cracks in my works to warn those who see that something does not fit, that everything is not as it is thought, that the established world breaks down on its most fragile side, by the least thought of.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747410128879-I0NQLICQCRWJG0OKQUNE/Iced+Water_1+copy+small.jpg Home Michelle Charles London, United Kingdom @michellecharles_artist Iced Water, 2025 Paint on paper 34 × 24 in. Born in London in 1959, Michelle Charles spent her formative 20 years as an artist, making and exhibiting her work across various locations in the United States. In 2001, she temporarily returned to London due to complications from 9/11. Her work has been exhibited at Danese Gallery, Anthony Grant, John Weber Gallery, Art in General, and The New Museum of Contemporary Art, all in New York, as well as the Neuberger Museum of Art in Purchase, NY, the Lodz Biennale in Poland, and Kettle's Yard in Cambridge, UK. "Since the mid-eighties, I have made paintings and drawings of objects on various surfaces—including wooden panels, canvas, the covers of withdrawn library books, grocery bags, paper, and silk. My subjects have included crystal balls, glasses of water, glasses of milk, glasses with milk residue stains, empty glasses filled with air, light, and shadows, as well as jars of honey, bottles, flies, and soap. I have chosen items that serve as metaphors for my ideas and that are fluid and liquid enough to become paintings. Running through my work are the themes of glass, light, and containers." Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747326827697-0HFC8A0T5B1DMZAXBWAI/Fulton_Lynn_1.jpg Home Lynn Fulton Southwell, United Kingdom @lynncfulton Kiosk, 2024 Plywood, gesso 42 x 20 x 15 in. Lynn Fulton graduated from Bath Academy of Art in 1987 and after some time involved in artist-led organizations in Manchester and London went on to study at The Slade on the sculpture MFA, which she completed in 1997. She was awarded a Boise travel scholarship in 1999 and spent three months in New York. The recipient of several residencies and a 2023/24 Abbey Fellowship at the British School at Rome, Lynn Fulton has exhibited internationally. “My work is sculpture-based and comes from an interest in the overlooked or remnant that is left behind after something else has happened. I use flat materials to explore form and presence, informed by landscape and dress patterns. Landscape is a place where I find ideas that I connect with, where hidden instruction informs pattern and colour, surface describes what lies beneath. More recent work explores sculpture, which has many ways of existing folded or open, and that contains all these possibilities at the same time. This comes from a concern with the stored or passive form waiting to be activated, the potential of the storeroom. I use the offcuts of larger pieces to make smaller works. The offcut as an idea is interesting to me – it is a work in itself that has come about under very specific conditions. The conditions for the work to happen is a significant focus.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747236731756-7AKJYXG32BZONLMTVUEN/Gundersdorf_Carrie_1.jpg Home Carrie Gundersdorf Brooklyn, NY @carriegund Moncuri Cone, back, 2024 Colored pencil and watercolor on paper 28 x 22 in. Carrie Gundersdorf lives and works in Brooklyn, NY and Portland, ME. She has had solo exhibitions at La Loma Projects, Los Angeles, CA; the Museum of Contemporary Art, Chicago, IL; and Shane Campbell Gallery, Chicago, IL. Featured in group exhibitions throughout the U.S., Gundersdorf’s work has been reviewed in Art Review, Artforum, Artnet, Art on Paper, Chicago Tribune, and Time Out Chicago. She was awarded the Artadia Award in Chicago, IL, and the Bingham Fellowship to attend the Skowhegan School of Painting and Sculpture. Gundersdorf received her B.A. from Connecticut College and her M.F.A. from the School of the Art Institute of Chicago. “I connect science, craft, images, and process in my paintings and drawings. My current work explores the variety and subtle differences in the patterned surfaces of seashells. Each piece transcribes a specific shell, with the patterns conveying themes of time, growth, and impermanence. The artworks also serve as maps of their creation, as the color test swatches left on the side and the slight color shifts reveal my decisions and discoveries throughout the artistic process. Forms, patterns, and colors that serve as starting points for my compositions are sourced from photographs found in science books and online.