Gottlieb began the paintings he labeled Pictographs in 1941, when the Great Depression had not yet ended and WWII was raging throughout Europe, Africa, and Asia, and was fast approaching the U.S.
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Following are several items from our archive pointing to different moments in the relationship between Adolph Gottlieb and Clement Greenberg that lasted over 30 years.
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In Summer of 1959, Adolph Gottlieb showed an unusual group of works on paper at the Paul Kantor Gallery in Los Angeles. These had been painted in Provincetown in 1956 – a year that saw Gottlieb in one of his major transition periods…
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In 1969, the year after his solo exhibition that filled the Guggenheim and the Whitney Museums, Gottlieb completed a collection of Imaginary Landscape paintings. We wanted to take a closer look at some of the paintings created during that year.
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To offer a better sense of how he approached this project and what he learned in the process, we sent National Gallery conservator Robert Price some questions about his experience…
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The recent installation of Adolph Gottlieb’s sculpture WALL in The National Gallery on Washington DC gives us a chance to explore how the artist developed this sculpture, what was involved in its conservation, and its current installation. In this first part of a two-part newsletter, learn about how WALL was created.
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On February 14th, 1968, a major exhibition of Adolph Gottlieb's paintings organized jointly by the Whitney Museum of American Art and the Solomon R. Guggenheim Museum opens at both museums in New York City simultaneously – the first and only time this has occurred. Below are some different ideas Gottlieb considered for a poster for the exhibition…
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On October 28th, the Artists' Fellowship, Inc. honored the Adolph and Esther Gottlieb Foundation by presenting the Gari Melchers award for over forty years of service and assistance to the artist community…
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“In 1960 Adolph and Esther Gottlieb purchased a home in East Hampton, NY, adjacent to a potato field and about 100 yards from the Atlantic Ocean”
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Here’s what past grant recipients have said about the effect receiving this grant has had on their lives.
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“I brought the postcards—I thought he might enjoy looking at them, so he said, “Oh, that’s fine.” He looked at them and said, “I think I’ll do some painting.” I went to the market, and when I came back he had these postcards tacked up all over the studio.”
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Many summers for Adolph and Esther Gottlieb were spent by the water, going sailing or lounging at the beach…
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One label that might not sound familiar is Gottlieb’s "Units" paintings.
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In September of 1921, Adolph Gottlieb travelled to Europe. When he returned, he brought back some additions to his library.
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