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747326990597-KNKU9VI3JKUP87ADZHES/HALL_SHARON_2+2.jpg Home Sharon Hall London, United Kingdom @sharonhallartist Painting for a corner II, 2024 Oil on gesso panels 16 x 20 in. each panel Sharon Hall was born in the United Kingdom in 1954. She studied painting at Lanchester Polytechnic, Coventry, and Slade School of Fine Art, London. After finishing her studies, she lived and worked as a painter in Paris with a scholarship from the French Government. In 1991 she was awarded a scholarship and residential studio at the British School at Rome, Italy. In 2024, she was the recipient of the Shelagh Cluett Trust Award which enabled her to live and work in a studio at the Alice Boner Institute in Varanasi, Uttar Pradesh, India for six weeks. Her work has been featured in group and solo exhibitions in the UK, France, and Italy. She will be holding a solo exhibition at Stanza 251 in Florence, Italy in 2025. “The paintings employ a system of divisions moving away and in from the edges of the painting’s physical boundaries following an intuitive and often precarious compositional balance. Optical colour of different luminosities brings forward expressive possibilities and while essentially abstract I hope to invite a viewing experience which is about feeling and nuance beyond the simple architectonic. Shifting movement is generated through colour contrast, flux and dissonance. The work over the last few decades has been very much influenced by Italian painting traditions, especially those seen in wall paintings and frescoes where the physical materiality of surface is at play with the depicted spaces.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747250470505-P9WWVMI7A7751Z05FV4B/hayes_annie_1.jpg Home Annie Hayes Delhi, NY @anniehayesart Beer-4, 2024 Flashe, acrylic, pastel, pencil on flattened beer caddy 10 x 6.75 in. Annie Hayes earned a BFA from The University of Iowa. In 1980, she moved to New York and established a small, highly respected graphic design firm while also maintaining her studio practice and exhibiting her work. She was selected for artist residencies at Vermont Studio Center, Anderson Ranch in Colorado, and the Ellis-Beauregard Foundation in Maine, and has been awarded grants from the New York Foundation for the Arts and the New York State Council on the Arts. Most recently, her work was featured in a solo show at KIPNZ Gallery in upstate NY and a three person show at the KIPNZ temporary space in Manhattan. She has lived and worked in the Northern Catskills of New York since 1990. “I primarily work with discarded packaging that has served its usefulness in storing, transporting and displaying food and commercial goods. The connection between my work as an artist and the workers who use the boxes in their jobs to transport food is subliminal, vague and felt, not expressly spelled out. Concerns about sustainability, about over abundance, about favoring the too easily attainable “new” are subconscious drivers in my work. The paintings’ surfaces, with their brokenness, disturbed corners, tears and rips revealing the interior ask the viewer to move away from perfection and the expected and toward embracing in a new way material that has served a function that we all invariably depend on.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747327462507-0WB7OC6IJNVQSJTOTU8B/Hayes_Frederick_6_.jpg Home Frederick Hayes Brooklyn, NY @fhay_00 Gargoyle Stack, 2024 Wood, metal, LED string of lights, cardboard, turned wood, plastic propeller, rubber sole, plastic car parts, twine, clipboard, electric fan frame 35 x 25 x 19 in. Frederick Hayes is a Brooklyn-based artist working in drawing, painting, and sculpture. At the San Francisco Art Institute, he studied with Robert Colescott who suggested that he work from photographs, a practice he has maintained to this day. In 2010, he made sculptural contributions to the 3rd Street Light Rail (Art Train) in San Francisco, CA. His work was featured in solo exhibitions in Buffalo, NY and New York, NY and was included in the 2015 Kingston Sculpture Biennial and in “Black Anatomy” at the Spartanburg Museum in Spartanburg, SC. Honors include a Pollock Krasner Grant, a NYFA Artist Fellowship, and the Lillian Orlowsky and William Freed Foundation Grant and Exhibition. “The major focus of my work is portraiture and the urban environment of working-class African Americans. I work in drawing, painting, and sculpture and am interested in the imaginary conversations that I believe take place with the viewer whenever they are confronted by the gaze of the portrait as it looks out and sometimes beyond the viewer. In general, my work is informed by a certain degree of uncontrollability and the notion of the "primal other" constantly experimenting. I work within specific parameters at the start, but I always allow and seek change.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747236766345-XFETRI1424K22TGCR5MR/Hirano_Kaoru_1.jpg Home Kaoru Hirano Hiroshima, Japan @kaoru_hirano_ Web #16, 2024 Stockings Dimensions variable Kaoru Hirano was born in Nagasaki in 1975. She obtained her Ph.D. from Hiroshima City University in 2003 and has exhibited internationally, including at KUMUKUMU, New York, SCAI THE BATHHOUSE, Tokyo, POLA MUSEUM OF ART, Kanagawa, mm project, Hiroshima, and Kulturforum, Berlin, among others. She was the recipient of a SHISEIDO Art Egg Award in 2007 as well as Fellowships from the Asian Cultural Council’s Japan-United States Arts Program at ISCP, New York, and the Agency for Cultural Affairs, Japan’s Emerging Artist Overseas Study Grant, Berlin, Germany, and the POLA ART FOUNDATION's Overseas Study Program for Young Artists, Berlin, Germany. “I take threads from old cloth one by one. The cloth seems to remember the time that it was worn by somebody, or caught the rain in some city, or hung in the sky. I take the threads from the old cloth one by one. One by one. One by one. The threads taken from the cloth are tied and arranged in order. The cloth is unraveled into threads one by one and broken into pieces. The threads are no longer used as clothes or umbrellas, or flags, but are left as threads and memory. The memory is of me, my family, friends, city, country, or humanity.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747236776196-EIC9R4LENIMTVKK0A4BE/Ida_+Bryan+%2522Grandfather%2522+60x37.jpg Home Bryan Ida Los Angeles, CA @bryanida “Grandfather” The text is from Executive Order no. 9066 which established military areas excluding those of Japanese descent and establishing the internment camps., 2018 Ink on panel 36 x 28 in. Bryan Ida initially studied electronic music and sound design but when he worked as Sam Francis’ studio assistant in the mid-80s, he realized that the artistic language most natural for him was visual. He was fortunate to start painting in one of Francis’ fully-equipped studios and has been a full-time artist since. He has exhibited widely, with solo exhibitions at the Bakersfield Museum of Art, De Saisset Museum at Santa Clara University, and the Japanese American Museum, San Jose, among others. “I completed the first portrait of my ongoing series titled “con.Text” in 2017 using black ink on panel. The portrait was a response to the newly-elected president using Twitter to justify his ban on entry to the United States of followers of the Muslim religion. I rendered my neighbor, who is Muslim, using the words of President Trump’s tweets as my mark, writing the text over and over, wanting to turn words of hatred and animosity into a visual language of strength and beauty. I continued with this concept, completing another portrait based on a photograph taken by Dorothea Lange of my grandfather and his family waiting to board a bus that would take them away to an internment camp during WWII. I used the words of Executive Order 9066 that established the internment camps for Japanese Americans to render my grandfather. These were two events that occurred 70 years apart that were directly connected through me and I could feel the inspiration forming inside me.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747236784128-9YFS83EINY9P8095UYWI/Karolak_Jason_1.jpg Home Jason Karolak Brooklyn, NY @jasonkarolak Eyrie, 2024 Oil on linen 22 × 19 in. Jason Karolak (born 1974, Rochester, MI) earned a BFA from Pratt Institute, Brooklyn, NY and an MFA from The School of the Art Institute of Chicago, Chicago, IL. Recent solo exhibitions include Grölle Galerie, Düsseldorf, Germany; Morgan Lehman Gallery, New York, NY; David Shelton Gallery, Houston, TX; and the Boulder Museum of Contemporary Art, Boulder, CO. Group exhibitions include Kavi Gupta, Chicago, IL; The Landing Gallery, Los Angeles, CA; and the Museum Wilhelm Morgner, Soest, Germany. Karolak’s work has been reviewed in The New York Times, Art in America, ARTnews, and Hyperallergic. He has been awarded residencies at the Sharpe-Walentas Studio Program in Brooklyn, NY, the Saltonstall Arts Colony in Ithaca, NY, and the Josef & Anni Albers Foundation in Sinthian, Senegal. He received a Mellon Foundation Grant for his research on color. Karolak is an Associate Professor at Drew University in Madison, NJ. He lives and works in Brooklyn, NY. “I make abstract, geometric paintings as a way to process information and concrete experiences in the world. This begins with gathering and collecting, as I pull from my environment and the vernacular of the objects and design that I encounter. My research extends to interests in utopian architecture and communal societies, musical structures, screen technologies, and color phenomena. This material is digested through an iterative drawing practice where forms are reworked and clarified in multiple stages, becoming usable components or anchors within the paintings. Color is organized into floating, illuminated structures, suggesting a kind of imagined or speculative architecture, set within a projected space.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747236794723-EX3L0CYQ36DWUDIJZMZZ/Milbrets_Lauris_1.jpg Home Lauris Mīlbrets Riga, Latvia @milbrets.art DIVERSITY, 2024 Acrylic on wood 15 × 20 in. Lauris Mīlbrets (b.1979) holds a Bachelor's and Master's degree in Visual Arts from the Art Academy of Latvia and has been participating in exhibitions since 2002. Lauris has experienced two distinct phases in his career—one marked by realism and the other by abstraction. Lauris was recipient of a 2003 Latvian Unibank "Professor's Indulis Zariņš" painters award. Being selected for the Toronto Outdoor Art Exhibition in 2014 marked a significant career moment, offering exposure to a broad, diverse audience at one of Canada’s major art festivals. Later, receiving a scholarship in 2017 from the Ministry of Culture of Latvia for a residency at "Cité Internationale des Arts" in Paris allowed him to refine his practice, and broaden his creative perspective. His works are in collections in Latvia, USA, Canada, Norway, Denmark and Germany. “My abstract art focuses on signals as carriers of information and explores them through a visual language that communicates beyond literal representation. Use of shapes, lines, and colors serves as a metaphor for signals - abstract elements that carry meaning and evoke different interpretations. The dynamic arrangement of these visual components can be seen as symbolic of how signals in communication systems (whether human, technological, spiritual or natural) transmit information, influence perception, and create connections.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747327036624-PEZ9WGPL0C76NTHS5S90/Rave_Johannes_4.jpg Home Johannes Rave Stuttgart, Germany @johannesrave Balance, 2024 Watercolor 35 × 23 in. Johannes Rave, born in 1955 in Stuttgart, Germany, studied at the State Academy of Fine Arts Stuttgart from 1978 to 1986 under the mentorship of Professor Rudolf Schoofs. During this time, he developed a strong foundation in watercolor and oil painting that has remained central to his practice. Throughout his prolific career, Rave has exhibited in over 100 shows in Germany and abroad. His sustained dedication to artistic development has earned him numerous distinctions. "My current work centers on watercolor paintings on paper. For years, I have been exploring the interaction of color with different surfaces. I am particularly interested in how colors behave on various types of paper—how they merge, contrast, retreat, or assert themselves. In some pieces, tension arises from layers of overlapping color fields; in others, the colors stand independently. While I tend towards abstraction, my work often maintains associative qualities. Despite the creative freedom within my process, my goal is always clarity. Whether through calm or unrest, dynamism or reflection, the key is making clear, intentional artistic decisions. The Balance series captures the fleeting moment when equilibrium is achieved but cannot be maintained. This fragile stability lies in the nature of watercolor painting itself. Abstract forms in fragile positions are often held in place by fine lines. In this series, I translate the unbalanced world into a visual language that reveals vulnerability, yet also expresses a quiet confidence through color, clarity, and connecting elements." Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747236812843-5MOX1949DR3KMG9YBL02/Roy_Jayanta_1.jpg Home Jayanta Roy Kolkata, India @m2jayanta Waste land II, 2024 Watercolor and gouache on paper 29 x 22 in. Jayanta Roy (b. 1973) has been a Kolkata-based artist for 27 years. His primary medium is painting, though he explores sculpture as well. Roy participated in several two-person shows and curatorial projects over the last couple of decades; his most recent solo exhibition–the second one to date–was last year. He has twice received the Pollock-Krasner grant (2013 & 2023), in addition to several other awards throughout his career. What is more, Roy’s work was included in 100 Painters of Tomorrow (Thames & Hudson, 2014). “Early on, I was fascinated by American abstract painting. I was brought up in an antiquated part of Kolkata, where I was drawn to dilapidated buildings, congested neighborhoods, and old architecture. Moving to a suburb of the city in 2003 was a pivotal change that influenced my work. Indian society faced waves of cultural change due to economic liberalization and the overwhelming impact of technology. Visual and conceptual references from advertisements inspired me to shape a new vocabulary. My images became more conceptual, where ideas were more important than visual experience. The current phase in my work emerged during the uncertainties of the Covid pandemic. A form of existential irreverence reminiscent of the Dada movement challenged aesthetic conventions and cultural normativity by underscoring chance and incongruity. My recent series of works in monochrome, titled Wasteland, stylistically and iconographically builds on surrealism. I use numerous common signs, such as war weapons, guns, children’s toys, in landscapes. There is a quasi-narrative in each work that addresses aspects of current geopolitics.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747236819161-M79A94D1SGOOU4NQDJ2X/Singh_Sanjay_1.jpg Home Sanjay Singh Bangalore, India Mishap, 2024 Acrylic on canvas 48 x 30 in. Born in Purnea, Bihar, India (1963), Sanjay was exposed to local folk and tribal art that inspired and prompted him to pursue art. Initially, he completed his B.A. Hons. in Maithili literature from Mithila University, Bihar (1982). Later he obtained bachelors and masters degrees in painting at Kala Bhavan, Santiniketan, an institution founded by Nobel Laureate Rabindranath Tagore. He assisted artist K.G. Subramanyan’s murals in Santiniketan and has continued his art practice, participating in state and national level group shows since 1985, including the workshop ‘Impressions-the New India’ 1992 sponsored by TATA steel. He held his first solo show in 1999 and has since exhibited in various cities in India. “The simplicity of life at Santiniketan was of fascination to me from my student days. Sketching the streets, road side eateries, people and their activities was my routine. My literature background helped me probe deeper into the simple appearances and activities of the common man. Gradually I manipulated the compositional structures to enhance the brooding narratives. I am an observer of society. My surroundings, people, their expressions and gestures, all play an important role in my paintings. My paintings are not documentary, but a reflection of changing times. I am transferring the essence of the city, the neighbourhood, and the spirit of the times I live in. I bring forth that which is often taken for granted to the centre stage for the viewer.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747327209991-CQ662GELPQU4TYXHNQTC/Tabatabai_Hadi_2.jpg Home Hadi Tabatabai San Francisco, CA @abumisha From Blue, 2024 Polyester thread, acrylic paint and aluminum on dibond panel 24.125 x 21.625 x 1.125 in. Born in Mashhad, Iran in 1964, Hadi Tabatabai immigrated to the United States in 1977. He received a BS in Industrial Technology from California State University, Fresno, in 1985 and a BFA in Painting from the San Francisco Art Institute in 1995, spending his final semester at the Academy of Fine Arts in Prague, Czech Republic. Tabatabai’s work has been exhibited in London, Paris, Turin, Bonn, Frankfurt, and across the United States and is in numerous public and private collections internationally, including the San Francisco Museum of Modern Art. “During a trip to Vienna, I unexpectedly encountered a series of ink drawings by Agnes Martin. Although initially uninterested, the impact lingered. Six months later, at the Berkeley Art Museum, I found myself in a room with a collection of square paintings by Martin—horizontal bands of varying gray shades with pencil lines defining the edges at regular intervals. This experience profoundly affected me with its simplicity and directness. From then on, my art shifted from storytelling to mark-making—a singular narrative: the human experience. My artwork is a combination of drawing, painting, and sculpture that describes a place that is as much an idea as a physical location. I view the ‘line’ as empty space without an agenda or allegiance; it is neither here nor there. I have found that by paying attention to this tiny, subtle, yet detailed space, one is forced to turn away from the outside world and focus inward on one’s own interior space. Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747236840144-9B8PYEWXMW1LXHPP17SB/Weinberg_Michelle_1.jpg Home Michelle Weinberg New York, NY @mwpinkblue Seeing Double, 2024 Colored pencil, crayon, and graphite on paper 22 x 16 in. Michelle Weinberg’s work has been presented in solo exhibitions at ArtBridge/Studio 502, New York, NY, Outer Space, Miami, Pulp Holyoke, Holyoke, MA, Schoolhouse Gallery, Provincetown, MA, Robert Rauschenberg Gallery, Ft. Myers, FL, and Corcoran Gallery of Art, Washington, D.C., among others. In addition to many public art commissions, she has done residencies at MacDowell, Yaddo, Mass MoCA, Fine Arts Work Center in Provincetown and Corsicana Artists and Writers in TX, among others. She is the recipient of two Pollock-Krasner Awards, a NYSCA Individual Artist Grant, a NYFA Fellowship, and others. “My painting and drawing is composed of eccentric, flickering patterns that become structural, architectures or stage sets. Pastel and hothouse color, personalized geometry, and hand-painted typography all conspire to create new spaces for making thoughts visible. Much of my expression concerns the artist's studio, as a site of playful physics. The observable reality of my surroundings leaks into my pictures, creating parables of my career, a forensics of my habitual workplace tools, processes, and arrangements. The stage set metaphor is apt, as many of my invented figures migrate throughout my works like actors on a stage, disappearing here, re-appearing there. I alternate between working in fully saturated color in a painterly way on paper and canvas, and making black line drawings using carbon transfer. In these, the imagery is transferred from one side of the page to the other: a process that resembles engraving/etching, yielding half-tones/ghost images, a kind of pseudo printmaking, possibly influenced by my architect father's blueprint machine in our home.” Website https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1747236846321-H1NSG2GVPHD7RGJY3E2M/Weinberger_Uros%CC%8C_1.jpg Home Uroš Weinberger Ljubljana, Slovenia @urosweinberger N. D. E., 2023 Oil on canvas 63 x 78 in. Uroš Weinberger (born 1975, Trbovlje, Slovenia) is a contemporary figural painter. His works bring out social awareness, dealing with local and global problems that influence our daily lives. He completed a Master’s degree in painting at the Academy of Fine Arts and Design in Ljubljana, Slovenia, in 2005. He received the Prešeren Student Award (2001) and he was recipient of the highest artistic recognition for important works of art, University of Ljubljana, Slovenia (2018). His art series include Seven Sisters, Projectories, Neoanthromes, among others. He continuously exhibits in Slovenian and international galleries and his artworks are included in public and private collections. “My artworks talk about fundamental questions about the nature of the future, the future of nature and the role of man in a post-technological world. My work problematizes the use of high-tech tools for the extraction and exploitation of natural resources, the discipline of »bodies« and the management of population and mass phenomena such as birth rate, morbidity, work capacity, migrations and public safety, as well as the economic and biological segregation of »bodies«. I am currently working on transforming the image into a media surface dominated by glitches, momentary or prolonged freezes of movement that create mosaic, static surfaces and patterns, and are considered a general cliché in media expression.” Website https://www.gottliebfoundation.org/our-mission-and-goals-mojave daily 0.75 2022-06-30 https://www.gottliebfoundation.org/archivesandphotos daily 0.75 2022-08-11 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/b4e08723-4a46-4085-bdbc-67f18db839d9/1960s_Brown_EastHampton_04.jpg Archives and Photos - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1592398922929-WCKOZJM4YZFXB2Q6FO2K/1965_Polarities_Notes.jpg Archives and Photos - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.gottliebfoundation.org/grants-faq-1 daily 0.75 2023-07-13 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/5669b6ef-69f3-428d-90c2-2ef0522286c6/Adolph%2BGottlieb%2Bin%2Bhis%2BNew%2BYork%2BCity%2Bstudio%252C%2B1958 Grants FAQs - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/dff40415-ae98-4466-977a-1f4c4f921f55/provincetown.jpg Grants FAQs - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.gottliebfoundation.org/blog1 daily 0.75 2026-02-12 https://www.gottliebfoundation.org/specialexhibitionswalkthrough daily 0.75 2022-08-04 https://www.gottliebfoundation.org/monotypes1 daily 0.75 2025-09-25 https://www.gottliebfoundation.org/current-special-exhibitions daily 0.75 2022-09-06 https://www.gottliebfoundation.org/2024-grant-recipients daily 0.75 2024-05-14 https://www.gottliebfoundation.org/emergency-preparedness-and-response daily 0.75 2024-10-23 https://www.gottliebfoundation.org/in-memory-of-nancy-litwin daily 0.75 2025-03-13 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/d4b274d2-5726-445c-9b71-6f66a3026293/10_2019.jpg In Memory of Nancy Litwin - Make it stand out Doug Flamm and Nancy Litwin, October 2019. https://www.gottliebfoundation.org/draft-paintings-192039 daily 0.75 2025-01-16 https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737053962949-C0E9U9AJRS38U8G4FH8C/2101.jpeg Draft paintings 1920-39 - Portrait c. 1923 oil on canvas 23 1/16 x 17 1/8” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737054159172-2NFSY4F4F39EXHJ283WX/2502.jpg Draft paintings 1920-39 - Still Life (Gate Leg Table) 1925 oil on canvas 35 5/8 x 24 7/8” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1748445804260-55PJ7POHHET5NRRK01WC/2705_GOTTLIEB_v01.jpg Draft paintings 1920-39 - Untitled (Alex with Mandolin) c. 1930 oil on linen 19 7/8 x 16” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1748445878717-J4KU7QB6LSC4MFYTWYAI/2960_GOTTLIEB_v01.jpg Draft paintings 1920-39 - South Ferry Waiting Room c. 1929 oil on cotton 36 x 45” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737054464690-BIP28Y6XKFRTB34R8PNL/3002_GF_23_05_04_029.jpg Draft paintings 1920-39 - The Waste Land 1930 oil on canvas 22 x 34” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737053993426-WE6FGUKLJI7MMFDT32JJ/Gottlieb_3102_Esther.jpg Draft paintings 1920-39 - Esther 1931 oil on canvas 19 x 24” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737144035334-5SIOS5CERQS8NAJXMV7D/3464.jpg Draft paintings 1920-39 - Lucille Corcos c. 1934 oil on canvas 17 x 24” Collection of the National Gallery of Art, Washington, DC https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737054556074-UXT30SWYG638801DSBSD/3401.jpeg Draft paintings 1920-39 - Seated Nude 1934 oil on canvas 35 5/8 x 27 5/8” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737054672866-S6PZ7546RXOVCM6VVZT8/3410.jpeg Draft paintings 1920-39 - Noon c. 1935 oil on canvas 25 1/2 x 33 1/2” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1748445940010-TBVWOL5YFQ0Y9OF9FF03/3803_GOTTLIEB_v01.jpg Draft paintings 1920-39 - Untitled (Self Portrait in Mirror) c. 1938 oil on canvas 39 7/8 x 29 5/8” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737055092987-PW0UBEFHJR7NBA91CPBK/3704.jpeg Draft paintings 1920-39 - Untitled (Portrait - Striped Shirt) c. 1938 oil and sand on canvas 29 3/4 x 23 1/2” https://images.squarespace-cdn.com/content/v1/57e2badeb3db2be3f76272dd/1737055202718-2XIXNOSHOIQZ30OJBS65/3827_lancebrewerb.jpg Draft paintings 1920-39 - Arizona Still Life c. 1938 oil on pressed board 36 x 48 “ https://www.gottliebfoundation.org/2025-grant-recipients-1 daily 0.75 2025-05-14 https://www.gottliebfoundation.org/emergency-preparedness-and-insurance daily 0.75 2026-01-28